Help with Color Settings/Profiles...White's look 'yellow' when exported to PowerPoint as a .png

I am running into this odd occurence and can't seem to figure it out.
First - I am not an expert in the Color settings/Profiles topic but I am thinking there is an issue here.
When I look at this image "McCroreyDigitalLogo.png" in Photoshop the 'whites' appear right.
Then when I import it into ms PowerPoint, the whites look yellowish.
I have done a series of 'tests' and it seems to be that the color profile out of photoshop and the one in PowerPoint are not compatible.
I have reset my Photoshop preferences with no luck/change to the results.
Finally, I did a screen shot out of photoshop and pasted that into Power point. The white appeared correct.
Could use some guidance on how to fix this one. Basically any files I run through PS, when they are imported into PowerPoint, the whites turn yellow.
Thanks in advance

PowerPoint is not a color managed program and can display the color values only in the color space of your monitor without any correction.
Color managed programs like Photoshop correct the color values when displaying them in order to simulate within the color space of your monitor other color spaces, for example sRGB, AdobeRGB, the color spaces of various printers, and etc. For this reason you can not match the color in non-color managed programs to the color of color managed programs but you can do the opposite match the color in Photoshop to PowerPoint.
There is two ways to do this:
One way is if you want the color values in Photoshop to remain the same but be displayed in the color space of your monitor which PowerPoint is using, you can either color proof with or assign your monitor profile to the document.
To color proof choose View > Proof Setup > Monitor RGB.
To assign, choose Edit > Assign Profile, select Profile and from the menu choose the color profile of your monitor. If you are not sure what's the name of the color profile of your monitor, go to the Color Settings, in the Working Spaces section use the RGB menu, scroll up and check what it says after Monitor RGB-
Both proof and assign will give the same result on your monitor but the difference is - the proof is temporary and will last only for the session and the profile, if embedded when saving the file, will stay and when open in other color managed programs including those on other users' computers the color space of your monitor will be simulated and for those users who don't use color managed programs the colors could be way off than if saved with a profile of a more common color space like sRGB.
The other way is If you want the appearance in Photoshop to remain but the color values converted to the color space of your monitor, choose Edit > Convert to Profile, and from the RGB menu choose the color profile of your monitor. This will preserve the appearance and also match the colors in PowerPoint but like proofing and assigning you are not seeing what other users may see on their computers.
It is not possible to see the same colors in color managed and non-color managed programs and at the same time simulate how others using different computers may see the colors because different monitors display color values differently. Color managed programs can simulate a common standard color space like sRGB while non-color managed programs can not.
Edit: Have in mind all this will work properly if you have a color profile that describes correctly how your monitor displays colors. What you did as described in your post #6 is assign a color space that may be different than the color space of your monitor. The result is when working in sRGB color space your color managed programs will match the non color managed programs on your monitor but that doesn't mean that the actual sRGB space is displayed and any other color space simulation could be based on a wrong monitor profile.

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Actually this is described in the documentation, here (follow the links): http://help.sap.com/saphelp_nw2004s/helpdata/EN/80/e8eb40c4f8712ae10000000a155106/frameset.htm.
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http://windows.microsoft.com/en-US/windows7/Calibrate-your-display
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SRiegel schrieb:
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I am looking for someone to help me. Please!
I am looking for help with Photoshop/printer not printing correct colors.
I have: Windows 7, Photoshop CS5, Photoshop Elements, HP Pavillion Laptop, new Okidata C530dn color laser printer
Previously I had a Canon Pixma MP620 and a gentleman from another forum gave me the correct settings for printing on photo paper and colors were perfect. I now have a OKIdata C530dn color laser and have started a business printing business cards and greeting cards, etc., and I do advertisements on a freelance basis.
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Color settings in Photoshop:
North America General Purpose 2
sRGB 2.1
U.S. Web Coated Swop v2
Dot gain 20 %
Dot gain 20 %
Preserve embeded profile
Preserve embeded profile
Preserve embeded profile
engine: Adobe (ACE)
Relative Colormetric
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Printer settings:
Photoshop manages colors
sRGB 2.1 Printer profile
Relative Colormetric
Print setup:
Letter
Multipurpose tray
Weight: printer settings-default (when I used heavy setting for cardstock it printed green instead of the color light blue, so that was a start to the right color)
Job Options:
Hight Quality
Color: No color matching
Printer preferences in Printer properties:
Color management
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ICC Profiles: Generic PnP Monitor (default)
Advanced:
Windows Color System Defaults:
everything under this tab is set at System Default
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Hello,
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Intent: Perceptual
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Rob Day wrote:
Have you tried reinstalling InDesign? It sounds like something's wrong with your color profiles.
That's the only thing I haven´t tried, but I will and post about it.
I found a workaround though: If I set my desired color settings in InDesign, but don´t save them, then it works; I no longer get the error message if I go to Edit> Color Settings...
The color settings dialog box says that my Creative Cloud applications are unsynchronized, because I´m not using the .csf file previously synchronized using Bridge, but the settings are exactly the same and I can get around it. Colors actually work as they should.
So this seems to be a problem with InDesign accessing any saved color settings file. My color profiles aren´t wrong, because all other programs in the Suite use them with no trouble.
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Color Settings (Profile) Question

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If I have to start over, so be it. It’s only months, not years and I will have learned something. I would however, like to speed up the process an easier way, if possible.
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Yes you should be able to just change as you stated. ProPhotoRGB is a wider gaumet color range so some color shifting may be evident. This gets into a very complex subject, or which I am not an expert.

Need help from Color System/Profile gurus plz!

ok here goes...
I shoot Nikon NEF files (Raw). I use a variety of converters, then move on to PS etc. For a long time I have noticed that the color of the Mac thumbnail in the finder is nice and warm looking, but then when various Raw convertor programs (including Nikon's own Capture NX) get a hold of it, it generates a picture with much more magenta, and not nearly as "golden" as the thumbnail looks.
I would *guess* this has something to do witjh how the Mac generates thumb files for Raw files. Where can I learn more about this? In hopes of one day getting the color from that thumbnail into my raw programs? I suspect it has something to do with color profiles, conversion methods, color tables etc. but I'm totally unsure where to start looking for answers.
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I don't know why it has _unknown. Most apps are owned by root and are part of the admin group. Other options are for them to be owned by the user that installed. The group can be read only or read and write. I'm not sure whether that is important.
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Needing Help with color setting for Photoshop 4 + imac

Hi, Is anyone able to assist me please. To cut a long story short. i have had to reinstall my original software onto my Imac as when i put on Snow leopard it was just slowing down Photoshop 4 and would keep crashing. So my problem is .... I had some prints printed today at Fuji and the prints have come back dark and just not up to scratch. I know that it is not Fuji, but my settings. I had someone set up my imac and Photoshop last time, but this time i will have to do myself and i just don't know what to set them at. Can anyone help please. Not sure if you need this info but i am in New Zealand. many thanks in advance.

Being in the business of printing other people's image files, I can say without any doubt that the advent of digital image processing has definitely muddied the waters to a much greater extent than was the case when printing negaive film. I'm also a shooter, and have been using such programs for many years, so I can understand the desire to manipulate your files before sending them to the lab. Color negatives never had "Profiles" attached to them. If the proper film was used for the lighting conditions, it was simply up to the lab to make sure the resulting print was in balance, both in color and density. It was also the lab's responsibility to maintain a degree of quality control that would make all of the above possible and repeatable. I have to agree with the other response to your question. Whether or not you have an embidded a profile, it's always the job of the printer to make sure the final print is up to a certain standard of quality. If that is not the case, find another printer. Unless you have indicated that your files should be printed without any corrections, the oweness belongs to the lab/printer. I do have a few customers whose work I can print with very few corrections, due to the fact that they have calibrated their displays and have a very tight workflow. However, the vast majority of files that I print require a considerable degree of correction, that's my job. It's also the job of your lab/printer and if they are nor satisfying your needs you have to find someone who does. I have printed many files that have no profile embidded and I simply convert them to my working color space(Adobe RGB 1998). If you are concerned about doing color settings, this is the obvious place to start. Create a custom space and make sure your working color is set to Adobe RGB 1998, not sRGB. Adobe RGB 1998 is a considerably larger color space with a wider gamut and will allow for more choices and a wider range when it comes to processing the image. Pro Photo RGB is an even larger color space, but one that is seldom used at this time. I suspect it will become more popular in the fairly near future, as other technologies continue to push the color gamut envelope.
So, I guess the gist of all of this is that you need to either have your lab/printer redo the dark prints, or find someone who knows how to print. And equally important, someone who cares about your work as much as yo do.
I am attaching a screen shot of my color settings and I would suggest this might be a good place to start.
Gary

Help with sequence settings in final cut for project with 2 different frame rates.

I really need help with this one! I finished editing a wedding video and realized after exporting that it was filmed in two different frame rates. This has happened before but I converted the footage to match and fixed the problem. In this case, the footage is part 30fps and part 60fps. The majority of it was filmed in 30fps. I cannot convert the 60 to 30 without the slow motion effect which I do not need so I have to find a way to burn this to a DVD without it looking messed up! The video was shot with two Canon 7ds if that helps anything. The first sequence I set at 29.97 and exported as a quicktime movie and all the footage filmed in 60 looked perfect and the footage in 30 looked jittery. Then I tried the sequence at 59.97 and it switched. The footage filmed at 30 looked good and the 60 was cropped in. I am so confused! Any advice or suggestions would be greatly appreciated!!

Thanks for your help Michael! The frame rates are 29.97 1920 x 1080 and 59.94 1280 x 720. I did a control click on the clips in final cut and viewed the item properties/format to find this info. The Canon 7d is a DSLR but we use it for video. As for my workflow, the first thing I do is import the footage onto my computer and then drag the clips into mpeg streamclip. I choose apple prores 422 and uncheck the interlaced box. Once this is done I import the .mov files into final cut. The sequence automatically sets itself to whatever clip I drag in first so it originally set as 29.97. When I finished editing wedding video, I export it to a quicktime movie and choose whatever settings match the sequence, in this case apple prores 422 1920 x 1080 30p. Once that is done I use iDVD to burn the discs.
I knew something was wrong when I watched the quicktime movie and all the 30fps footage was jittery and most of the cross dissolves looked strange. That's when I figured out the footage was at two different frame rates. What I don't understand is why whatever the sequence is set at in final cut, the clips of the opposite frame rate look right but the clips set at the matching frame rate don't???

Help with Color Settings/Profiles...White's look 'yellow' when exported to PowerPoint as a .png

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