640x480 & 720x480 black bars, export

Hello helpful friends.
I am helping out a friend: exporting his projects that are shot in 720x480 (rectangular pixels), with sequence settings set at the same. The image in the Canvas is stretched wider, with black bars on both sides, and sometimes only a black bar on the right. I duplicated the sequences in FCP, and set those sequence settings to 640x480, and while this seems to fix the way the problem in the canvas, I still cannot export these movies to h.264 without those black bars appearing. This is frustrating in that I have read all of these forums here (for hours) - and still cannot get a nice clean export. Either the images are stretched wider, or they appear in the correct aspect ratio: with the black lines. I understand the square pixel/rectangular pixel issues, and that computers only use square pixels. These video exports are intended only for web output. Here is an example of the issues I describe:
http://vimeo.com/27851942
You'll notice some clips have black bars on both sides, but most of the video only has a black bar on the right.
many thanks for your interest and help.
Cheers, Paul in Chicago

I think you missed my point here...
640x480 is nothing more than a square pixel rendition of the 720x480 source. FCP is very handy with the unsquare pixels of your source clips, so I suggest you use the DVCPro/DV-NTSC preset for the timeline.
When the 720x480 timeline looks right, your export (using current settings) will play as 640x480 in QT player with the correct aspect ratio AND the same clip will be correct in Compressor (with unsquare pixels) for transcoding.
If your images in the (720x480) timeline have black bars on one or both sides, make corrections using the tools in the Motion tab of the Viewer. Typically, if you have a black bar on one side, it stands to reason that the frame isn't correctly centered (it was shot as 720 wide, it should be 720 wide...) so center it. When I have to do this kind of "clean-up" on someone else's timeline, I usually double-click the clips in the timeline into Viewer, go to the Motion tab and click the Basic Motion reset button first thing to center, scale, and un-rotate any "accidents" from the previous editor.
If the footage you have was uncentered when it was output from another system, you can still square it up and make it presentable using the controls in the Motion tab of Viewer.
When it all looks good, I recommend you output the timeline(s) using the current settings, then use that full resolution clip as source to transcode to H.264. This will save you a lot of additional outputs from FCP.

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    Message was edited by: Duxa

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    Message was edited by: AncientNation

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    Message was edited by: skalicki`

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