AJAX Feature request

Hi!
Im am just begining with HTMLDB. I love the productivity boost compared to other languages.
I am just posting to ask for a feature. I've seen impressive AJAX demos out there, and I wonder if HTMLDB will implement some AJAX facilities. Precisely, what I would love to have is a text field with autocompletion (based on an AJAX procedure with a query to a database).
I know this functionlity is already available using a select list, but imagine a select with > 1000 elements! It's completely non usable. I would like to be able to type the first letters of a customer's name and be shown a small drop-down menu (a-la select list) with only the matching ones. Typing another letter should make the list refresh. I think google has already something like this in their lab (see http://www.google.com/webhp?complete=1&hl=en).
It would be a really great improvement to the user interface of HTMLDB apps.
Is there already a way to do this? Am I missing any documentation explaining how to do it? Is this planned anytime soon?
Regards

There are some solutions (limited) posted in this forum:
search on
ac.js
or
Type ahead in drop down lists
and you will find some resources.
I agree with you. Having a standard functionality like that would be a great help.
Denes Kubicek

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    +++++++++++++++++++++++++++++++++++++++++++++++++++++++++
    This thread has been closed and is continued in this new thread here: 
    Feature Requests beyond BlackBerry OS10.3.1
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    +++++++++++++++++++++++++++++++++++++++++++++++++++++++++
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    1. If any post helps you please click the below the post(s) that helped you.
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    PIN: C0001B7B4   Display/Scan Bar Code
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    PIN: C0005A9AA   Display/Scan Bar Code
    Solved!
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  • FAQ: How do I submit a bug report or feature request or otherwise give feedback about Premiere Pro?

    The best way to submit a bug report or feature request is to use the bug-report/feature-request form.
    The Premiere Pro team doesn’t  necessarily see and record every post on every forum and social network, but we do see, record, and track every entry  through the the official feature-request/bug-report form.
    It also helps a lot if you opt into the Product Improvement Program.
    Also, be sure to use the crash reporter.
    We really do read all of the bug reports and feature  requests, and the software really does get a lot of benefit from  detailed crash reports.
    Don’t forget about contacting Adobe Technical Support or Customer  Service, too. For information on how to contact Adobe Technical Support,  see this page. (Note that you must register your product before you can open a technical support case for it.)
    If you have tried to get help from our support staff, but the service  was inadequate, I can help you to escalate your issue if you send me  your case number at kopriva at adobe dot com. You must provide me  a case number. I am not offering to solve your problem myself; rather, I  am willing to forward your information to someone if you have already  hit a dead end with our Technical Support or Customer Service.
    If you have feedback about the content of the Premiere Pro Help document,  then please add a comment at the bottom of the relevant page. You can  add comments to add information, to add links, to make corrections, or  to ask for clarification.
    If you want to keep up with the Premiere Pro team, then you can follow our blogs, Facebook page, and Twitter feed and so on.
    Oh, and I can’t resist this opportunity to remind you to update to  the most recent version of the application. Don’t be surprised when the  first thing that you hear back from us is that you need to install the  latest updates. We fix a lot of things in updates, and we don’t want to go chasing bugs that we’ve already fixed. We’ll keep you posted on our blogs, Facebook page, and Twitter feed about updates as they become available.

    Hi qwerty,
    Dun tink that creative customer support sucks cos I had been dealing with them in the past and I can say that their service are quite gd and fast. If you wanted a refund, I tink you need to contact the store that sells you the product. Dun tink creative will refund you though.

  • Lost & Found iPhone with Find My iPhone - Feature Request

    Yes I found the lost phone and I'm very very grateful for the existing feature which works flawlessly once you get a hold of it but from a real life use case, there are things that can be improved that will make it more efficient and effective. This is a summary of feature requests that I figure from the real-life use case of Find My iPhone.
    Earlier this week my friend dropped his iPhone on a cab and realize at the end of the day (he initially thought he left it at home) that it must have fell off his pocket in the cab where he can hardly remember the color of the cab let alone the license plate. Having said that I asked him if he had iCloud turned on (basically Find My iPhone in recent iOS) and so we checked. So here is where all the difficulties begin and please keep in mind that in a situation like this we're always in a hurry if not panicking.....
    1. You typically have more than 1 mobile phones:
    a.) Where its most likely different brand, model, or OS (you don't buy two identical phones) so in this case he has a Samsung Android where iCloud page can not be rendered - it throws an error. So this didn't work
    b.) You need to borrow your friend's "iPhone" to find it and not many people find it obvious that you need to download the Find my iPhone app in addition to just activating iCloud to track a phone. Thats another long step considering in some countries u have a really crappy 3G or sometimes on Edge
    c.) If you are lucky your friend have an iPhone or an iPad, you go to www.icloud.com it doesn't do anything except tell you "how to turn on icloud", download Find my Friends, and Find my iPhone.....you need a laptop browser to be able to use the tracking feature....why????? I understand that it won't work with other brands of mobile phones but these are both Apple's!!!
    2. When you realize that you have lost your phone, you don't always have your laptop or an iPad - but you always have mobile phones let it be your secondary one or your friend's. Moreover, your laptop rarely have cellular connection so even if you have it, aside from the fact that it takes you 15 minutes to boot up your laptop, you also have to find yet ANOTHER phone to tether or find a 3G card to plug in to it so it can use cellular as oppose to just wifi, and then walk around with a laptop looking for the lost phone. And laptop don't have GPS, you don't know where you are relative to your lost phone.
    3. You are trying to look for your iPhone from another iPhone (the most convenient way) but you only see ONE dot that shows your lost iPhone but not "you" who are walking around looking for it so you have to:
    1.) Open the Find My Iphone app and then see where your phone is located
    2.) Open up Google Map (sad but true, Google map is currently the preferable map) to find where you are. Why Google map? In a less developed country, google maps works a lot better in detail.
    3.) Try to find where you are relative to where the lost phone is across 2 maps and 2 different apps. But even if it was Apple map, its still 2 different apps switching back and forth.
    Yes, the idealistic case which would disregard all this is that you have 2 Apple devices logged on to the same iCloud account then you can see 2 dots but not everyone have enough of that to make it useful :-)
    4. You use to have a send message button, lock the phone, make noise, and erase the phone. Now you need to first lock the phone before you can send a message. Understand that you should always lock the phone first but when you're panicking, making the feature obvious would help
    5. Would be nice to know the "percentage" of the battery and being able to shut down all the apps, dim the screen, and etc. to maximize the battery time before the phone goes dead might be helpful.
    It was almost a miracle to get the phone back in a place like this where people tend to immediately shut down your phone and throw away the sim card once they get a hold of it. My friend was very lucky that the phone was in silent and fell into the crack of the backseat and the cab was parked outside the garage so the GPS location was absolutely precise.
    Having mentioned that, iOS7 new security feature that requires your Apple login credentials to erase or turn off Find my iPhone. My question here being it says, find my iphone can continue to display message even after erased - if that is the case will I still be able to track it as well? What if I'm the person who erased it remotely, will I still be able to display message as well as track it?

    This is a user to user community, Apple are unlikely to read your comments, if you have any suggestions that you think might enhance iCloud you can send Apple your feedback here.
    We also can't speculate on what exactly iOS 7's new security features will actually do, all that's available is what has been said so far by Apple, anyone using a developer version is forbidden to discuss it anywhere but in the developers community.

  • Feature Request - Please allow for a "classic" view option.

    Please allow for a "classic" view option like you have in Mail.  Miss the sidebar that had a list of all the calendars using.  The pop up list is not nearly as functional.  iCal in Lion may be great for touch screen users but is a step back on the intuitive scale for Mac users.
    Also, the delete / revert button are too close to the done button.  Too easy to hit on accident.

    This is a good feature request and should be submitted here: Adobe - Feature Request/Bug Report Form
    The team reviews all the requests that come in through that form. It is a guaranteed way to get your request seen while we do not always see everything that gets posted to the forums.

  • Feature Request:  Standard Keyboard Navigation in Media Browser and Project Panel

    It's been a while since I've had time to submit a feature request.  I've wanted to see this one for a while.  If you agree, please submit your own feature request here: http://www.adobe.com/go/wish/
    System Navigational Keyboard Shortcuts in Media Browser and Project Panel
    Windows (and I'm sure Mac) has a standard set of keyboard and mouse navigational shortcuts for keyboard and mouse.  I'm so used to using them in daily browsing (both in Windows Explorer and in any web browser) that missing them in the PPr Media Browser, or getting a different result in the Project Panel, is still very jarring and slows my workflow (even after having used Premiere Pro [again] since version CS4).
    I propose that the Media Browser and Project Panel should honor the OS defaults for keyboard and mouse folder/file navigation.  A few of the standard (Windows) keyboard and mouse navigational shortcuts are listed below (listed in order of most helpful to my own work):
    Moust Back Button = "BACK"
    ALT + LEFT ARROW = "BACK"
    UP, DOWN, LEFT, RIGHT = steps through the various folders within the view.
    UP, DOWN walks through the directory tree while RIGHT expands the currently selected folder and LEFT contracts that directory (twirl down, etc).
    ENTER opens a folder.
    ALT + UP = "Folder Above"
    ALT + RIGHT ARROW = "FORWARD"
    F2 Renames a folder
    ENTER "takes" that name to the clip. (current functionality used ENTER to rename a file/folder).
    ESC cancels the renaming operation.
    Pressing Enter on any piece of Media or Title, etc should take an "expected" action acording to it's context.  (i.e. ENTER on a video clip would load it inot the Source Monitor.  ENTER on a Title would open it in the Title Editor.  ENTER on a folder would take us into that folder).
    These functions exist in both Windows Explorer as well as most modern Web browsers.  When browsing files and Project folders, it's what I've come to expect.  It's muscle memory, if not intuitive.  I realize that many of these keyboard commands are already in use in other windows/panels of the application, therefore, these commands should be Panel-specific (i.e. ALT+LEFT works differently in the Media Browser and Project Panel than it does on the Timeline/Sequence).  And as always, when making such changes (i.e. changing the behavior of ENTER to F2), this set of keys should be highly configurable based on preference:
    Preference:
    checkbox:  Use OS-specific navigational keyboard and mouse commands in Media Browser and Project Panel
    checkbox:  Use the (very few) "classic" Adobe keyboard commands in the Media Browser and Project Panel
    The most common habit I find myself doing in the Media Browser is clicking the BACK button on my mouse—only to realize, yet again, it doesn't work that way in PPr.
    The most common habit I find myself doing in the Project Panel is pressing F2 to rename a folder/bin.  Of course that doesn't work.  And when I've renamed it, I press ENTER to save the name, but that only moves me to the next folder ready to rename it, too.  I also find, out of habit, I try to navigate the bins using the arrow keys and then open the bin/folder using ENTER.  Instead, my bin is asking for a new name and I hit ESC to avoid renaming it—now THERE's a shortcut that works the way it should. 
    I realize this feature may be controversial to some, since it's not the way we're used to doing things in PPr.  However, I'm sure there are just as many out there, like me, who are confounded as to why PPr has never worked with the "conventional" navigation shortcuts found throughout the rest of the operating system, be it Windows or Mac.
    If you agree with this feature request, please submit your own feature request here: http://www.adobe.com/go/wish/

    Nice ideas Jeff.
    There is a site - Flash Catalyst Wishlist/Ideas where you can post these ideas so that the community can vote on them.

  • FEATURE REQUEST: Enhanced Texture Options in FW

    Recently, a forum user was asking how to change the color of a texture in Fireworks to red or blue. In particular, he/she was struggling with attempting to apply a texture to a white object, and it wasn't showing up.
    http://forums.adobe.com/thread/1006694?tstart=0
    The question got me thinking about textures, how they're created and how they're applied. Textures are a unique and distinctive feature of Fireworks. On the one hand, the interface for textures is very simple to use and almost magical; on the other hand, it's surprisingly limited. The concept is great, but the implementation seems only half-baked.
    With this in mind, I'd like to suggest a few simple ways that textures could be made more fluid and versatile in Fireworks.
    First, a little background...
    WHAT IS A TEXTURE?
    In the world of Fireworks, a texture is basically a type of pattern that's applied to an object. However, unlike a pattern fill, textures include transparency and integrate with the existing fill content (color, gradient or pattern). They're suggestive of textures in the real world, which are often tactile and defined visually by light and shadow.
    Texture graphics are most commonly grayscale ("black and white") in GIF or PNG format. Applied within the application, the graphics are converted "on the fly" to white-on-transparency. If the Transparent option is checked, the graphic is converted into a sort of mask, making the "textured" areas invisible instead of white.
    And that's about it.
    So what if you'd like to apply a dark texture to a white object? Sorry, it can't be done. What if you'd like to apply a texture in color? It can't be done. What if you'd like to reverse or invert the pattern of the texture? Can't be done.
    Well, in fact, these things can be done, but not directly. They require workarounds such as cloning the object and placing the clone above or beneath the original, applying textures as pattern fills (instead of as textures) and adding effects like Color Fill, Invert, and Convert to Alpha, or editing the texture file directly, saving out a new copy, etc. In short, there are unintuitive ways to accomplish these goals that lead to bloated effects lists and layers or that require extra time and care.
    HOW CAN TEXTURES BE IMPROVED?
    First of all, does it make any sense that textures are applied exclusively in white? Not really. In the real world, a texture can be defined not just by light but by shadow. And even shadows can have color. This means that, at minimum, it would make sense to allow for the application of a texture in black, and, at maximum, in any chosen color.
    Secondly, textures are relative. They represent change to an existing surface. Sometimes, it might make sense to highlight the texture itself; other times, the surface around the texture. This means that being able to quickly reverse the figure-ground relationship of a texture would be a very handy feature.
    With the above concerns in mind, I've devised three 'user interface' scenarios, presented here in order of most conservative to most extreme. The first scenario is the least powerful but still doubles the number of possible outcomes (compared to the existing interface). The second scenario may be the most logical of the bunch and represents a modest evolution of the existing interface, while increasing the number of potential outcomes even further. The third scenario allows for the application of any color to a texture but also represents the biggest change to the existing interface; that said, it's also quite compact.
    Scenario 1: Invert option
    The idea here is simply to add an Invert checkbox to the existing options. Checking this option would convert white to black, allowing for the application of dark textures to white or light-colored objects. In "Transparent" mode, this option would invert or reverse the figure-ground relationship of the existing texture.
    Scenario 2: Dropdown menu plus Reverse option
    Here, the Transparent checkbox is replaced by a dropdown menu that includes 3 mutually exclusive options: White, Black, or Transparent. Checking the "Reverse" option would invert the figure-ground relationship of the texture. This scenario allows for 6 possible outcomes in place of the existing 2, and is actually more logical than the first scenario, which conflates two options.
    Scenario 3: Color picker plus Reverse option
    Here, the Transparent checkbox is removed, and in its place, a color chip/palette is added to allow for the selection of any color to be applied to a texture. (Choosing Fill: None would create Transparency.) Again, a "Reverse" option would invert the figure-ground relationship of the texture. This scenario differs most from the existing interface but is quite compact and allows for the greatest number of outcomes.
    SO WHAT CAN YOU DO?
    I've submitted a feature request to Adobe's official site:
    https://www.adobe.com/cfusion/mmform/index.cfm?name=wishform
    When it comes to bugs and/or feature requests, every vote counts. If you care about this issue, I encourage you to submit your own feature request to the above URL, referencing this post if desired. Feel free to copy and paste the feature request below or write your own. (Be aware that there is a 2,000 character limit to the "issue description" of a bug report or feature request, and the following report is very close to that maximum.)
    FEATURE REQUEST
    Product name: Fireworks
    Product Version: 12.0.0.236
    Product language: English
    *******Enhancement / FMR*********
    Brief title for your desired feature: Enhanced texture controls, including the ability to apply textures in black and/or color (instead of white), and the ability to reverse or invert texture.
    How would you like the feature to work? Three possible implementations have been outlined in this forum posting:
    http://forums.adobe.com/thread/1042206?tstart=0
    The basic scenarios are as follows:
    SCENARIO 1: An additional "Invert" option. Checking this option would convert white to black, allowing for the application of dark textures to white or light-colored objects. In "Transparent" mode, this option would invert or reverse the figure-ground relationship of the existing texture. This scenario would allow for 4 options in place of the existing 2.
    SCENARIO 2: Replace Transparent checkbox with a dropdown menu (White-Black-Transparent) and a "Reverse" checkbox. The dropdown menu offers 3 mutually exclusive options, while "Reverse" inverts the figure-ground relationship of the texture in each case. This scenario would allow for 6 options in place of the existing 2.
    SCENARIO 3: Replace Transparent checkbox with a color chip/palette and a "Reverse" checkbox. The color palette would allow for the application of a texture in any color, while choosing Fill: None would create Transparency. This scenario would allow for the greatest number of options.
    Why is this feature important to you? Textures are unique to Fireworks and potentially very useful, but their implementation is incomplete. The use of 'white only' means that textures cannot be applied to a white object. Inverting a texture or applying a texture in color requires advanced workarounds and can lead to bloat. The suggested options would make the feature exponentially more powerful and intuitive.

    Thanks, Jim! It is a very blog-like post. (I still haven't gotten around to starting a blog but keep thinking I should.)
    I figured the clearer and more thought-out the presentation, the greater the likelihood it might get implemented. Also, I was originally stuck on Scenario 1 as a solution, and writing this helped me see other options.

  • Feature request: extra Include directive in default pacman.conf

    Since arch's move to systemd, cluster administration requires less and less use of sed.  In particular, systemctl, timedatectl, /etc/sysctl.d, /etc/modules-load.d, /etc/hostname, /etc/vconsole.conf, etc. make scripting configuration changes both simpler more robust than the old approach of editing multi-purpose files such as /etc/rc.conf.
    An exception to this trend is pacman.conf, which has non-trivial default contents that almost certainly needs to be customized (e.g., to enable multilib and local repositories).  These changes would be much simpler if the default pacman.conf included a line such as:
    Include = /etc/pacman.d/conf/*.conf
    Currently my scripts use sed to insert this line at the end of the [options] section.  (Unfortunately "Include = /etc/pacman.d/*.conf" doesn't work because there's sometimes a gpg.conf file in /etc/pacman.d, but maybe that could be fixed.)
    I don't know if the forum is the right place for feature requests, but I wanted to get people's reactions.  If people think it's a good idea I can add it as a feature request to the bug tracker.
    There are several other pieces of low-hanging fruit where I'd like to see arch decrease the complexity scripting configuration (e.g., an unattended pacman-key --populate and easier customization of mkinitcpio.conf), but I figured I'd start with the simplest and gauge people's reactions.

    aweb wrote:I don't know if the forum is the right place for feature requests, but I wanted to get people's reactions.  If people think it's a good idea I can add it as a feature request to the bug tracker.
    It isn't... best to place the feedback in flyspray so it will be sure to get to the peeps that need to see it.  Welcome to Arch.

  • Feature Request: Raw-Lite for the F5/F55

    Hi Sony Staff, Here's a feature request that I've been pondering for a long time now. Raw Lite on the F5(5). Is it a possibility? I'm a huge fan of the conventional 3:1 compressed 4K 16-bit Linear Raw from the AXS-R5. It provides a supremely high quality digital negative, with as much detail and tonality as you could ever really need. However the file sizes are very large. 1TB yeilds roughly an hour of recording time. And the storage costs associated with that are enough to scare away MANY producers from shooting Sony Raw (even with all of the benefits that doing so offers).  You guys have addressed this issue nicely with the F65 by offering Raw Lite with it's 6:1 compression (which coincidentally, is a compression rate that many, many producers are content to shoot with on the most prolific raw cameras out their - the Red Epic/Dragon/Scarlet cameras). Being able to offer producers the option to shoot Sony Raw Lite, with it's massively more managable file sizes would greatly increase the uptake of Sony Raw for production - and that benefits everyone. It benefits the camera department with a superior digital negative, it benefits post-production with greater latitude for grading and VFX, it benefits producers with a superior end product, and it benefits audiences with better looking images. Given that the F65 was able to be upgraded to offer this additional raw recording option, I assume (and hope) that it's not an impossiblity for the F5(5). So I'd urge you to strongly consider this feature request, and the added appeal it would bring to the cameras as a capture choice. Cheers, Mark

    I disagree that there is little difference between 12bit and 16 bit linear raw. The difference is huge. Shadows and dark areas from the FS7/FS700 are pretty grim, lot's of noise caused by the data rounding. Besides, in terms of bit rate it's not a question of simply reducing the bit depth, you need to increase the compression. For linear raw you need 16 bits unless you do an extreme amount of data rounding. For Linear raw, if the first stop is represented by just 2 bits of data (which results in very blocky noise as noise will be one of 4 luma levels and cannot be smoothly reproduced):  stop 1: 2 bitsstop 2: 4stop 3: 8stop 4: 16stop 5: 32stop 6: 64stop 7 128 (8 bit linear limit, 128 + 128 = 256 bits)stop 8: 256stop 9: 512 (10 bit linear limit)stop 10: 1024stop 11: 2048 (12 bit linear limit)stop 12: 4096stop 13: 8192 stop 14: 16384 bitsstop 15: 32768 bits (16 bit linear limit) If you move this scale up so that the first stop is represented by using 4 bits of data you will still have pretty coarse shadows and noise (one whole f stop will only have 16 posible luma values). So rather than just use binary math most linear raw systems use floating point math to make more bits available for the shadows. But with 12bit there just isn't anywhere near the same amount of "spare" bits that you get with 16 bit, so the shadows and low key areas really suffer. Just go and look at the FS7/FS700 boards and all the compliants about unusable, grainy and blocky shadow areas in the raw. Sure raw lite would be a welcome option, but it wouldn't be one for me. The whole point of raw for me is a robust, bomb proof format that you can expose and grade as you wish without worrying about artefacts etc.  

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