Anyone here using Linux VServer with Arch ?

Hey There,
I'm writing a how-to document on the wiki.. ([url http://wiki.archlinux.org/index.php/Arch_VServer]Arch VServer[/url]) I'll do it on my machine but need to know if someone has already tried it or even using it on Arch.. I'm currently following the steps in [url http://linux-vserver.org/Installation_o … stallation on Linux 2.6[/url]..

I guess that's a no.
Thanks for adding to the wiki article though! It might encourage some people to give vserver a try.

Similar Messages

Anyone here use a DrumKAT with Garageband?

Maybe someone can help. My setup is DrumKAT (dk10) into iMac with MIDI-USB cable. My problem is when I close the HiHat with my Pintech pedal, all the pad sound start wavering with tremelo. It does not happen if I play through EZDrummer with Garageband closed, but I'll be needing to record in Garageband and I like the standard drum sounds in Garageband '09.
Does anyone have the answer as to why this is happening? Or if you have a DrumKAT and do not notice this, what is your setup?

Update, Here we are a month later. I upgraded from a DrumKAT dk10 to a 3.8. I did this because I discovered the dk10 didn't have a continuously variable hit hat control function. Well, one of the first things I did after getting lost in the complicated DrumKAT interface for a few hours, was controlling Garageband.
No boing boing with the 3.8.....however, now the hat pedal raises the note like a tympani pedal. I'm sure this is not an Apple problem, but a DrumKAT problem, but still, if anyone is using any KAT with any Apple computer, please respond.

Anyone here make a living with Photoshop?

Does anyone here make a living with PS (or close to it)? I don't really mean in combination with anything else (like a graphics arts degree, or "I use it along with these six other programs I'm an expert in, too").
From what I'm gathering, relying solely on PS for income would leave one starving, and I understand that an employer - if one isn't a freelancer - would want an employee to have multiple areas of expertise.

I'm 53 now so that made me 38 when I started using Ps. Not that far off from where you are today. All I can say is that it happened very gradually for me, first just playing around then trying to emulate what prepress houses were doing for my clients at the time on images I had shot, to finally doing small jobs myself, usually learning just enough at one time to figure out how to get that one project done.
Then after reading the early Real World books and later the Professional Photoshop series, I began to get a grasp of what it took to start to take on the responsibility of taking on projects where my contribution was a small part of a much larger budget - annual reports that cost a quarter million to print, large campaigns for public utilities that had billboards, busboards and ads all across L.A. I had to step up my game and not just be "as good" as those prepress and retouching houses that my clients used to use, I had to be significantly better. This involved not only being able to do anything they through at me but also saying yes when when they told me I could say no. It also involved learning as much as possible about digital color, digital color management and how to make digital images reproduce their best wherever and however the clients wanted to print. And that led to investment in hardware and software - tens or thousands of dollars in spectrophotometers and color management software that gave me a competitive advantage over my competition and tools that even though many print shops owned, very few knew how to use. It's that constant pushing forward and drive to improve your skills that keeps you interested in a very fascinating place in history.
There's room for anyone good, and even if you're just starting out, and somehow consider yourself mid-career, that's no reason to give up. Before you know it, you'll be able to offer services that others aren't willing to do for themselves and if you don't try to take on too much at once, you'll look back in a couple of years and ask yourself why you were so worried at the time.
There is so much more good information and better, less expensive tools readily available that it's easier today that ever before. Hell, I can remember participating in a Monday night live AOL chat where Chris Cox, the Adobe engineer was the guest and asking him when they were going to start supporting ColorSync and ColorSync profiles, to which he replied something on the order that that was not a very good direction to go in. My how things have changed.
I just finished what it probably one of the most difficult Ps jobs I've done to date - the 2010 Manhattan Wine Auction Poster - for Manhattan Beach, Ca. not Manhattan, NY. It really pushed the limits of my own capabilities, both in the actual shooting and certainly in the digital post production. Here's a link to their website which has the poster on the first page.
http://manhattanwineauction.com/
This was every bit as hard as it looks but most importantly, involved another helicopter ride, taking the doors off a Robinson 44 and hanging out over the ocean. There were three bottles of wine involved in what you see here - a bottle of two buck chuck from Trader Joe's that I drilled a 1/4 inch vent hole in to facilitate a smoother pour, an opened $400 bottle of wine for the open neck and a full bottle so it wouldn't be too transparent - all blended together to form one perfect union. The splash was from a rubber ball dropped on a fishing line into a washtub full of wine colored Kool-Aid and then the concentric ripples from a can of Dust-Off compressed air shot into the same washtube, all photographed with the Canon 1DsMKIII and a 90mm Tilt-Shift lens with a Broncolor strobe that had a 1/7500th of a second flash duration to stop the action. I populated the pier with people from alternate aerial shots and finally used surfing shots from Body Glove for the three surfers at the bottom. The final file was prepped for printing at Lithocraft in Anaheim using a custom profile I made for their press and the printed piece looked as close to what I saw I my screen as anything else I have taken to press.

Has anyone here used Premiere CC for historical documentaries and similar archival-heavy projects?

Is anyone here using Premiere CC to edit a PBS-style historical documentary? I'm thinking of an American Experience episode or something similar. Something with thousands of photos and hundreds of low-res archival screener clips that will all have to be replaced with high-res masters for the online, etc.
I ask because I work as an assistant editor for this kind of show, and all the projects I've worked on have been in Media Composer 6.5 or MC 7, or occasionally in FCP 7. But I love using Premiere when I edit my own (non-broadcast) projects. And several producers I know are wary of staying with the discontinued FCP 7, don't like FCP X, and aren't thrilled with Media Composer either. So...I'm wondering if Premiere is a viable option for us.
Please note that I do NOT want to have a general discussion or flamewar here about which NLE is "best," whether Adobe's rental system is good or bad, or whether FCP X is brilliant or a disaster. I really don't want to talk about any of that.
Instead, what I DO want is to learn from those of you who have tried it, how well in practice does Premiere CC work in this kind of project? Specifically:
1) Does it work smoothly with EditShare so multiple editors can work together?
2) How reliable and straightforward is the offline/online workflow (so that screener footage can be replaced by master footage, etc.)?
3) Associate producers and archival researchers often ask me for EDLs of the latest cut (which I clean up in MS Word to make more readable). How reliable is EDL export from a complex Premiere project?
4) We often work with online houses that rely on Avid Symphony for color correction. Is that a no-go for a Premiere project? Or is there some way to get from Premiere into Symphony? If not, is Resolve the preferred tool?
5) We typically keep a Filemaker Pro database to keep track of stills and archival footage. Can we import a lot of image metadata from Filemaker into a Premiere bin the way we do with MC 7?
5) What other issues and problems have you faced in doing this?
6) On the flip side, what are the real advantages?
Again, I'm interested in hearing others' personal experiences. I can read online a lot about how it's SUPPOSED to work. But in my experience, there are always quirks and issues that are not in the documentation that you can only learn through trial and error, or through asking here on the ever-valuable and helpful COW.
Thanks in advance!

We do - but generally with a different workflow. I can't answer all your questions but a few thoughts. ps. We mostly do short —not feature length— projects.
• For online we most often export the sequence (or a series of sequences) at PR444 with an EDL. Haven't found an online house primed for Premiere in a way that would make it easier than that. (again: generally 5-10min long projects.)
• Premiere CC 2014 is a nightmare. CC was great. But recently upgraded to 2014 and have had nothing but problems related to the app crashing. It only seems to happen on projects that include either mixed media or large files that require caching (for us .MXF files.) Haven't received any helpful advice on how to fix.
• Haven't used Avid in a while but the metadata works great for us in Premiere. The integration with Adobe Story is excellent: doc interview set-up, transcribe dialog, import into Story, synch with Premiere and: get an interactive metadata script that can be searched and clicked (word by word) to the related point in the footage.
• Have also found that the integration with AE —turning a clip into an AE composition in the timeline with one click— is one of the more flawless features. Works great for quick clean-up or adjustments to footage.
Hope this helps.

Has anyone here have any exp with Live streaming broadcasting

Good day.
Has anyone here have any exp with broadcasting a live event using Apple Mac and assoc. software?
We have our own domains, desktops etc., but we need to broadcast an event AND charge for this specific event, i.e., Pay direct, paypal or is there a service that does this???
Any advice, guidence and/or links please would help.
Thank you very much

It's "Kappy".
Here are some links I found that may help:
http://images.apple.com/server/pdfs/L31754AQTStreaming_TBfinal.pdf
http://docs.info.apple.com/article.html?artnum=75002
http://developer.apple.com/opensource/server/streaming/index.html
http://www.soundscreen.com/index.html
http://www.apple.com/quicktime/streamingserver/faq.html

Anyone here using DVDSP to author Games ???

I was approached by a few clients to produce a whole series of interactive DVD games. I own a Sonic creator and SD2000 encoder system...even though scripting in Sonic creator is fairly sophisticated, it is not enough to author highly interactive games. I freelance at a few post facility with the latest Sonic HD-DVD system with Scenarist. It's a very powerful system. I'm tempted to upgrade my Creator but it is a major and VERY expensive move. Is there anyone here using DVDSP to author highly interactive games for DVD or any other authoring app you have used that's up to par for this tak ???? Thanks.

I'm using Creator 2.1.7, it's the last update before Sonic went with scenarist as their flagship. Beleive it or not, it's still running on OS9. It's a decent system, it has serve me well but it's definitely time to upgrade.
I will meet with the company on Monday and i'll know more about the project, but just from reading the script they sent me, it seems very deep...lots of programming.
I'm new to DVDSP..actually, i just got it this weekend. I was thinking of using it to author smaller projects and get another system for the high end and HD project. It's not an easy decision as what to get since the upgrade from Creator to Sonic HD and Scenarist is over 100K !!! ouch !
Anyways, if anyone here has experience using DVDSP for authoring highly interactive games and-or using it for major titles, i love to hear some feedback. Thanks.

Does anyone here use PathFinder?

I'm not sure I spelled that right. I think it's just Path Finder. It's a substitute program for Finder. Does anyone here use it and how do you like it?

I use it if I have large amounts of File Management to do. Biggest advantages for me:
The Shelf
Tabbed Windows
But there are literally hundreds of bells and whistles on there. You can customise the look a million ways too.
But for most of the time the Finder is fine.
You can download a trial of PathFinder and try it out, you know.
Regards
TD

Does anyone here use a Novation Nocturn with Logic 8?

Hi there!
Does anyone here have a Novation Nocturn and use Logic 8?
If so, how am i supposed to get Logic to record the modulation from the Nocturn? I've written a synth line using an automapped instance of V-Station and when I play it back it will respond to changes (e.g. opening the filter) from the Nocturn. Then I arm the track and record whilst moving the Nocturn's knobs....again, i can hear the changes, but when i play it back none of the modulation has been recorded.
Logic must be receiving some sort of data because, when recording, it'll start drawing a box on the event window as a twiddle the knobs....but this just vanishes after I press stop.
Any ideas? The Nocturn seems like a great piece of kit, but it's completely useless to me unless I can record modulation from it.
Thanks in advance!

Most people use the Keyspan USB to RS-422. I'm using this one: http://www.keyspan.com/products/usb/usa28x/homepage.spml

Does anyone here use Network Solutions? (shared hosting)

I've been attempting to link to my mySQL database through the Dreamweaver interface for the purpose of writing web-based applications. I consistently get an error that indicates that some problem exists but is not specific. A colleague suggested that permission set on the mySQL server might not allow REMOTE accept to the database schema. I called Network Solutions and got a somewhat tenuous reply that perhaps their shared hosting services won't allow me to use Dreamweaver in this fashion.
Does anyone here actually use Network Solutions (in other than a VPS-mode) and is successful in connecting to their mySQL database?
(NOTE: I am able to get the phpMyAdmin application running on the Network Solutions server to connect and display the contents of the database. But the mySQL GUI applications connect and give some information but to date have not allowed me to the see the full extent of the databse information the way phpMyAdmin does.)
Any suggestions for which ISPs do allow a successful connection would be appreciated. I am told too that many folks run a local version of PHP/mySQL on their Macs (which is what I am using) and do their work locally. Has this been the predominate mode of working for most of you?

generally most people use a local testing server to do their work. the easiest way to do this on your mac is MAMP. http://www.mamp.info/en/downloads/index.html
Although macs do come ready to support php/mysql, it will make you're life much easier using mamp. simply start it up and apache php mysql are all ready to rock. test your pages in the htdocs folder and connect to mysql using the localhost connection (and make sure you pay attention to the ports... use 3306 if confusion sets in).
as for connecting remotely to a database, yes it can be done... i do it all the time with my hosting (that is not NS), and you're have to do it that way if you're working on a sql server database / asp from your mac. but for now, i'd just work locally.

Anyone here have good experience with iPhone compatible Ip Cameras?

Hi
i wanted to know if anyone here actually owns a decent camera they can recommend with a iPhone that records to SD remotely or when motion detection is activated (remotely), has night vision, an zoom tilt or simply works so good and you can use a few at the same time.
i tried a few lower end linkseys and d-links models as well as rimax fixed and wireless models, all which where a mess to set up since the software was written for PCs and some only ran on internet Explorer which does not exist on mac osx any more.
So please let me know
Cheers

How does working in wide screen seem when you want full pages?
I have a Dell 20+ (24", I think) at the office. It is 9:16 ratio and a delight to use with InDesign. I regularly compose with binding in mind, so this allows me to have pallets open and view the full spread at the same time. However, if you are needing large type on your icons and menu bars, then you will lose a lot of real estate. I'm not sure you will be able to get the full benefit I receive. I have the resolution set to the monitor's native resolution.
At home, I work with a 15" laptop (9:16) and a second monitor (4:3) that is the same width as the laptop. The second monitor is an LCD and very old (hardware age), so it doesn't do well at the same resolution the laptop does. But the laptop is shorter than the old monitor. Anyway, I do my page view on the laptop because of the better resolution. I put all my menus and pallets on the other monitor. This works well.
Tonea
Alpha Plus Learning Systems

Anyone here using Palringo?

I know Fring is available for chatting on MSN, Yahoo, Gtalk, AIM and so on but is anyone here a Palringo http://www.palringo.com/my-account/index.php user?
I discovered it when Fring wasn't available for my E71 and I got to say it's very cool. You can even join Groups in Palringo.
I just wanted to share this with you all (I'm not associated with them in anyway).
visit my blog at http://wytchecraft-blog.blogspot.com/

First download opera mini from www.m.opera.com and uc browser from www.ucweb.com
Use UC browser for downloading.
It also has lots of preloaded shortcuts to mobile websites.
-------------------If this post helped you, click on accept as solution.------------------
-----------------------------Appreciate by clicking on white star.----------------------------

Anyone here use Mushkin PC3500 lvl II to OC?

Anyone use the above stated ram in there 875 neo boards here ? its PC3500 with 2,2,2,6 timings and use the famous BH-5 chips.
If you use it or know someone that does how well does it OC on 1:1 ratio, is it as good as they say?

The Level II's are definitely great for OC'ing, but I would say that you have to look at your system as a whole before seeing what your potential for a high OC is. Also, with regards to memory, you're going to have to decide, beforehand, if you want the tightest memory timings the ram will support, or looser timings to increase stability for higher FSB adjustments.
For example, my 2.4C with the 875P-FIS2R will not allow the Mushkin Level II's to reach 250 FSB in a 1:1 ratio with optimal timings. Part of the problem, here, is that unless I *manually* select low timings, SPD will often detect the timings as 2-2-2-5. Now IMHO, *that* is one of the best indicators of how good this memory is; the fact that SPD is often not the safest setting to use for stability testing.
For me, I wanted to get the highest stable FSB setting with the opimum memory timing the Level II's support. I have to use a 5:4 Ratio to get this w/ my 2.4C, but I have no stability issues with my timings at 2-2-2-5 (8) and FSB at 250. If I remove my SB Audigy card, I've discovered I can get the FSB to 265 and still keep the memory timings at 2-2-2-6 (8), but I'm still not comfortable with losing that card for another ~200MHz.

Zenbe Lists - anyone here using it?

If anyone here is a Zenbe Lists user I have a few basic questions on which I'd appreciate some advice please. I was unable to raise these via their ticketed support form, which appears to be broken.
1. found my lists OK on my PC using my Firefox web browser. But not on my smartphone (Touch Pro 2 running Windows Mobile 6.1) using either the built-in Opera browser or the alternative MSIE 6. Is that not possible? I thought the attraction of the app was access via the web to any device?
2. Is there no Sort or Priority facility on the web browser, matching those functions on the iPad?
3. On neither iPad nor PC can I find a way to edit the name of a list, which seems a pretty basic flaw.
Terry, East Grinstead, UK
Message was edited by: Terry P

I'm using Creator 2.1.7, it's the last update before Sonic went with scenarist as their flagship. Beleive it or not, it's still running on OS9. It's a decent system, it has serve me well but it's definitely time to upgrade.
I will meet with the company on Monday and i'll know more about the project, but just from reading the script they sent me, it seems very deep...lots of programming.
I'm new to DVDSP..actually, i just got it this weekend. I was thinking of using it to author smaller projects and get another system for the high end and HD project. It's not an easy decision as what to get since the upgrade from Creator to Sonic HD and Scenarist is over 100K !!! ouch !
Anyways, if anyone here has experience using DVDSP for authoring highly interactive games and-or using it for major titles, i love to hear some feedback. Thanks.

Anyone here using an Enermax Coolergiant 480watt PSU on their K8N Neo 2 Platnium?

Hello, I just got the K8N yesterday and have have some stability issues when OCing even just a little bit.
Last night the PC crashed and I could not even get some much as a tiny fan spin out of it when turning it on...even the extra fan on the Coolergiant PSU would not so much as move a peep when I turn on the PSU....I reset the Cmos and unplugged everything and rested it for about 10 min...still nothing.
I went to sleep and woke up this morning and it fired up on the second try.
The MSI core center is telling me my 12V rail is around 11.79 and I have seen it dip to about 11.60
I know I probably did not give enough information to tell but do you think there is a chance the Coolergiant 480watt PSU just cannot handle this mobo?
I can return it to Monarch computers but really I am going to lose any money I saved if I do this...I can also try calling Enermax.
Is anyone else using the Coolergiant 480 watt PSU with their K8N Neo2 Platnium motherboard?

Here is my thought. Folding @home is simular to Prime95 in pushing a machine to it's max. I have been running F@H for six months now, 24/7 and have yet to have a single glitch. Now from all reports my MB takes a tad more juice to run than does the NVidia equiped units you guys have. So you can see why I am a proponant of the big single rail jobs for max stability.My sig does not show all my toys either so while I don't have the high end power hungry vid card I do have a few things that make the balance a tad more even.
We learned early on over in the Via area that the dual rails basically suck. I have since revised my estimate of them for some machines due to what folks have reported here. However if you want to max out on toys then you may want to go the way of the single rails while they are still on the market.
This is all about the best stability you can based the rest of the system on. Think about this a bit and maybe you will see my point.
Oh ya and I agree. Core Center lies. I have said this for almost a year now. My estimate of it is based on meter readings as well. I should dig out my scope as well just to show noise factors. However CC has enough issues that I will never use or trust it again. MBM5 is fairly accurate but it is not deadly accurate either. However you do not need deadly accuracy with these utils. So long as they are in a fair ballpark you are just fine.

Steadicam, does anyone here use one?

I was looking at a particular videographers work and niced he had extremely stead video and was obviously using a steadicam (of some type).
Does anyone here have one? Is it worth the hassle? Does it look, just, too awful in a wedding scenario?

You may find getting in and out of the vest / arm a little tedious at a wedding shoot. An option is the Steadicam Merlin which is handheld, a vest and arm are about to be released (or have just been released) to suit the Merlin and you could bye this at a later date. It's nice to have the option though of going without the vest and arm. Be aware though that long shots can be quite strenuous using these small handheld rigs.
Tip, if you do decide to purchase a vest mounted version and you usually wear a formal jacket when working weddings, wear the vest under your jacket.
You may also like to do a workshop before you buy. This will give you some idea about whether it's worth buying and if it is you'll learn a lot. If not you haven't bought an item you can't use and you have the experience to rent and use one on special occasions.
If you are in the USA Peter Abrahams << <a class="jive-link-external-small" href="http://">http://www.steadicamflyer.com/ >> runs workshops and sells Flyers.

Anyone here using Linux VServer with Arch ?

Similar Messages

Maybe you are looking for