Adobe Premiere Pro CS3 "The editing mode used by this project could not be loaded."

Hello-
I am encountering an issue with my Adobe Premier Pro CS3. I am trying to open up a project that another person has created on a different editing system. When I try to open, it comes up with the error "The editing mode used by this project could not be loaded. The project will be opened in Desktop mode." The next window is a Windows Explorer screen, that wants me to choose a file to open. If I cancel that, it brings up a blank looking project with no timeline or anything?
A quick comparison of systems:
Mine:
HP dc7700s desktop
Windows XP OS
Adobe Master Collection CS3
Hers:
IBM compatible laptop
Microsoft Vista
Adobe Premiere Pro CS3
Adobe Photoshop CS3
I have googled the error message, but have not found anything to fix this. I have also verified from Help - About that we have the exact same versions of Adobe Premiere Pro CS3 installed.
I need to be able to view this project on either computer. Any advice would be greatly appreciated!!!
Thank you!

>project will be opened in Desktop mode
I have never used any non-standard files, but from reading here, desktop mode is used when the video files are not standard... in one way or another, but usually pixel dimensions
What is the codec and properties of the files in that project?
Are you sure they are 100% standard?

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How to transfer the content of the video to Adobe Premiere Pro CS3 for editing ?

Hi there,
I have an old video camera that is still working. That video camera uses a Hi 8 tape. The tape is bigger that the current DV tape. The size of the tape is something like a tape cassette.
How to transfer the content of the video to Adobe Premiere Pro CS3 for editing ? Being an old video camera, the output doesn't have any firewire or USB connector. In fact the only output is has is the Yellow, Red & while connector (is this referred to as composite).
So, how do I input this Yellow, Red & White cable into the PC (or rather into Adobe Pro CS3) ?
Any established hardware/convertor to recommend ?
Thanks

Ryan,
For "composite out," only you will need an A-D "bridge" to Capture from that camera. Grass Valley/Canopus offers two really good ones, the ADVC-110 and the ADVC-300. There are others and also PCI A-D capture cards, but the Canopus units get very good reviews.
One other workflow would be to hook your older camera to a digital video camera with passthrough (not all have this and it is being discontinued fairly rapidly in consumer cameras) and then doing the Capture through that digital video camera via FireWire. You will not have Device Control, but can easily start/stop via the mouse and one hand on the switches, or on a remote.
Good luck,
Hunt

HDTV import in Adobe Premiere Pro CS3

Hi all, I am a 3D animator and I am working right now in an animation where the client wants a High Definition resolution HDTV 1920x1080. When I finish my work and make the render, I went to edit in my Adobe Premiere pro CS3 and find with surprise that that preset does not exit!!! ...so my question is: How can I do for to import my targas sequence files 1920x1080 into Adobe Premiere???...there are some free plugin that fix this problem???
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Best Regards
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You would swear this kind of things is not
in the manual. :)
Cheers
Eddie
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Adobe Premiere Pro CS3 is exporting in the wrong size

I want to export my clip I've made in Adobe Premiere Pro CS3 while choosing the option "HDV 720p24" (I've also tried 25, 30 and a few others).
It says in Video Settings before I even start to work on my clip:
"Frame Size: 1280h 720v"
Which is EXACTLY what I want.
However, whenever I choose to export my clip, it ends up being 720 x 480. That's not even 16:9/Widescreen.
I've tried entering the settings when choosing the export options, but the preset 720 x 480 can't be change.
Why is this? Is it impossible to expert a clip to be in 1280 x 720 or any other custom pixelsize I want?
Best regards, Izzy.

Hi everyone,
I apologize for digging up an old thread, but I figured that I'm experiencing this exact problem and have no idea how to work around it I might as well post in an already started topic.
I'm trying to export 1280 x 720 video to that same resolution, but Premiere Pro will not let me choose anything other than 720 x 480 for the size when I try to export through File > Export > Media. I have attempted to use multiple media formats but have had no results for what I need. If it really help, I've posted a couple of screenshots showing my current project settings, but this is just one of a few different formatting attempts which have all turned out the same:
http://www.derektoigo.com/assets/screenshots/premiereexport1.png
http://www.derektoigo.com/assets/screenshots/premiereexport2.png
Hopefully those will be enough to give you a detailed view of exactly what the problem is.
Any help with how to work around this would be greatly appreciated. Thanks to all.

Can I use Adobe Premiere Pro to convert Camcorder MOD files to MPEG?

Can I use Adobe Premiere Pro to convert Camcorder MOD files to MPEG files?

If you are on CC2014 probably not. It does not get interpreted correctly.
Premiere and previous versions does not support MOD files.
Best is to convert to avi
converio_095.htm
The first link John posted contains confusing and incorrect information.

Adobe Premiere Pro CS3 3.2.0 update

Thought I'd share a bit of information on the 3.2.0 update that will be coming out via AUM this morning. The update will come out first via AUM, then will be available on the updates page shortly after at http://www.adobe.com/downloads/updates/?ogn=EN_US-gntray_dl_updates.
The readme will also be hosted at http://www.adobe.com/support/documentation/en/premierepro/releasenotes.html.
Dave Helmly has posted about the update on his blog, as well: http://blogs.adobe.com/davtechtable/2008/04/xdcam_and_premiere_32.html#more
New in this release:
- This update adds compatibility with the Sony XDCAM range of cameras. This includes disc-based XDCAM and XDCAM HD cameras., and the newer SxS-based XDCAM EX cameras. Content from XDCAM cameras can be imported and edited natively without transcoding or conversion. This makes possible similar workflows to Panasonic P2, including the ability to edit content directly from XDCAM EX cameras.
- Note: Adobe Premiere Pro CS3 3.2.0 does not support IMX editing or XDCAM HD50 editing at this time. Export to XDCAM is also not possible.
- Adobe Premiere Pro now has presets for HDV 24p. Note: Adobe Premiere Pro does NOT support print to tape in 24p mode.
- Improved handling of MPEG streams (e.g.: HDV video), along with error detection. MPEG stream errors can occur during recording due to tape dropouts, record start/stop glitches, timecode breaks, etc. Bad frames caused by these MPEG stream errors are identified during import/indexing or playback. These frames will play back as full red frames to alert the user that there is a problem in the encoded video at that location. Adobe Premiere Pro will also log error messages to the Events panel, indicating where the error(s) were encountered in the stream. Users can open the Events panel, determine the location of the MPEG stream error, navigate to that location in the clip and take corrective action, such as trimming out the video glitch or covering up the red frames with duplicated good frames copied from before or after the glitch. Note: MPEG files will need to be re-indexed to take advantage of the improvements in Adobe
Premiere Pro CS3 3.2.0. For more information, please see Working with MPEG Files.
Notable fixes:
- Titles/Footage no longer show up as offline when reloading saved projects.
- Rendered preview files no longer missing when reloading saved projects.
- Certain filters and/or transitions are now applied correctly when reloading saved projects, until the timeline is forcibly refreshed.
- When exporting via the Adobe Media Encoder, there is no longer a long delay before the progress dialog shows and rendering resums (Mac OS 10.5.x only).
- 24p HDV clips shot on a Canon XH A1 no longer come in incorrectly as 30 fps clips.
- Creating an offline clip in the project window then attempting to link it to media on disk no longer results in the application crashing.
- QT PAL movies rendered out of Adobe After Effects® software are no longer incorrectly identified as requiring rendering in a Adobe Premiere Pro PAL project.
- DV Clips of certain specific durations are no longer incorrectly identified on the timeline as requiring rendering.
- For P2 DVCPro clips, the right-most pixel column no longer contains video garbage.
- Fixed a memory fragmentation problem that would occur with projects with many custom bin columns.
- Fixed a bug where exporting to a QuickTime movie (with QT 7.4) would crash the application.
- Selecting "display only exact name matches" when relinking clip no longer crashes on Leopard.
- Fixed an issue where 30p and 30f HDV clips would incorrectly be identified as requiring rendering in a 29.97 progressive project.

Harm,
I don't use HDV, so I'm not sure if this is the case or not, but in the top post, there is mention of having to re-index the MPEG files "to take advantage of the improvements in Adobe Premiere Pro CS3 3.2.0." While it seems this should be an automatic process, maybe wiping out the previously-created index files (I seem to remember them being in the Media Cache folder when importing MPG files from DVD rips and such) would let the project open. Or, maybe the old trick of importing an existing project into a new one? Just a couple thoughts...
To the other poster: surely, I don't jest. At least, not when it comes to anything in the video production industry and my operation in it. Long ago, I gave up expecting perfection from any particular piece of hardware or software, and just focused on being creative. That's why I got into this. I refuse to let any piece of equipment dictate what I can or can't do--I just find another way around. Funny how we managed to make it as a species and a civilization as long as we have, and now that computers are here to make our lives easier (*snort*), we're quick to raise our ire about everything that's wrong with them. That's why I will always marvel at things built long ago prior to the advent of all the technology we take for granted today.
Anyway, we're all entitled to our opinions, and I've taken this thread completely off-topic. My apologies, so...

Importing AVIs into Adobe Premiere Pro CS3 !!!

Heres what Im trying to do: We have been working on a PC Leitch Velocity Q NLE system for the past couple years and just got 2 new Matrox Axio LE NLEs with Adobe Premiere Pro CS3. We are trying to get all our old projects from the Velocity system onto our Matrox systems and not sacrifice any of the video quality. I've been thinking that the best way to do this is by compressing old projects to AVI format from the Velocity system and move them over to the Matrox using an external hard drive.
I was actually able to bring in an AVI from the Velocity system onto the Matrox yesterday using the same Velocity settings below, except that I changed the aspect to 720 x 480 and the audio sample rate to 48,000. When playing the video on the timeline in Premiere the video looked great on my computer monitor but on my external NTSC monitor all motion in the video looked a little jerky as if frames are missing. I tried importing the test clip into both Matrox uncompressed 8-bit and uncompressed 10-bit projects and had the same resulting jerky looking video. Even after rendering the clip the video looked the same. Then I tried exporting the clip to mpeg using the Matrox media encoder but saw no change in the jerky movement. Here are my project and export setting for both systems.
The AVI was made on a PC Leitch Velocity Q NLE system. My project settings on the Velocity system are;
29.97 drop frame
720 x 486 24 Bit
Interlaced field order B
Sub pixel off Cropping off
Audio:
16 sample
44 / samples / second
2 channel
Export settings are; (These are the settings I was trying the first time that didnt work. All I changed the second time was the aspect ratio to 720 x 480 and the audio sampling rate to 48.)
AVI
Frame rate 29.97
720 x 486
No Compression
Color 24 Bits
Field handling interlaced field order B
Audio:
16 sample
Sampling rate 44
2 channels stereo
Do you recommend compressing the video coming out of Velocity?
There are a couple other options other than No Compression in the export dialogue such as: Microsoft H.263 video codec, Microsoft H.261 video codec. I definitely want to maintain the highest quality possible.
Matrox Axio LE project settings
Editing mode: Matrox NTSC
Timebase: 29.97 fps
Video
Frame Size: 720 x 486
Pixel Aspect Ratio: D1 / DV NTSC (0.9)
Fields: Lower field first
Display: Format 30fps Drop Frame Timecode
Audio: Sample 48,000 Hz
Display: Audio sample
Video Rendering: Maximum bit depth is Unchecked
Previews: File format Matrox uncompressed 8-bit NTSC (tried Matrox uncompressed 10-bit too.)
I think the jerky video might be due to dropping frames but Im not sure.
Any help is greatly appreciated!

While it seems that the field order is consistent, I have seen issues where converting from clips that change field order creates this sort of problem. This is particularly obvious when converting from MJPEG codecs like Meridien or Miro/Pinnacle to DV.
What happens if you just import the files into Premiere and let it do the rendering to the project settings?

Importing video files into Adobe Premiere Pro CS3

I own a Sony Handycam DCR-SX63. When I import the movies I have taken onto my PC (Vista) they are .MPG files. When I import these files into Premiere Pro CS3 the video portion imports but the audio of that file does not. I have read all I can find and nothing seems to answer my question directly. I tried an encoder to see if maybe Premiere doesn't accept .MPG files. I converted it to .AVI file and tried to import and that gave me audio with no video. I tried opening the new project with a dozen different settings offered up by Premiere but every one I tried gave me the same outcome when I tried to import my video file.
Please. please. please help. I am pulling my hair out.
I appreciate any help given.
Thanks

First... To work with AC3 sound files in Premiere CS3, copy the ad2ac3dec.dll file from the Encore CS3 directory into the Premiere directory
Second... Read Bill Hunt on a file type as WRAPPER http://forums.adobe.com/thread/440037?tstart=0
What is a CODEC... a Primer http://forums.adobe.com/thread/546811?tstart=0
What CODEC is INSIDE that file? http://forums.adobe.com/thread/440037?tstart=0
Report back with the codec details of your file, use the programs below
For PC http://www.headbands.com/gspot/ or http://mediainfo.sourceforge.net/en
IF your files are MJPEG...
MJPEG edit with Morgan or MainConcept http://www.morgan-multimedia.com/
http://www.mainconcept.com/site/prosumer-products-4/motion-jpeg-codec-785/information-797. html

Adobe Premiere Pro CS3 - JVC 20GB Hard Drive Video Camera Difficulties

I am currently using Adobe Premiere Pro CS3. I have a JVC 20 gb hard drive video camcorder that I have currently recorded footage on. I need to either find a way to capture that footage somehow or convert the videos from .MOD files to a supported format for Adobe without the blurry pixelated quality of the video and the lack of sound on certain formats. If anyone can steer me in the right direction, your help would be appreciated! Thanks!

Read Hunt on Using MOD/TOD files http://forums.adobe.com/thread/699990

Trouble Importing MOV files in adobe premiere pro cs3

Hi,
I just bought a Canon 60D camera and I am using adobe premiere pro cs3 for the first time.
I tried to import MOV file footages made by my Canon 60D, but it says that my files are not supported.
I don't know what to do!
Can someone help me?
Thank you.

Hi All,
Let me tell you how I solved the XDV9 codec trouble on my Windows 7 system. The solution is rather stunning because I am using completely free software. First download the Shark007 codec pack for your system here: http://shark007.net/forum/Thread-Setup-and-usage . Please be aware that the codec pack installer comes with a toolbar install option so make sure you de-select this option during the installation process. After installation check the MOV tab on the "Settings Application" program. Make sure "use LAV's splitter" is selected for MOV Playback.
Now comes the crazy part... To convert the XDV9 MOV video clips just download Windows Essentials Movie Maker for Windows 7. At this moment more info about this program can be found here: http://windows.microsoft.com/en-US/windows-live/movie-maker-get-started . Again, make sure to set the right settings during installation otherwise you will be installing a lot of possible unwanted crap like Windows Live Mail, Windows Skydrive etc.
Movie Maker has quite good settings for converting (High Definition or custom settings are supported). Select your clip, or select multiple clips to create an unedited full length clip of all your clips, and then select "create movie". I used the "use recomended settings for this project" settings as it matches the source file resolution and frame rates etc. It is quite some work to convert clips like this but its the only free solution I could find so far.
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Is Premiere Pro CS3 the right program for me?

Is Premiere Pro CS3 the right program for me?
I am looking for a program that I can:
Import files that were recorded on a DVR (mp4 format)
Take two files placed next to each other on one screen and record a DVD
| | | |
| | | |
| image one | | image two |
| | | |
|______________| |_______________|
Also export the files to other file formats, AVi, MOV

Dave,
Premiere can do a PiP, Picture in Picture (basically, your PiP is one half of the frame), BUT your MP4 source is not the best to edit, especially with PP. If you had DV-AVI files, Captured in PP from a miniDV (tape) vid-cam, it would do a great job, but so would its little brother Premiere Elements, which wants the same source files as PP.
I have not used Womble, that Jeff recommends, but think that it has PiP. Ideally, you want to keep any re-compression down to a minimum, as you are already working with compressed MPEG files, and every additional re-compression WILL cause image degredation. Depending on the CODEC used to create your MP4 files, you have probably lost a lot of info already, and when you go to MPEG-2 (DV CODEC), for DVD, you'll loose even more. About the only way that I see you keeping any quality is if your MP4's are coded for Blu-Ray, and you can find a program with Smart Render, leaving them just as they are, allowing you to edit, then burning to a BD. Lot of "if's" in that.
I'd check out Womble and see if it can do PiP and if it works with MP4. If Jeff recommended it, it's very likely to do that. Juat expect a major quality hit, because you're already compressed the heck out of the image data once, and will have to do it again.
You could convert your MP4's to DV-AVI with a 3rd party program, Import them into PP, or PE, edit and then burn to DVD - with Encore in PP, or directly from PE. See above for comments on quality hit. It's those source files that are the problem. That format is meant for distribution/viewing and not for editing. The effect, however, is easy as can be. There are many tutorials on how to do it with variations, on the Web, but nearly all NLE programs want better source material to start, if any quality is to be maintained.
I'd also post on the Premiere Elements forum, as a lot of people there work with less than ideal source files, and might know of good free, or cheap, conversion programs to use. If you have the CODEC on your machine, DigitalMedia Converter can handle the conversion for you, and do it in batch. It's cheap at ~ US$45, and can batch process, but it cannot improve the quality, or get back the data lost in the first compression - nothing can.
If this is all you want to do, with the above comments on conversion first taken seriously, Premiere Elements will cost about US$100 and do it easily.
Sorry for the bad news,
Hunt

PSD lassen sich in Adobe Premiere Pro CS3 nicht mehr importieren

Wir haben seit Montag das Problem, dass sich in Adobe Premiere Pro CS3 keine PSD mehr importieren lassen. Als Fehlermeldung erscheint, dass es ein nicht unterstütztes Format sei. Am Betriebssystem liegt es wohl nicht, da das Problem auf Rechner sowohl mit WinXP als auch mit Win7 besteht. Bis Freitag lief alles wunderbar, nur am Mo. ging es nicht mehr. Weiß jemand, woran das liegen könnte?

[Entschuldigen Sie alle. Ich habe dieses Post geschrieben bevor ich bemerkte dass es gibt hier ein Deutsches Forum. Ich habe es jetzt in einem Englischen Forum auch geschrieben.]
Not a reply, but a "me too". Like Bjoern I use PPro CS3. Mine is on WinXP with all updates. I import PSD files as keying masks. I've never had a problem until this evening (27 Aug 2014). I tried to import a mask I've used many times before. And it has always worked before. Tonight PPro refused to recognize .psd as a supported file type, so it didn't show in the import folder file list. When I told PPro to show "all files *.*", it showed the file. When I selected it, PPro even showed the "import file" window, then displayed the "File Import Failure" window with Error Message: File format not supported. See the picture below.
This is a file I've imported into many previous projects with no problem whatever. In fact, I started with a project file from last year which showed the mask file in the project assets but offline! Even though the file had not been moved.
If PPro CS3 is as obsolete as Adobe claims it is, then who's been messing with it? And how can we get it "unmessed"?

Adobe premiere pro cs3 installation error

hi all
im downlaod adobe premiere pro cs3 trial version and setup it on my pc but at the first step i take this error message
i have sata hard disk 250 GB and i have more 200 GB free space and i give privillage for the setup folder but i have the same error plz help me why
note:
i have windows vista ultimate version 6.0 ( build 6000)

Create a new administrator account and login using it. Try the installation again. If it fails with the same error the download may be corrupt as Phil mentions.
Cheers
Eddie
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Adobe Premiere Pro CS3 Confusion

Hi guys,
I have very basic problem in Adobe Premiere Pro CS3. When I import video it's size is scaled down and quality is rapidly droped down. When I export it quality is very bad and my video have a black frame. How would I keep the quality and get rid of black frame?
I really need this project to be done soon, thank you very much!
Maksimilijan.
Project details:
DV - PAL
Widescreen 48kHz
30Fps

The great little utility, G-SPOT will tell you what FRAPS is Exporting. What you are seeing is a disparity between that FRAPS footage, and your Project Preset. They must match 100%. You will most likely need to set up a Desktop Project and adjust the Frame Size to match your footage.
Also, going back about a year, there were several long threads on FRAPS footage into PrPro. I would Search this forum for "FRAPS," and read. There were some good tips in those. One was quite long, and used to have some neat flight-sim screen-caps, but last time that I looked, the images were no longer up on the OP's server, so they will be missing now - the discussions were all still there.
Good luck,
Hunt

Adobe Premiere Pro CS3 image on student machines

Hello! At the beginning of the 2008/2009 school year I installed Adobe Creative Suite 3: Master Collection on some of our school computers, a media lab. All the applications work great, such as Adobe Photoshop, InDesign, etc. The one application we can't get to work for the life of us is Adobe Premiere Pro CS3. It works on my machine in my office, which is a standalone box, but for machines which have been sysprepped and imaged, it doesn't work the same. It will render videos fine if they're slideshows made from individual pictures and music. But as soon as you try to add video, Premiere either crashes, or bluescreens. Happens on any one of the 30 computers in the lab, and my computer in my office which it works perfectly on, is identical hardware. Exact same builds. Only difference is mine wasn't sysprepped and Ghosted, and I'm an Administrator.
The other interesting thing, is none of the machines will capture. Not a single one. They all show "Capture device offline", but when I plug the cameras into my machine, it picks up perfectly. So tell me, to install Adobe Premiere Pro CS3, do I need to install individually on every machine? Or is there something else I'm missing?
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Thanks! I look forward to your replies.

Some troubleshooting tips.
Cheers
Eddie
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