Colour loss when exporting jpeg from Aperture 2.1

I'm having a problem with colour loss in images i'm trying to export to a website.These are jpegs that have been worked on as RAW in Aperture,when exported to desktop and viewed in preview there is no colour loss at all, but when viewed on the site the colour saturation seems very dull and lack lustre - any ideas?? I have checked all the export presets (been going through all the posts to see if i could pickup anyone else finding the same) and they are all at the same settings. Thanks

Go to the tools menu and then assign profile. Choose the display profile that your monitor is using. This will effectively stop preview from doing any translation to your monitor. See if this matches what you are seeing when you upload to the web. If it does then somewhere in your upload, process, web server chain the profile is being removed from the jpg or the browser you are using ignores color profiles (most windows browsers ignore image color profiles, that's why adobeRGB profile images look like crap to most windows users when viewed in Explorer)
Ps if this is the case nothing is wrong you are just getting a preview of how most windows users will see your image on the web. Adjust to taste.
RB
Ps. Some good info and humor here:
http://www.rwboyer.com/RBDesign/Blog/Entries/2008/4/16_Color_Management_and_Other_Stupid_InternetTricks.html
Message was edited by: rwboyer

Similar Messages

  • Quality Loss when saving Jpeg from Camera Raw

    I am try to do some color correction on 400 wedding photos. I open like photos in Camera Raw then synchronize, make a few additional adjustments and then save the photos as psd files. When I save the files, the quality drops dramatically. I can see pixels and jagged edges (looks like steps) on anything curved. The photographer will not give me the RAW files, so I have to work with these high quality jpegs and I would prefer to use camera raw as it is nice and easy to fix many of the photos quickly. How can I save these files so as to not lose quality? Oh, I am on a Mac.
    --K

    Ramón,
    now I am quite baffled. For years ago I conducted respective tests and demonstrated, that repeated saving with the same "quality" does not introduce image deterrioration; others did the same tests and came to the same result.
    Now, to be sure, I did it again, and the result contradicts my earlier findings. Although the deterrioration is after five consecutive savings practically irrecognizabe without hugely amplifying it, it is there, and that is an issue of principle.
    While it is possible, that I and others made some error in those tests, the question is (for me) what causes the difference.
    I verified, that the encoding parameters are unchanged. Thus the difference must come from the calculation required to transform between the original pixel values and the encoded values by
    a. the conversion between RGB and YCbCr,
    b. the discrete cosine transform (a variation of Furier transform).
    However, any differences resulting from the calculation (iteration, rounding) should be eliminated by the subsequent lossy step, the "quantization" (which is an euphemism for "throwing away most of the data"). Even if there is a difference between the first and second savings, there should not be any between the fourth and fifth savings - but there is.
    One explanation could be, that the encoding and decoding functions work with different precision, though this sounds very outlandish.
    Anyway, darn.
    Re the encoding parameters: they *have to be* stored in the JPEG file, otherwise the data could not be decoded, except by that program, which knows the parameters. However, JPEG is not designed for human consumption but for computers (this fact makes testing a program, which reads or writes JPEG data a serious PITA). The metadata can be analyzed only by a hex editor, and one has to know the structure of that data.
    Re knowing, if the file has to be compressed or not: JPEG is *always* encoded. There are different variants of the encoding method, but there is no "unencoded" version.

  • Quality loss when exporting footage from 650D

    Hi there! I just got back from Nicaragua where I shot a wedding for a friend of mine. I just started using FCE (used Pro in college) and noticed that after importing my clips from my Canon T4i (650D) the clips would constantly need rerendering if I changed anything that normally wouldn't require a render.
    The main issue is that after exporting the video, it's a 21.6 GB file that is pixelated and a major downgrade from the actual files themselves. I've also noticed that when I play around with the setting, the video size says it's currently at 597 x 498. Is there any way to fix this issue without having to reedit? If not, how can I avoid this in the future?
    Thank you in advance.

    Honestly, FCE is not the best app to edit video recorded on DSLRs.
    If you want to edit the material with it, you must first convert the files from their Canon native format to AIC before you bring them into FCE.
    If you decide to change apps, look into either Premiere Pro if you want to stay with an editing paradigm that is familier or go with Final Cut X if you want to work within the iMovie paradigm.
    Good luck,
    x

  • Problem with exported jpegs from CS5 PSDs with transparent backgrounds

    I've detected an issue where when exporting jpegs from a CS5 PSD layered file with a transparent background, the jpegs don't have a pure white background (255, 255, 255). They seem to range from 250, 250, 250 to 253, 253, 253.
    LR3 with same export settings does not show this behavior--it's pure white: 255, 255, 255.

    Bill,
    Another very helpful solution and I appreciate knowing how to fix it in both applications. Thanks!
    Wolf

  • When exporting versions (from DNG-to JPEG org size) they get very smal?

    when exporting versions in aperture (from DNG-to JPEG org size) they get very smal? Why cant they stay the same size and kvalety as the DNG?

    How are you exporting? If you are dragging the image out of Aperture you get the preview, you are not exporting the version.
    If you are exporting then the most likely reason for what you see is the setting on the Quality slider. Remember JPG images are  compressed and you will always see a difference between the original and the exported JPG.
    regards

  • Why would I want to change JPEG quality of photos when exporting them from iPhoto?

    Why would I want to change JPEG quality of photos when exporting them from iPhoto?  Changing the quality of the print changes the size of the saved file and thus impacts the speed at which it is moved on the internet.  But other than size of the file, what is the advantage of changing the quality?

    I have no idea why you would want to do anything
    Some people want lower quality to reduce file size for different reasons
    It is an option - if you do pot want to do that do not use that option
    LN

  • When I export photos from Aperture, the pixel dimensions are halved thus losing data.  I have set the export preferences to export at original size, to no avail.  This happens even if I just drag to the desktop and then back, or if I export into my iphoto

    When I export photos from Aperture to desktop or iphoto I lose pixels.  The pixel dimensions are halved, despite setting the export preference to export at original size.  Anyone know why or how to correct this?

    Dragging an Image from Aperture exports the Preview.  Preview parameters are set on the Previews tab of Aperture preferences.
    Are you seeing the same results when you export using one of the export commands?
    Is so, confirm that the settings in the selected Image Export Preset ("Aperture➞Presets➞Image Export") truly represent those in the Image Export Preset's name.
    HTH,
    --Kirby.

  • How can I export photos from Aperture with a new sequence and ignore the embedded JPEG number? Have tried renumbering to no avail.

    How can I export photos from APERTURE with a new sequence and ignore the embedded JPEG number? Have tried renumbering to no avail.
    has anyone resolved this issue?
    This is now the second big Problem with using Apple's Appeture with NO apparent FIX...
    Aperture has NO DIRECT way to Burn to a CD/DVD & apparently NO way to RE-SEQUENCE the numbering system????
    ANYONE... I wish APPLE would address/fix these 2 problems... LIGHTROOM I guess is next?

    Hi David,
    Coming in and whining loudly is rude.  We are all volunteers here, voluntarily sharing our expertise so that users like you can make the most of their time with Aperture.  Speaking just for myself:  although I do care about your success with software (it's why I'm here), I don't care what software you use.  If you want to use Lightroom, do so, and post your questions in an appropriate forum.
    Burning files to a CD is a file operation done at the system level (it is built into OS X).  Aperture lets your create sharable image-format files from your Images.  You then use OS X's tools to burn those files to a CD.  Iirc, you can set up a "Burn Folder" in Finder, into which you can export files created from your Images, and with a single click burn your CD.
    Naming the files you create by exporting your Images can be tricky.  There are _many_ possibilities.  Some things can't be done.  Sequencing can be done in a number of ways (see Léonie's answer above).  What have you tried?  What was the result?  In what way did this differ from what you expected?
    --Kirby.

  • Exporting Jpegs from Lightroom - DPI question

    When I export Jpegs from Lightroom, I set the dpi to 300 pixels per inch. I do not specify a max width or height. When I view these files in Adobe Bridge (CS2 or CS3) the file info says 300dpi. However, when I open the files in Photoshop and select image size, It says 72dpi and has the document size set to very large. I realize that I can enter 300 dpi and uncheck the resample box, I am just confused as to why this is happening.
    My concern is, that I upload my images directly to my lab after exporting from Lightroom. Will this cause problems?
    Thanks in advance!
    David

    the image resolution is a combination of the two parameters you mention: size and dpi. a very large size at 72 dpi is equivalent to a small size (like 3x5) at very high dpi. for printing you want at least 240 dpi at the largest size that allows you to keep that resolution. for screen presentations or your web site you want jut 72 dpi. 72 dpi and 2x3 inches will require a very small file size.
    I suggest you to export images at TIFF and not JPEG as that will allow you to preserve the image quality when doing editing in PS.
    In my case I export TIFF for PS (when I need PS editing) and 72 dpi JPEG for my web site (that way if somebody downloads my image illegally thy get a poor resolution copy). But since LR works very well for me 90% of the images re just kept in raw mode and I print from LR.

  • Exporting JPEGs from InDesign CS4

    I've exported jpegs from InDesign CS4 for years and each time I get an Export JPEG dialog box that gives me the option to adjust the resolution. Suddenly, when I export to JPEG, I get no dialog box and it automatically creates a JPEG at 300 dpi. I've looked everywhere in Preferences to see if I inadvertently changed settings, but I find nothing. Help?

    Try this forums.adobe.com/thread/526990

  • Getting darkened/ washed out colors when exporting png from illustrator

    Hey everyone I'm trying to figure out a remedy for this, I am getting darkened less saturated colors when exporting a logo png from illustrator, jpeg's looke fine, even when copying this logo into indesign and exporting the colors look fine there as well. I think it has something to do with the icc profile being embeded in jpegs but not pngs, but I'm not sure. My illustrator document is set to display blacks accurately, document color mode is set to RGB, assign profile is set to working RGB: sRGB, and under color settings working space is sRGB and cymk is U.S. Web Coated SWOP v2, color management policys off for RGB and conversion options Adobe ACE (all under the color settings options). I've also tried to create a new file for web and copy and pasted my logo and tried to export that way and it didn't do anything. Any jpeg will look fine, the png even in save for web will look fine until I export or preview. My only current remedy for png at this point is to export it as is, then open it in Mac's Preview and turn up the saturation. Any help would be appreciated, I'm also using Illustrator CC and am on mac 10.7.5, thanks.

    Any other solutions? I notice if I open the AI file in photoshop and export the png from there with "embed icc profile" checked then I get the same colors that I see while in illustrator, and when I export jpegs from illustrator, but exporting pngs from illustrator always changes the color/ makes the colors look duller.

  • HT4007 How do I export images from Aperture to my iPad Mini?

    How do I export images from aperture to my iPad Mini?
    Berndpeter

    I am going to give it a try.
    Greetings from Mexico!

  • CS5: Bug when exporting directly from PPro with hardware MPE?

    For the record, I'm using:
    A GTX-480 (unsupported)
    The hardware MPE-enabling hack (unsupported)
    The latest version of the nVidia drivers (257.whatever)
    I discovered an issue, of sorts, when exporting directly from Premiere CS5, versus using the "Queue" option to send to AME. I was exporting from an NTSC DV Standard sequence to a 320x240 H.264, in which I had enable cropping and trimmed a bit off the sides and top and bottom of the source; the Output tab was summarily set to "Scale to Fit". With hardware MPE enabled in the Project Settings, the export would be the proper final dimensions (320x240), but any area that was cropped off was instead padded with black. The actual video content was then squeezed and malformed into the area not occupied by the black bars.
    I found that, if I disabled hardware MPE or sent the export through AME by use of the Queue button (instead of Export), then the export was performed properly--the video was cropped correctly and then the video stretched to the borders of the exported video, maintaining the desired aspect ratio.
    As I mentioned at the outset, I'm breaking a couple rules and perhaps tempting fate with others, but before I go about rolling back my drivers and the like, has anyone noticed a similar issue?
    ADDENDUM: By the way, the export doesn't need to come from a sequence. If I load up a source clip into the Source Monitor, and export from there using the process outlined above, I get the same issue. This would seem to indicate, to me, that this is due to some incompatibility with my card, its driver and hardware MPE...

    Did he demo renders or exports?
    About 11 minutes in, he [Dave] demos accelerated H.264 renders.
    Harm Millaard wrote:
    AFAIK MPE only works with renders, not with encoding.
    Well, he did both, actually--but the quote above is a typo on my part. I meant to say "exports" or "encodes." The last couple minutes of the aforementioned demo video are dedicated to exporting a sequence directly from Premiere, and having the benefit of hardware MPE. That's where I'm getting the issue I've outlined above; with hardware MPE enabled, and using the "Export" versus AME "Queue" button/function, I get the strange black outline. With software MPE or through AME, all is well.

  • Trouble maintaining original "date taken" info and metadata when exporting TIFFs from original CR2 files.

    When exporting TIFFs (from original RAW), I noticed my metadata said the "date created" was the day of export. I want to be able to access the date the original image was taken as opposed to the day I exported it. Is there a way to maintain original date of image taken in my info? I couldn't seem to find it after I exported my TIFFs...

    I just tested this with LR 5.5 Mac OS 10.9.3 and it works correctly for me.
    To troubleshoot your problem:
    1. Which version of LR and which platform (Mac, Windows)?
    2. Which tool or command are you using to examine Date Created of the exported TIFF?
    3. Upload a sample TIFF showing the problem to Dropbox or similar and post the URL here. This will allow us to take a look in detail.

  • How can you keep the highest iphone 4s Video quality the same when exporting it from iMovie.

    How can you keep the highest iphone 4s Video quality the same when exporting it from iMovie.

    InDesign's PDF export engine does not transcode your videos, they are embedded exactly as they were in the original file. The Flash Player runtime which displays video inside PDF files may not show a perfect match to Quicktime etc. because most video playback tools aren't designed for a color-calibrated workflow, but they should be close.
    The playback quality (blocking and aliasing) will be affected if the clip is not playing at 100% (screen pixels != video pixels) and in PDFs with the standard video player widget, that will only ever happen when you use 'floating window' mode. PDF pages have physical dimensions, so viewing them at "100%" does not make them match screen pixels.
    If you don't mind the video clip being smaller than the media annotation in which it's playing, then use my free upgrade to the Acrobat playback widget - VideoPlayerX - which maintains 1:1 pixel scale until the page is zoomed out too far for it to fit. You can install the widget into InDesign so it's used by default when exporting.

Maybe you are looking for

  • Connecting an iBook and an iMac

    Stupid question but I am afraid one I must ask. I am planning to get an iMac and iBook for my graphics degree, and want to be able to transfer work and files over quickly and with the minimum of ease. I have been recommended a Firewire cable or Ether

  • Robohelp.... about extension robohelp's file

    Hi to evryone.. I am the very new person for Robohelp,Still i hav'nt this software. but i looking to use this. i hav some basic question it.it is very simple for u but important for me.. plz help me... 1. what is the file extension of robohelp file a

  • IWeb & os x Mountain Lion

    after installing os x Mountain Lion, iWeb lost my site details and I cannot edit it anymore. how can I recover my site

  • New directory permission

    I'm developing a vi that will create a directory and then immediately create a text file inside the directory. The attached vi is what I have so far. I can create the folder, but any vi I use to write to the folder generates error 8 about file permis

  • How to use JMX

    Hi, all, I am newbie in JMX. I want to know what software,such as API and so on, i must need to use JMX .and I want some tutorials of JMX. thanks. Kaven