Discmakers Project: Color Question
Hi,
Using Photoshop and Illustrator CS3 I'm wrapping up a project for a Discmakers digipac. My color management settings are synced...setting: North American General Purpose 2. All my linked images are 300 dpi. The photos were originally RGB then desaturated in Photoshop and given a sepia tone, then saved as CMYK as required by the printer. Everyting looks fine in both Adobe programs but the photos have a strong green tint in any other program. Actually, the same is true for any CMYK desaturated photo. Greyscale black and whites look fine.
My question is: when this goes to the printer will I get the colors I see in Illustrator or the green tinted ones?
I'd be grateful for any suggestions. Thanks.
This is a link to the Discmakers guide:
http://www.discmakers.com/templates/faq.asp
I'm guessing you'll get the color seen in Illustrator. Not all applications are color managed and preview images are unreliable at best. You should, for your own piece-of-mind, have the job contract proofed ( see a local reputable print shop ) before sending it off to the print vendor. You should also supply a contract proof along with the disk so that the print provider has something to match. Then, when the provider runs the file ( get their workflow specs before you have it proofed on your end ) through their prepress department's equipment, they can supply you with a matched proof of their own and, with any luck, they both match and it's off to the races.
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Hi
I need an expert advice on setting up timelines for establishing an Oracle Apps Production environment. We are implementing Oracle HR & Payroll at an organization.
Our system architecture is a 2-node application tier and 2-node DB tier (RAC). RAC is configured by another party and we only have to prepare the application tier (2 nodes)
We would be installing Oracle Apps R11i (11.5.10) with jserv load balancing on the 2-nodes
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SairaDuplicate post (check your other thread):
Project Management Question - timelines for Production system deployment
Re: Project Management Question - timelines for Production system deployment -
Hi All,
I have couple of Project billing questions. Hope you can help
1)A wrong customer was attached to project billing agreement, funding and base line also completed for the customer.
Now we realized that its wrong customer and want to change it to correct customer.
What are the options we have here?
Can we delete or end date the billing agreement?
will the funding be release from the wrong customner after deleting or end dating the billing agreement?
2) Wrong customer attached to a project..agreements,funding,baselining are NOT done.
How can we delete this customer and add the correct customer?
The option to change the customer is grayed out.
Appreciate if you can help.
ThanksHi
On your first question you said the agreement was created for wrong customer. Since you already baselined the funding, I assume you have that customer linked to the project.
You can go the Agreement form and enter a negative funding line allocated to the same project. The total allocated amount will be zero. The agreement is now not allocated and free to be allocated to another project. If it is a wrong agreement you may update the agreement amount to zero. Now create a new agreement for the right customer.
The open issue is with the project. You have a wrong customer associated with that project. However, system will not allow you to remove the customer - project record. Solution depends on the way the project was setup. Did you enable customer at top task? if so, end date the top task and create an alternative top task with the right customer.
If the project has been set with a single customer you better close the project and start a new one.
However, if you need an alternative solution, I can suggest a custom method. Go to Help > ..> Examine and change the existing customer of the project to zero contribution.
Now you will be able to add the right customer to the project and have 100% contribution on it.
Dina -
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from the help
If your source footage requires a custom project preset, you can create one. The procedure for creating a preset differs if you’re changing settings for an open project versus establishing settings for a new project. Presets you create can be applied to new projects, and if you want to back up or distribute preset files, you can find them in the Settings subfolder of the Adobe Premiere Elements folder on your hard disk.
http://help.adobe.com/en_US/PremiereElements/8.0/Win/Using/WS09e4b3c48f3a79fc19b622510385d 4355c-7fde.html
Again thanks so much for your time and your help , much appreciated.
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http://forums.adobe.com/thread/415317?tstart=0
As you can see from this FAQ, there are three options for converting the video:
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The best solution, of course, is if the camcorder itself comes with its own editing software. That's software you KNOW will work with the camcorder's footage.
But, short of that, you'll need to use one of the hybrid solutions above. But you will not be able to edit the footage directly in Premiere Elements. Sorry. -
Limited navigation in projects with questions
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Basic project management question
HI,
In the "Projects and Events" top level of the Libraries pane, there is a pre made "folder" called Projects. The icon is a purple square with a star. This is identical to all the others which I assume are Events. I I click on an "Event" all the clips are revealed in the pane to the right. But if I click on the tiny trinagle, nothing is revealed. I don't understand this.
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I just got PRE9 and I am working on my first video. The question I have is
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Insanity is hereditary, you get it from your children -
Inter Project Billing - Questions
Hi,
We have setup Inter Project billing and the process works as expected.
But we still have questions about the Accounting Process - do the ap invoice and the ar invoice hit the same account? and how do we clear the Open Invoices on both AP and AR?
Please Help!!!!
Thanks,
AkshajHi Dina,
A couple more questions.
Following is a table with example transactions below:
GL Cust. Proj Internal Proj. Consolidated
Sales 400
IP-Sales (200) (200)
COS 200 200
IP-COS 200 200
Clearing (200) (200)
Net Income 200 0
1. Should the UBR / UER be an internal UBR/UER. Would it not otherwise murky up the UBR/UER for contract projects?
2. How do the Internal Project and the Customer Project rollup on the GL ? Do we need to have a consolidation project to net IP-Sales and IP-COS
3. Also - how do we handle scenarios where COS in the internal project is greater than the revenue/billed amount? How does this rollup to the Customer Project?
Please advise.
Thanks. -
JButton background color question
Hi everybody,
I have a feeling I'm going to get slammed for this, but I have to ask a very general question and hope for an answer.
I have a JDialog on which buttons don't seem to hold their background color. That is, when I use setBackground, the only color change I get is a very thin outline of the color, and the rest of the button is white. The strange thing about the button is that the white center actually seems transparent--if I change the panel the button is on to another color besides white, the center of the button turns that color.
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Jezzica85I have a feeling I'm going to get slammed for this, but I have to ask a very general question and hope for an answer.Why would people be harsh on you? The only risk you take is: vague question => vague answer (or random).
So...has anyone ever run into a problem like this and can give me some advice? I'm sorry I can't be more specific, if anyone has a question I'll do my best to answer.Never seen that myself, so I'll add a few random questions/thoughts:
I have a JDialog on which buttons don't seem to hold their background color. That is, when I use setBackground, the only color change I get is a very thin outline of the color, and the rest of the button is white.- are you using a custom JButton subclass? If yes are you certain the subclass does not override paintComponent()?
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The UI is set according to the LookAndFeel.
- Do you set any special LookAndFeel (+UIManager.setLookAndFeel(...)+, or look and feel's UIDefault properties in your app (generally that is done at startup)?
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I've tried to solve this problem with setOpaque( true ), setContentAreaFilled( true ), setBackground( color ), setForeground( color ), and I'm pretty sure every combination of those.FYI, the ButtonUI paints the button however it sees fit; in particular it doesn't have to respect the colors, opacity, filling... properties.
Eventually:
- are you using a custom JDialog subclass (probably, as that's generally how people write dialogs; not the best way IMHO, but there are cases where this is hard to avoid).
I see you can't provide an SSCCE right ow, but maybe you can try to narrow the list of suspects in your side?
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Good luck with your investigations.
Edited by: jduprez on Sep 30, 2009 8:20 AM -
Running Photoshop CS3 intel mac leopard. I made a .psd file with spot PMS 307 chosen from the PMS picker, not as a separate channel. I made another file at home on a imac running 10.4.11 CS2 with PMS 307 chosen the same way. Both are RGB files, both have color management off. The colors did not match. Anyone know why?
Thanksstephanie,
>This was an RGB question that has been blow all out of proportion and I thank you for pointing that out. The CMYK only comes in because of the pantone picker, used to match a logo color.
Please understand that the folks here are trying to understand what you are seeing and what you are trying to do. In your posts #3, #5 and #26, you clearly refer to commercial printing and unmanaged color.
CMYK and Pantone are not Web color associations. And RGB, CMYK, and Pantone spot colors all have different color spaces/gamuts. You cannot get an exact color equivalents across the board in these color spaces. And there are gamut differences between sRGB, Adobe RGB and all the other RGB spaces you can access in Photoshop.
So I'm confused as to what it is exactly that you want to do with the images, in other words, how they are going to be used and seen when all is done.
We can't be sure you have your monitors properly calibrated (the most important first step to color management). And you seem to be assigning your (unique) monitor profiles to your work. I can't say for sure that I follow your workflow.
So, let me ask a few questions:
1. Are your monitors hardware calibrated to 6500°K with a 2.2 gamma?
2. How are the images in question going to be used? Commercial offset, desktop printer, Website, etc.?
3. What color space are you assigning or embedding or... with your images? Is it sRGB?
4. Which Pantone color are you using (and is it for coated, uncoated, or matte paper)? And if you are going for Web, why are you working with Pantone colors instead of RGB or hexadecimal?
5. Have you read G Ballard's excellent color management basics? Do you have any questions?
6. Can you post a link to a screen shot of your color setup if you are preparing art for print?
7. Can you post a link to a screenshot of the mismatched images and describe how you arrived at the colors?
You can go to the free http://.www.pixentral.com to upload the images in question, and copy the link (per pixentral's instructions) back here.
Thank you.
Neil -
Color question (Pantone to PDF)
This is probably more of an Adobe Distiller question, but
I'll ask
anyways...
I whipped up a logo design for a client and they love it. I
just eyeballed
on-screen colors and told them that they'll have to sit down
with the
Pantone Swatch book and pick the specific colors they want to
use.
They ended up matching the swatches to the on-screen colors I
picked and
that's what I used.
I then created a PDF (press optimized) of said FH file. Now
the colors look
completely different on-screen (though, obviously, they are
the correct
pantone colors and as long as the printer isn't an idiot,
they'll look fine
on the t-shirts).
The question I have is why do on-screen matched pantone
colors not actually
match on screen when used?
-DarrelAs you requested Darrel, here is my best answer to this
question. (I
didn't answer before because I'm not 100% able to back up my
answer with
facts and typically leave it up people who are.)
The colors are not matching simply because all applications
render
colors differently. I can open up the same PDF in Acrobat 4
and 8 as
well as Preview and get three different color schemes. Each
program has
it's own method of rendering colors on screen. Now you
transfer that
same PDF to someone else's computer with a different monitor,
different
video card and different operating system and you've got a
real mess.
There is not guaranteed way to deliver color on screen. If
you spend
some money and a lot of time you may be able to get FreeHand,
Photoshop
and your desktop printer to agree (more or less) but you can
forget
about much else.
Moral of the story? Never buy clothes online that you haven't
seen in
person.
Rich
P.S. Even on press, Pantone or process, you are going to get
color
variations. If you are printing a t-shirt it better be white,
because
the colors will vary just by virtue of the color they are
printed on and
even just LOOK different because of the color next to it.
darrel wrote:
> This is probably more of an Adobe Distiller question,
but I'll ask
> anyways...
>
> I whipped up a logo design for a client and they love
it. I just eyeballed
> on-screen colors and told them that they'll have to sit
down with the
> Pantone Swatch book and pick the specific colors they
want to use.
>
> They ended up matching the swatches to the on-screen
colors I picked and
> that's what I used.
>
> I then created a PDF (press optimized) of said FH file.
Now the colors look
> completely different on-screen (though, obviously, they
are the correct
> pantone colors and as long as the printer isn't an
idiot, they'll look fine
> on the t-shirts).
>
> The question I have is why do on-screen matched pantone
colors not actually
> match on screen when used?
>
> -Darrel
>
> -
Importing projects / sequences question
I started out my project with the wrong resolution (*sigh*) and I'm now trying to save the day by doing the recommended move - starting a new project with correct settings and importing the original project there.
But I'm only getting the entire original project sequence as a big block, with no edits or anything available. Is it supposed to be like that? Or is there a way to get all the separate clips, cuts, edits etc when importing?
Thanks for any help!You will also find links to many
free tutorials in the PremiereProPedia that will quickly show you how things are done in Premiere Pro.
Cheers
Eddie
PremiereProPedia (
RSS feed)
- Over 300 frequently answered questions
- Over 250 free tutorials
- Maintained by editors like
you
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