Colour Mismatch between ACR and CS6

Hi
I have weird issue with ACR and CS6. I process under ProPhoto RGB, 16 bit. When I'm happy with my processing, I then open up in CS6. This is when it get weird, the image that opens up is quite a bit flatter and less contrasty to the version I had in ACR. I've got CS6 as a view a ProPhoto RGB profile. The monitor is an ASUS wide gamut monitor and calibrated with an I1D2 puck using HP's custom software from it's Z-series printer.
I don't experience this problem when I'm using CS6/ACR on my office computer, the only difference is my office machine doesn't have a wide gamut screen.
I've reset my Photoshop preferences and recalibrated my screen. I'm running W7 Home 64 on a Dell Studio 15, i7 laptop.
Any suggestions?
Thanks and Merry Christmas!
Stewart

Hi,
Those are the settings I'm using, but I expanded to More Options and there was a check box for Compensate for Scene-referred profiles. When I unchecked that, my image went back to what it should have been.
Thanks for the fast reply!
Merry Christmas
S.

Similar Messages

Mismatch between availability and marker

I have run the following command:
/repvfy -detail -fix -pwd password
and am seeing a section called "Mismatch between availabiltiy and marker". What does this mean? I know there is a bug out from Note: 735957 against 10.2.04 and that patch 6951116 is available. I also know this bug is fixed in 10.2.0.5. But I don't know what exactly this section is telling me. Here is the output I am seeing:
6. Mismatches between availability and marker
TARGET_GUID TARGET_NAME TARGET_TYPE MARKER_AVAIL_STATUS MARKER_TIME CURRENT_STATUS START_TIME
9CB8EE19415C3C6B55954BF3346C1106 ssan-Internal Concurrent Manager oracle_apps_icm 6 09-JUN-2009 10:41:50 1 28-MAY-2009 14:25:22
1B21AAEF5AC63DD44FE339B7852EA1EE ssan-Report Server_ssan_devstar2 oracle_apps_reports 6 09-JUN-2009 10:41:50 1 28-MAY-2009 14:25:13
F5EAD749526EC1116A70157771E3D011 ssan-Oracle Workflow Agent Listener oracle_apps_wfalsnr 6 09-JUN-2009 10:41:50 1 28-MAY-2009 14:25:29
CD32714673BC508CDBF85BF191A5A1B7 ssan-Workflow Background Engine oracle_apps_wfbg 6 09-JUN-2009 10:41:50 1 28-MAY-2009 14:25:26
FADA1D6BF4DFD0E8AA1739A6666BA210 SSAN oracle_database 6 09-JUN-2009 10:41:50 1 28-MAY-2009 14:25:40
0BE2ACE2EDC7271744DA1A249E30C9A5 APPS_ssan oracle_listener 6 09-JUN-2009 10:41:50 1 28-MAY-2009 14:25:12
89D241EEEF24821E30AD66741BC3D433 devstar2.rtd-denver.com oracle_listener 6 09-JUN-2009 10:41:50 1 28-MAY-2009 14:25:20
F40BAF501645A5957A498E7A270AEA47 ssan-Apps Listener_ssan_devstar2 oracle_listener 6 09-JUN-2009 10:41:50 1 28-MAY-2009 14:25:28
8 rows selected.

Various provision like Freight, transport etc .
these should go to separate GL accounts. if you give wrong account assignment value will be passed to GRIR. then difference will happen
sunoj

Mismatch between sound and video

When I watch a movie in iTunes of Apple TV (2gen) and I want to move it few seconds/ minutes and more backwards then it like "losing its mind",
the video jumps forward (a lot forward) and the sound stays the same, so ther is mismatchment between sound and video.
What can i do to solve this problem?
Thank you!

Am I the only one suffering this issue with the video transcoding?

I would like Adobe to develop a programme that sits between Lightroom and CS6

I have Lightroom 1, 2, 3 & 4 (which I can't use at the moment because it is too slow) I also have CS3.
I am an enthusiastic amatuer and don't need the catalogue facility in Lightroom (which can be exasperating at times) and I don't need 90% of the stuff on CS6 as I do most of my editing in Adobe Camera Raw.
I would like to see Adobe develop a programme that sits between Lightroom and CS6 where the Lightroom layout is kept much the same only instead of a catalogue have a browser in its place, I would also like to see the clone tool & the healing brush replaced with proper ones that work like the ones in CS6, I would also like to see an adjustment brush with a facility to invert my selection or some sort of masking, these are the tools I use most often in photoshop.
Does anyone feel the same as me and if so how do we contact Adobe to let them know.

Butch_M wrote:
JimHess wrote:
I think it's really presumptuous for anyone to dictate how someone else should handle their post processing or their file management.
I think it is extremely presumptuous of you Mr. Hess, to confuse honest, friendly advice with an attempt to "dictate" how someone should handle their workflow ... my comment was offered as advice ... I was not handing down an edict to force anyone to do anything ....
It's one thing to bury your head in the sand and ignore sound advice ... it's quite another to accuse others of forcing their will on someone ... just because you had a bad experience about discussing another feature in another thread ...
I could really care less if you, the OP or anyone else doesn't adopt a sound DAM solution ... I don't have to work with your images ... but if I did, you can be assured they would be properly cataloged even if you didn't see the value in the process ...
Whateve.

Color mismatch between CS4 and Canon PIXMA PRO6500

Hi there! I am trying to research if anyone else is having a problem with color mismatch between CS4 and their printer. Last night I printed a .tiff image out of CS4 to my Canon PRO6500 printer and the sky came out purple / pink! It was supposed to be a stormy grey color. I have the color management turned off on the printer settings. I have CS4 manages color turned on and the correct ICC profile selected for the paper I am using. When I do a soft proof in CS4 the image looks fine, but when I print I get something completely different, mostly with the sky (purple / pink) color! Just for the heck of it I did a Print Preview under my Page Setup and guess what, the sky actually shows purple / pink! So I have no idea what's going on. I checked all my setting, ink cartridges, tried different paper with the appropriate ICC profile and no dice. Still have a goofy looking sky! I thought PROOFING the image is supposed to show you how the printed image is going to look? apparently it doesn't because it's not. The Print Preview has an accurate representation of the print but I have no idea where the pink / purple sky is coming from. They are supposed to be stormy clouds as I said. I appreciate any help anyone can provide .
Sabciu

I have the color management turned off on the printer settings.
But do you have a measured color profile based on a sample print? Most likely not, so this is not doing anything in your favor. The current profile may present the defaults for a given printer, but not the actual density based on your other printer settings. So by all means, unless you can be sure to obey a full calibration throughout, turn on the printer CM. Also, since it is a Pro model, you may actualyl have to use the dedicated RIP software that was bundled with it to get correct results, not the default windows print engine.
Mylenium

Config mismatch between VSM and VPath - CSCum76142 bug

Hi all,
I got the error message "Config mismatch between VSM and VPath" on my Nexus VSM but I could not see any detail regarding this bug ID due to permission issue. Has anyone else got access to see this bug detail and able to share? I need to know if this bug is critical or just cosmetic. Thanks
regards,
Robin

Hi Robin,
This DDTS was Junked. But here's the workaround that is mentioned:
1. Deleting the vservice config (no vservice) & reconfiguring vservice, will get rid of this mismatch issue.
2. Toggling the port-profile should also work.
I see couple of other DDTS as well related to this and i would suggest to ask this question in "Other Data Center Subjects" forum for detailed and quick answer.
CSCtz36835 :Config mismatch on VSM and Vpath after deleting service vlan
Regards,
Kanwal
Note: Please mark answers if they are helpful.

Metadata Conflicts between LR4 and CS6

I recently upgraded to LR4 and CS6 Extended. I will offer start in LR4 but switch to CS6 for additional editing. On some of my thumbnails, I will see a "!" in the upper right hand corner on the thumbnails. When I click on the icon, a pop-up window appear stating a Metadata conflict has occurred. The pop-up window gives you two options: Copy file data into the catalog or have the catalog overwrite the file data. What is the best thing to do knowing you are only working between LR4 and CS6?

This is a known issue with the latest PS update. Refer to the pertinent thread on the PS forum.
Mylenium

Contrast mismatch between Organizer and Editor

I can edit an image in Editor to where it looks great, to include the contrast, brightness, shadows, etc. When I send it back to the Organizer, it look much too contrasty and dark. When I use the same images in a slideshow originating in Organizer, they still look too contrasty. Is there a way to correct this? I'm using PSE 10 on a Windows 7 -64 bit machine. Thanks for any ideas.

Thanks for your quick response. I just checked out the settings in both the Editor and Organizer and they're both set on "let me decide". I'm not sure what to do on that one. I could go with optimizing the computer screen with sRGB, or the Adobe RGB for the printer, or no management, or decide on the fly. If I go with the computer, I guess I'd have to change it when I print a photo out, and vice versa. Have any suggestions for me? Thanks again.
New update. I have a Dell color laser printer, and I just checked the manual. It offers both sRGB and AdobeRGB. My priority is really to have a good printout. If I check sRGB I should be safe for either print or computer, but I'm wondering if I'd get as good a printout with sRGB as with AdobeRGB. The easiest might be to see what the printer is curently set on, and then set PSE Organizer and Editor to match it. I'll do that, and then see if that helps the mismatch between Organizer and Editor.

Data mismatch between 10g and 11g.

Hi
We recently upgraded OBIEE to 11.1.1.6.0 from 10.1.3.4.0. While testing we found data mismatch between 10g and 11g in-case of few reports which are including a front end calculated column with division included in it, say for example ("- Paycheck"."Earnings" / COUNT(DISTINCT "- Pay"."Check Date")) / 25.
The data is matching for the below scenarios.
1) When the column is removed from both 10g and 11g.
2) When the aggregation rule is set to either "Sum or Count" in both 10g and 11g.
It would be very helpful and greatly appreciated if any workaround/pointers to solve this issue is provided.
Thanks

jfedynic wrote:
The 10g and 11.1.0.7 Databases are currently set to AL32UTF8.
In each database there is a VARCHAR2 field used to store data, but not specifically AL32UTF8 data but encrypted data.
Using the 10g Client to connect to either the 10g database or 11g database it works fine.
Using the 11.1.0.7 Client to go against either the 10g or 11g database and it produces the error: ORA-29275: partial multibyte character
What has changed?
Was it considered a Bug in 10g because it allowed this behavior and now 11g is operating correctly?
29275, 00000, "partial multibyte character"
// *Cause: The requested read operation could not complete because a partial
//          multibyte character was found at the end of the input.
// *Action: Ensure that the complete multibyte character is sent from the
//          remote server and retry the operation. Or read the partial
//          multibyte character as RAW.It appears to me a bug got fixed.

What's the different between cc and cs6? I'm taking a course and cs6 is recommended, but I already have cc, will that be good enough?

What's the different between cc and cs6? I'm taking a course and cs6 is recommended, but I already have cc, will that be good enough?

When I'm away from the desk, I never get the exact wording
"Find new Apps > Filters and versions > select Previous Version"
Then where you see the Install button next to Photoshop below that, click on that and you can select 13.0 CS6 for install.
It's a good idea. CC 2014 has eliminated and added many features, and you want to be on the same page in that course.

A question about a difference between CS3 and CS6 (sorry if it's wrong addressed)

When I place in InDesign (both CS3 and CS6) a transparent tif image (CMYK) there is a difference between those created in Photoshop CS3 (correct) and CS6 (white background). Why?

EDIT: With the new InDesign CS6 update (8.1) Photoshop CS6 tifs with transparency import correctly now. Thank you

Data mismatch between TABLE and Std. Extract str. (AFPO & 2LIS_04_P_MATNR)

Hi,
I am getting data mismatch in ECC standard table and ECC standard extract structure. Please help me.
I am using 2LIS_04_P_P_MATNR data source (standard extract structure).
I have following data in ECC Table (AFPO - Order Item).
AUFNR (Order Number) --> 4000460
PGMNG (Total planned quantity) --> 0
PSMNG (ORDER QTY) --> 2000
Extract Structure is showing following data.
AUFNR (Order Number) --> 4000460
PGMNG (Total planned quantity) --> 2000 (It should be zero)
PSMNG (ORDER QTY) --> 2000
I have checked with many other order numbers. The extract structure in RSA3 is showing correct values only if PGMNG is non-zero values. If PGMNG is zero, then it is automatically assigning PSMNG value.
Is this common? I want to display correct values for PGMNG from AFPO Table. Why this mismatch between table data and extract data. I have done all required steps refreshing data (deleting setup tables, filling set up tables etc.).
pls suggest. Poinsts will be assigned to every useful answer.
Thanks in advance.

Hi Avneet,
I have a similar problem where in AFPO shows value 1000 in PSMNG field and 1200 in RSA3 for extractor 2LIS_04_P_MATNR.
I have found that the standard feature of the extractor extracts the data at the time of release of process order. If the process order is changed after the release then the extractor will not picup the chagne.
Ex: AFPO value 1000 ---BI Value 1000
Now released in ECC
AFPO value 1000 ---BI Value 1000
In ECC value changed to 1500 after the release. BI will not pickup the change.
Extractor is pulling the data from MCAFPOV table. You can check the values, there it matches with RSA3 values.
I was just going thru forums for the solution. After i found the solution. I am just updating it.
Hope it helps you.
Thaks
Srikanth

DataSource / Structures mismatched between Dev and Test Systems. ..!!

Hi,
We are doing a scenario. Where XI will update the data into PSA through ABAP proxy.
Scenario worked perfectly in development system.
We transported the objects from Dev to test. The Strucures are mismatched in SE11 between development and Test systems as below.
Data sources (ZDS_RECIHDR and ZDS_RECTPALL) looks ok. But when I saw the structures in SE11 they are not correct, they got mismatched.
Development:
/BIC/CQZDS_REC00001000 - Header (ZDS_RECIHDR)
/BIC/CQZDS_REC00003000 - Allocation (ZDS_RECTPALL)
Test:
/BIC/CQZDS_REC00001000 - Allocation (ZDS_RECTPALL)
/BIC/CQZDS_REC00003000 - Header (ZDS_RECIHDR)
Kindly let me know where it might have gone wrong?
Thanks
Deepthi

We done it already. Still it is failing.
While transporting, it is failing and showing the error as
Program ZPI_CL_IA_PAYMENT_ALLOCATION1=CP, Include ZPI_CL_IA_PAYMENT_ALLOCATION1=CM001: Syntax error in line 000016
The data object 'L_S_DATA' has no component called'/BIC/ZSALENUM', but there is a component called
Program ZPI_CL_IA_PAYMENT_HEADER======CP, Include ZPI_CL_IA_PAYMENT_HEADER======CM001: Syntax error in line 000016
The data object 'L_S_DATA' has no component called'/BIC/ZTRANDATE', but there are the following com
The Structure is mismatched in SE11 between header and allocation structures. That is the reason it is failing.
Any more ideas pls?

Colour discrepencies between illustrator and InDesign

Hi!
I am a semi-amateur CS user, and am trying to create branding and a brochure for my own new business I'm starting.
I have drawn a logo in illustrator, which is a single solid colour, as well as some extra branding motifs which are a collection of simple silhouettes in a further 3 solid colours. I've selected pantone colours for all of these as I understand this will ensure consistent printing in future.
However I'm now creating out brochure in InDesign, and when I use the same pantone colours they look considerably different than they do in illustrator, and have different CMYK/RGB values. I'm placing the logo and motifs into the brochure in native .ai format.
As a workaround I changed the inDesign colours to process, using the CMYK values from the illustrator logo, but even then the RGB values appear slightly different. However at least all the colours look the same - until, I export the brochure to PDF, when the inDesign colours look fine, but the logos I've placed from illustrator change colour drastically??
Is it pantone causing the issue? We are a tiny web-based company and are only ever going to be printing business cards and a small number of brochures, perhaps occasional headed letters (not using pre-printed headed paper) so maybe it just doesn't matter and I should stick with ordinary CMYK colours?
I am using CS6, and have synced colours in Bridge.
Any help would be massively appreciated as I've exhausted Google and am helpless as to where to turn next!
Thanks,
Natasha

I've selected pantone colours for all of these as I understand this will ensure consistent printing in future.
Using Pantone Colors for a CMYK job wouldn't necessarily ensure consistency for future printing—to get the same color appearance the printing conditions have to be the same or the values have to be adjusted to accommodate the new printing conditions. An extreme example would printing the same CMYK values on glossy paper on a sheetfed press and then on newsprint, the printed color would change in appearance.
What do I do if I'm working on images for web, or if i want to take illustrations etc from the CMYK brochure and change them to RGB for the website?
The displayed appearance of CMYK values—mixes you make yourself or specified Pantone mixes—depends on the document's assigned CMYK profile. Change the assigned profile from US SWOP to US Newsprint and you'll see what I mean (Edit>Assign Profiles).
So, if you are designing the printed materials for one printing condition, the document CMYK profile needs to be correct for that destination. In that case you can get the RGB equivalents (or hex values in CC2014) of your InDesign swatches via the color picker. If you want sRGB values make sure the document's assigned RGB profile is sRGB. Here my document's assigned CMYK and RGB profiles are the default US SWOP Coated and sRGB and the color picker is giving me the sRGB and hex equivalents of US SWOP's 50% magenta.
In the case of images, if a CMYK image was saved with its profile it can be accurately converted to any RGB space. In Photoshop you can use Save for Web to convert a copy of the CMYK image to sRGB or another RGB space, but if you are saving for web without an embedded profile sRGB would be best.
Alternatively you can leave your images as RGB in the layout and let the conversion to any CMYK destination happen at export or output. If you do that you have to watchout for color gamuts—RGB colors that are not printable. Turning on Overprint Preview shows you how RGB colors will change when they are eventually converted.

Colour difference between color and FCP

i have edited in FCP doing no colour correction at all then i have sent it to color using the
file send to color option
done my colour correction and sent it back using the
send to final cut pro option
no i am really happy with the colours in color using pri in, sec in, colorFX and pri out, rendered it all but when i send it back to FCP everything is redder well pinkish then what it looks like in color
am i doing something wrong at all
i have tried to adjust the amount of red in color then render and send back but it still looks the same.
im lost can anyone please help
adam

Yes, you are doing something incredibly wrong. This non-issue is rearing it's ugly head so much it's nauseating. What you are seeing is the display differences between Color and Final Cut Pro. Do a search on all the Color forums and you'll find a host of very similar threads to yours.
The solution is to use a real input/output device like an Aja Kona or Blackmagic Decklink card and send the video signal to a production monitor. Those of us using this infrastructure see none of this non-issue that other users who are relying upon their highly inaccurate computer displays are seeing.
You are at a disadvantage however as there is currently no accurate way to get external monitoring capabilities out of an iMac as it is woefully lacking in expansion capabilities.

Colour Mismatch between ACR and CS6

Similar Messages

Maybe you are looking for