How to apply Time Remap to multiple clips simultaneously

Quite often after trimming many different clips for a wedding video I will then want the majority of them slowed down to a 50% speed. I know how to apply the Time Remap Speed % change in the Motion Tab, but have yet to figure out how to make the change to multiple clips simultaneously.
Thanks for your help!

You can apply a speed change from one clip to multiple clips by copying the first one, then pasting attributes (option + V, then select speed from the list) onto as many clips as you have selected.
Just be aware that this will ripple your timeline by extending all of your clips. FCP keeps the original out point of the source clip, not the out point of each cut on the T/L.
Tim

Similar Messages

Is there a way to apply Time Remapping to multiple clips simultaneously?

Is there a way to apply Time Remapping to multiple clips simultaneously? I'd like to uniformly speed up and slow down two different clips that are playing in a picture-in-picture setup. I’m hoping there’s a more elegant way to sync them up than just editing their Time Remapping functions individually (I already tried using an Adjustment Layer. It didn’t work).

you can try nesting the two clips together, then control the time remapping of the nest.

How to apply basic motion to multiple clips

Hello!
How do I apply basic motion parameters to multiple clips? ie Scale, center and crop? Do I have to set the parameters for each specific clip or can I apply the parameters to multiple clips at once?
Thanks

I'm going to assume you want to assign the exact same motion tab setting to additional clips.
Set one of your clips as desired in the motion tab
highlight the modified clip in the timeline
type Cmnd-C to copy
highlight the clips you want to have the setting applied to
type Option-V to paste
in the pop-up window uncheck all boxes except Basic Motion
click the OK button

How to apply an effect to multiple/all clips

I'm sure I'm missing something elementary here, but I can't find a way to apply an effect to multiple clips at once in PE7. Specifically I'd like to apply the Auto Levels adjustment effect across all clips in my project (makes sense because they were all recorded at the same time), but at best can onely copy the effect from one clip or section on the timeline to another; one at a time. When working with a project that has upward of 100 scenes, copy and pasting to each individual clip seems like a lot of tedious work that should be easier.
Does anyone have any suggestions or information that could point me in the right direction?
Thanks!
Dale

Dale,
You have discovered one of the little "gottchas" with Copy/Paste Attributes - it does it for all.
I do not know of a way to eliminate Effects globally, i.e. multiple Clips in this case. Unless there's a neat workaround, or secret switch, I think it will be by hand. That is the way it is in PrPro. Don't know about PE, but In PrPro one can select some of the Effects to Copy/Paste Attributes (for many Effects, but not all).
Side note: Render your Clips and watch them closely with Auto Levels. I find that it "pulses" and that manually setting Levels (not the Auto one) is better.
Good luck,
Hunt

How to Apply adjustment layers to multiple layers that have different blending modes ...

How to Apply adjustment layers to multiple layers that have different blending modes and keep the colours the same as the adjusment done?
I work in Animation painting Backgrounds. My files are sometimes upwards to 200+ layers.
I will use adjustment layers to quickly balance colours and constrast on top of those many many layers.
The only way that I know of how to apply adjustment layers it to every single layer ( by applying I mean I need to get rid of the adjustment layers because we cant use them in production but i need the new colours be applied to all layers underneath ) in a psd is to manually do it By duplicating the adjusment layer 200+ times and then merging each layer to one of those adjustment layers so that that layer can take the adjustment layers effect permanently.
The issue is that Within Those 200 layers I have some layers set to Multiply or OVERLAY.    IT obviously wont apply the adjustment layer properly to those layers because those layer blend mode affect the layers under them. The colour wont be the same anymore in the spots that had the multiply blended mode.
HEres an example of a simple File. to show what i mean.
https://dl.dropboxusercontent.com/u/3408266/ball%20layers.jpg
https://dl.dropboxusercontent.com/u/3408266/ball.psd
I have 2 adjustment layers up top. I need to get rid of them by applying them to each layer! I cannot merge any of the layers. We need all those layers for production.
I can apply the adjustment layers manually and this works GREAT for all Layers set to normal. THey take on the colour change just FINE.
However, The issue is that layer 6 and layer 4 are both set to mutiply and this screws up the colour once i apply the adjustment layers to each layer manually...
How can i apply my adjustment layers to a file like this with some layers being set to multiply while keeping the layers exactly the same configuration and The new colour taking efffect exactly how i looks before i apply the adjustment layers?
Now the simple solution is to merge the multiply layers to the layer that it affects HOWEVER I NEED those multiply layers to be seperate!
I'm assuming what I want to do is impossible? Hope this isnt confusing. As far as i know its impossible to do what I want it to do. but just wanted to ask and see.
I would REALLY REALLY love to talk to a adobe programmer/ technician/pro working at adobe about this. Theres just no way to get in touch with anyone... =(
any thoughts ?

Sure... if you want to put it that way. Either way its not the desirable outcome.
its just frustrating that theres no way to apply adjustment layers to hundreds of layers while keeping them in the same configuration ( blendmodes, layer order , without merging) while keeping the same end result.
works great if all your layers are set to normal though..    But I really need to keep shadow layers seperately and be able to adjust on the fly aswell as apply those adjusment to all my layers.
I suppose that just isnt possible.   I understand the math required for this would be tremendous/ complicated if something like this would ever be implemented. Would be nice if adobe could come up with some solution to this. Its really a huge issue in my work flow and theres no alternatives.    How else can I adjust colours to 100+ layers with a few clicks that lets me play around the the adjustment until im happy with the outcome.    Really wish i could adjust and the quickly apply that adjustment to all my layers regardless of blend mode.   LIke If the Layers with blendmode could somehow take the properties of the adjustment layer and keep adjusting those layers undereathe on top of that blended mode that its doing...

Applying video filters to multiple clips in Final Cut Express HD

Is there a way to select multiple video clips and add a video filter to all of them? Example: we have a movie that was recorded in 2 different widescreen aspects ratios. Can I change them to the same aspect ratio easily?

I can't say for FCE, you may want to post in that forum. But in FCP, the method for applying filter(s) to multiple clips is to apply the filter to one clip then make the needed adjustments on the filter(s) in that clip. Next, right-click on that clip and select "Copy" from the contextual menu. Next, select all of the other clips to which you want to apply the same filter(s) and settings. Right-click on one of them and choose "Paste Attributes" from the contextual menu. When the Attributes window opens, choose Filters, then click OK.
To apply the same filter to several clips (without settings) at the same time, select the clips in the Timeline, then drag the filter(s) from the Browser to the clips.
-DH

How to apply List box for multiple selection of rows in ALV report ?

Hi Exprots,
1: How to apply List box for multiple selection of rows in ALV report ?
Thanking you.
Subash

hi,
check the below program.
REPORT zalv_dropdowns.
*Type pools declarations for ALV
TYPE-POOLS : slis.
*data declarations for ALV container,ALV grid, Fieldcatalogues & layout
DATA: g_grid TYPE REF TO cl_gui_alv_grid,
      g_custom_container TYPE REF TO cl_gui_custom_container,
      gt_fieldcat TYPE lvc_t_fcat,
      gs_layout TYPE lvc_s_layo.*INTERNAL TABLE AND WA DECLARATIONS FOR t517 A table
DATA: gt_outtab TYPE STANDARD TABLE OF t517a INITIAL SIZE 0,
      wa_outtab TYPE t517a.
START-OF-SELECTION.*Call to ALV
CALL SCREEN 600.*On this statement double click it takes you to the screen painter SE51.
*Create a Custom container and name it CCONT and OK code as OK_CODE.
*Save check and Activate the screen painter.
*Now a normal screen with number 600 is created which holds the ALV grid.
PBO of the actual screen , Here we can give a title and customized menus
Here we also call the subroutine for ALV output.
      MODULE PBO OUTPUT                                             *
MODULE pbo OUTPUT.
PERFORM alv_output.
ENDMODULE.                    "pbo OUTPUT
      MODULE PAI INPUT                                              *
MODULE pai INPUT.
ENDMODULE.                    "pai INPUT
*&      Form BUILD_FIELDCAT
FORM build_fieldcat.
DATA ls_fcat TYPE lvc_s_fcat.
*Build the field catalogue
CALL FUNCTION 'LVC_FIELDCATALOG_MERGE'
    EXPORTING
      i_structure_name = 'T517A'
    CHANGING
      ct_fieldcat      = gt_fieldcat.
To assign dropdown in the fieldcataogue
LOOP AT gt_fieldcat INTO ls_fcat.
CASE ls_fcat-fieldname.
   WHEN 'SLART'.
*is the first list box
        ls_fcat-drdn_hndl = '1'.
        ls_fcat-outputlen = 15.
        MODIFY gt_fieldcat FROM ls_fcat.
is the second list box
WHEN 'ABART'.
        ls_fcat-drdn_hndl = '2'.
        ls_fcat-outputlen = 15.
        MODIFY gt_fieldcat FROM ls_fcat.
ENDCASE.
ENDLOOP.
ENDFORM.                    "build_fieldcat
*&      Form ALV_OUTPUT
FORM alv_output .*Create object for container
CREATE OBJECT g_custom_container
         EXPORTING container_name = 'CCONT'.
*create object for grid
CREATE OBJECT g_grid
         EXPORTING i_parent = g_custom_container.
Build fieldcat and set column
*Assign a handle for the dropdown listbox.
PERFORM build_fieldcat.
*Build layout
PERFORM build_layout.
Define a drop down table.
PERFORM dropdown_table.
*fetch values from the T517A table
SELECT * FROM t517a INTO TABLE gt_outtab.
*Display ALV output
CALL METHOD g_grid->set_table_for_first_display
    EXPORTING
      is_layout       = gs_layout
    CHANGING
      it_fieldcatalog = gt_fieldcat
      it_outtab       = gt_outtab.ENDFORM.                               "ALV_OUTPUT
*&      Form dropdown_table
      text
--> p1        text
<-- p2        text
FORM dropdown_table.*Declarations for drop down lists in ALV.
DATA: lt_dropdown TYPE lvc_t_drop,
        ls_dropdown TYPE lvc_s_drop.
First SLART listbox (handle '1').
ls_dropdown-handle = '1'.
ls_dropdown-value = '01 Primary school'.
APPEND ls_dropdown TO lt_dropdown. ls_dropdown-handle = '1'.
ls_dropdown-value = '02 Lower Secondary'.
APPEND ls_dropdown TO lt_dropdown. ls_dropdown-handle = '1'.
ls_dropdown-value = '03 Upper Secondary'.
APPEND ls_dropdown TO lt_dropdown.
ls_dropdown-handle = '1'.
ls_dropdown-value = '04 Professional School'.
APPEND ls_dropdown TO lt_dropdown.
ls_dropdown-handle = '1'.
ls_dropdown-value = '05 College'.
APPEND ls_dropdown TO lt_dropdown.
ls_dropdown-handle = '1'.
ls_dropdown-value = '06 University'.
APPEND ls_dropdown TO lt_dropdown.
ls_dropdown-handle = '1'.
ls_dropdown-value = '09 Other Establishment'.
APPEND ls_dropdown TO lt_dropdown.* Second ABART listbox (handle '2'). ls_dropdown-handle = '2'.
ls_dropdown-value = '10 Primary School certificate'.
APPEND ls_dropdown TO lt_dropdown.
ls_dropdown-handle = '2'.
ls_dropdown-value = '20 Lower secondary/Junior high'.
APPEND ls_dropdown TO lt_dropdown. ls_dropdown-handle = '2'.
ls_dropdown-value = '30 High school diploma(B-levels)'.
APPEND ls_dropdown TO lt_dropdown.
ls_dropdown-handle = '2'.
ls_dropdown-value = '31 Vocational'.
APPEND ls_dropdown TO lt_dropdown. ls_dropdown-handle = '2'.
ls_dropdown-value = '32 Matriculation'.
APPEND ls_dropdown TO lt_dropdown. ls_dropdown-handle = '2'.
ls_dropdown-value = '40 Specialist vocational certificate'.
APPEND ls_dropdown TO lt_dropdown. ls_dropdown-handle = '2'.
ls_dropdown-value = '50 College degree Level1'.
APPEND ls_dropdown TO lt_dropdown. ls_dropdown-handle = '2'.
ls_dropdown-value = '51 College degree Level2'.
APPEND ls_dropdown TO lt_dropdown. ls_dropdown-handle = '2'.
ls_dropdown-value = '52 Masters degree'.
APPEND ls_dropdown TO lt_dropdown. ls_dropdown-handle = '2'.
ls_dropdown-value = '60 Univ Degree level1'.
APPEND ls_dropdown TO lt_dropdown. ls_dropdown-handle = '2'.
ls_dropdown-value = '61 Bachelors degree'.
APPEND ls_dropdown TO lt_dropdown. ls_dropdown-handle = '2'.
ls_dropdown-value = '62 Masters degree'.
APPEND ls_dropdown TO lt_dropdown. ls_dropdown-handle = '2'.
ls_dropdown-value = '63 Licenciate'.
APPEND ls_dropdown TO lt_dropdown. ls_dropdown-handle = '2'.
ls_dropdown-value = '64 Doctors Degree Ph.D'.
APPEND ls_dropdown TO lt_dropdown. ls_dropdown-handle = '2'.
ls_dropdown-value = '89 None'.
APPEND ls_dropdown TO lt_dropdown. ls_dropdown-handle = '2'.
ls_dropdown-value = '90 Unknown'.
APPEND ls_dropdown TO lt_dropdown.*method to display the dropdown in ALV
CALL METHOD g_grid->set_drop_down_table
    EXPORTING
      it_drop_down = lt_dropdown.ENDFORM.                               " dropdown_table
*&      Form build_layout
      text
*layout for ALV output
FORM build_layout . gs_layout-cwidth_opt = 'X'.
gs_layout-grid_title = 'ALV DROPDOWN LISTS'.
gs_layout-no_toolbar = 'X'.ENDFORM.                    " build_layout
endform.
Edited by: S.r.v.r.Kumar on Jun 1, 2009 2:48 PM

Time Remapping and Video Stabilization Simultaneously

Are you kidding me. I found complicated help and work arounds that would help me to speed up and stabilize a video clip, however, the embarrasing discovery is that a Macintosh proprietary software that comes standard with each Apple computer purchase (Imovie), has a stabilizater and time remapper that works seamlessly. It was so simple, I can't believe that Adobe hasn't figure that out yet. Waisted 4 hours trying figure out what I accomplished in 5 with Imovie. Like Whoa!

The CC warp stabilizer works way better than iMovie's, has many more options, and will stabilize shots that iMovie can't deal with effectively.
The proper production workflow is to stabilize, render or pre-compose and then time remap. You can do all of this without the render by simply applying warp stabilize to a layer, pre-composing the layer, then applying time remapping to the pre-comp.
The solution to something not working when you try and apply multiple effects to a single layer is almost always apply the first effect (warp stabilizer) and then pre-compose and apply the other effects. That's how you apply a mask or an effect to a ray traced 3D layer. That's how you stabilize and time remap.

Scrolling multiple clips simultaneously when selected

Does cs6 allow you scroll multiple clips simultaneously when selected. It seems I can only scroll one clip even the other clips are selected as well.
I also can't seem to select all clips in just two tracks (not select all). 3.0 allowed for both of these functions which I use often.

I'm not sure what you mean by "Scroll multiple clips simultaneously" Do you mean you want to click-and-drag multiple clips around the timeline? Make sure none of the selected clips are Locked in Time (right-click menu on a clip, or you'll see a small lock icon in the lower-left corner.)
There is a menu command to select all clips in a selected track, but currently, this only functions on one track at a time. If the full timeline is visible, the selection tools should allow you to click-and-drag to select all the clips in consecutive tracks. We have been enhacing these MT selection tools internally for a future release, but I'll verify that the functionality you've requested is present.

How to clean the html code multiple pages simultaneously with Dreamweaver or other soft ?

hello,
How to clean the html code multiple pages simultaneously with Dreamweaver or other soft ? I have hundreds of pages to clean
Thanks !

I would start afresh. I would also use Dreamweaver's template system to make thing a lot easier. Have a look at the following, copy and paste into a new document and view in your favourite browser.
<!doctype html>
<html>
<head>
<meta name="viewport" content="width=device-width, initial-scale=1.0">
<meta charset="utf-8">
<title>Untitled Document</title>
<link rel="stylesheet" type="text/css" href="//netdna.bootstrapcdn.com/bootstrap/3.1.1/css/bootstrap.min.css" />
<link rel="stylesheet" type="text/css" href="//netdna.bootstrapcdn.com/bootstrap/3.1.1/css/bootstrap-theme.min.css" />
<script type="text/javascript" src="ScriptLibrary/jquery-latest.pack.js"></script>
<script type="text/javascript" src="//netdna.bootstrapcdn.com/bootstrap/3.1.1/js/bootstrap.min.js"></script>
<style>
.hline {
    background: url(http://yannick.michelat.free.fr/barre.gif);
    height: 10px;
    margin-top: 10px;
    margin-bottom: 10px;
</style>
</head>
<body>
<div class="container">
    <div class="row">
        <div class="col-xs-7">
            <img alt="" class="img-responsive pull-right" style="margin-top:20px;" src="http://yannick.michelat.free.fr/Calanques.gif" />
        </div>
        <div class="col-xs-5">
            <img alt="" class="img-responsive center-block" style="margin-top: 40px;" src="http://yannick.michelat.free.fr/grandportfolio.gif" />
        </div>
    </div>
    <div class="row hline"></div>
    <div class="row">
        <div class="col-xs-6 col-sm-4 col-md-2"> <a href="#" class="thumbnail"> <img src="http://yannick.michelat.free.fr/vign__CalanquesConseil-01.jpg" alt="" class="img-responsive"></a></div>
        <div class="col-xs-6 col-sm-4 col-md-2"> <a href="#" class="thumbnail"> <img src="http://yannick.michelat.free.fr/vign__CalanquesConseil-02.jpg" alt="" class="img-responsive"></a></div>
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        <div class="col-xs-6 col-sm-4 col-md-2"> <a href="#" class="thumbnail"> <img src="http://yannick.michelat.free.fr/vign__CalanquesConseil-08.jpg" alt="" class="img-responsive"></a></div>
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How Do You Apply Process Effects To Multiple Clips In A Multi-Track?

A multi-track sequence brought over from Premiere, I have over a dozen clips from a funeral service video that need noise reduction.
But, because it's a process effect, I can only work on one clip at a time. Furthermore, I may need to apply several passes of the NR effect to eliminate the noise without sounding weird.
How then do I apply that effect (and its parameters) to the rest of the clips in the sequence?
In Premiere, you can copy and paste effects (and their parameters) from one clip to another. There is no such thing in Audition that I can see.

Hi, Alex.
It seems you want to do some broadband de-noise processing. While one can do a noisefloor sampling from one clip and apply it to others (great for when you have multiple takes from the same setup), it may be best to noise sample each individually if the mic has moved position enough to cause the tonal characteristics to change.
An example would be if on-screen talent is walking in an outdoor location. In one part of the location, a particular section of the clip has a lot of BG traffic noise. Another recording has a fountain in the BG - while it still may have some of the traffic in it, the predominant BG noisefloor is "strong fountain/weak traffic", so like others have mentioned, it makes more sense to make a new BG sampling to match the characteristics of this clip.
All that being said, here is how you BATCH PROCESS / broadband de-noise a bunch of clips, it's a 4-tiered / 21-step process when starting from scratch.
                              NOTE: there is a manual cheat after the Batch Processing lesson - skip to that if you wish
(WARNING - this type of processing is most successful if the file has been EQ'd or gain boosted (if needed) before processing. This is also true for the noisefloor sample. It should be taken from the pre-adjusted clip so that it all matches level)
1) find / open a source clip that best represents the BG noisefloor you wish to sample as your broadband source for processing,
then in the WAVEFORM editor window press alt-shift-C to save this selection as a new file - give it a unique name that represents its function
     a. ideally, this selection will be more than 5000 samples
     b. should be free of non-BG noise sounds (Dx, footsteps, mouth sounds, it should sound like a very short ambiance loop)
2) with your new sample saved and your source clip still open in the UI:
     a. load your noise print file
     b. adjust the Noise Reduction and Reduce by sliders (I suggest you start with a noise reduction value of 100% with a reduce value of 3 to 6 dB)
     c. under Advanced Settings, set Spectral to 0%, Smoothing to 20, Precision to 7, and Transition width to 2dB - these settings
         are like painting not with a wide brush but with a thinner brush, which means less cancellation of frequencies you want to keep and less artifacting
     d. toggle on/off the Output Noise Only function to see just what you are subtracting in your process - a great way to make adjustments until your
         noisefloor-only sound is free of Dx and other Production sounds
     e. optional advanced step - in the process UI Frequency window, you can draw a curve to select the frequency ranges that will be processed - this is another
         way of "thinning the brush" so that you are NOT processing where it's not needed in the broadband range - i.e. hiss from a low-quality mic,
         open the FA window [alt-Z] to see realtime Freq. Analysis on playback of your clip with the processing;
         adjust your settings and the curve in the window to counter the frequency range of the noisefloor - this process is like alchemy, wicked awesome
     f. once you're happy with your settings, click the Save Effects Preset button (down-arrow on hard-drive) next to the Presets pulldown button.
               do NOT apply your process yet - that's the next step
3) now, you're going to create the Favorite that the Batch Process will use to process your clips
     a. select Favorites / Start Recording Favorite (every user function of the software is now being recorded into a macro)
     b. in the Noise Reduction UI, click the Load Noise Print button and select your saved file
     c. now, select your preset from the pulldown menu
     d. click the Select Entire File button below the UI Freq. window
     e. click Apply
     f. click Favorites / Stop Recording Favorite
4) now, under EDIT, select Batch Process
     a. select your new Favorite from the pulldown tab
     b. drag and drop the files into the Batch window or load them from the Load button in the upper left of the Batch window
     c. click the Export Settings button in the bottom left
     d. set any pre/postfix labeling additions (this works a lot like Adobe Bridge's Batch Rename tool - amending the original filename to differentiate
     e. set a NEW save location to isolate the files
     f. set the format / type / bitrate (best to keep the original format or a higher quality); when finished, click OK
     g. in the lower right corner, click the RUN button and watch the magic right before your eyes
[HERE IS THE CHEAT]
Now that you're learned the magic of batch processing (FYI a new favorite can contain / execute multiple existing effect processes), here is what I recently did in a doc with interview footage - guys in front of a green screen with a less than perfect sound environment.
1) in Multitrack mode, double-click your clip to process
2) in Waveform mode, select the noisefloor area to sample and type shift-P
3) type ctrl-shift-P to open the UI - adjust your De-noise settings for ALL of your processing
4) type ctrl-A to select the entire file
5) click Apply; type ctrl-shift-S to save this processed file (I add "_PROC") as an alternate to the original which still exists should you want to go back to it easily - the ALT file will be in the multitrack timeline
6) type G (de-select I/O area) then type F12 key - returns to Multitrack mode
7) double-click your next clip to process and repeat steps 3-7 until finished (you won't need to tweak the settings in 3 after the initial step 3)
In 3-5 minutes, you're Done!
I discovered another layer of coolness within Audition regarding CLIP Effects Racks where one can setup a stack of effects, save as a User Preset, and apply them to either an individual clip, a set of clips, or to a track. This is great when you want to apply, for example, a Parametric EQ for filtering an outdoor location or boosting a lav mic's High Freq. Shelf for addition sibilance PLUS a Tube-modeled Compressor to handle dynamics...you spend a lot of time tweaking the settings "just right", and now you want to apply to more than one clip on a track.
In a short film I'm working on, I use this technique to apply EQ and Room Ambiance (reverb) to camera perspective changes on a single track of ADR for off-camera Dx. I place the Dx in a track. Splice on the camera edits to make unique clips, select the Audio Perspective preset I made for each camera angle, and Voila!
Have fun!
-CS

How to change Opacity Blending on multiple clips...??

First the problem:
Whenever I open a Premiere v6.5 project, CS4 does a "conversion."
Maddeningly, during this process, it changes the Opacity\Blending Mode of every single clip in the project to "Color" instead of leaving it at "Normal."
Since I am working with Stereo (3D) footage with a different camera on V2 & V1, I always have at least two, and often many more, video tracks (for titles, etc).
This means I have to go through every single clip on every single video track and reset it to Normal before I can proceed with the project! This can be upwards of 500 clips.
PITA!!
1) Does anyone have any idea why this is happening & how to prevent it?
or,
2) Is there a way to change this setting in all the clips at the same time?
Whenever I select multiple clips, no Effect Settings (or whatever Shift 5 is called) appear. Only there for single clips.
TIA,:-)

Do one clip, copy (rightclick) the clip, select all the others and paste attributes.

Applying a transition to multiple clips, titles, and stills

Hello,
I'm banging my head against the wall trying to achieve something that seems like it should be fairly simple.
I'm producing guitar instruction videos that often use still images, five or more title clips (for text highlighting concepts presented in the video), and generator clips (used for masking). All of this is layered over the primary shot of me talking to/playing for the camera.
I'm looking into using a simple transition like "Slide" between chapters/sections of the video to prevent jump cuts. My goal is to include all clips in the transition: That is, if I only apply Slide to the two clips in the storyline, the other clips connected to the later clip in the storyline--titles, still images, etc.--remain stationary, which looks wierd. I want the whole enchilada--everything visible, still images and titles included--to slide over in unison. And I want to be able to do this 5-10 times over the course of a 5-minute video, and I'll be producing 20-50 videos. So I need an efficient workflow.
A simple example would be the edit at 1:47 in this video I producted:
http://www.youtube.com/watch?v=R3Yvef14A00
I'd like to apply a slide transition so that not only the image of my holding my guitar, but also the title "Stage 2", slid over the preceding footage.
And more importantly, what if, in addition to the text "Stage 2," there was a still image and several other titles? How would I get all of them to slide over together?
Storylines don't seem to be the answer--You'd have to create a different one for each additional clip, which seems cumbersome. And compound clips and transitions don't seem to mix well--when I try to transition between compound clips I'm told there isn't enough extra media to create the transition.
Thanks so much,
Rob

Thank you Jakob, this will make things quicker once I know how to apply the transition.
But it doesn't answer my primary question: How to apply the transition.
Maybe some screenshots would illustrate the problem:
Image 1
www.heartwoodguitar.com/temp-imgs/1.png
Here the playhead is just before an edit point between two sections: The Guitar Strap section and the Capo section. Right now, a single still image is visible (dude with a chain for a guitar strap).
Image 2
www.heartwoodguitar.com/temp-imgs/2.png
Here the playhead is at the edit point where I want to apply a Slide transition. As you can see, in addition to the clip in the storyline (video of me holding my guitar), there are four title clips and two generator clips. I'd like all seven of those clips to slide across the still image of the dude with the chain guitar strap.
Does that make things clearer?

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