Can't get the C3 multiband compressor to work

I've got Garageband 3, a ChannelStrip demo version and Inspector plug-ins and I've just downloaded the C3 compressor and put it in hd/library/audio/plugins/components and it doesn't come up as an AU in Garageband. What am I doing wrong??? Help.

Thank you Christoph.
About understanding the concept of compression, I am finding little info. Many online resources suggest starting with Apple's four presets, but when i look for info on what those presets mean, I find zero so far.
YOU NOTED
And as for the presets of the compressor: They are just that - presets that are offered to you, but of course you can change every slider to your taste. Before you try your luck with the MultiBand, try to understand what a single compressor does (the AUDynamics processor or a third-party).
OK....but for me starting with those 4 presets might be easier than the more technical ones in the beginning since I will have a general idea if what they are supposed to do and can do. I also have a tough time with technical explanatins I have seem. I tend to be a bit "learnig disabled" with left brain things like math (failed it consistently in high school 35 year ago). But knowing why they called them "Fast and Smooth" "subcontrol" "analog" and "gentle" can help me understand if they apply to a certain desired music type, track versus mix, instrument, music genre. Once I userstand why Apple stuck them there and what the recordist is thinking when he or she choose them, it may be easier to get into it deep enough to be meaningful. I am an acoustic musician so am not sure how much some of the more esoteric settimgs might apply to me.
CHRISTOPH'S COMMENTS
Very clear!!!!
There's 3 ways your voice can go "into the red":
- Clipping on recording. YES. "Manual compression!!!" That is what I do. The question proabbly arose because I submitted a song to someone who does mastering as a practice. I know genearlly why he had trouble. I recorded it on Garageband knowing even less than I do now. So I had reverb too high on the voice, and I mixed reverbed voice back into another track to add "texture". He, understandably, could not help as he could not separate the tracks. That is likely where the clipping or peaks created problems as I understand in my layman's terms. Now I know I need to get the basic tracks down better and to avoid overdoing it....
I attach his message to me with my comments at the bottom as it might help understand what is behind my confusion about compressors.
- Clipping on the track's meter. You can turn down the volume of the track, but then you might sound too soft in other passages. That's when you want to use compression on that track only. Try the built-in compression slider, but the effect might be too subtle. Use the AUDynamics control, the MultiBand is better suited for mastering the final mix.
---> So I understand I have to learn compression if I want to make judicious use of it, but still I am not sure what the terms mean---even the one with the four pre-sets. The mastering guy says he does not know APPLE's terms. His are below in the pasted part.....
---As for your other questions:
I never heard that adding reverb or delay will help bring out a voice.
Sorry, what I meant is what the mastering guy mentions below about the balance between the instruments and the voice. But then I guess my problem was the sound in the first place on each track being messed up with two much reverb. Nothing could fix that.
If interested, the song (in its original unmastered messed up form) is available in an MP3 format which might reveal the problems:
GO DOWN YOU BROKEN OLD SHELL OF A MAN
http://www.soundclick.com/pro/view/01/default.cfm?bandID=538684&content=music
(second song from top)
----What a compressor does is not primarily affecting the level of a track, but lowering the level of the peaks. It then has an overall volume slider which you can use to bring the level of the track up or down.
I see....
This what the matering guy said--->
"First, the beginning and end of the song had significant noise issues with the guitar. In addition, the noise wasn't "constant". This causes problems when doing noise reduction from a specific noise sample, because you have to
use different settings for the noise reduction for different parts of the song. You also can't get noise samples from the middle of the song, so the noise reduction isn't as accurate. I ended up editing the song into different sections and using different types of noise reduction on each section. If I tried to "remove" the noise you lost too much ambience and
the song sounded "dull".
----> THIS WAS MOST LIKELY THE RESULT OF JUST ADDING REVERB TO A COPY OF THE VOICE AND MUSIC TRACKS...PROBABLY I HAVE LEARNED MY LESSON ABOUT OVERDOING IT.
MOST IMPRTANT PART WAS HERE--->
"The relative levels of the music and vocal were off. The vocal was in general too loud, and needed/needs compression during mixing to control it. This will allow you to properly set the levels relative to each other.....
"I used a lot of different compressors and compression techniques in your song. I needed to control the vocal peaks without smothering them, and I wanted to avoid compressing the guitar parts so they wouldn't loose any volume. I also wanted to bring the guitar parts up in level (make them
louder). Unfortunately, all these compression techniques raise the noise floor, making the noise issues a lot worse.
I would suggest that you re-mix the song and:
1. Compress the vocal so you can mix in with the other instruments better.
I CAN UNDERSTAND THIS.. IT WILL HELP THE OTHER INSTRUMENTS STAND OUT.
I will post the next part of his message in a new note so I can focus attention on the things he says.
Thanks!

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    Then click on clean up selected
    Close the window
    Download and install Creative Cloud App from below link
    Free Creative Cloud | Download Adobe Creative Cloud free trial

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