Draw inside disabled, and clipping mask workaround loses information

I want to use my compound paths, with styles, fills and strokes applied to "draw inside", but that command is greyed out when I select them.
However, if I "cheat" and instead use the compound paths as clipping masks first, I accomplish something which looks exactly the same way in the layer palette as when I do manage to "draw inside" an object.
The trouble is that all my styles, fills and strokes get killed using that workaround, and I have to reapply them.
Am I missing a step somewhere, or doing this in the wrong order?
Any advice will be appreciated.
Also, any word on why "draw inside" is disabled for compound paths?
PS. Another problem using my poor workaround is that when the compound path becomes invisible, I can't find a way to drag appearances to it or apply swatches, even when I select it in the layer palette. I have to redo all styles, gradients, etc. manually, which is not efficient, nor desirable, at all.

Monika Gause wrote:
eobet wrote:
So, if I understand this correctly, two people replying here can draw inside compound paths, and two people can't. Is this a design premium feature, or why does there seem to be a difference?
Has nothing to do with Design Premium.
Maybe you'd like to show us your art. There might be other ways to achieve what you need to do.
Well my problem is that I can't do either of these:
Now, the stroke aligned to the outside, I apparently can never get around unless I choose to outline the path on that stroke, which means I loose flexibility (or add steps to my workflow).
And drawing on the inside... I guess I could make a clipping mask manually, but then I loose that really nice gradient I spent a lot of time to position just right... (either way, more steps in my workflow).
Actually, the whole point of my question is completely lost if I have to outline any path, because the reason I want to work with compound shapes and clipping masks at all, is that I want to easily be able to move one of the sub-shapes which creates the final outline, without having to redo neither the gradient fill or stroke.
And yeah, thinking again, my workflow is completely wrecked either way, since compound paths don't allow aligned strokes.

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