Feature Request: Ability to modify corner radius on boxes after creation

Hi. As an interface designer I often use the rounded box tool to create buttons.
I noticed that you can only select the corner radius at the time the box is created and not modify it thereafter--your only option is to delete the shape and create a new one with the new radius values.
I've tried the selection tools but "corner" radius as an option is nowhere to be seen.
Would be nice to change that as easily as size of fonts to quickly see how different styles would look on a page.
Cheers.

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Hi;
We do have a "Feature Request" form where you can vote on popular existing ideas (this one is listed) or add a new one of your own:
https://adobeformscentral.com/?f=XnF-KJVCovcEVQz9tZHYPQ
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Feature Request: Ability to import multiple audio tracks

Hello, I'm having a problem with Premiere Pro CC 2014.2. Unfortunately it lacks an important feature that I require if I'm to transition from Sony Vegas Pro. I much prefer Premiere, but I'm stuck using Vegas due to Premiere's inability to import all the audio tracks in my video files. I've seen a few other people around the internet complaining of the same problem and they also feel that it's rather silly for such a major editing software to lack this feature.
Here is an example video file. If you open it in Premiere Pro you'll not be able to hear my microphone, although it's there in Windows Media Player and Sony Vegas.
APB 2014-12-11 18-29-16-795.avi - Google Drive

All I get is "left" and "right". I tried to set the number of channels to 2 but it just ended up with an empty channel.
Here's the audio specs from MediaInfo:
Audio #1
ID                                       : 1
Format                                   : PCM
Format settings, Endianness              : Little
Format settings, Sign                    : Signed
Codec ID                                 : 1
Duration                                 : 11mn 44s
Bit rate mode                            : Constant
Bit rate                                 : 1 536 Kbps
Channel(s)                               : 2 channels
Sampling rate                            : 48.0 KHz
Bit depth                                : 16 bits
Stream size                              : 129 MiB (1%)
Alignment                                : Aligned on interleaves
Interleave, duration                     : 10 ms (0.60 video frame)
Interleave, preload duration             : 60 ms
Audio #2
ID                                       : 2
Format                                   : PCM
Format settings, Endianness              : Little
Format settings, Sign                    : Signed
Codec ID                                 : 1
Duration                                 : 11mn 44s
Bit rate mode                            : Constant
Bit rate                                 : 1 536 Kbps
Channel(s)                               : 2 channels
Sampling rate                            : 48.0 KHz
Bit depth                                : 16 bits
Stream size                              : 129 MiB (1%)
Alignment                                : Aligned on interleaves
Interleave, duration                     : 10 ms (0.60 video frame)
Interleave, preload duration             : 50 ms
I've read on several video editing forums that this is just how Premiere is and you simply can't load the audio channel. Also the video file was made in Bandicam. I've also tried Dxtory and had the same problem.
Edit:
Looked at the media properties for the video and saw this:
Audio track 1:
Size is 42.74M bytes
Rate is 48000 samples/sec
Sample size is 16 bits
Audio track 2:
Size is 0 bytes
Rate is 48000 samples/sec
Sample size is 16 bits
I know for a fact that there's audio data in that track.

Feature Request - Ability to prevent videos from auto playing in Browser

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Solved!
Go to Solution.

Thanks for the detailed feedback @Zeridialous
I’ll raise this internally to see what can be done to help save bandwidth. Thanks!
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Feature Request: Ability to easily view bit depth

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See http://developer.mozilla.org/en/Places_query_URIs

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Feature Request: Ability to Not Have an Action Button in Dialog Box

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local function findButton (x, label, visited)
    if visited == nil then visited = {} end
    if type (x) ~= "table" or visited [x] then return nil end
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Feature request: Ability ot specify REPORTS_PATH in ENV-file

I am currently running 2 different Forms9i configurations on the same Oracle9iAS R2 server. I have done this by first creating 2 configurations in formsweb.cfg, each with its own ENV-file (envfile=xxx), and in each of these files I have specified 2 different FORMS90_PATH- and LOCAL-parameters successfully. Unfortunately, there is a set of RDF-files for each configuration, and setting REPORTS_PATH in the ENV-file doesn't seem to work - I'm forced to enter it in the Windows Registry, which means, that I can have only one REPORTS_PATH parameter, which the 2 configs have to share.
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Thanks in advance!

Jacob,
The Reports_Path parameter in the Forms9i env file is of no use. In Oracle9iAS and Oracle9iDS there is no other chance to run an integrated report than using the Oracle9i Reports Services. The Reports Services is started in a defined environment, including the location of the Reports rdf files to use.
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Feature Request: Maintain radius on rounded corner boxes when resizing

Since I make a lot of "buttons" using the rounded rectangle tool it would be AMAZING if the corder radius is maintained when resizing using command-t.
Currently the radius is squashed or stretched depending on which way I resize the box.
Steps to see the incorrect behavior:
Create a rounded rectangle box with a radius of any size (though the larger it is the easier the problem is to see eg: 8px)
Observe that your corners are a nice 8px
Select the layer with the rounded rectangle box and press command-t on mac.
Make the rectangle narrower (a common function when the text in a button changes)
observe that the corner radius is now <8px (the height is correct but the width is squashed narrower)
Further, observe that if a box is downsized with constrained proportions (holding down shift key) the entire radius size is reduced
Desired steps:
Create a rounded rectangle box with a radius of any size
Observe that the corner radius is N px
Select the layer with the rounded rectangle box and press command-t on mac
Make the rectangle narrower or resize in any arbitrary way
observe that the corner radius of the box is still N px, as if the box had just been created
THANKS!

I second the motion!
Someone else posted a request similar to this a few days ago as well, and it's a feature that would be very useful.
It should be like the 'Rounded Corners' Effect in Illustrator, where you can drag and scale in any way without destroying the corner radius or changing it's actual radius.
I too work with iOS and OSX developers creating UI graphics for mobile apps and web apps. Buttons and tool bars are common things I create every day now, and I'm sure a lot of us are moving in this direction.
This would be a HUGE time saver!

Feature Request: Modify Audio Channels from the Timeline in Premiere CC.1

Why have we never been able to modify audio channels once a clip is added to a sequence? I'm guessing there's a good reason Adobe has never had this feature. The lack of this feature is explicitly mentioned a few times in the audio section of the Premiere Pro CC manual, as if it's a benefit NOT to have it. But the benefit is entirely lost on me.
In my workflow, I synchronize my double-system video and audio before anything else. I do this in PluralEyes (and unfortunately I'll have to keep doing it this way, until PPr's sync on sound feature gets fixed—for me it's never worked).
Once PluralEyes has synched hours of footage and audio and placed it on a PLURALEYES GENERATED sequence, I import that sequence into Premiere. Note: Since I haven't gone through the step of creating a blank New Sequence, I don't get the opportunity to setup my audio channels the way I'd like in my sequence (i.e. Stereo recordings should occupy ONE track, not two. Typically these tracks come from a camcorder and are used for reference sound, or ambient noise at best, so I don't need them taking up precious real estate in my sequence).
Since PluralEyes doesn't merge my clips for me (or rather I don't want it to since I'm usually doing multi-cam sequences where I want to keep all 14, or so, tracks of audio), I have to go through the clips one by one and do a Merge Clip action once I've adjusted any minor sync issues, or determined which tracks I actually want to keep. But, and here's the key, at this stage I'm not yet 100% certain whether I'll use the nat sound or the wireless mic sound (separate audio recorder, etc). Furthermore, I don't really want to think about that at this point. After I've spent a few mind-numbing hours just ingesting files, sync and merges, I want to jump into the edit as soon as possible, before I lose all will to finish this edit. If I modify my audio channels right now, I'll lose the ability to make some creative decisions later on.
I'd like to start whacking out an assembly edit. And then after I have a rough program, I can start looking at which audio tracks (nat or double-system) I like better in each circumstance. This is where I become stumped that at this stage, I'm locked into whatever audio channels I've setup (or not) in the earliest stage of the edit, back before any media was actually on the timeline! It's at this stage, and usually only at this stage that I want to start Modifying Channels—FROM THE TIMELINE!
Does anyone else feel the same? If not, what is your workflow?
Feature Summary: Right-click on any clip, (master clip, sub-clip, merged, nested or otherwise) in the timeline and choose Modify > Audio Channels.
I've submitted a feature request, with a link back to this discussion, so please pipe in—especially if you want this feature.

Maybe its your specific workflow, asset mangement and use of a 3rd party application that runs you into an issue.
Take Pluraleyes out of the equation, I would imagine my workflow is the same as most everyone else. Find footage in the Media Browser. Import it. Create a Sequence and start editing. Use the Source Monitor to set Ins and Outs and then Insert the clip on the timeline.
At this point, if the audio needs to be modified, it cannot be done on the Timeline. The workaround, of course, is to Find Clip in Project; Modify Audio in the Project panel; then do a Matchframe to replace the audio clip. This works, but requires many steps per clip. Also, Matchframe in Premiere Pro CC is not reliable.
Introducing a new Modify Audio (from Timeline) feature as seen in the fantasy screenshot above would solve it.
I dont use Pluraleyse ...which I understand to be a synching aid...so I dont know the workflow it imposes on one .
Returning to Pluraleyes workflow, this issue is compounded by the need to Modify almost ALL audio. Every stereo track is separated and placed on two MONO tracks taking up precious real estate. This is not something Pluraleyes imposes. It is due to the way Premiere imports XML timelines. This would apply to sequences imported from Final Cut as well.
In this case it would be ideal to select both the LEFT and RIGHT mono tracks and choose "Modify > Audio Channels > Merge L/R Mono to a Single Stereo track." Ideal? No. I guess Ideal would be if Premiere would interpret XML files properly in the first place.
What actually is the issue with Premieres synch and merge workflow in your case?
Audio Sync in Premiere Pro doesn't work. Period.

Feature Request: Ability to modify corner radius on boxes after creation

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