Color Management-Looking for registry setting

We have 100 people in our office. Currently, in order to enable color management, we have to go into each person's Bridge Center Color Management Color Settings panel, select our custom color settings file and hit apply. That takes care of 1 out of 100 people.
How can we automate this process...
We would like to create a script that sends a custom color setting file to individual user's stations. Does anybody know the registry setting that controls synchronization of settings on a user level?
Thanks,
Dan

Dan,
Did you ever find such a mechanism? I am looking to do pretty much the same thing. I can get the .CSF file to the workstations no problem, but I need to set the apps to look at it for their Color Settings. My guess is that there is a registry settings somewhere, but for the life of me I cant find it.
Matt

Similar Messages

Bridge Color Management Issue - Looking for Registry setting

We have 100 people in our office. Currently, in order to enable color management, we have to go into each person's Bridge Center Color Management Color Settings panel, select our custom color settings file and hit apply. That takes care of 1 out of 100 people.
How can we automate this process...
We would like to create a script that sends a custom color setting file to individual user's stations. Does anybody know the registry setting that controls synchronization of settings on a user level?
Thanks,
Dan

Dan,
Did you ever find such a mechanism? I am looking to do pretty much the same thing. I can get the .CSF file to the workstations no problem, but I need to set the apps to look at it for their Color Settings. My guess is that there is a registry settings somewhere, but for the life of me I cant find it.
Matt

Best Color Management Settings for Web in CS3

I've seen tons of info on what color management settings can be used in CS3, but most seemed to favor work for printing. I'm just wondering what settings people think are best for color and B&W photo web work in particular... I already have both the monitor and PS set for 'sRGB IEC61966-2.1', but other than that, there seems to be a lot of opinions. I just want everything to have the best chance of looking the same on other comps as it did on mine. I also have Proof Setup set to 'Monitor RGB'.
Thanks,

1. Calibrate (I use ColorVision's Spyder http://aps8.com/spyder.html , but any hardware calibration device will be better than calibration by eye).
2. Set the Working Space to sRGB.
3. Set the Color Management Policy for RGB to Convert to Working to be sure you are converting content to sRGB. (2 & 3 addressses pfigen's concern about making sure all images are sRGB.)
4. Make sure your monitor is set to use the ICC profile generated by the calibration device.
5. Turn off Proof Colors.
6. Embed profiles or not, but if you do use the sRGB profile. Whether it gets used or not is another story.
As far as B&W, pfigen suggests Gamma 2.2, which would seem to be right for PC. Mac users might consider Gamma 1.8.
This should work well for most situations, but guaranteed consistency is an impossible task at this point.

When I try to reset my iPad mini it keeps asking for a passcode! have tried restoring, connecting to iTunes and looked for the 'set up as new iPad' notification, but nothing is working? can anyone help please?

I know my passcode is correct but when I try to reset my iPad mini it keeps asking for a passcode! have tried restoring, connecting to iTunes and looked for the 'set up as new iPad' notification, but nothing is working? can anyone help please?

If the iPad was running iOS 7, iCloud: Find My iPhone Activation Lock in iOS 7
http://support.apple.com/kb/HT5818
How can I unlock my iPad if I forgot the passcode?
http://www.everymac.com/systems/apple/ipad/ipad-troubleshooting-repair-faq/ipad- how-to-unlock-open-forgot-code-passcode-password-login.html
iOS: Device disabled after entering wrong passcode
http://support.apple.com/kb/ht1212
How can I unlock my iPad if I forgot the passcode?
http://tinyurl.com/7ndy8tb
How to Reset a Forgotten Password for an iOS Device
http://www.wikihow.com/Reset-a-Forgotten-Password-for-an-iOS-Device
Using iPhone/iPad Recovery Mode
http://ipod.about.com/od/iphonetroubleshooting/a/Iphone-Recovery-Mode.htm
Saw this solution on another post about an iPad in a school environment. Might work on your iPad so you won't lose everything.
~~~~~~~~~~~~~
‘iPad is disabled’ fix without resetting using iTunes
Today I met my match with an iPad that had a passcode entered too many times, resulting in it displaying the message ‘iPad is disabled – Connect to iTunes’. This was a student iPad and since they use Notability for most of their work there was a chance that her files were not all backed up to the cloud. I really wanted to just re-activate the iPad instead of totally resetting it back to our default image.
I reached out to my PLN on Twitter and had some help from a few people through retweets and a couple of clarification tweets. I love that so many are willing to help out so quickly. Through this I also learned that I look like Lt. Riker from Star Trek (thanks @FillineMachine).
Through some trial and error (and a little sheer luck), I was able to reactivate the iPad without loosing any data. Note, this will only work on the computer it last synced with. Here’s how:
1. Configurator is useless in reactivating a locked iPad. You will only be able to completely reformat the iPad using Configurator. If that’s ok with you, go for it – otherwise don’t waste your time trying to figure it out.
2. Open iTunes with the iPad disconnected.
3. Connect the iPad to the computer and wait for it to show up in the devices section in iTunes.
4. Click on the iPad name when it appears and you will be given the option to restore a backup or setup as a new iPad (since it is locked).
5. Click ‘Setup as new iPad’ and then click restore.
6. The iPad will start backing up before it does the full restore and sync. CANCEL THE BACKUP IMMEDIATELY. You do this by clicking the small x in the status window in iTunes.
7. When the backup cancels, it immediately starts syncing – cancel this as well using the same small x in the iTunes status window.
8. The first stage in the restore process unlocks the iPad, you are basically just cancelling out the restore process as soon as it reactivates the iPad.
If done correctly, you will experience no data loss and the result will be a reactivated iPad. I have now tried this with about 5 iPads that were locked identically by students and each time it worked like a charm.
~~~~~~~~~~~~~
Try it and good luck. You have nothing more to lose if it doesn't work for you.
 Cheers, Tom

Can't access Color Management options for HP 6700 under Mac OS 10.8.5 (Mountain Lion)

Hello.
I've got the HP Officejet 6700 Premium e-All-in-One and I can't find any way to access Color Management options.
The printer is attached (Wi-Fi) to my iMac running Mac OS 10.8.5 (Mountain Lion).
I want to correct a magenta cast to photographs that I've printed. I've had the magenta-cast problem under Lightroom and using Preview to print the photographs, so now I want to work with color profiles in Photoshop Elements.
Photoshop Elements recommends that I "disable color management in the printer preferences dialog".
However, I'm not able to find color management preferences for the 6700 in any of the settings under Mountain Lion:
Not under (Apple) > System Preferences > Print & Scan.
Not under (HP Utility) > Open Embedded Web Server.
Not under (HP Utility) > Printer Settings.
Not under Preview's print dialog.
Nor can I find any clear direction in the online help (at HP or elsewhere) that I've read so far.
Any suggestions would be most appreciated.
Thank you!
Michael
This question was solved.
View Solution.

Please note that in the Print dialog I get "Color Matching" not "Color Management."
Still, I am (at this point) able to control color from Photoshop Elements, so that's good enough to proceed.
Thanks again.

Color management settings for the best print output

Color Management while Printing has been one of the challenging areas which has been discussed a lot over user forums and has been a painful area in terms of clear understanding while taking print outputs.
Here is an easy-to-understand KB (Knowledge Base) article ‘Color management settings for the best print output’ to help you get the best from your printers using PSE and bridge that knowledge gap.
This article explains color management in Photoshop Elements, how to get better prints, and addresses some of the following issues like horizontal/vertical streaks in print output, too dark or too light print output, ICC profile problems and Color differences between prints from PSE and other applications.
Thanks,
Garry

Thanks Noel.
Yes have shared in PSE forum as well. But I usually drop such posts on PS General forum so community moderators as well as our power users who mostly use both PS or PSE or are aware about can communicate to their students, audiences etc.
The idea is to reach out the message to as many as folks via relevant forums. Most of my otehr posts have found mentioned only on PSE forum.
Thanks for the feedback Nice to hear such a great feedback within 5 mts of publishing
Regards,
Garry

Need color management settings for photoshop version 8.0

I need to reset the color management settings for photoshop 8.0. Can someone let me know what are the correct defaults?

Probably the most commonly used is "North American Prepress 2" but which you choose depends entirely on the kind of work you are currently doing.

Photoshop CS3 color management "Save for Web" problem

This problem is getting the best of me.......
After spending 3 full days researching this problem, I am no closer to finding an answer than when I started. I still cannot produce a usable image through the "Save for Web" feature of Photoshop CS3. I have read web page after web page of "Tips, Tricks and Recommendations" from dozens of experts, some from this forum, and still I have no solution... I am exhausted and frustrated to say the least. Here's the simple facts that I know at this point.
I have a web design project that was started in PS CS1. All artwork was created in photoshop and exported to JPG format by using "Save for Web". Every image displays correctly in these browsers (Safari, Camino, FireFox and even Internet Explorer on a PC).
I have recently upgraded to PS CS3 and now cannot get any newly JPG'd image to display correctly. My original settings in CS1 were of no concern to me at the time, because it always just worked, and so I do not know what they were. I have opened a few of my previous images in CS3 and found that sRGB-2.1 displays them more or less accurately. I am using sRGB 2.1 working space. Upon openning these previous image files, I get the "Missing Profile" message and of course I select "Leave as is. Do Not color manage". CS3 assumes sRGB-2.1 working space, opens the file, and all is well.
The problem is when I go to "Save for Web", the saturation goes up, and the colors change. The opposite of what most people are reporting. Here's another important point... new artwork created in CS3 does exactly the same thing, so it's not because of the older CS1 files.
I have tried every combination of "uncompensated color", "Convert to sRGB", "ICC Profile", etc. while saving. I have Converted to sRGB before saving, and my monitor is calibrated correctly.
I have tried setting the "Save for Web" page on 2-up and the "original" on the left is already color shifted before I even hit the "Save" button. Of course, the "Optimized" image on the right looks perfect because I am cheating by selecting the "Use Document Color Profile" item. Why do they even have this feature if doesn't work, or misleads you?
Does anyone have any ideas what could be happening here? Why is this all so screwed up?
CS1 worked fine out of the box.
Final note: I do have an image file I could send along that demonstrates how it is possible to display an image exactly the same in all 4 of the browsers I mentioned with no color differences. It is untagged RGB and somehow it just works.
I am very frustrated with all of this and any suggestions will be appreciated
Thanks,
Pete

>> First of all... I'm using an Adobe RGB image master... I open it and get the Profile Mismatch Screen... I choose Use Enbedded profile... all looks well. Next I go to Proof Setup > Monitor RGB... again all looks well, no change that I can tell.
This has further confused the issue on several points, not the least of which version PS you are doing this with?
>> AdobeRGB> Convert to Profile > Working Space sRGB-2.1... all still looks well... but now, when I go to Proof Setup > Monitor RGB... I see the insane oversaturated look that is driving me nuts.
That is your strongest clue...it sounds like you have a bad system or bad monitor profile. To rule out the monitor profile: Set sRGB as your monitor profile in System Prefs> Displays> Color.
>> Adobe RGB image master... I open it and get the Profile Mismatch Screen... I choose Use Enbedded profile... all looks well. Next I go to Proof Setup > Monitor RGB... again all looks well
That doesn't make sense, stripping an embedded AdobeRGB profile should desaturate the color in Softproof MonitorRGB, especially the reds -- you have something wacky going on there.
At this point I think you need to review the links and get a grip about how color management and profiles work...
BTW, forget about setting ColorSync in PS COlor Settings, use Adobe ACE.
MO,
I think SFW is fixed under CS3 :) By default it Converts to sRGB and strips the profile.

Problem: Color Management/Save for Web on Wide Gamut Monitor

Hi,
I've got a problem with color management - I thought I understood it, but it seems as if didn't. So I'm trying to kindly ask for help.
I'm printing, and also trying to save an image for Web.
My setup:
- Win 7, CS 5
- Calibrated Wide Gamut Monitor (eizo cg223w)
- Photoshop set to ProPhoto (I don't want to start a discussion adobergb vs prophoto)
- Save for Web and Devices, Embed Color Profile, Convert to SRGB
- Viewing in Firefox 3.6 with Color Management enabled
Problem:
Image: http://dl.dropbox.com/u/311345/luchs-1024.jpg
If I compare the file in Firefox and Photoshop, the Firefox presentation is slightly more saturated - and I have no idea why.
I thought it should work with the above workflow.
Here is a screenshot where you can clearly see a difference (Note: the additional over-saturation here is caused by the wide gammut monitor when taking screenshots, in reality its not as dramatic as that): http://imgur.com/MFPbU but you can clearly see the difference.
I would be very very thankful for any pointers what I'm doing wrong in my workflow!
Thanks in advance,
Christoph

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ch_bla wrote:
- Monitor calibrated
- Edit under ProPhoto RGB, 16 bit raw files
- Save for Web and Devices, Embed Color Profile, Convert to SRGB
Is this the preferred way?
It's a reasonable and correct way to do it, assuming you want to embed a profile in the images.
Since at least in some browsers and cases the colors selected within the HTML elements must match image colors, one can sometimes make a case for not embedding any profile at all, but that's really looking backwards. Browsers are moving forward toward not only managing colors in images but also in the HTML elements themselves. If you want your images accurately portrayed in as many places as possible you're doing the right thing looking forward.
Personally I embed the sRGB profile in my web images, as you are doing. And I check things primarily with IE and Safari.
Unlike you, I prefer to edit using the sRGB color space, but that's just personal preference. I find it more convenient to use File - Save As instead of File - Save For Web & Devices, and I get caught by gotchas less often this way. Your preference ensures you don't lose any colors at the extremes of the gamut while editing and it could easily be argued that that's better, depending on what image products you produce.
As for the article you mentioned, anyone who would set their preferred working space to Monitor RGB or use Proof Colors in normal editing is asking for trouble, and may not understand color management at all.
-Noel

Color managed workflow for web and camera raw

I recently calibrated my monitor and was wondering what is the preferred workflow for the web? I shoot with my camera in sRGB and my working space in Photoshop is sRGB aswell. The problem that has arised now is that the color managed colors in Photoshop are way different than the non-color managed in my web browser. Is this normal? And what I don't quite get is how a photo that has an embed sRGB profile looks the same in Firefox (that understand embed profiles) and Photoshop, but in Google Chrome (that does not recognize embed color profiles) shows the colors very differently, although the browser should understand the photo is in sRGB by default and show the same colors that are in Photoshop, right? So what happens here, because the colors are not the same? What information does Photoshop assign to the embed color profile that makes the colors so different?
Anyway, I assume the problem here seems to be my newly calibrated monitor profile. The only way I can get the same colors to my photo in Photoshop and to a photo in web is to use soft proofing set to my Monitor RGB AND save without a color profile. Is this the way to go? But here comes another problem. I shoot in RAW and use camera raw to edit my photos. Camera Raw doesn't allow soft proofing, so I'm stuck with these color managed colors that are so different from non-color managed colors I get in my browser that any color correction in Camera Raw is simply useless. Unless everyone was using color managed browsers and I could start to use fully color managed workflow, but that's not the case I suppose. So, what's the solution here?

First off, you need to be working in sRGB, or converting to sRGB when you save out files that are destined for the web. You can change the color space that Camera Raw (ACR) send your raw files to by clicking the blue text in the bottom center of the ACR window. This is probably that safest workflow for you until you get a handle on color management. If the color of your images is very important, you might consider embedding a color profile in them, which will help color managed browsers render your color properly.
If your display's color gamut is different than sRGB (many are), you'll find matching colors for non-color-managed browsers to be impossible. But consider the average display and take heart. The best you can do is correct to a standard and hope for the best.
Both the convert to sRGB and embed color profile options are in the save for web dialogue box.
More about the ACR workflow options here:
http://help.adobe.com/en_US/Photoshop/11.0/WS739D7239-24A7-452b-92F9-80481C544F25.html
More about matching colors for the web:
http://help.adobe.com/en_US/Photoshop/11.0/WSB3484C68-ECD2-4fa4-B7CC-447A5FE86680.html
http://help.adobe.com/en_US/Photoshop/11.0/WSD3F5E059-4F51-4b44-8566-13B854D3DF5F.html
http://help.adobe.com/en_US/Photoshop/11.0/WS0B3CD652-4675-44be-9E10-445EB83C60BA.html

Proofing colors in LR3, Color Management, look in sRGB

Hello,
I´m quite new to LR3 but am fimilar with color management. Using WIN7 I like the LR3 workflow, but have problems or don´t fully understand it´s CMM. I already did a search, but didn´t really find what I was looking for.
I found that LR3´s internal profile/gamut is ProPhotoRGB. That´s not generally bad since ProPhotoRGB displays all color a digital camera can reproduce. If you like to use that gamut for the complete workflow why not!?
What if I like to produce images for publishing on a web site for example or like to give these photos to people that don´t use a CMM system. I should use sRGB then, no question!
So the problem with LR3 is that it can export as sRGB, but the file converted to sRGB looks different from that what I see in LR3 on my even well calibrated EIZO CG241 display. That´s also easy to understand since the gamut is compressed/clipped after the conversion.
Best would be to force LR3 to use sRGB in the complete workflow so that I see the sRGB result even in the adjusting process. This would be like Photoshop set to a sRGB proof.
I find proofing to be very important for an professional software or workflow. Converting douzens of photos is of low use when colors are off. This happens when adjusting in ProPhotoRGB and converting to sRGB. The look is different, even when you reduce the saturation in the adjustment process. So no predictable results.
I don´t find a possibility to switch LR3 to use a different profile from ProPhotoRGB as internal profile. Has anyone tried to copy/rename the OS´s internal installed sRGB profile to ProPhotoRGB to make LR3 work with sRGB as standard profile? Does that work, I didn´t try yet. Is there another way to get the final sRGB look while editing. This all should be possible with a professional software!
Regards,
Ron.

No you cannot change the internal color space. And I don't think you need to.
What you need is soft proofing. But, unfortunately Lightroom does not have any sort of soft proofing yet. Let's hope LR4 finally gets there.

One Managed Bean for a set of pages

Can I have one Managed Bean (request scope) for a set of pages using Creator? Or should I have one Managed Bean for each page?
Thanks in advance,
Juan

Hi,
Please take a look at the following threads:
http://swforum.sun.com/jive/thread.jspa?forumID=123&threadID=51481
http://swforum.sun.com/jive/thread.jspa?forumID=123&threadID=54165
http://swforum.sun.com/jive/thread.jspa?forumID=123&threadID=51912
Hope this hepls
Regards,
Rk.

Correct Settings in Windows 7 Color Management Module for laptop LCD

hey guys!! I use a 14 inch laptop for editing Photographs. so I want to make sure if my LCD's Color is correct or not. on Windows 7/8/8.1 there is option call "display calibration",can any one tell me which setting will be best.
Thank u

Noel:
I have custom calibrated with an Eye-One puck. I was just searching around looking for a way to verify that indeed the profile was in place, concerned that it might not be, and came across this advice in the links attached to my first message. But my ultimate goal was to verify that indeed I had my monitor profile in place.
After reading through the links, although I did tick the "Use Windows Display Calibration" I did not push the "Calibrate Display" button, recognizing that this leads to a visual calibration routine. In the links I attached, and also:
http://www.pusztaiphoto.com/articles/colormgmt/win7/default.aspx
the authors are suggesting that ticking the "Use Windows Display Calibration" is a necessary step to ensure that your custom profile is loaded and remains loaded. Although I admit that this seems illogical (hence my question) the author of the article linked above asserts that checking this box does not relate only to a visual calibration via the "Calibrate Display" button. Indeed, in referring to the Microsoft description of this module, where it says that"Windows profile loading" should only be used in conjunction with the visual calculation function his advice his is to "[i]gnore it," indicating that the people who wrote the help article misunderstood its function.
And, as noted above, after trying this I did notice a profile shift with my custom calibration in place, so it did pique my curiosity. In the last analysis however my ultimate goal is to know that my custom profile is properly loaded.
Any thoughts on what is the best way to do that?
Thanks,
Brian

Color management workflow for beginners..

I am making a movie. I have several hundred clips, shot over a period of almost 5 months. Indoors, outdoors, morning, afternoon, mid day etc. I have gained experience with my Panasonic HMC 151 over the months, and during this time used a variety of settings. I will also use still photos, and use some computer generated graphics made in Daz3D Carrara. All in all - I have a lot of material which look very different.
When layering my clips in After Effects, I want to do it right, and not paint myself into a corner.
When compiling my scenes (compositions) I also want to do it "right".
Most important to me is to get a coherent look and feel. This is the main priority. Later I might wish to change the overall color if I find out I want my movie to look more like a movie than a "video show". For example, I have shot some scenes late in May at noon, ans some scenes in the afternoon in September, and they belong to the same dialog where people talk to each others.
The target media is DVD for home TVs.
Any links to workflows and step-by-step guides (video tutors) on basic approaches on how to avoid the big mistakes is very much appreciated!
ingvarai

ingvarai:
Color Management in indeed an important aspect, but from your description, it seems that you should be concerned with "color correction" first.
Color Management is about getting reliable and predictable color rendition. It's not really about defining the "look" of your project. If your shots are not properly exposed, for example, Color Management will only make it more reliable to assure they're not properly exposed. Color correction is all about fixing those problems, or stylizing the overall look. If two takes don't intercut well, for example, then you have to correct color balance, exposure, so one matches the other.
After Effects includes a ton of effects which can be used for color correction, including Levels, Curves, Hue/Satuarion, etc. And it also includes a streamlined color correction plug-in called Color Finesse. I think the Color Finesse documentation is a good starting point, regardless of what you end up using. If you go to the folder in which After Effects is installed, and look into the "Effects" folder, you should see a folder called Synthetic Aperture. The Color Finesse manual should be inside that folder.
Also, After Effects Help has a section on Color correction and adjustments. It includes a number of links to other resources.
Mark Christiansen's book After Effects CS4 Visual Effects and Compositing Studio Techniques is very recommended.
As for the Color Management workflow, there's a specific white paper on the Adobe web site on this very subject, but I am not sure that's a good starting point. Instead, I think the AE help page on Color Management is better to get your feet wet, and then go through the white paper. Again, there are several links to other resources in the AE Help page about Color Management.

Possibility to assign a color profile in the color management tab for more video formats

Presently, in After Effects CS5, in the color management tab of the "Interpret Footage" dialog box the possibility to assign a color profile to footage is grayed out for many video formats.
Formats that allow to assign a color profile include Quicktime/JPEG2000, Quicktime/Motion JPEG A, Quicktime/Motion JPEG B, Quicktime/MPEG-4, Quicktime/Animation as well as various image sequences, like tiff-sequences. (Motion JPEG A,B and Quicktime/MPEG-4 are not very helpful in this context because they have a small color shift when reimported to After Effects.)
Formats that do not allow to assign a color profile include Quicktime/PhotoJPEG, Quicktime/H264, H264 main concept, DVCPRO HD 1080p30, F4V. (Here, H264 main concept has anyway the disadvantage that it has a color shift when reimported into After Effects.)
In After Effects CS4 it was possible to assign a color profile to Quicktime/H264, Quicktime/PhotoJPEG, DVCPRO HD 1080p30, but in CS5 this is no longer possible.
Those video formats that do not allow to assign a color profile automatically are interpreted as having the color profile HDTV (Rec. 709) Y'CbCr in case that the videos have 1920x1080 format; similar applies to PAL formats which get SDTV (Rec. 709) Y'CbCr color profile.
(I did not find anything of this automatic assignment to HDTV or SDTV color profile in the "interpretation rules.txt" file, therefore it must be written into the programme itself.)
With growing popularity of wide gamut monitors it becomes necessary to produce footage and other videos that have a color profile different from HDTV or sRGB. When such footage is reimported to After Effects it has the wrong color and the only workarounds are either to use (in After Effects) the effect "Color profile converter" which necessitates extra render time or to use somewhat unpopular formats, like JPEG2000 that has very large filesize.
Presently many footage is produced in Quicktime/PhotoJPEG and therefore it would be very desirable to allow to assign a color profile to such footage in the color management tab of the "Interpret Footage" dialog box.
Does anyone know why in AE CS5 the video formats Quicktime/PhotoJPEG and Quicktime/H264 do not allow to have an arbitrary color profile assigned (although it was possible in CS4), is it a bug, or does it have a deeper reason.
In this context I have a related question, often I read that Quicktime videos have a gamma tag. Does this mean that part of the color profile (the gamma value) is actually embedded/remembered, like you have it for images where the gamma is part the embedded color profile.
I use AE CS5 on Mac Pro 2009 with OS 10.6.7.
Thanks,
Volker

Thank you Rick for this interesting explanations and the links to articles.
In the past few days I performed a few tests in After Effects and it is interesting that you mention that cameras, like the Sony EX3, allow videos to have embedded color profiles. I am not working myself with cameras but either get footage from the internet or sometimes videos from our video department which produces videos with professional SONY cameras, usually I get them in a matrox mxf format.
As far as my test with After Effects show it is not possible to embed color profiles in the videos rendered with After Effects. Independent of the color profile in the working space and independent from the color profile in the output module I always get the same reaction if I reimport videos rendered by After Effects back to After Effects:
In AE CS5 videos made in the formats Quicktime/PhotoJPEG, Quicktime/H264, H264 main concept, DVCPRO HD 1080p30, F4V are always interpreted as color profile SDTV/HDTV (Rec. 709) Y'CbCr (even if I made them in other color profiles, such as Adobe RGB, Photo RGB, sRGB); and there is no possibility to change this interpretation rule.
In contrast videos made in the formats Quicktime/JPEG2000, Quicktime/Motion JPEG A, Quicktime/Motion JPEG B, Quicktime/MPEG-4, Quicktime/Animation are always interpreted as sRGB (even if if I made them in other color profiles, such as Adobe RGB, Photo RGB, HDTV); only this time I can change the interpretation rule. Therefore if I know for example that if I had selected Photo RGB in the Output module I can change after the reimport the interpretation rule from sRGB to Photo RGB and only then I get again the original colors.
The only exceptions are picture sequences, such as tiff-sequences, where the original color profile is automatically selected in the interpretation of the footage.
Therefore, unfortunately for videos produced by After Effects your advice "If it says something like sRGB and you can change it, in most cases you shouldn't change it because the guess is probably right. If there is no color profile assigned then you should assume that is correct." is not so easy to be applied. You have to know how you did it originally in the Output module and hope that you can change it to the proper color profile, in case that the original color profile in the Output module was different from sRGB and HDTV/SDTV. But it is interesting to hear from you that with cameras there seem to be more possibilities.
For this reason it would be nice if in future versions of After Effects one could change the color profile in the the color management tab of the "Interpret Footage" dialog box also for formats such as Quicktime/PhotoJPEG, Quicktime/H264, H264 main concept, DVCPRO HD 1080p30, F4V.
Of course one can always circumvent shortcomings by using tiff-sequences, QT/jpeg2000, or QT/Animation as formats for storing, which is anyway better for lossless or nearly lossless storing, but the files are then too large and also cannot be played easily with a player.
Volker

Color Management-Looking for registry setting

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