Delete Motion template from Final Cut Pro 7?

I installed a Motion template to use in a video, but there is something wrong with the template because it causes Final Cut Pro to crash every time I use it. It was almost impossible to remove the template from the video I was making because every time the template was clicked on, Final Cut Pro would freeze for a while and almost always end unexpectedly.
I don't really need the template so I'd like to just remove it. I cannot find a file or folder with the same name as the template in Finder anywhere. How do I delete this template?
I have Final Cut Pro 7 and Motion 4.

If you actually installed the M4 template, it should be in:
Library > Application Support > Final Cut Studio > Motion > Templates > (and you might need to figure out which one of the folders you find in there it is actually installed in.) With FCP closed, you can move it to another location (and trash the file in this path if "moving" it just makes a copy which will happen if you move it to another drive.)
FCPStudio allows you to apply a Motion Project right into the timeline... that would be different than installing it. Getting rid of that might mean you should find the original project and move it (or zip it up to save a copy) then trash the original.
What you should do is modify the template in Motion 4 for your timeline, then Export it. Make sure you set the Export option to ProRes 4444 and that Color + Alpha (for transparency) is selected in the Render Pane of the export dialog. You can then apply the output video to your FCP project.

Similar Messages

  • HOW TO Delete Unused Media from FINAL CUT PRO

    *HOW TO DELETE UNUSED MEDIA FROM HARD DRIVE IN FINAL CUT PRO.* Keywords: disk disc drive space remove compressor
    SUMMARY:
    Say your original clip is 10 gigs, you can use only what you need and delete the rest from your hard drive. I know people on the forums say to just buy another hard drive, NO! It took 2 days to figure out but here it is!!! Email me if needed at [email protected]
    QUESTION:
    I captured 1 hour of video at a time and now want to delete from my hard drive all the parts I don’t want to use. I have 300GB of junk on my hard drive and I only want to use a few scenes using a few megabytes, so that I'll get most of my 300GB back!!!!
    ANSWER:
    In final cut on Mac, click on one small clip (to get familiar with process), go to “file”, “export”, then “using compressor”. This will open compressor software. Your file will open in the left top window. Then you need to batch the job or jobs. IMPORTANT: I’ve also solved the Compressor problem when you press “submit” to a batch and it states “Cluster: None”. Search forum for “In compressor you experience what I have”.
    <Edited by Moderator>

    Part of the problem could lie in the fact it's an imovie project coming into FCP, wouldn't rule that out. Second my be the terms you use and what you expect to happen. For example, a subclip is just a smaller clip subbed from a larger clip. It has nothing to do with media management. But you can media manage a subclip and delete the unused media.
    Try this (be sure to back up the original clip first). take a long clip into the viewer, make an IN and OUT duration of like 30 frames and then subclip that, Modify > Make Subclip. a new subclip will appear in the browser with a torn clip icon and the name Subclip. Right click on the subclip and choose Media Manager.... Check the Delete unused media from duplicated clip. As you toggle that the green Modified bar at the top change from the full clip size to a tiny modified size. If it does not then one of two things ... user error or the system is screwed up. That's the easiest way to test media manager.

  • How do I delete a Library from Final Cut Pro 10.1?

    I created a new Library in FCP 10.1 but now I can't delete it (option to delete it in the menu is grayed out).  I know you have to have at least one Library but there is another Library so that isn't the problem.  Thoughts?
    Thanks,
    Paul

    No, Libraries are independent little universes, all unto themselves.  They operate at the Finder level only. This allows you to duplicate, and copy them in the Finder, without the database UUID conflict we had with Events and Projects beofore.  That was why that function was inside FCP X, so it could duplicate and copy things, and be sure to assign them unique UUID numbers internally.  That is not an issue now, FCP should bow out of the process.
    But I can see how it would be slick to have a Library "Move to Trash" function.  It would make me nervous.  Who knows, it may be coming.
    Either way, once you get the hang of it, you'll learn it is a really easy, very flexible system.

  • Is it possible to create DVD Templates with Motion for burning Blue Ray DVDs from Final Cut Pro X?

    Is it possible to create DVD Templates with Motion for burning Blue Ray DVDs from Final Cut Pro X?

    As far as I know, motion templates can only be used with DVD Studio Pro. FCP X only lets you add a background image to the DVD menu.

  • Best way to export from Motion 2 into Final Cut Pro 5, working in DV?

    I am working in DV in Final Cut Pro 5, and I would like to get the best quality from anything I bring in from Motion 2 into Final Cut Pro 5, I keep hearing use the Animation codec. I would like to hear from the Panel of experts.
    Happy Thanksgiving,
    Sebastian

    The Best way is to round-trip from FCP. Or simply import the .motn file directly into FCP. If you require an alpha channel and for some reason don't want to bring the .motn file in, Animation with millions+ for the colors (+ is the alpha channel) will work, But if you just want straight DV, you should export a DV file.
    Patrick

  • How to import Montion 5 Templates to Final Cut Pro? The Template changes background in Final Cut. Why?

    I am trying to import the "splash" template from motion 5 to Final Cut Pro X. It works well as I can find the template, but the background in the template has changed. Why is this and where did I go wrong?

    I'm unsure what you're asking about.
    The Splash compositions are available in FCP in Titles. If you want to modify them, you can open a copy in Motion and make changes. You can then "publish" your custom version in FCP and both the original Splash and the custom Splash will be available.
    You can also begin the process in Motion from the Project Browser. You can publish a copy that will be available from the project browser and you can add it to generators in FCP.
    Of course, you can also use the Share menu to export and then import a QuickTime movie (not the template) into
    FCP.
    The workflow is way different than it was for previous versions of Final Cut and Motion.
    Russ

  • All of my titles, themes and generators seem to be completely missing from Final cut pro x. Do you know how to get them back?

    All of my titles, themes and generators seem to be completely missing from Final cut pro x. Do you know how to get them back?

    Do you mean that when you click the title browser, for example, nothing is there?
    Do you at least see several categories listed in the effects browser?
    First make sure that you have nothing typed into the search box (not even spaces).
    If you still see nothing, try this in order:
    1) Window->Revert to Original Layout
    2) Quit FCP X, delete preferences using Preference Manager (a free download from Digital Rebellion)
    3) Download FCS Remover, and use it to completely remove FCP X. This will NOT delete your content, just the application.
    4) Reinstall FCP X from the Mac App Store: log in with the same Apple ID that you used to buy FCP X, click on "Purchases", locate FCP X and click Install.

  • Are the sound clips from Final Cut Pro Fair Use?, Are the sound clips from Final Cut Pro Fair Use?

    I recently found YouTube had flaged a video for containing a "third party" sound clip.  All clips I've used in videos for YouTube have come directly from Final Cut Pro X.  Any idea if the sound clips are Fair Use?  I'm not sure how to repsond to YouTube and don't want to get a mark against my account due to this.

    You can pretty much forget about monetizing that specific video. 
    [Okay... I'm going to ramble now...]
    To avoid problems with youtube, you need to post a copyright (like this: @2013 by Your Name) on the video (I recommend within the first 10 seconds) -- and you better have it *right*. If you use other audio and video, as long as you have secured the proper permissions for use, you can still claim a copyright to the video you post on YouTube -- it is your creation (but it better not be a single clip of somebody else's work being passed off as something you did -- just to be clear -- your videos need to have original content that you created in order to justify the © you put on it. If you use *other stuff* as long as it's *with* permissions, it's still your video.) [If your video is going to be monetized -- make absolutely sure you have that permission for *commercial* use! Quite a lot of sources will specify that their materials *cannot* be used for any commercial use without further permissions, if at all. With Apple Loops (pro apps music and sound) you do have that express permission to be used in commercial works as long as it follows the EULA. More below.)]
    You also need to specify the music and/or sound effects are "licensed from Apple Computer and used with permission" and you might as well state they are "made with Apple Loops". YouTube understands the EULA of the Apple Pro software (Logic, STP, FCP/FCPX, etc...) -- but even Apple licensed all that stuff from outside sources. Apple just takes care of paying "them" for it in advance so you don't have to (you buy it with the cost of the software license.)
    You cannot use any of the "music beds" by themselves, in their entirety (all those nice long demo pieces everybody likes so much and you hear several times a day on [local] TV commercials). The EULA actually specifically states this (although you might have to read it two or three times until it becomes clear...LOL). Even loops are not to be released "as is", in their entirety, in any "derivative work". So, basically, make sure some other sound is mixed in with it (if it's music, add drums or other percussion, harmony, or duck it under talking, etc...)
    The point is, no matter what audio source you have, if it is *music* (or foley) and EVEN IF you are the creator of that music or sound effect, you need to specifically put it in writing IN the video (not in the description). You need to reference the source (e.g.: stock footage by BottledVideo.com) and state it's being used with (or by) permission. [According to YouTube: I have copyright infringed MYSELF!!! just for leaving out all this *stuff* from my subsequent videos (music that I composed and performed myself on guitar... I was livid... but it stuck!).]
    I can pretty much guarantee that within minutes of  posting your video (if it is monetized) -- some real live person at youtube puts eyes on that video to make sure it is properly "signed". I can tell by how long it takes for the monetize checkmark to go from dark to light green -- usually less than 10 minutes.
    If your video is not monetized, and it's not a blatant violation, they probably will let you off with a warning, tell you that you don't need to do anything "right now" and it won't count as a mark against you... If it IS monetized, it won't be - they'll turn it right off and your chances of winning a challenge are almost 0 (unless you can PROVE you own the material -- and  I have won a challenge -- see * below);  and you will probably see a "Copyright Notices" (or similar) item in the menu on your channel settings. If you can redo the video - pull the old one, put in the new info and re-up it.  It's a royal PITA, but in this day and age, it's a necessity.
    All videos destined for youtube should be treated as mini motion pictures and be prepared as such with full "disclosures" in titling... Welcome to  21st Century Pox [This statement is not meant to be derogatory to 21st Century Fox or imply any association or criticism or slander, and is only to be intended to be received as a parody on a common phrase that is currently still in use... No words were harmed in the formation of this pun.]
    Get the point? YouTube tries to tell everybody -- but they've done a pretty lousy job of doing it. It's taken me, oh, I guess a year or so to learn to "behave" after wandering through a mire of confusing information from too many different sources -- and even if I am the sole producer of 100% of all the content in the video, I *still* have to place that © and "commit" it; it is *not* taken on faith.  I actually had to go back and reread all my licenses and interpret the legalese to figure it out. It would have been simpler if they just put it: Your video is a miniature professional production. Make sure it includes all titling to reflect all participants -- *just like you'd see in a modern major motion picture or a major broadcast television series* -- I think everyone would pretty much understand what that involves. You don't have to get quite that extreme, just cover you bases and your a©©.
    I tried to cover it all... but I'm pretty sure I haven't... so... good luck!
    *How I won my challenge with an Apple Loops composition:
    1) the music, even though using "canned" loops, was an original complex composition (I'll argue theory with anyone about this... it will be based on limited sets and recombinants as well as the theory of instrumentation and timing. In other words - I massage the heck out of loops until they don't sound anything like the originals. I almost never use audio loops -- always MIDI.) [BTW - this was another instance of copyright infringing myself - I had used the same music in a previous video I produced a year or so earlier... when I, like you, thought I was "free" to use the clips as I saw fit.]
    2) the music I used in the video was originally created in Logic and I made sure the ID3 tags were filled in with my name and copyright information
    3) I have a YouTube Associated Website (think this is a "partner" thing... and google "sanctioned") but if you see it, make sure you associate your domain. [I think you might be able to create a Google+ account and associate a domain that way if it's not part of your YouTube settings.]
    4) I uploaded the original mp3 with the ID3 tags to my associated domain.
    5) in the challenge, I 1) attached the original mp3 (w/ID3 tags); 2) gave youtube a link to the copy on my associated website for *verification* that the files belonged to ME; (and they already had the URL to the video in question -- a basic 3 point verify.)
    It worked. They accepted the verifcation. (And this was the first challenge I've been able to win.) [This was very recent. What about the others? I might get a chance to complete the verifications, but I know for some, I've used up my challenges. The only other option is to pull them and redo them...]
    One last word of advice: It does not pay to get "huffy", indignant, or righteous with YouTube in a challenge. They don't care.  <-- read that again a lot more slowly...  They have their own behinds to take care of — and your video (and/or account) lives (or dies) by their grace. If you read that and infer that I have been those things, then yes, I have... to absolutely no avail... even though I thought I was right (to the best understanding I had at the time) — they have rules. Be respectful. In general, they're pretty relaxed about all this even though it might not look that way to many users. Once you get the rules down, everything goes a lot easier... even if it is a little more work. You have to take responsibility for your own work.

  • How do I upgrade from Final Cut Pro 4.0 to 4.5

    How do I upgrade from Final Cut Pro 4.0 to 4.5?
    Please Help
    Leo

    Hi
    I got sorted apparently I had a recipt for the orignal 4.5 upgrade and this prevented the software updater looking for Final Cut Pro 4.5
    solution: I opened Library and went to Receipts and found FinalCutProHD4.5.Pkg I deleted this then I went to software update and bingo problem solved?
    thanks anyway
    Leo

  • Mini-Dvi to Video out from Final Cut Pro working

    Thanx Everybody for posting reply for my post regarding running video out to external TV from Final Cut Pro in MacBook.
    It's working fine.

    @ Studio X : The files were originally created with Final Cut Pro, rendered out to QuickTime, then are being played back with Final Cut Pro. The file that has the most noticable studdering is a 60-minute timeline sequence in Final Cut. All files are being stored and played back from the Mac Mini's internal hard drive. Everything was originally shot on DV and formatted for a 4:3 aspect ratio.
    @ Shane Ross : Are there any settings in the MacOS or FCP where I can improve the HDMI video signal? Or do you know of / have any experience with Firewire to HDMI converters? Unfortunately, my new signal path relies on HDMI from the video playback.
    My current setup uses the Firewire output, which is then converted to composite video & analog audio using a pair of ageing DV tape decks. That setup is becoming troublesome due to age.

  • Burning a video from Final Cut Pro using iDVD

    When I export and save my video from Final Cut Pro to a folder (export->Using Quick Time Conversion). When I do that there are several different videos that are saved in my folder (ie-Kelly Michelle; Kelly Michelle-av1; Kelly Michelle-av2; Kelly Michelle-av3; Kelly Michelle-av4; Kelly Michelle-av5).
    iDVD is the program I need to use, I do not have any other programs. Therefore, I import the file to iDVD and once everything is ready in iDVD I try to burn the dvd. However, in the last stages of burning a window pops up and says that "an error was found during the burning process". It does not tell me what kind of an error it is. Does anyone have any advice or a step by step process that I need to do in order to burn my dvd successfully.

    The simplest way to prepare a video for iDVD is to *Export/Quicktime Movie* (NOT Using Quicktime Conversion), select Current Settings, Audio and Video and, depending on your needs, other 2 options:
    o- +Make Movie Self-Contained+ is preferred to have an independent movie (you can move the exported file, you can continue editing your FCP project before burning the exported version, etc.) but requires more disk space and more time for exporting.
    o- +Chapter Markers+ (NOT All Chapters) must be selected if you created Chapter Markers in FCP (markers in the timeline, not the clip, and clicked the Add Chapter Marker button in the marker dialog).
    The resulting .mov file (whether self-contained or reference) may be easily imported to iDVD.
    Piero

  • When sending job from Final Cut Pro to Compressor using local QCluster

    When sending job from Final Cut Pro to Compressor by way of Share and using the local QCluster, the audio renders, but the video errors out saying something along the lines of Can not locate file.
    If I use 'This Computer' it works fine.
    What gives?
    Fresh install of OS and FCS.
    Thanks!

    I'm just learning the intricacies of Compressor and Qmaster myself, but I have learned that when you use Qmaster you can not share directly from FCP. You must export a Quicktime movie (reference movie seems to be fine) and input that to Compressor. This is only an issue when using Qmaster, as you've seen.

  • What compression to use when Exporting HD video from final cut pro PAL setting

    Hi there
    I'm trying to export my HD video from Final cut Pro so that I can edit it in DVD studio Pro. I initially exported it on H.264 setting however it then gives me the message 'NTSC assets cannot be imported into PAL projects' It was edited with PAL setting so I think it must be the conversion but i'm not sure which option to use.....been really struggling to get the 1 hour footage under 4.5gb without losing too much quality...
    Any advice greatly appreciated!
    thanks

    Just to add two suggestions.
    1) Consider putting your four movies on two disks.
    2) Bring your movies into Compressor and duplicate the stock DVD setting. In the Encoding pane of the Inspector, select a CBR and dial it back to around 6.2 to 6.5 Mbs. In Preview mark a small section and submit; you'll get 2 elementary streams, with m2v and AC3 extensions. Bring that into DVDSP and evaluate results. Adjust as necessary. (This is to avoid waiting out very long encodes and then having to start again from scratch if you get disappointing results.)
    Russ

  • Why does Compressor take so long to export a 10 minute video clip from Final Cut Pro?

    I've been trying export a 10 minute clip from Final Cut Pro. so it can be used with DVD Studio Pro and burned. However, the rendering process has taken 12 hours! The clip I'm exporting has minimal effects, no music, and is in 1080i 30fps. Does anyone know what's going on or what I can do to speed up the process?

    First: How are you exporting? Are you using the Share feature or  Send to Compressor?
    Second: You haven't said anything about your system configuration or really very much about your movie. What is its format… is it really 30fps or 29.97? Whatever it is, are the project settings identical to the clip properties, or were they changed?
    Russ

  • How Can I do an export that from Final Cut Pro 7 that is specific to these settings?

    Hi
    I am current trying to export out a movie from Final Cut Pro 7 but the settings that are required are very specific and I was going to try it through compressor as well but I wasn't sure if that would work either.
    Here are the settings:
    HD:
    1 Video CODEC                 XDCAMHD50
    2 Wrapper format           QuickTime Self-Contained
    3 Bit rate                              50 Mbit/s Constant Bit Rate (CBR)
    4 GOP                                   Long GOP
                                                 Closed GOP
    5 Time code                       Must include embedded time code. Start-timecode: 10:00:00:00
    6 Movie version               UK Home Video Version
    7 Delivery time                 As per contract. Supplier to specify filename, delivery format and estimated time of arrival via email at least 60 days before                                                           transmission unless otherwise specified in contract. This should be accompanied by an IMDB link.
    1 HD video format           720 line progressively scanned (720p) @ 50Hz (25 FPS)
                                              1080 line interlace scanned (1080i) @ 50Hz (25 FPS)
    2 Resolution                      1280 x 720
                                               1920 x 1080
    3 Aspect ratio                    Content should be 16:9, however 4:3 will be accepted on exception (such as for older movies shot in 4:3)
    4 Graphics                           Must be within 16:9 safe graphics area (EBU R95-2000)
    5 Chroma format              4:2:2
    1 HD audio format           24 bits/sample 48 kHz sampling rate
    2 Track layout                    Track 1 – 2.0 Stereo L mono
                                                Track 2 – 2.0 Stereo R mono
                                                Track 3 – L
                                                Track 4 – R
                                                Track 5 – C
                                                Track 6 - Low frequency effects LFE
                                                Track 7 – L Surround
                                                Track 8 – R Surround

    First of all, what are your sequence settings?  Looks like they want stereo AND dolby 5.1 audio tracks embedded in the quicktime (I've delivered a few films like this).  Do you have a surround sound mix?  
    You will almost always have more options and control in compressor over fcp so that's the way I'd go, but not sure compressor will give you the ability to match these specs. 
    Do you understand about safe zones for graphics?  If not, post back.
    I don't see any option to set the GOP in xdcam in compressor.  This may be built in to the xdcam format.
    I don't see any option for 720 xdcam hd in compressor. 
    There are many other tools available for this kind of work, but they may be out of your price range.  You might want to just find a facility with experience in deliverying this sort of thing.

Maybe you are looking for