Convert AVID files to Final Cut Pro X for editing

Convert AVID Bin to Final Cut Pro with Media
What is the way to convert AVID to FCPX so I can continue editing on FCPX?

Can you be more specific  FCP can create optimized footage in app after import for editing if that is what you need. If you need to literally covert it than running it through compressor should do the trick. Or you could download the avid codecs for your mac and maintain your original footage. http://avid.force.com/pkb/articles/en_US/Download/en392959?popup=true

Similar Messages

  • How to import MXF files to Final Cut Pro with smooth editing

    Summary: Follow this tutorial to learn how to import and edit MXF files in Final Cut Pro by converting MTS to FCP native format.
    If you have a Panasonic P2, Canon XF or Sony XDCAM series camcorder,
    you may be familiar with Material eXchange Format (MXF). Though MXF is a
    great video format to record high-definition videos, it is not easy to
    use in that they are not natively supported by most NLE systems like
    Final Cut Pro. In order to import MXF to FCP for editing, the easy workaround is to transcode MXF files to FCP compatible video formats.
    Along with some help from a top MXF Converter, it can be done. To
    help those who wanna edit MXF files in FCP without problems, here I
    share with you a simple guide on how to convert MXF files to edit in
    Final Cut Pro 6/7 or FCP X.
    First of all, downloading the App- Brorsoft MXF Converter for Mac
    Overall, the program is a professional yet easy-to-use MXF Converter
    on Mac (Mavericks included) which can not only convert XF100, Canon
    C300, XF105 and XF305, Panasonic P2 recorded MXF files, but also provide
    simple video editing functions for you. The MXF to FCP Converter not
    only can convert MXF to ProRes for FCP, but also can transcode MXF
    videos for editing in Avid MC, Adobe Premiere Pro, iMovie, FCE, etc.
    Just download it and follow the tutorial below to get the work done.
    Transcoding (P2) MXF files to ProRes for Final Cut Pro 6/7/X
    1. Import MXF files to the converter
    Launch the best MXF to FCP Converter, and then click the “add files” button to browse and import MXF videos from your camcorder or hard drive.
    2. Select FCP editable format
    Click the Format bar, and move mouse cursor to choose “Final Cut Pro > Apple ProRes 422 (*.mov)” as output format.
    Tips:
    a. Settings- click to set video
    resolution(1920×1080/1440×1080/1280×720/720×480), bitrate (from 1Mbps to
    20Mbps), frame rate (24p/30p)
    b. Editor (next to “Add” icon)- click to set deinterlace, trim, crop, add effect, attach subtitles, etc
    3. Start transcoding MXF video to FCP
    Click “Convert” button to start converting MXF files to Apple ProRes
    MOV for FCP 6/7/X under Mac OS. Once the MXF to ProRes 422 conversion
    is done, you can transfer MXF footage into Final Cut Pro (X) for editing
    smoothly on Mac with ease.
    Source:How to import MXF files to Final Cut Pro with smooth editing
    [quote] jacknjchn.tumblr.com/post/76914947404/cant-import-mxf-footage-to-fcp-transcoding-mxf-to-fcp [/quote]

    You may refer to this step by step guide on how to convert MXF to Final Cut Pro more supported Apple ProRes or DV at http://www.idealshare.net/imovie-fcp/mxf-final-cut-pro.html
    It also applies to convert MXF to other video or audio format. It even applies to convert other videos like AVCHD, MOD, TOD, AVI, and MPEG etc to FCP format.

  • Convert AVID Bin to Final Cut Pro with Media

    Hello I need to urgently figure this out.
    I have a AVID BIN with HD footage logged into it. There were 8 different tapes and the bin has about 100 clips in it. Everything is in dnxHD format on the AVID end. I'd want the clips to be PRORES on the FCP end.
    I have Automatic Duck FCPImport if needed.
    How do I do this?
    I want to basically convert the AVID BIN to a Final Cut Pro bin maintaing all tape/reel names for each clip as well as timecodes for each clip, so that they can batch capture in FCP down the road incase something goes offline.
    The thing is the media files would have to transfer too wtih the bin, so that they can open this all up in FCP and it shows up and they can start editing with the footage.
    Any ideas? Please tell me in lamens terms. I'm an AVID editor so I know AVID really well, FCP not so well but I can move around it.

    Could this be a job for Sebsky Tools?
    Download Link for it can be found here
    A good discussion of the tool can be found here

  • Avid Files to Final Cut Pro files

    I will be working with a new client who works with AVID editing system and want to know how I can creat a workflow that will enable me to work with her files transfer to FCP and back to AVID??

    Automatic Duck will allow you to convert Avid sequences into FCP sequences, and the other way around. It will NOT convert captured Avid Media to work with FCP. There really isn't a way to keep going back and forth. You can start on one system and finish on the other, but that would require the Duck, and to recapture the footage. And while the Avid codecs are available for download from the Avid site, this doesn't mean that FCP will then be able to edit Avid media without issues. Both systems capture media in VERY different ways.
    Don't mix editing systems if you can help it....unless it is offlining on one, and finishing on the other. And even then, you need to know the limitation of both.
    Shane

  • How do I open my Final Cut Express 4.0 files in Final Cut Pro 10.1.3?

    Hello,
    I used Final Cut Pro when I was in college and when I graduated in 2010, I bought Final Cut Express 4.0. I recently bought Final Cut Pro 10.1.3 two days ago and I am having trouble opening up my old Final Cut Express 4.0 files. When I do go to open up these files they only open up with Final Cut Express and I always get the message: file's format is too new for this version of the application.
    How do I open these Final Cut Express 4.0 files in Final Cut Pro 10.1.3?
    Thank you!
    Anna

    TThere is no way to go directly from FCE to FCPX. If you know somehow who has FCP7, they can open the FCE projects and export XML files. These can be converted to FCPX XML format using the 7toX utility.

  • Can not import MXF files into Final Cut Pro

    I am full of anger and frustration!!! I purchased final cut pro only to find out that it WILL NOT import MXF files. How insane is that? ADOBE - NO PROBLEM. Then I had to go back to YOUR STORE and buy two different file converter applications before I found one that worked. Now FINAL CUT PRO will only import the audio segment of converted files after converting to PRORES in PAVTUBE. Are you BUCKING kidding me? This work flow BLOWS. Why the FELL does this have to be sooooo hard!  I am gone to creative cow and other forums to try to find out why I am sooo stupid that I can't get this simple process sorted out. YOU BUCKING MONEY MACHINE! How many more aps will I have to buy before I can edit CANON XF100 files in Final Cut Pro. BUCK politics! You should make your software with plugins that would allow you to edit without this kind of added step. JUST LIKE ADOBE. I want refunds for my final cut pro purchase. This is BUCKING rediculous. What a waste of time!

    Jeff Eyler wrote:
      Good thing I still have an iMac on Snow Leopard with FCP7 where I can import these files.  I was hoping to upgrade that system next month when the new iMac comes out
    There is definite upside to dragging one's feet on upgrades until necessary and this is a prime example. On a desktop running 10.6, and the XF Utility, FCP 7 L&T works reliably. And like you, that's my workflow for FCPX projects. Running 10,7 on a laptop, the EOS plug-in works well for FCPX imports – no workarounds needed. When I finally get around to updating, I will partition the HD, with one SL partition and the other partition with a later OS. Of course this strategy will work only as long as my hardware holds up.
    Russ

  • How to work with .XML files with FINAL CUT PRO HD

    Ok so I am a newby, kind of. We filmed a feature using the SONY XDCAM 350. uses the optical 23.3GB disc. I used the camera to copy all the HD files ( .XML ) to an 1TB external drive. Now the drive is readable, everything looks fine, when I select a .XML file. Final Cut Pro HD opens, but then asks to choose a TRANSLATION file. Where do I go from here. I do not understand that command of action it is asking. Newby here, so pity me for awhile.
    Thanks

    my instinct is "No" but thats no (because the app is expecting th efiles to be located on an mounted XDCAM disc that is formated as such) ... but in your situation I'd be inclined to download the XDCAM Transfer app and try for myself
    what you may need to do though is get hold of the discs and a deck and import using the method above
    failing that you have the option of using Flip4Mac's MXF quicktime components ... not cheap.
    this will allow you to select the local XDCAM source media that you've alreday transfered in the native MXF format, and rewrap as Quicktime for editing in FCP
    (a trial version is available for download)
    ... and if thats out of budget, or for whatever reason not an option, you can sit it out and see if the next FCP revision helps you out any with its direct Log and Transfer support for XDCAM. may have the same restrictions though (ie need a properly attached formatted device)
    ... and other than that, you're looking at switching to an NLE with native MXF support (Avid, Edius, Vegas etc)

  • Editing .AVI files in Final Cut Pro 5

    I am trying to edit .AVI files on Final Cut Pro 5 on a volunteer basis.
    I have converted the files to .MOV files with Quicktime Player.
    I am able to import one of these files into Final Cut Pro 5, and can even watch it in the viewer.
    But when I place it in the Sequence tab to edit it, I get a screen that says "UNRENDERED" for the whole clip.
    Based on past experience, the video would be harder to edit in a rendered state.
    Any advice on how to edit .AVI files would be much appreciated.

    AVI files are quite similar to some .mov files, but the devil is in the details (so to speak.)
    You don't give any particulars, so I'm going to assume you're working with standard definition NTSC video. Additionally, I'll assume that your system is PowerPC Mac since only FCP 5.1 and higher supports Intel processors.
    FCP uses sequence presets that spell out the parameters for the timeline. If a clip is dissimilar or acquires enough filters to be functionally dissimilar,the timeline will become red for that portion of the timeline. The same is true for the audio portion of the clip.
    The terms "QuickTime" and ".mov" (and probably ".AVI" for that matter) are kicked around as if they are specific but in fact they are quite vague. It's like saying you have a Ford; without any additional info like model and year,  it's hard to get down to cases.
    Use Compressor or QuickTime Pro to convert your footage to DV/DVCPRO-NTSC (if it's SD and you're in North America) and make sure the audio is converted to 48KHz/16-bit. This should match the NTSC presets and your timeline should a "cool" color (dark blue to light green) and playback nicely.
    Depending on the amount of processor power your system has, you may be able to play back clips with filters or even two or more layers of video without rendering. To be frank, don't count on it because someone has had well over 5 years to upgrade the system and hasn't so it may be "peaked out" already. You can usually step through the timeline using the arrow keys or by rendering short segments if you practice good "timeline hygiene" i.e., keep the timeline as clean as possible, don't strew clips over many video layers and let them stack up.
    That should get you going, I strongly recommend you take a little time to read the help docs/// they actually can help.
    Good luck!

  • How to Import AVCHD 1080/60p Files into Final Cut Pro 7?

    How do I import AVCHD 1080 / 60p Files into Final Cut Pro 7? And if there is no direct way [I certainly haven't found one, but I'm no expert], what additional software would be used? I want to import the files from a Panasonic HDC-HS700 onto an Intel Mac laptop [Mac OSX 10.5.8]? Obviously I don't want to compress & compromise my footage.
    I’m sure a simple, straightforward series of steps would help many people with this issue.
    Thanks!

    Thanks for the response!
    I'm guessing you've found ClipWrap2 to be better than competing products [such as AVCHD Converter for Mac, Toast Titanium, or Voltaic].
    On to the next steps. Using Clipwrap2, would I leave the checkbox "Convert Audio to LPCM" selected or deselected [and what the heck is LPCM?]. In the pulldown menu would I choose "Rewrap (Don't alter video samples)" or do I save a step by choosing "Apple ProRes 422"?
    And finally, am I gaining anything by shooting 1080/60p on this Panasonic HD Camera other than a headache? [Some have suggested this is not a True 60p.]

  • How to work on TOD files on Final Cut Pro

    Hi,
    I can't figure out how to work on .TOD files on Final Cut Pro. I'm using a JVC Everio HD40 camera. None of the sequence presets work. Is there a plug-in or something else I could try?
    Thanks for any help!

    .TOD is JVCs version of an MPEG 2 file.
    Use Log and Transfer from the File menu and convert to ProRes.

  • Every time I import an .fcpxml file into Final Cut Pro X, the timeline doesn't get imported

    So I had exported an .fcpxml file from one machine, which i had to format. So, after formatting the machine, each time I import the .fcpxml file into Final Cut Pro X, The timeline remains empty

    Use MPEG Streamclip from Squared 5 (free software) to convert the media to something like ProRes 422, then import into FCP X.
    MPEG Streamclip can cope with many codecs.
    Andy

  • Opening MPG files in Final Cut Pro?

    Am I correct in saying that you cannot open MPG files in Final Cut Pro? We have Studio 2 and Studio 3.
    From my previous experiences, we have always had to transcode to an MOV in Squeeze or some other program. I guess Compressor would do it too.
    We have a client that has 20 hours of footage in MPEG. Yes, I said 20 HOURS! It's low-res, but if my thoughts are correct, we'll have to transcode all of it. I don't know what exact flavor of mpeg the source is in, but regardless...that should take a **** of a lot of time. We only have a quad core with 6 gigs of RAM.
    Any thoughts? Would really appreciate it.

    Which flavor of MPG are you referring to?
    ----- MPEG1?
    As recommended above, Premiere Pro will allow you to import and edit MPEG1. Adobe makes a 30 day trial version available if you don't have it already with one of their bundles (or maybe it's time to get the Production Bundle and work After Effects and Photoshop into your workflow?)
    You could also find a utility that demultiplexes MPEG1; however, you'd probably want to convert it to Photo-JPEG at something close to 320x240 in frame size. You'll have to create a custom Easy Setup and/or Sequence setting. You could start with OfflineRT NTSC and change the compression amount from 35% to 100%.
    If you're not going the Premiere route, search Google for "How To Demux/transcode/convert Mpg on Mac" and some options will come back.
    Also, if you have Roxio Toast, it might be able to do the conversion for you.
    But, with all that said, the only time I use Premiere Pro is when I have to cut MPEG1.
    MPEG1 is meant for viewing video on a computer and/or devices that support MPEG1 at "VHS" quality. Or, simply put, this is almost the worst possible source video you could be given. (I'd put Photo-JPEG video streams from early point and shoot still cameras just below it. But then again, those would be easier to try to edit at first only to have the picture completely break apart when you try to export it). Two decades ago, MPEG1 was awesome, but even then you encoded it from an edited master that was on something better than VHS.
    If you can find some hardware that will play MPEG1 out via S-Video, it's probably worth patching that to a DV media converter or DV camcorder and pass that through to FCP at DV-NTSC settings.
    ----- MPEG2?
    The MPEG2 QuickTime component should already be installed via Final Cut Studio, allowing you to open MPEG2 streams directly into FCP; however, you'll probably be better off batch converting from MPEG2 to DV-NTSC and then cutting at the DV-NTSC easy setup.
    ----- HDV (MPEG2 codec for picture and MPEG1 Layer 2 codec for sound)?
    I'd guess this isn't the type of MPEG you're talking about based on your post. Also, this is, of course, supported in both versions of the studio that you have.
    -Warren

  • How using mp4 files on final cut pro x

    a can't impot any mp4 (I don't want converter to mov) file in to fcp x.
    how using mp4 files on final cut pro x?

    MPEG-4 is  delivery framework and should never be used in production. At the very leasgt you should optimize the media when you import it.

  • I can't open a Final Cut Pro 6 file in Final Cut Pro 10.  Please help!

    I am a long time user of Final Cut Pro 6.  I finished a video for a client but my computer was giving me issues because it's older and needs cleaned off so it is slow and it's affecting the video.  I downloaded Final Cut Pro 10 trial on my laptop and tried opening the file in Final Cut Pro 10. No go.  I thought that it would open because usually it isn't a problem when trying to open older files in newer programs.  I understand, however, that Final Cut Pro 10 has been re-writted so it presents a problem.  Can anyone please help me with this? 
    Thanks

    Russ has answered your question.
    What follows constitutes bully pulpitism.
    Apple has a long history of abandoning legacy software and hardware. I would be VERY careful before I bought into the the next iteration of Apple software. The real conundrum is Adobe seems bent on extracting blood from stones with its new subscription model so it becomes a choice of lessor evils. Do you pick "the next great thing" (whatever that means) from a company that you know will cut you off at the kness or do you pick something that has a high degree of stability but will bleed you over the long run? 
    Not an easy choice.
    x

  • Can i export mv file in final cut pro x trial

    I tried to export mv file in final cut pro x trial version, suddenly all my files was gone. What happened? How to retrieve the files back? Thank you!

    The *project* is not in the event library; it is in the project library...
    Please post screenshots of what you see in the event browser and project browser in FCP X; and also the Finder structure of your project and events folders.

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