Final Cut Server Edit Proxy

Hi,
I need to do remote editing (with FCP7) over small bandwith WAN (1Mbps) therefore I configure Final Cut Server (V1.5.1) Edit Proxy to use a Quicktime H.264 codec with the following parameters:
File Extension: mov
Estimated size: unknown
Audio Encoder
AAC, Stereo (L R), 48.000 kHz
Video Encoder
Format: QT
Width: (100% of source)
Height: (100% of source)
Pixel aspect ratio: Default
Crop: None
Padding: None
Frame rate: (100% of source)
Frame Controls: Automatically selected: Off
Codec Type: H.264
Multi-pass: Off, frame reorder: On
Pixel depth: 24
Spatial quality: 0
Min. Spatial quality: 25
Temporal quality: 50
Min. temporal quality: 25
The workflow is:
The remote editor choose on Final Cut Server the FCP project he has to work on, do a Check Out of the project on his Final cut Pro 7 local station by selecting "use: edit proxy" and "keep media with project". Project and associated footage are then uploaded from the server to the remote FCP7 station with no problem.
When the upload is complete, the editor simply open the project file to start editing on his station. This workflow was working allright till january: when opening the project the FCP7 doesn't reconnect the media with an error message:
"one or more of the updates requested by Final Cut Server could not be applied. (one or more replacement (s) had unexpected track setting.)" and media files are Offline! When trying to reconnect manually by indicating the proper path for the missing files, I have to uncheck "Matched Name and reel only" to select the edit proxy files. It looks like it was still linked with the original media...
Looking at the project file, the paths for the proxy files are the proper ones...
<!DOCTYPE plist PUBLIC "-//Apple//DTD PLIST 1.0//EN" "http://www.apple.com/DTDs/PropertyList-1.0.dtd">
<plist version="1.0">
<dict>
<key>fileSubs</key>
<array>
<dict>
<key>newurl</key>
<string>file://localhost/Users/XXXXX/Desktop/testbdw10/media/_FCS__XXX.XXX.XXX.XXX/dev/3/1670_179_004301.mov</string>
<key>originalurl</key>
<string>file://localhost/Macintosh%20HD/Users/XXXXX/Documents/Final%20Cut%20Pro%20Docume nts/Capture%20Scratch/Untitled%20Project%201/179004301.mov</string>
</dict>
<dict>
<key>newurl</key>
<string>file://localhost/Users/XXXXX/Desktop/testbdw10/media/_FCS__xxx.xxx.xxx.xxx/dev/3/1674_179_003601.mov</string>
<key>originalurl</key>
<string>file://localhost/Macintosh%20HD/Users/XXXX/Documents/Final%20Cut%20Pro%20Documen ts/Capture%20Scratch/Untitled%20Project%201/179003601.mov</string>
</dict>
</array>
<key>version</key>
<integer>0</integer>
<key>versionMin</key>
<integer>0</integer>
</dict>
</plist>
If I change the Edit Proxy setting for ProRes 422 (Proxy) on Final Cut Server edit proxy setting then the reconnection is working OK. I cannot use this workaround as the files are then far too big to be tranferred over a 1Mbps WAN.
The setup with the Quicktime H.264 edit proxy was working fine after, it seems, the installation of Pro applications update 2009-01 issued end of october 2009, but since january 2010 it does not work anymore.
Final Cut Server is version 1.5.1 with Mac Os X server is 10.5.8
Editing station are running Final Cut Pro 7.0.1 and Mac Os X 10.5.8
What could be wrong ? Does anybody encountered this type of problem?
Any suggestions welcomed!
Thanks.

I'm dealing with this issue right now (FCSv 1.5.1 latest pro app updates, 10.6.2, FCP7). I was under the impression that you could make edit proxies that were 25% resolution (as opposed to just using an efficient codec), but Final Cut Pro is having a rough time getting it right. I too am only getting success with ProRes-Proxy, audio passthrough, and 100% res/everything else. I tried using Apple Intermediate Codec with default "100%" settings and audio passthrough but had no luck. It's way heavier than ProRes Proxy anyways.
The only suggestion I can make is try your h264 solution with audio passthrough (or Linear PCM) instead of AAC. If that makes a difference we're on to something. Some people started having this issue after an iTunes update, so maybe AAC is the source of the problem.
The edit proxy workflow really needs tweaking from Apple to cater to internet-based solutions rather than fiber/SAN environments where bandwidth is a non-issue.
I'll report back later after some more testing.

Similar Messages

  • Best practices for Edit Proxies in Final Cut Server?

    We just bought Final Cut Server, and for the most part are pretty happy with the product. We are a small production facility, and primarily work with DVCPro HD footage at 720P. One feature we'd like to use would be the edit proxies feature in FCS, but they don't seem to be working for us.
    _Hosting Computer_
    We're using a mac mini server with snow leopard server and final cut server 1.5.
    Problem
    Whenever we specify in the Administrator Pane of FCS, Under Preferences and Analyze, we'd like to use a custom transcode setting for the edit proxies, keeping Frame Size, TC, and Frame rate the same, but changing the codec to h264 least quality, the effects are a different compression than expected. We tested out the compression settings using Compressor on the server, and we get the desired results:
    Input: DVCPro HD 720P Quicktime 960X720 (1248 x 702) 23.98 fps
    Output: H264 Quicktime 960X720 (1248 x 702) 23.98 fps
    Also did the same outputs using Apple Prorez, Photo Jpeg and got the following outputs:
    Output: Apple Prorez Quicktime 960X720 (1248 x 702) 23.98 fps
    Output: Photo Jpeg Quicktime 960X720 (1248 x 702) 23.98 fps
    (We also made new transcode settings for these compressor settings and we not able to control the compressions through FCS with these settings as well. Our target codec is H264.)
    After connecting the new compression settings on the Mac Mini Server to a new transcode setting in the FCS Admin Pane, we restarted the Java Client, logged in to FCS as an FCSadmin, opened the Admin Pane, and under preferences/analyze change the edit proxy setting to the New H264 setting that worked perfectly when using Compressor. After uploading a final cut project, with one associated media file (DVCPro HD 720P Quicktime 960X720 (1248 x 702) 23.98 fps), the resulting edit proxy did not match the specification: 384 x 216, 23.98fps, TC matches source.
    Also did not dynamically connect when checking out the project from FCS and selecting edit proxies and keep media with project and saving to the desktop.
    Question 1:
    Does anyone have any best practice transcode setting(s) to create for DVCPro HD 720P using edit proxies that dynamically connect and are smaller size than the original? H264? Photo Jpeg?
    Question 2:
    Why is Final Cut Server's Compressor giving a different output, when the same settings work well with just Compressor?
    Question 3:
    Does H264 work in creating dynamically linking edit proxies (ie, no need to reconnect)?
    I can imagine this information to be very useful to the community, so any input or solutions will be greatly appreciated.
    Thank you.

    H.264 is a puzzling choice of codec for edit proxies. H.264 is not an edit-friendly codec since it is a complex long-GOP structure and will require a ton of rendering just to play back the timeline. ProRES 422 Proxy would be a much better choice for editing. I'm afraid I can't account for the differences between Compressor and FCServer in this case, but my gut tells me the non-I-frame codec you are trying to use for edit proxies might have something to do with it. Maybe for an edit-proxy workflow to operate properly on the server-side the codec must be I-frame? Is there any reason you do not want to use ProRES 422 Proxy? They are about 1/3 the footprint of 720p24 DVCPRO-HD, which is already very efficient. For that frame rate and frame size they would be roughly half the heft of good ol' DV25.
    So my answer to all three questions would be to try ProRES 422 Proxy for your edit proxies and see if everything lines up.

  • Final Cut Server (FCSvr) missing the Edit Proxies Device in the Advanced Administration Pane.

    Final Cut Server (FCSvr) missing the Edit Proxies Device in the Advanced Administration Pane.
    If for any reason an Admin has mistakenly or purposely deleted the Edit Proxies device
    from the FCSvr Java Admin, and you'd like to restore connective to it following the instructions below.
    Note verify these symptoms, open the FCSvr Java Admin, Go to Preferences and the Proxies Pane and inspect
    If the field and drop down for Edit Proxies is missing please backup your FCSvr DB manually and following the steps below to restore connectivity.
    1. From the Terminal from the following command
              cd /Library/Application\ Support/Final\ Cut\ Server/Final\ Cut\ Server.bundle/Contents/MacOS/
    2. Next run the following command
               ./fcsvr_client getmd --xml /prefs/0 > ~/Desktop/prefs0.xml
    This will output a XML file containing the Final Cut Server Global Preferences to the Desktop folder of the currently logged in user.
    3. Using for favorite XML Text Editor (mine is TextMate) open the file that was output
    4. Notice the XML element and attribute values between lines 29 and 31
      <value id="PROXY_CLIP_EDIT_DEVICE">
       <address>/dev/3</address>
      </value>
    5. From the command line run the following command to determine the Device ID for you Edit Proxies device
    ./fcsvr_client search /dev
    You should get an output similar to what's below.
    Address        DEVICE_NAME                   DEVICE_TYPE                  
    /dev/20        Edit Proxies                  contentbase                  
    /dev/9         MEDIA                         filesystem                        
    /dev/1         Proxies                       contentbase                  
    /dev/2         Version                       contentbase 
    Record the new Device id for the Edit Proxies device.
    6. Open up the file /Desktop/prefs0.xml and XML attribute in line 29
       <address>/dev/20</address>
    to the value of the Edit Proxies from step 6.
    7. Save the /Desktop/prefs0.xml
    8. From the command line run the following command
    sudo ./fcsvr_client setmd /prefs/0 --xml  ~/Desktop/prefs0.xml
    enter you admin password if prompted.
    9. Close and reopen the FCSvr Java Admin, Go to Preferences and Proxies and inspect
    The field and dropdown should reappear.
    If for some reason this didn't work, feel free to contact me offline.
    Nicholas Stokes
    [email protected]

    H.264 is a puzzling choice of codec for edit proxies. H.264 is not an edit-friendly codec since it is a complex long-GOP structure and will require a ton of rendering just to play back the timeline. ProRES 422 Proxy would be a much better choice for editing. I'm afraid I can't account for the differences between Compressor and FCServer in this case, but my gut tells me the non-I-frame codec you are trying to use for edit proxies might have something to do with it. Maybe for an edit-proxy workflow to operate properly on the server-side the codec must be I-frame? Is there any reason you do not want to use ProRES 422 Proxy? They are about 1/3 the footprint of 720p24 DVCPRO-HD, which is already very efficient. For that frame rate and frame size they would be roughly half the heft of good ol' DV25.
    So my answer to all three questions would be to try ProRES 422 Proxy for your edit proxies and see if everything lines up.

  • Small Office Network Solution for Final Cut Server - Proxy Storage Etc.

    Hi,
    I haven't been able to find any answers for this question by googling, So I would love if anyone here had some advice. I have the 10 License version of Final Cut Studio with 5 clients at the moment. I would like to set-up our office in the most effective way, however we are a non-profit organization, so we are working with a limited budget.
    My question is, does anyone know of any networking solutions for Proxy Storage and Media storage, that wont bottleneck, but is not as high budget/high tech as using an Xserve/XSan system?
    Right now we would be looking at running Final Cut Server off of our 24inch Intel IMac (Going to beef up the RAM). We have a Gigabit Switch, 4 more intel machines running final Cut pro, and a direct attached Drobo for Media Storage. I know this is not an Ideal set-up, but it's what I have to work with right now. So, I'm looking for any kinds of tips and tricks to make this set-up work for us, and am looking at purchasing either a Network Attached or iscsI storage system for the Proxy Storage.
    I hope this is a decent description of my situation, and would love some advice.
    Thanks Very Much,
    MacNomad

    Hi,
    I haven't been able to find any answers for this question by googling, So I would love if anyone here had some advice. I have the 10 License version of Final Cut Studio with 5 clients at the moment. I would like to set-up our office in the most effective way, however we are a non-profit organization, so we are working with a limited budget.
    My question is, does anyone know of any networking solutions for Proxy Storage and Media storage, that wont bottleneck, but is not as high budget/high tech as using an Xserve/XSan system?
    Right now we would be looking at running Final Cut Server off of our 24inch Intel IMac (Going to beef up the RAM). We have a Gigabit Switch, 4 more intel machines running final Cut pro, and a direct attached Drobo for Media Storage. I know this is not an Ideal set-up, but it's what I have to work with right now. So, I'm looking for any kinds of tips and tricks to make this set-up work for us, and am looking at purchasing either a Network Attached or iscsI storage system for the Proxy Storage.
    I hope this is a decent description of my situation, and would love some advice.
    Thanks Very Much,
    MacNomad

  • Final Cut Server on edit suite?

    We're thinking about purchasing Final Cut Server, but I'm not clear about whether we'll need to put it on a dedicated system or if we could run it on an edit suite. We're rarely going to have more than 3 users at a time using it, and probably 75% of the media is already on one Mac Pro in a combination of internal and external drives and an Xsan. It would be a big advantage in terms of both cost and convenience to be able to run Final Cut Server on that computer, but is that a reasonable thing to do? Would it have a significant impact on editing? Would it use up too much CPU time and memory?

    FCS uses a lot of processing power when you add things to the library because it is doing several things at once. I've maxed out a 4 core 2.6GHZ easily, especially when there are errors. The whole thing will redline. We're actually thinking about using an 8 core instead. we're also offloading a lot of the compression to the server to free up the editing machines.

  • Long HDV and XDCAM clips through Final Cut Server

    Hi,
    I know that I could post this in Compressor and/or Quicktime and/or Leopard/Tiger Forums, but as this problem it`s causing my Final Cut Server to not working well, I think it makes sense to post here.
    To resume: HDV and XDCAM clips (all on original codec, only xdcam transferred to mov in xdcam transfer) with file size bigger than exactly 4GB always FAILS in "Final Cut Server"/"Compressor alone in ANY machine installed from scratch"/"Anything that uses Quicktime". Source and Destination being localy or networked. DV or DV50 can get bigger than that, I`ve never seen this error with DV`s codecs.
    I had seen this problem before I bought final cut server. When I was transcoding our interviews for transcription. We always worked with BETA SP and captured in DV or DV50. We were starting to go to HDV and now to XDCAM and this error has started to appear.
    I have a "proxy" made a year ago from a HDV and it`s original has 8GB. I tried this file again and as I expected didn`t work. In ANY computer with any installations with only the latest updates. I`ve remembered that I was using Tiger at this time, and Quicktime/Tiger/ProApps had a old version.
    My two cents are that some update from Tiger/Leopard/QuickTime/ProApps made this happen.
    So ANY HDV/XDCAM file bigger than 4GB it`s FAILING in ANY system. (Tiger or Leopard, With or without FCP and QT PRO, Installed from scratch and updated every thing).
    Some tests I`ve made:
    -Compressor works with this two codecs to lower res in TIGER and with QuickTime Version 7.4.0 and LOWER. (had to be tested, but I think that was my version of QT when I managed to make the proxy of this two codecs).
    -Compressor doesn`t work on any system with QT above 7.4.0.
    -CATDV (http://www.squarebox.co.uk/) version 6 can make proxy versions of this two codecs in TIGER ONLY! They already know of this problem and CATDV 7 works on both.
    -Compressing in compressor with H.264 (same codec as the FCSvr proxy) BUT without changing the resolution, size and etc. Works OK in both Tiger and Leopard.
    -Exporting through QT works in ANY system BUT I loose TC, so it`s not an option (and I can`t input this workflow in FCSvr without using compressor).
    -Exporting from FCP as QuickTime Movie with H.264 doesn`t work on Both (Tiger and Leopard).
    -Exporting fro FCP as QuickTime Conversion with H.264 works but as exporting from QT I loose TC and can`t input this into FCSvr workflow.
    Error message are always: "QuickTime error = -50" or "QuickTime error: corrupted data" (and of course it`s not corrupted because it`s used - even in FCP to edit - and opened viewed, catdv can do proxy and everything).
    I`m surprised not to see anyone freaking out about this issue... I don`t think that It`s only me.
    This is some problems that I came across while trying to find a solution:
    http://www.paulescandon.com/blog/?p=39
    http://discussions.apple.com/thread.jspa?messageID=4912265&#4912265
    http://www.squarebox.co.uk/faq155.html
    http://discussions.apple.com/thread.jspa?messageID=5513003&#5513003
    http://discussions.apple.com/thread.jspa?threadID=1903644&tstart=0
    http://discussions.apple.com/thread.jspa?threadID=1780228
    http://discussions.apple.com/thread.jspa?threadID=1853507
    As you can see this is not the first time I`ve posted about this issue.
    I`m sending a bug report as well.
    Thank You all in advance.
    Regards

    Hi Chará!
    We should, but I think the others will be disappointed eheheheh.
    It doesn`t matter what version of Leopard I`m using (right know I`m using Leopard Server 10.5.6, but this issue has happened even with 10.4 if QT is updated and all updates of 10.5 up, as I`
    ve mentioned above).
    What file size are those clips that are longer than 10min?
    I really don`t get, how it`s possible that just the two of us has HDV and XDCAM files with file size longer than usual? Maybe people that do interviews don`t like to record the entire interview and when capturing those clips would be under this file size limit? Or maybe we are the only ones in the whole world that transcode longer HDV and XDCAM clips (it`s funny that it doesn`t even need to be FCSrv, with only ONE machine and compressor this issue happens all the time).
    I`m convinced that I have to install a Tiger version in a virtual machine with compressor and doesn`t update anything to test this further on. But I`m certain that with TIGER and CATDV this works ok! And I think that CATDV uses QT engine to do this transcodes.
    This is too much of a mystery to me. Maybe it`s time to spend 24+ hours with apple in a international call and probably not getting anywhere.
    I`m only posting this here in FCSrv forum because this issue it`s must worse when you have hundreds of clips with this issue and if you bought the package it doen`t matter if it`s a problem with QT+OSX or whatever, apple has to solve it for FCSrv use.
    Do you reckon?
    Let`s get in touch through email: lucas at rwcine.com.br
    (at = @ and delete spaces).
    Regards

  • Storage issues for Proxies using Final Cut Server

    Hi there,
    we have a fairly high amount of material that is just being put into Final Cut Server to be archived again.
    I dont mind the Xserve being busy to create these proxy files, but they tie up too much space!
    (Maths: 500 GB / 40 h of DVCAM footage result in more than 100 GB proxy files).
    We have those 40 h running though more than once a month plus a whole LOT of material from the last 2 years - and our Xsan is only 7 TB in size.
    Although we could theoretically buy another fiber raid this solution is not really future proof - it just pushes the time when we have to buy the next one a couple of months forward.. on top of that I cannot afford to have expensive, fast fiber channel storage used for proxies of files that are long archived and have only very limited use (and IF we need them, stick in the archive device and done).
    Any ideas how to get rid of proxy files from archived assets?
    I dont really want to take pen and paper and delete the proxies of the files by hand from the bundle.. dont think FCSvr will like this either.
    thanks for any advice
    tobi

    So I'm not sure how your math is adding 100GB of proxy files
    Are you creating VersionS and/or Edit Proxies of everything?
    I ask because using the default Clip Proxy setting gives you file sizes similar to the ones below. These numbers aren't accurate because the default Transcode setting uses Variable Bit Rate (VBR) encoding for both video and audio, but assuming you had a relative constant 800kbps stream here's how large your Proxies.bundle file should be
    800kbps * 30secs = 2.4mb
    800kbps * 60secs = 4.8mb
    800kbps * 60secs * 60min = 280.8mb per hour
    280.8mb per hours * 40= 11.2GB
    Also note, that deleting an asset from FCSvr doesn't delete the proxy files so you could have a lot of proxies left over from a few historical scans.

  • Hardware Configurations for Final Cut Server

    I am a small video production shop, currently running 2 standalone FCP stations; one Intel tower FCP7 with about 3T of firewire 800 Raid 1 storage, and one PPC G5 tower FCP6, on a gigibit ethernet network with a central NAS. I am adding a 3d station and a new employee. The problem we have run into is that many assets seem to always reside on the wrong system, and duplicate projects become impossible to resolve and archive effectively. We shoot exclusively on HDV.
    This is the setup I am considering....
    Convert the Intel Mac Pro tower to Final Cut Server
    Buy 3 27"iMacs for edit stations
    My plan would be to have all projects reside on the FCPServer and edit on 422 Proxy versions on the iMacs. I understand that each iMac would need a copy of FCP. Would they all need to be FCP7 to work on the same project at different times?
    Other questions:
    Would working on a gigabit ethernet network be a bottleneck?
    Could I ingest video directly to the server? Is there a way to capture 422 video onto the server or would that require a separate copy of FCP on the server to capture from tape? If so could I use the older FCP6 copy withot upgrading just for capture? Alternately could I use a copy of FCExpress on the server just to create a project and capture on the server then open and convert to FCP7?
    Any suggestions for what to do with the Dual 2.5G PowerPC Tower?

    ProRes wil be much faster for rendering on the client and transcoding on any machine, and will also allow for more realtime effects vs native HDV in FCP. "Full-rez" is a misnomer here, since ProRes Proxy does not sacrifice any resolution and indeed has a higher bitrate than native HDV. You might find that your HDV source looks just as good in ProRes Proxy (it is very high quality, just not as pristine as the higher quality versions of ProRes).
    Remember, ProRes 422 Proxy is still a 4:2:2 10-bit codec. I think you'd need to look awfully close to see a qualitative difference. You can choose to use ProRes Proxy at lower resolutions than your source media, but you don't need to. It is designed to work all the way up to 2K and maintain all the color fidelity of a 10-bit codec.
    When you check in a project that you are cutting locally with Edit Proxies, FCSvr relinks the project to the original media, but it does not render anything. You would need to open the project on the FCSvr host with FCP to create an flattened QuickTime against the original media (in your case native HDV).
    You can recapture, but when you have FCSvr cataloging your clips, you do not want to recapture the same media and duplicate the asset. If you are careful and recapture the clips that were disposed of to the exact same location with the exact same filename as before, FCSvr will re-link the media to the asset automatically. However, that workflow is very human-error-prone and I strongly recommend you not adopt it. Keep your source HDV tapes as a worst-case backup, but if you are going to use FCSvr, use its archive capability to RAID-1 external drives and only go back to the tapes if all else fails. And you'll need to be very careful to match you prior ingest if you do.
    Of course, you can always delete an asset altogether when you're done with its media and later recapture the footage from tape and treat it as a new asset. It depends on how interested you are in keeping your asset records and their proxies intact for media you plan to remove from storage.
    I'd take a good long look at ProRes Proxy vs HDV for quality. If you can't see a difference, capture to ProRes Proxy and make that your online format. Then you won't be eating up all your storage on the server keeping both the HDV original and a ProRes Proxy for edit proxies. If you don't enable edit proxies, FCSvr just hands out the original media.

  • Final Cut Server 1.x and Final Cut Pro 7

    Are there any compatibility issues with Final Cut Pro 7 (Final Cut Studio (2009) and Final Cut Server 1.x?

    FCSvr 1.5 has the ability to process FCP 7 project files and well as leverage ProRes Proxy Edit Proxy workflows.
    FCSvr 1.5 is recommended for FCP 7.
    I've heard about problem with FCSvr 1.1.1 and FCP 7.
    Are you experiencing anything in particular?
    Let me know
    Nicholas Stokes
    XPlatform Consulting

  • How do I Remotely Access Final Cut Server?

    I set up Final Cut Server on a Mac mini at work and uploaded some Final Cut Pro projects into it. Now I want to be able to log into the server from home "check out" the .fcp file, work on it and then check it back in again.
    I really don't know how to go about doing that though. What address should I be using to do this? Do I need to install anything on my remote computer first before trying to connect.
    Also, when I check out the .fcp file remotely will it also download all the proxy files, as well. This is my first time setting FCS up so I'm pretty clueless about this.
    Any ideas would be much appreciated.
    Ray

    We're doing the same thing at my company and it's working really well. We're a small post production house and our editors like the flexibility of logging on to the server from their homes and checking out the projects and the media, without needing to come into the office. Great for companies that want to engage in green practices, or cut down on commute times, if you need any good points to bring to your staff. Here's how we do it:
    1.) Enable VPN access for our editors.
    2.) Create compressor settings for our edit proxies that are h264 and small enough to travel over the web, or smaller internet connections.
    3.) Editor logs in over VPN and downloads the FCS Java Client.
    4.) Editor checks out project and allows the edit proxies to cache overnight.
    5.) We use a lot of Apple's out the box Review and Approval options, and with a little configuration, they work great.
    6.) When the editor is done with the project, they check in the lower rez versions and it "auto-magically" connects to the uprez media.
    We color correct in-house, and it's just nice to have the added flexibility to send the time intensive offline out of house.

  • Respect original media creation date in final cut server ?

    my question is...
    is there any way for final cut server to respect the original finder creation date of the media? I do understand that the file is being newly created in the database and thus will have a creation and modification date of when you put it in, but is there a way to tell the database to change the data.
    Why am i trying to do this?
    I have a bunch of old footage that has a creation date reflecting the actual date the footage was created off the camera. I use this date created to find footage in my database such as all footage from a shoot between 10/2/09 and 10/8/09.
    What i have tried:
    I have tried using the A Better Finder Attributes application to change the date created after i have imported the footage into final cut server. this caused issues with the proxy and thumbnail creation when i went to reanalyze the footage to see what it would do. I saw that final cut server does not look at the file itself to know when it was created and only logs this creation date in its own database without looking to the original file for this information.
    I currently have a field in final cut server to manually enter the date but this is yet another step that someone needs to take when importing footage to server and the less steps the better.
    do i have any options for final cut server 1.5 to respect the finder creation date of the original media? or change it after the import into fcserver?
    What good is the creation date in fcserver if you have amassed years of old footage to be put into your database and find footage based on date it was originally created?
    or what good is the creation date if you are on a shoot and do not get to ingest the footage until you get back, say maybe a few weeks later? how would you know when you shot which footage on what day?
    Thanks for your help

    H.264 is a puzzling choice of codec for edit proxies. H.264 is not an edit-friendly codec since it is a complex long-GOP structure and will require a ton of rendering just to play back the timeline. ProRES 422 Proxy would be a much better choice for editing. I'm afraid I can't account for the differences between Compressor and FCServer in this case, but my gut tells me the non-I-frame codec you are trying to use for edit proxies might have something to do with it. Maybe for an edit-proxy workflow to operate properly on the server-side the codec must be I-frame? Is there any reason you do not want to use ProRES 422 Proxy? They are about 1/3 the footprint of 720p24 DVCPRO-HD, which is already very efficient. For that frame rate and frame size they would be roughly half the heft of good ol' DV25.
    So my answer to all three questions would be to try ProRES 422 Proxy for your edit proxies and see if everything lines up.

  • Final Cut Server Make Link Not working. And I could almost swear this wrkd

    I am trying to create a link to a new primary representation of an asset ( I am using a script to move it due to space constraints) and I cannot relink to the new file with:
    sudo ./fcsvr_client make_link --llinktype 2 /asset/4387 /dev/19/Set%20Test%201.mov
    CODE = E_DATABASE, DESC = ERROR: null value in column "childentityid" violates not-null constraint, SRC_FILE = PmsTask_Db.C, SRC_LINE = 295
    I cannot create a link of ANY type.. Even if I try a link type of 15 for edit proxy it wont complete... Now here is something interesting thought.. I one time accidentally hot the return key before I had completed type out the movie name and it created a link to /dev/19 successfully .. Of course that doesn't work because it is a device not a movie...
    Anyone have any suggestions?
    Thanks

    Hi -
    I have recently dealt with this issue - the command line error is because FCS is trying to "make" the link, but cannot link to a file that is not already associated with some kind of Final Cut Server "entity", be it on the parent side of the link, or child side.
    I would ask, if you're replacing one primary rep with another, why you can't simply replace the file on the device, with the exact same filename?
    At any rate, if you need to run make_link, you'll need to have the file associated with an FCS entity already, before running make_link. For some proxies in our workflows, this is accomplished by creating a "proxy" asset to be the entity in question, and then running make_link as you described.
    I hope that helps!
    - James Heliker

  • Rough Cut Editor for Final Cut Server

    Hi everyone,
    we are working on a Rough Cut Editor for Final Cut Server.
    I'd like to know what you think about it and put a short video about its usage on my site at
    http://www.andre-aulich.de/en/perm/consol-rough-cut-editor-video
    Any feedback would be very much appreciated!
    Regards,
    André

    Hi guys,
    in addition to getting in touch with you personally, I'd like to answer some questions in public:
    LAN vs WAN
    ==========
    The RCE in its current form is primarily built to be used in a LAN.
    This is because you need both the Final Cut Server client as well
    as the RCE client to connect to a central server using the ports
    3000, 80, 8821, and 8891.
    In addition, we currently suppose the Edit Proxy folder to be an
    edit-in-place device, so you need to open port 548 if you use AFP
    for that. We might change that, but you still need the FCSvr client
    to connect to your server.
    That said, we currently consider the RCE to be run in a local network.
    FEATURES
    ======
    We are not planning to build a server ingest app, as there are other guys
    building these kinds of apps.
    A standalone version of the RCE without Final Cut Server connectivity would
    be easy to write, yet, we like to use FCSvr's proxies for preview, as this way
    low bandwidth (meaning non-Fibre Channel) to the viewing stations is
    sufficient.
    So today there's the RCE in its current form...
    AVAILABILITY
    ===========
    We are doing our final testing and hope to release the app within
    the next two weeks.
    As we need to install some tools on a server and have a look at its
    environment, we would currently install the RCE ourselves, usually
    through a remote connection.
    Yet, we already consider having selected partners to implement the
    RCE as well.
    Currently there's no beta program being planned, as we do our
    testing at a customer site, where we hope to evaluate the app
    quite comprehensively.
    I hope that answers some questions.
    For more questions, please feel free to get in touch with me.
    André

  • How do I migrate metadata from Final Cut Server for use in Premiere?

    We're one of many companies looking to move to Premiere Pro from Final Cut.
    We have thousands of tagged clips in Final Cut Server and I'm trying to find a way to export all that metadata so it can be used, and searched for, within Premiere Pro.
    Does anyone know if/how this could be achieved?
    The only thing I've found online that seems to be relevant is this:
    http://www.andre-aulich.de/en/perm/export-asset-metadata-from-final-cut-server-using-built in-tools-only
    This seems to explain how to export the metadata (although I don't fully understand it) but not how to make it useful for Premiere.
    Any help would be greatly appreciated!

    Well... I'm a librarian by training so I use Cat-DV a little differently.
    I use it to make a searchable archive of proxy files for entire hard drives.  I hook up a hard drive (say an old external) and point Cat-DV at it.  It makes a catalog (locally) that has all the metadata (most importantly "date created") and a small proxy or thumbnail if it's a still.  Then I unplug the drive, label it and put it on a shelf.  When I need to find something all I have to do is consult the local catalog.  I can search it (if I included any metadata) or, most likely, I'll just scrub around for date created.  Cat-DV will display the exact path to where the asset is.  I can search across multiple catalogs of drives without ever having to plug one in,  Once I find the file I want, I just plug in that drive to retreive the file.
    I use it mostly for stills and some b-roll that gets used over and over.  For a variety of reasons, we never opted to make it a full replacement for FC Server. 
    And another thing... you can do a heck of a lot with the $99 or $300 version.  You don't need to go the full enterprise server route (though you do have to do that to use the server functions). 
    You might also want to try Adobe Bridge for searching and editing metadata.  In my experience, it's always been slow with video but that may well have changed.  I haven't played with it in a while

  • Integrating Final Cut Server 1.5 with Active Directory

    Following the directions in the Final Cut Server Setup Guide and I am running into errors. Fun with Final Cut Server. Fun with Kerberos.
    Final Cut Server v.1.5 is running on an Intel Xserve running 10.5.6 Server, joined to AD. Active Directory is running on a Windows Server 2008 setup.
    I dropped the ini files on the domain controllers, as directed by Apple KB (http://support.apple.com/kb/HT3688) and I ran the commands directed in the setup guide.
    The adprincadd command should be run literally, of course, but there's a mistake straight-away when it should read "./adprincadd.pl", the ".pl" is missing. Also it says "fcsvr/fqdn of fcsvr", so naturally I replaced the fqdn, but the "fcsvr" prefixed threw me off. It gave me errors until I opened Kerberos.app and notcied that the kerb ticket was in ldap/, then the command worked for me. At least no errors, until I checked the ticket and it said I had no permissions and that the keytab entry was invalid. Wheeee.
    1. First I tried:
    (some info redacted)
    node09:sbin root# ./adprincadd.pl -dc dc01.example.com. fcs.example.com.
    Getting kerberos principal for computer account
    Kerberos principal is ---
    Getting computer id...---
    Getting AD Domain...---
    Base DN is dc=example,dc=com
    getting kerb ticket using [email protected] got ticket
    SASL-bind to dc01.example.com. successful
    Computer record is at CN=---,CN=Computers,DC=example,DC=com
    Checking to see if ---.--.---. exists...000020B5: AtrErr: DSID-031529F7, #1:
    0: 000020B5: DSID-031529F7, problem 1005 (CONSTRAINTATTTYPE), data 0, Att 90303 (servicePrincipalName)
    at ./adprincadd.pl line 165
    2. Then I noticed the /ldap in Kerberos.app and changed the adprinadd command:
    Everything ran well, with no errors...
    Finding kvno...2
    Reading /etc/krb5.keytab...done.
    Creating new keytab file...done.
    Writing out temporary keytab...done.
    Making backup of old keytab and moving new keytab into place...done.
    Operation Completed. You can verify with "kinit <ad user>; kvno -k /etc/krb5.keytab ldap/---.example.com"
    3. Verifying with kinit gave me the keytab errors:
    kinit matx; kvno -k /etc/krb5.keytab ldap/fcs.example.com
    Please enter the password for [email protected]:
    ldap/[email protected]: kvno = 2, keytab entry invalid
    kvno: Permission denied while decrypting ticket for 'ldap/[email protected]'
    Thoughts?

    Hello, I'm having issues with the client login after AD integration. I followed the steps from http://support.apple.com/kb/HT3818 and the Terminal output reported a success.
    I'm able to add AD groups in Final Cut Server Group Permissions. However, when I try logging in on the FCServer client using credentials associated with AD group I've added, I'm getting an error message from the client stating:
    "Please re-enter the username and password or contact the server administrator. Please note that the username and password are case-sensitive."
    The FQDN is correct in the Server field of the client.
    I'm able to log into the client using locally created user accounts that I've created on the server so I know the client is communicating correctly.
    The only thing I can find in the Console for the client machine is this:
    11/25/09 10:50:12 AM /Users/*/Desktop/Final Cut Server.app/Contents/MacOS/Final Cut Server[1773] Warning: accessing obsolete X509Anchors.
    In the server Console, this is a suspect message: /Library/Application Support/Final Cut Server/Final Cut Server.bundle/Contents/MacOS/fcsvr_stored[77891] pps proxy error: dsDoDirNodeAuth = -14091
    Not finding much info out there regarding this. Any guidance is appreciated.

Maybe you are looking for