After exporting in Premier Pro CS6 my text flickers in the video

After exporting in Premier Pro CS6 my text flickers in the video, how do I fix it?

I have the exact same problem, but I'm actually using CC. I don't have an option for "match source high bitrate." Is anyone responding to forum questions out there?

Similar Messages

  • After Effects, Photoshop, Premier Pro CS6

    I'm new to CS and have been learning quite a few different programs over the past few months regarding post-production.  I've primarily been using Photoshop, After Effects, and Premier Pro.  I have noticed there are tons of different ways to work within and across these programs through the CS package.  Because there are so many ways to accomplish an end result, I was unsure what is the right way to edit or manipulate video footage.  For instance, if I plan on using after effects to do color correction using color finesse, or matte painting and rotoscoping, what order should I open the files and change them?  Should I start in premier and then use AE, or should I change in AE, export as a rendered file format, and then import into premiere?  I noticed not all AE changes are accepted in Premiere, which would require me to render in AE first correct? Same question goes with any changes to footage in photoshop as well. Renders always downgrade the quality somewhat and by the time I'm done applying the effects and final edit, I don't want my project to be rendered two or three times before the final render. Any advice would be great or at least a direction to look to get resources to help with my workflow issue.  Thank you

    Let's define some terms first:
    Shot: A continuous block of unedited footage from a single point of view. Also called a Take.
    Sequence: Two or more shots that that have been trimmed or cut together to tell a story.
    Scene: A continuous block of storytelling either set in a single location or following a particular character. The end of a scene is typically marked by a change in location, style, or time.  A scene can be a single shot, a simple sequence, or a combination of many sequences.
    Movie: A completed project that tells a story. A movie can be 10 seconds long, or 10 hours (re: Andy Warhol)
    The best use of After Effects is to work on a Shot, Scene or sometimes a Sequence, to composite elements, add graphics, or adjust the look (color grading) of a Shot or a Sequence. After Effects is probably the most difficult tool you could ever choose to edit a long form movie.  Dynamic link is very useful in the early stages of developing sequences. Once the sequences are approved, I will usually render the sequence to a production codec for use in the NLE. I'll talk more about codecs later.
    The best use of Premiere Pro (or any NLE) is to organize shots into a sequence or scene, and then to organize the scenes into a movie. Most amateurs try and cut a long form (over 10 minutes) movie in a single timeline. Professional editors organize each sequence in their own timeline (notice that Premiere Pro calles timelines Sequence 01, Sequence 02 etc.) and then combine those sequences into Scenes or a movie by combining the sequences into the final movie in a single timeline. In the end, this is a more efficient way of working on any project involving more than just a few shots.
    Photoshop may be used to work on shots, but it is entirely unsuited as an editing tool. Photoshop and Illustrator are primarilly used to create elements like graphics or backgrounds that are used in After Effects or Premiere as part of the story.
    The best workflow is the one that carries you to project completion with the fewest number of steps in the least amount of time. In nearly every case this means that you trim your shots into sequences in your NLE. The next step is to modify shots or sequences in a compositing program like After Effects. If you are working on individual shots in After Effects, it is almost always a good idea to give them handles. I handle is a few extra frames at the beginning and end to allow for fine tuning the edit in your NLE. Good rule of thumb is to add 30 to 60 frames.
    Let's talk now, just for a second, about rendering. You are a little misinformed about rendering.
    There are two types of codecs used to in production. The first is a production codec. This would be something like ProRez, or Animation, or even JPEG 2000, at the highest quality settings. To be classified as a production codec the rendered files must be lossless, or nearly lossless. Production codecs take up a lot of DriveSpace. Some of them will not even play back in real-time on any system. Many production houses use image sequences as their standard production format. You can render, remember, and then render again from into production codecs with no loss in quality. All you need is enough storage space to hold the files. Every production codec that I use is at least 10 bit color depth.
    The second type of codek is called a delivery codec. These are highly compressed, playback in real time on inexpensive systems, and should never, I repeat never be used in the production pipeline. Anything in the MPEG class of codecs is a delivery codec and should not be used in the production pipeline.
    Come to think of it, there is a third type of video codec. These are acquisition codecs. They are the codecs used by the various camera manufactures to record video. AVCHD, is a very low data rate codec used by consumer cameras. Other cameras from the consumer level to the pro level may use various forms of MPEG encoding. These "acquisition codecs" are not suitable for use downstream in the production pipeline at all. What I mean by that is, you should never render some original footage back to the original acquisition codec. The only exception to this rule are professional cameras and recording systems that record in lossless or raw formats right from the start.
    One last thing. Don't forget sound. Professional polished productions always use specific sound editing programs to complete the audio track. While you can do a fair job in most NLE's, you can do a much better job in something like Adobe Audition. Cutting, editing, or adjusting sound and AE should be limited to reference audio or scratch tracks only. After eEffects will do a good job of rendering a lossless audio track from a clean original, but it's one of the most cumbersome and ineffective audio editing tools ever designed. Oh wait, AE is not an audio editing tool, so it's okay with me.
    I hope this helps you along your path.

  • Having Audio Glitching Issues in Video Export from Premier Pro CS6

    I have been exporting video for the first time from Pro CS 6. The audio I am using plays perfectly in the timeline, but after exporting, when I play it back, it sounds very glitchy and it stutters quite a bit. I really hear a "digital fluttering".
    I am using fairly common H264 settings for YouTube, and have tried different formats with the same effect. The audio is 48khz at 24bit, and shouldn't be having any problems.  Its actually one song, and I am not using any of the audio from the camera footage. I haven't changed the audio at all, so it's not a conversion problem.
    I have even tried to re-marry the song in pro tools, but it just seems to have the same effect. I can't seem to find any threads that address this, except for one, and the solution was not applicable.
    Has anyone encountered this issue and figured out the solution? 
    I am not asking the box to do anything less than totally ordinary, so am a bit confused on this one.

    yes.
    here is a sample of the video and audio
    https://vimeo.com/87367096

  • Exporting in Premier Pro CS6

    I appreciate the update info on how to use the newer version of this program.  I was using CS5 and I could not figure out how to get my LR slide show to appear on the timeline screen where I can add music to the images on the timeline.  I would have been up the creek without the tutorial.
    I noted in the tuotrial that the instructor is using the CC version and suggested the when exporting, a universal choice he suggested was to use the H.264 format and 'match source high bitrate' for the preset.  My CS6 version does not show that chioce in the export screen.  If I use 'Queue" instead of 'Export' there seems to be  a match source option.  Is that the same as if I had that choice on the export screen?  If not what would be a good way to export so I can use the slide show on a windows pc?  And what is the best choice to export to a dvd?

    I have the exact same problem, but I'm actually using CC. I don't have an option for "match source high bitrate." Is anyone responding to forum questions out there?

  • Why do my photos and text disinigrate quality (appear fuzzy / blurry / lo res) in premier pro cs6?

    Premier Pro CS6 Question.....
    Why do my photos and text disinigrate quality when imported to premier pro cs6?
    I have still shots that have text and they look clean and crisp when I view them in photoshop. Why does the photo and text look so fuzzy or blurry and not crisp when I import the still files into premier pro cs6?
    Is there a setting in premier that I am setting incorrectly? That is possibly blurring my photos and text? The problem appears in both my PR file and my final exported work.
    Is there a way to retain the quality of the image and text that I see in my photoshop file?
    Note: I am not enlarging anything after import, I am reducing though, but I would think this would only make images and text sharper????
    Any help would be greatly appreciated, Im getting tired of doing all my work and delivering blurry / fuzzy / what appears to be low resolution images and text when I complete my project.
    Thanks in advance for any help offered.

    Hi Jim, thanks so much again for chiming in to my questions.
    Specs of Stills - Photoshop file - 677 x 1014px, 150dpi, 1.96M file size, 150dpi, this is the size of the file I originally imported and reduced to approx. 65%, the one sized properly in photoshop imported fuzzier.
    Sequence Settings -
    Export Settings, FLV, attached are settings.
    1. EXPORT FILTER SETTINGS...
    2. EXPORT FORMAT SETTINGS
    3. EXPORT VIDEO SETTINGS
    FINAL PROJECT IS DELIVERY OF FLV FILE TO EMBED IN INTERACTIVE FILE. Ive tried different settings for different jobs, just feel all text and photos fall apart when pulled into and exported to FLV for embedding final.
    Ive done several slideshow and video's in premier pro, have so much to learn still, Im thinking I keep diving into my projects and possibly making a total mess out of my settings for the desired final destination? is this possible?

  • Premier Pro CS6 hangs exporting

    The export function starts and after a period and % complete hangs with no error message, it never hangs in the same % complete or after the same period, I need to force quit the application to continue.
    I am running Premier Pro CS6 (6.0.5) on an Macbook Pro 2.3 i7, 16Gb memory, OSx 10.8.5. 
    I am trying to export to an HD 1080P MOV file with H.264. All video files are ProRes on an USB drive. sound tracks MP3s are on a network drive.
    I have no third party plug-ins and a 2.5hr project which has succesfull exported previously using the same settings.
    Transitions are mainly cuts and a couple of cross disolves. Video Audio is on Track 1 and is blank. Additional Audio is on track 2 with constant power transitions between songs. So nothing really complicated.
    I have checked the video to ensure no gaps in the sequence using page down through the cuts.  I have also ensured that there are no blank audio tracks by filling the gaps with a piece of blank audio.
    Does anyone have any ideas as to what could be causing the hang.
    Steve

    Hi,
    Check if the "Mercury Engine (Cuda) is ticked. If YES : untick the Mercury engine (Cuda).
    In the meantime: send a bug report to :
    http://www.adobe.com/cfusion/mmform/index.cfm?name=wishform
    The more bug reports the fastier this will be fixed

  • Does Adobe Premier Pro CS6 and After Effects CS6 support the graphic found in the new late 2012 27" iMac?

    Hi there guys! I´m very, very, VERY close to buy a full configuration iMac (the late 2012 27" model) but I have reed in different forums that Adobe Premier Pro CS6 and other applications from Adobe such as After Effects DO NOT support the graphic cards found in the new iMacs....
    is this true??????
    i really wouldn´t understad the logic behid the decission of picking a graphic card that is not supported by one of the leading video editing sofrware used today.... specially when this computer is suppoused to be an Editing Animal....
    I hope this rumor is not real..... then I can be just... really happy and get my new desktop computer and work, work, work, work
    thanks for your attention

    Hi there Daniel, thanks for paying attention to this subject. Today I got an answer from Larry Jordan from his blog (I believe he is one of the "videoguys" from http://videoguys.com and he said that actually adobe does not support those GPU that we will find in the new late 2012 iMacs. However it seems there is a way to make that work out.....
    here is his review on his new iMac, at the very botton you will see comments from people and his answers... one of the last coments is mine regarding this subject, this is what I asked and his answer:
    mGabo Jan 18, 2013 08:50Hi there Larry, I reed in your other post on your iMac that Adobe didn´t support the Nvidia graphic cards found in this model, I have been asking in forums about this and people say Adobe does supports them……Do you know if Adobe now works fine with these cards?
    Larry Jan 18, 2013 11:10When I contacted Adobe about this a couple months ago, just after the release of the new iMacs, I was told that Adobe did not support the graphics card at that time. There is, however, a workaround, which I’m hoping to write up this weekend.Larry
    mGabo Jan 18, 2013 12:28 oh! great Larry! please post the link of that article so I can follow that!many thanks
    here is the link of this article: http://www.larryjordan.biz/app_bin/wordpress/archives/2084/comment-page-1#commen t-7853
    so far I haven´t find anyone who can expalin to me how can I get these Nvidia GPUs working with adobe premier and aplications alike from adobe.

  • Can This Laptop Be Used For Premier Pro CS6?

    Developed an interest in learning to edit video but have become confused in reading all of the posts about what is the true minimum hardware requirement/setup, as compared to what is listed as System Requirements by Adobe.  Probably best to start with my initial goals.
    Here is what I was looking at doing as this journey begins:
    Purchased Creative Suite 6 Production Premium Classroom in a Book(CIB) after reading a review it would be a better start than Premier Pro CIB, which I plan on getting, if one has no experience in this field.  During research feel that I would like to become a subscriber to the Creative Cloud as there are a number of products I would like to learn and use.  Basically, I am hopeful that I may use my current laptop for the beginning of my education and further down the road look at getting a more powerful system as knowledge/skills/requirements increase.  Initial video I wouild like to work with is that received from family members smart phones and will be looking at purchasing a simple video camera for short interviews and brief presentantions.  Will likely desire uploading some completed projects to the web.
    Current Hardware:
    Laptop:  Asus N53SV
    OS: Windows 7 64bit
    CPU: Intel i7-2670QM  2.2GHz Cores=4  Threads=8
    L3 Cache: 6mb
    RAM: 6MB
    Graphics: Intel HD Graphics 3000, NVIDIA GeForce GT 540M 1024 MB
    OpenGL: 3.1.0
    Display: 1920 X 1080
    Drives: (1) HD, Seagate 500GB @ 7,200 RPM partitioned as C: 186GB with OS and programs,  D: 254GB some documents
                  E: Optical DVD-RW
                  F: USB 3 connected 2 TB Seagate GoFlex External HD
    If this laptop can be used with current hardware, I wouild sincerely appreciate any suggestions for how to best utilize what is available to begin learning Premier Pro CS6.  As I will not have any time schedules that will have to be met I can accept that this may not be the ideal system.  Just hoping it can be a start.
    If any further information is required about the laptop please let me know and Thank You for your time with this question.
    James

    JEShort01 wrote:
    That's not a bad setup at all to get started with small projects.
    We all have different budgets and patience. You may be OK with what you have. And if it seems too sluggish - your rig would be for me , the following would help Premiere Pro performance:
    - increase RAM to 16GB (about $140 per eBay pricing from a seller with high ratings a few minutes ago)
    - add another drive; my favorite choice with your laptop would be a Seagate Momentus 750gb drive installed in a NEWmodeUS.com optical bay caddy (slips into your laptop)
    Regards,
    Jim
    Exactly what I have done, and it is great.
    You can get the caddy here:
    http://www.ebay.com/itm/2nd-Hard-Drive-Caddy-Adapter-Asus-N55-N73-N43-N45-N53S-N53SV-G73Jh -G73Jw-G73Sw-/320881591179
    I had this setup for my old HP and have a caddy ready to install for my new Dell Precision as well. You can either get an external house for your DVD drive, or get an external one - they are quite cheap.
    Ulf

  • Operating system. We have Premier Pro CS6 and 32-bit Windows 7. It will not install

    Dell Laptop Latitude 6420
    Windows 7 Professional
    8GB Ram
    A user in Public Relations needs to use Adobe Premier Pro CS6. However when we tried to install it the program is grayed out and has a caution icon. If I hover over it there is a message that says it prefers 64-bit. Prefers does not mean will not work in my opinion. However it will not install.
    I read that Premier Pro is 64-bit only on another web site. Is this true? There has to be a solution.
    On the Adobe site I saw that installing CS4 Premier was the work around but you have to purchase a license key. We have already purchased Premier Pro and do not have money in the budget to purchase an older product when this one should work.
    Please help. I am under a lot of pressure to resolve this
    James

    Premiere Pro CS6 is 64 bit software and will only install on a 64 bit computer. There is no way around that.
    64-bit Windows required | After Effects and Premiere Pro CS5.5 and CS6

  • Adobe Premier Pro CS6 editing system and mov files

    We have just installed a new Adobe Premier Pro CS6 editing system with a HP 820Z (running windows 7) 18 core multi drive system.  Our production company has used many mov. files from Ponds.  We were a FCP 7.0 studio (still have the system) but the mov files won't import to our new CS6 System...  Not trying to import from the mac...have them stored on another PC.  We depend on this stock footage for production. Do I need to download a converter?  I just had to produce two spots with a still background because I could not get any of our stock mov files to work...
    Thanks much for any help!

    PP does support direct import of Quicktime files that can be played back on the system.
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    Can you playback the files with the Quicktime Player?
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  • I've Got The HDV Capture BLUES From Premier Pro CS6

    I am attempting to capture HDV footage from my Sony Z1U camera in Premier Pro CS6.  When I do so, the file type saved in my designated location is an MP3 file, which I know is not correct.  The captured footage never gets into the program, it just remains on the disk as an MP3 file type.  Then when I try to Import that file into Premier Pro from the disk, I get an error message saying "There Was An Error Decompressing Audio or Video"  Does anybody know why a captured HDV file would wind up on the disk with an MP3 type name?
    Thx.

    You scared me a bit. I upgraded from Premiere Pro CS3 to Premiere Pro CS6 and I haven't had a need to capture anything yet. So, while I do like using HDVSplit, I thought I would try capturing from my Sony HDR-FX1 just to see what happens.
    I turned off the PC, got out the camera, connected the Firewire cable (I blew the firewire port on this camera once. I will NOT do it again.)
    I started a new project. Now, the first thing I noticed was that the default is to capture DV. So I changed that to HDV.  See the image below:
    After that, it was a simple matter to capture the HDV. I dropped it on the "New Item" button to create a new sequence with the exact right properties. Then I trimmed it a little on each end. It was so cool that there was no line above the clip, meaning that no rendering was required. It never used to be so easy. I then used the Vimeo 1080 60p preset and uploaded it to Vimeo. No video or audio effects. This is how it was recorded.
    So, since it worked for me, let's see if we can get enough details from the people having trouble and see if it is user error or a bug I didn't see.
    Oh, just in case there are any Disney World fans, or anyone who just loves Christmas lights, here is what I captured.

  • Premier Pro CS6 Prompts for Creative Cloud Renewal

    Hey all,
    I just downloaded a version of Premier Pro CS6 and have a valid serial number that I purchased as a student.  After installing the program, it is prompting me to renew my CC subscription.  I got CC to test out CS6 before I bought it, but cancelled before being charged because I'm not a frequent user and couldn't justify the charges.  Has anyone else has this issue?  How can I fix it?
    Thanks,
    Andy

    Cloud takes over https://forums.adobe.com/thread/1584746 may help

  • Adobe Premier Pro CS6 domain account's home folder causes crash?

    Hello All,
    Background: We set our user’s home folder in active directory so that when things get saved to their documents folder they get saved to their network folder. This works fine, and hasn’t given us problems until now.
    Adobe Premiere Pro from the CS3 suite has worked on a Win7 64bit HP  desktop computer for some time now. Recently Adobe Premiere Pro has been installed along with the rest of the CS6 Master Suite on this machine.
    Problem: Whenever we open Premier Pro CS6 as a user that has their home folder set to the network the entire application crashes immediately.
    Solution: After some Googling and expirementing I’ve determined that the problem is the home folder. If the home folder is set to the network when the user first opens Premiere Pro, it crashes and will always crash even if the settings are changed. If the home folder is not set, Premiere Pro will not crash and never will even if the settings are changed.
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    This Drive C space http://forums.adobe.com/thread/1007934?tstart=0 discussion may help

  • I can't pay for my premier pro cs6 rental

    When i log into accounts.Adobe, my photoshop and after effects is there and theres a button next to it called manage that lets me manage it, but i can't see Premier Pro cs6. Its installed, updated and appearing in my creative cloud app on my mac . but impossible to get pay for it

    Online Chat Now button near the bottom for Activation and Deactivation problems may help
    http://helpx.adobe.com/x-productkb/policy-pricing/activation-deactivation-products.html

  • Import AVCHD video footage into Premier Pro CS6 - MAC - AUDIO MISSING!

    Hi,
    Ive been attempting to import AVCHD video footage captured on a Panasonic into Premier Pro CS6 on my MacPro. I've tried this from the camera and after copying the entire folder to my desktop. The footage is there, but has no audio! I have read loads, forums, advice, YouTube vids and Adobe manuals, trouble shooting and help, but found no simple answer to this simple issue.
    Any help would be appreciated.

    Thanks too Jeff. Sandeep's post is a simple redirect to a post on Adobe which naturally I've already read before turning to the forum. The link then sends you to another link! Info. is too light on specifics, doesn't help! I have 6.0.5 as downloaded from Adobe... no joy! All remains the same, picture but still no audio! Maybe a compatibility issue with Panasonic's HC X900... but Panasonic's website is as light on info. as Adobe. I'm off to the shop to buy FCP or Avid.

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