Best environment to work with Studio 10g?

Hi !
Which environment, in your experience, do you recommend as a good and stable one to work with Oracle BPM Studio 10g ? Windows Vista ? Windows 7 ? Windows 2003 ? I know the compatibility matrix, but we are suffering some performance issues while developing Presentations (non-jsp) and executing large projects.
Many thanks in advance !
Best regards,
Matias.

Know this is something you might not want to do, but I tried large presentations using 10.3.2 and found what used to take several seconds to do in 10.3.1 now takes a subsecond in 10.3.2.
Although I'm on a Windows 7 64bit 8gb machine, I think you can get the performance you want with a 3gb machine.
Dan

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What´s the best approach to work with Excel, csv files

Hi gurus. I got a question for you. According to your experience what's the best approach to work with Excel or csv files that have to be uploaded through DataServices to you datawarehouse.
Let's say your end-user, who is not a programmer, creates a group of 4 excel files with different calculations in a monthly basis, so they can generate a set of reports from their datawarehouse once the files have been uploaded to tables in your DWH. The calculations vary from month to month. The user doesn't have a front-end to upload the excel files directly to Data Services. The end user needs to keep a track of which person uploaded the files for a determined month.
1. The end user should place their 4 excel files in a shared directory that will be seen by DataServices.
2. DataServices will execute certain scheduled job that will read the four files and upload them to the Datawarehouse at a determined time, lets say at 9:00pm.
It makes me wonder... what happens if the user needs to present their reports immediately so they can´t wait until 9:00pm. Is it possible for the end user to execute some kind of action (out of the DataServices Environment) so DataServices "could know" that it has to process those files right now, instead of waiting for the night schedule?
Is there a way that DS will track who was the person who uploaded those files?
Would it be better to build a front-end for the end user so they can upload their four files directlyto the datawarehouse?
Waiting for your comments to resolve this dilemma
Best Regards
Erika

Hi,
There are functions in DS that captures the input files automatically. You could use file_exists() or wait_for_file() option to do that. Schedule the job to run every certain minute and if the file exists then run. This could be done by using a certain file name with date and timestamp etc or after running move the old files to archive and DS wait for new files to show up.
Check this - Selective Reading and Postprocessing - Enterprise Information Management - SCN Wiki
Hope this helps.
Arun

What is the best way to work with Word documents in The InDesign CS4???

I work in Microsoft Word 2007 and all my documents have *.doc format.
What is the best way to work with Word documents in InDesign CS4???
David Blatner says to avoid copying and pasting text from Word instead of placing it (Ctrl+D).
How about pasting RTF or Text Document???
I want to make book's layout in ID CS4 and its main feature is that there is the left page with text and the right - with graphics.
So, as I understand to place the text on each page I must create for example 70 Word documents and place each item on 70 left pages???
It loks like wasting time. I sthere another way of making such layout??? What kind????

It's best to place any text.
You can have all of your text in one file and use auto-flow to add threaded text frames and pages as required (Hold down the Shift key when you click the loaded text cursor), but it's a little non-standard to have the thread only on one side of the spread from the auto-flow perspective, so you'll have to set up properly.
This is one case where a master text frame will work to your advantage. On your master page spread, add a text frame to the left page, but not to the right (or at least not threaded to one on the right -- for some other project you might actually want two independent text threads). Hold the loaded cursor over a frame on the left side of a document page and auto-flow. ID will add new spreads as necessary, but only put the text on the left side.
Peter

Best way to work with interlaced and progressive clips in the same timeline

I´m shooting with Sony MC-50E camera in 1920x1080, 50i. When importing with Log & Transfer I can work with ProRes 422 files in interlaced mode. I have to mix the footage with video screencapture which is progressive (ProRes 422). The final videos are for web only so it should end up as progressive H264 videos. I´m getting good result if exporting to H264, 1024x576 with deinterlacing enabled, but exporting to full HD gives typical interlaced lines in the picture. How can I avoid this and what is the best solution for working with both interlaced and progressive clips?

Deinterlace in Compressor using Frame Controls, Best settings. You can reconnect the deinterlaced files to your project, if you've already edited, but you may need to copy and paste the clips in your sequence to a new 25p timeline, then Remove Attributes, Basic Motion.
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The Apple T.V. preset is very good.

What is the best way to work with AVCHD 720 24p footage in FCE4.1?

Hi I have a Panasonic HMC-150 and I've been shooting 720 24p footage at 21 mbps transfer rate.
I was wondering what is the best way to work with this material in FCE 4.1? I see that in the easy set up menu they only have the option of 1440X1080i at 50 or 60 fps or 1920X1080i at 50 or 60 fps.
Also in the rates drop down menu there is only 50 or 29.97.
So I was wondering which is the best choice for 720 24p footage and will it look alright in any of them? Also is it possible to customize these settings?
And finally can you work with faster transfer rates (21mbps) in FCE?

Yikes, this is going to be tricky since FCE does not support native 24p editing.
The work around for some of us is that AVCHD material that is 24p is often recorded to disc at 60i using telecine, in which case it can be editing at 29.97 frames per second, and then detelecined afterward for final export at 23.98 fps. The problem is that I think your camera actually records real 24p - not 24p packed into 60i. When you import the material from the camera what does QuickTime report the framerate as?

What is the best way to work with mixed media in 1080 timeline?

Hi there,
I have a project shot mostly in 1080 24p but a bit of 720 24p and 4x3 30p footage.
What is the best way to work with this mixed media?
Thanks!
Steven

Hi Shane,
Ok just to recap (thanks for being patient by the way)...I have put some questions in here...feel free to write in caps to respond and we'll put this baby to rest!
1) I will work in a 1080p FCP sequence, correct?
2) HD 1080p footage captured as applepro res hq I will leave as is and work with?
3) HD 720p footage which was captured as applepro res hq. Can I just drop in 1080 timeline and let FCP do its work? Or should i run through compressor, if so what setting shall I submit it too?
4) I dont have a budget for an external hardware to convert SD to HD...should I capture my SD Beta through Final Cut and just leave and let FCP do its work? Or should I run through compressor? If so what setting shall I submit it too?
5) For for my master sequence in FCP am I not using an I-Frame format apple pro res if I am using my apple pro res hq 1080 footage as my formatted sequence? I am not sure what you mean by GOP?
6) I also found some 60p footage 1080p XDCAM compressor shot with the same XDCAM camera. I put in the 1080p 24p timeline but it was pretty choppy...any ideas of this conform?
Thanks very much for all your help it has gone along way,
Steven
Saying what CODECS you are working with was my question. 1080, 720, 4:3...really says nothing. There are a dozen 1080 codecs, another dozen 720 codecs, and nearly 100 4:3 formats.
Best to capture all the footage to one uniform codec.
Second best is to work with one format and let FCP conform the rest to that...IF and only IF that format is an I-Frame format like ProRes. GOP formats as master sequence formats cause TONS of issues.
What I'd do is work 1080 ProRes, just add the 720p footage (Use Compressor to convert it if you didn't have a lot, but if you had a lot, just add it), but I'd capture all the SD 4:3 footage via a Kona 3 or Matrox MXO2 as 1080 ProRes. Hardware conversion of SD to HD is much better than anything FCP can do. AE might do good as well. But then use Compressor to convert 29.97 footage captured (you can't convert 29.97 to 23.98 when you capture) to get to 23.98.

Does Informatica 7.1 work with Oracle 10g?

Hi All,
I have Oracle 10g (10.2.0.1.0) and I just installed Informatica 7.1. While creating a new repository in Informatica Repository Admin Console, I am getting error as:
"Unable to create the repository content. Make sure that the database connection and the license keys are correct. Check the activity log for more details."
I confirmed that the license keys are correct. The database connection is also good as I could connect using the same username/password in SQLPlus. The activity log says:
WARNING : RS_39204 [Mon Mar 22 15:05:38 2010] : (5160|5392) Bad config file [Config\infrepo-es.cfg]. Has it been manually named and placed in the Config directory? The expected name is [Config\_Yrepository_0name_Z-es.cfg].
ERROR : RS_39194 [Mon Mar 22 15:51:52 2010] : (5160|5568) Failure in running command-line request type[100401] [pmrepagent create -r "Info_Repo" -t "Oracle" -u infrep -c orcl -d "MS1252" -h sathe-3766a91ad -o 9999 -a Info_0Repo-es.lic -H "sathe-3766a91ad" -O 5001 -K 2082340862]. Error is [An error occurred while creating the repository.
I did not change anything manually,as it says in the warning. I have no idea what the error says.
My friend has Oracle 9i and he do not get any error like this. So does Informatica 7.1 works with Oracle 10g ?
Please help.
Yogini

Hi,
I found that with Oracle 10g you have to grant all DBA privileges to the repository user. This is not needed in Oracle 9i. Thats why I was getting error.
Now it works fine.
Thanks!
Yogini

Does Oracle Designer 10g work with Oracle 10g Express?

Guys:
Does anybody know if Oracle Designer works with Oracle 10g Express?
Regards,
Mike Gorman

Designer will not work on express edition of the Oracle Database. You will need the Standard or the Enterprise Edition of the Database.

What is the best way to work with avi-files?

Hallo all,
I'm new to this forum so before asking my question I'd like to say some words about myself:
I'm not a native english speaker, so please excuse language mistakes I'll possibly make and feel free to ask if I'll write something which you don't understand due to this fact.
Half year ago I bought a HD Cam from Canon (Legria HF 200) which - in my opinion - has a good quality (good enough for my hobby films), and realized that cutting HD films on Windows would require a lot of expensive high end hardware. So I bought a MacBook and Final Cut Express - a decision I'm very happy with.
After the first disastrous tries to make a small clip I bought Tom Wolsky's "Editorial Workshop for FCE" and now I'm more happy than I was before (because I've seen that you're posting here: thanks for the great book!)
But now to my question:
I have 9 old PAL DV tapes (containing family clips which I'd like to cut now) recorded with my old JVC, which has a FireWire port only. Unfortunately my MacBook doesn't have such, so I have to capture to DV avi using a PC with Pinnacle Studio.
1.) The avi files are very large (between 13 - 18 GB). Because I'm not able to recapture due to the missing FireWire port I'd like to archive the material on an HDD. How should I convert the AVI to make it smaller without a great loss of quality but keeping the ability to use it in FCE (especially when reconnecting after creating the subclips from the original)
2.) I'd like to keep the whole captured tape content as master clip and work with subclips from it. Yesterday I converted such an AVI to Film using QuickTime (the size didn't change noticable) and used the DV-Start/Stop detection. Unfortunately that didn't work correctly - some of the markers have been set in the middle of the shots instead as expected exactly between them. Should I do this on the original AVI file to make it work? And if, is it possible to reconnect the subclips created this way to a MOV created from the original AVI?
3.) On the PC I get an xml file containing the correct position data of the subclips (as timecode, if I remember correctly). Is it possibly, to use this data in FCE to mark subclips? Maybe by putting it manually into an xml project file or something similar?
4.) Or is there any other way to solve my problem?
Sorry for the big post and thanks in advance,
André

You're welcome, and thank you for the reply.
2) Yesterday I made the subclips with the In-Out Points and Command-U, the benefit is that I've seen the clip before naming it. Now I'm using markers, it's benefit is that I can write comment and (the later) clip name at once, the drawback is that I have to view to the next shot's beginning before knowing what the shot contains.
But now I found out that I can reconnect my clips independently to the format I converted the master clip to. I reconnected the media to the original AVI file and it worked, too! The more I work with, the more I'm sold on it... - although it doesn't seem to be able to read and use the date information within the DV AVI.
1) Ok, I tried something similar within FCE. Just worked, but the file size still remains. Which codec settings should I use? Is the export to DV in MOV with a quality of 75% acceptable for both file size and quality? Or would be encoding as H.264 with best quality an option for archiving, knowing that I have to convert it back to DV if I (maybe) wan't to use it for editing later? Or anything else?
Thank's in advance again,
André

Best practices for working with large placed bitmap images?

Hey all,
I need some advice on the best way to approach building these files. I've been working on some banners that are very large: 3 x 7 feet.
Each banner has a simple vector graphic treatment at the top and bottom (rectangle with a different colored rule on top, and vector logo) and a small amount of text, just a URL and a headline.The headline is type (not converted to outlines) and usually has some other effect applied to it, say a drop shadow or outer glow. Under these graphics is a full bleed image. The placed images need to be 150ppi at actual size, so they're honking big, sometimes up to 2GB. Once the layouts are approved, they have to go to a vendor for output.
The Illustrator docs are really large, and I've read in other threads how to combat that (PDF compatibility, raster settings). But even still, does anyone have any insight into the best way to deal with these things? The dimensions are large, and then the images are large, and it just makes for lots of looking at the spinning ball of death...
If it were me, I'd build them in InDe, but the vector graphics need to be edited for each one, and I so don't like to do that in InDe unless forced. To me, it's still ultimately a page layout app, not a drawing app. (Old school here.)
FYI, our machines are all MBPs with 8G ram and the latest Intel Core 2 Duo chips, 2.66 and 2.8GHz. If we keep the files local (as opposed to working on the server) it should be fairly zippy... No?
Any advice is appreciated, thanks!

You can get into memory trouble with very large placed pdf files. Tiffs too.
This has to do with the preview, which contains much more information than you need for working with.
On the other hand if you place EPSs and take care not to turn on overprint preview you can get away with huge files.
If you do turn on overprint preview your machine will slow down a lot and the file may become totally unmanageable.
Compare this with to InDesign where you can control the quality of the preview. A hi-res preview will slow you down and most often you don't need it anyway.
I was working (in Illie) the other day on much larger files than you mention – displays for whole walls – and had some considerable trouble until I reverted to the old EPS format. They say it's dying but it ain't dead yet .

What is the best way to work with a large amount of data?

Assume you have a big text file to work that you need to store and work with, what would be the best way to do that?
I will be adding / removing a lot of elements so I really want to stay away from array resizing overhead.
I don't want to step on any toes here, but would binary trees / linked lists in C++ be a better solution?

Assume you have a big text file to work that you need
to store and work with, what would be the best way to
do that?Parse it into a database. Then use SQL to manipulate.

Best way to work with large image sequences

Hello,
Im relatively new to Adobe CS4. I am learning to create detailed animations with another software that produces thousands of still images. (I normally save them as .png, 720 x 480, 29.97 fps) I spent the money to buy CS4 becuase I was told this was what I needed to turn those images into video, add titles, captions, credits, etc. So far, I've been useing PremierPro to import the image sequences and add titles. But when I export the sequences, the quality is crap. I've tried all combinations of exporting formats, but even when I try to go for the greatest quality, my files are 100 MB large, and the quality is still crap (nice smooth lines are jagged, and details are blurry and pixilated, even with the titles I added). Can someone tell me how I should be working with these still image sequences so that I can retain the best quality while keeping the file size large. These videos are just played on local computer systems, not over a network or on DVDs. I dont know if I should be bringing the shorter clip sequences into AfterEffects and somehow exporting those. I just dont know. But nothing is working for me. Help!
Nikki

Hello!,
The output frame size has so far been the same as my rendering size (720 x 480), but I's just trying to get the best quality, if I need to render larger I can. Delivery has so far just been video, no audio, although when I get better at this I will record narrations of the animations and put that in. Playback is intended only for computers. Every once in a while, it is requested in a format that will be played over our network, but I wanted to worry about that later.
The preset I chose for the sequence was the DV-NTSC Standard 32kHz
The project/sequence settings are:
General
     Editing Mode: DV NTSC
     Timebase: 29.97 fps
Video
     Frame size: 720, 480 4:3
     Pixel Aspect Ratio: D1/DV NTSC (0.9091)
     Display Format: 30 fps Non-Drop-Frame Timecode
Audio
     doesnt matter
Video Previews
     Preview File Format: NTSC DV
     Codec: DV NTSC
     Maximum Bit Depth
Hope that was the information you requested.
Nikki

Best way to work with Word documents?

Hi! New Mac user, bought a Mac Pro, tired of Windows many faults. I work a lot with texts, documents, and I'm used to Word. And working with colleagues in a Word world..
What is the experience of compatibility? Is iWork functioning good enough for receiving, changing/editing and returning documents, or should one have Windows installed in parallell, with the original Word programme? And same question about presentations - PowerPoint versus/interchangeable with Keynote?

OpenOffice 3.1
Virtual environment for Windows, but I wouldn't touch Parallels. Fusion or Sun's VB.
iWork '09
http://discussions.apple.com/category.jspa?categoryID=253
http://www.apple.com/support/iwork/

Best laptop for working with after effects

I need a laptop for work with adobe after effects and some others. Anyway I need laptop wich will not cost more than 1400€ and which will have inside intel core i7, 4 GB of memory or more and Nividia graphic card. Somthing more pls dont say the apple is the best beacuse i dont like it very much.
Thanks.

4GB is a rather small amount of RAM for working with After Effects. If you can get a computer with more RAM, I recommend doing so.
For After Effects CS5, the graphics card (GPU) doesn't matter as much as RAM and CPUs, so focus on RAM and CPUs first.
In general, a laptop is not going to give you the same performance as a desktop computer of the same price. If you need a laptop, fine; but don't be surprised when performance isn't as good as you might like.

Environment for working with web dynpro

Hi All,
I am new to web Dynpro and would like to work on this. Please let me know what software i need to install to work on web dynpro. PLease provide all the necessary information.
Thanks,
Ramana Kishore.

Hi. THere are two flavors of webdynpo, you have the java side, and the ABAP side? Which do you want to work with?
For the java side, you will need to download and install a Netweaver Sneak Preview Java system as well as the Netweaver Developer Studio. The studio is the IDE which you will use to create your webdynpro applications, you then deploy to this java system to run the app.
For the ABAP side, you will need to download and install the Netweaver Sneak Preview ABAP system. Of course the IDE here is SE80 in the ABAP system. Webdynpro is built directly into SE80.
You can download all of this good stuff here on SDN at the following link.
https://www.sdn.sap.com/irj/sdn/downloaditem?rid=/library/uuid/cfc19866-0401-0010-35b2-dc8158247fb6
The ABAP system is on the far right.
You can also check out the help on both.
http://help.sap.com/saphelp_nw04s/helpdata/en/77/3545415ea6f523e10000000a155106/frameset.htm
http://help.sap.com/saphelp_nw2004s/helpdata/en/15/0d4f21c17c8044af4868130e9fea07/frameset.htm
Hope this helps.
REgards
Rich Heilman

Best environment to work with Studio 10g?

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