How to import 4k cinema dng on premier pro 2014

how to import 4k cinema dng on premier pro 2014 ?

Wow. Thanks Colin.
When I follow your approach, I don't get the same "sequence preset" dialog box popping up.
FU question, though, the motion is frequently jagged. Is there a way to smooth out/increase the quality of the rendering? I have 16gb ram, Mac Pro. which is able to handle iPhone video rending fine in quicktime. (I've tried rendering for "performance" and "memory" but both seem to produce, eh results.).
Michael

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Plans to enable import of Cinema DNG (RAW) files from the Blackmagic POCKET Cinema Camera

Are there plans to enable import of Cinema DNG (RAW) files from the Black Magic POCKET Cinema Camera into Adobe Premiere Pro CS6?

There won't be any new features introduced in CS6, only some bug fixes if ever. All new features go into CC. Rumour has it that Camera RAW will be added into PrPro (sooner or later).
Off topic question: have you tried to convert BMPCC CinemaDNG files into DNG via Adobe DNG Converter? Resulting files are about 15% larger, so I hope that is what constitutes uncompressing them and making possible to import into PrPro CC natively (I'm not on CC, hence can't test, but I'm curious).

How to import MXF files to Final Cut Pro with smooth editing

Summary: Follow this tutorial to learn how to import and edit MXF files in Final Cut Pro by converting MTS to FCP native format.
If you have a Panasonic P2, Canon XF or Sony XDCAM series camcorder,
you may be familiar with Material eXchange Format (MXF). Though MXF is a
great video format to record high-definition videos, it is not easy to
use in that they are not natively supported by most NLE systems like
Final Cut Pro. In order to import MXF to FCP for editing, the easy workaround is to transcode MXF files to FCP compatible video formats.
Along with some help from a top MXF Converter, it can be done. To
help those who wanna edit MXF files in FCP without problems, here I
share with you a simple guide on how to convert MXF files to edit in
Final Cut Pro 6/7 or FCP X.
First of all, downloading the App- Brorsoft MXF Converter for Mac
Overall, the program is a professional yet easy-to-use MXF Converter
on Mac (Mavericks included) which can not only convert XF100, Canon
C300, XF105 and XF305, Panasonic P2 recorded MXF files, but also provide
simple video editing functions for you. The MXF to FCP Converter not
only can convert MXF to ProRes for FCP, but also can transcode MXF
videos for editing in Avid MC, Adobe Premiere Pro, iMovie, FCE, etc.
Just download it and follow the tutorial below to get the work done.
Transcoding (P2) MXF files to ProRes for Final Cut Pro 6/7/X
1. Import MXF files to the converter
Launch the best MXF to FCP Converter, and then click the “add files” button to browse and import MXF videos from your camcorder or hard drive.
2. Select FCP editable format
Click the Format bar, and move mouse cursor to choose “Final Cut Pro > Apple ProRes 422 (*.mov)” as output format.
Tips:
a. Settings- click to set video
resolution(1920×1080/1440×1080/1280×720/720×480), bitrate (from 1Mbps to
20Mbps), frame rate (24p/30p)
b. Editor (next to “Add” icon)- click to set deinterlace, trim, crop, add effect, attach subtitles, etc
3. Start transcoding MXF video to FCP
Click “Convert” button to start converting MXF files to Apple ProRes
MOV for FCP 6/7/X under Mac OS. Once the MXF to ProRes 422 conversion
is done, you can transfer MXF footage into Final Cut Pro (X) for editing
smoothly on Mac with ease.
Source:How to import MXF files to Final Cut Pro with smooth editing
[quote] jacknjchn.tumblr.com/post/76914947404/cant-import-mxf-footage-to-fcp-transcoding-mxf-to-fcp [/quote]

You may refer to this step by step guide on how to convert MXF to Final Cut Pro more supported Apple ProRes or DV at http://www.idealshare.net/imovie-fcp/mxf-final-cut-pro.html
It also applies to convert MXF to other video or audio format. It even applies to convert other videos like AVCHD, MOD, TOD, AVI, and MPEG etc to FCP format.

Importing After effects sequences to premier pro with camera and effects

Hi there,
I'm gonna try n put this across as best as I can. I have made a short film of 6 minutes (in 6 parts on after effects) I have added all the effects and the camera work on AE, but it needs a lot of editing here and there, which I find impossible to do on AE since you can't cut and join scenes like Premier pro. I need to import all these sequences onto premier pro for editing now. The problem is once I import the files, it imports in the right order in systematic folders etc, but it doesn't show any of the camera work or the special effects like gaussian blur etc. All my hard work has gone.
There must be a way you can import the after effects file on premier the way it looks on AE. Can somebody please help me?
Another problem is I read some boards and it has been suggested to edit the clips first on premier and then add effects on AE but I read this really late and I've already composited the whole film on AE. I just need premier for cutting now.
Thanks for any help in advance.
Cheers,
Nikhita
P.S: I also thought about exporting the AE sequences as TGA files but there's ZERO space left in my internal hard disk for that, and it would take forever to export them all anyway. Any other kind of export would reduce the original quality which I dont want, and which I dont have space for anyway, so that option is out as well.

Every production house in the world that is working on more than one project uses external storage for their video files. As long as the drive name and path do not change you have no problems.
Lossless or nearly lossless means that. No visible reduction in quality. That's why every production house that knows what they are doing uses production codecs in their workflow. Production codecs range from uncompressed (which very few use) to Avid, Black Magic Design, ProRez and a host of other specialized codecs. Jpeg2000 and png QuickTime can store alpha channels as well as a bunch of other 3rd party codecs.
The way you start loosing quality is to use highly compressed formats like H.264 or MPEG or AVCHD in your production pipeline. It is usually OK to start with these codecs as original footage if the camera you used only offers these options, but any use of a delivery format in the production pipeline for anything but delivery is not a good idea.

How to import MXF file to final cut pro?

how to import MXF file to final cut pro?

Directly or XDCAM transfer depending on camera according to this:
http://en.wikipedia.org/wiki/Material_Exchange_Format
If it doesn't work, I'd ask the question on Final Cut Pro forum, being sure to mention which version of Final Cut Pro you are using.

Premier Pro 2014 will not launch

I've downloaded Premier Pro 2014 and tried to launch it, but it freezes every time and won't even force quit. I have to hard crash the whole computer to get out of it.
I've tried reinstalling, setting the permissions to read/write in the Adobe folder in the library, and tried to reset the preferences on launch as described here. But nothing works.
Also I'm having basically the same problem with After Effects 2014.
I think it has something to do with Media Core, but I can't figure out how to remedy. Earlier versions of PP CC and AEP CC are both working fine. Just these new versions will not launch.
Any help would be greatly appreciated.
Computer is a MacPro, 2.93 Ghz Quad-Core with 10GB of RAM.
Thanks!

It's working! Yay!
Strangely, there is no 8.0 folder in the Plug-ins folder. So I pulled the plugins out of the 7.0>MediaCore folder and then was able to launch PP 2014. After getting it running. I quit PP and dragged the plug-ins back into the 7.0>MediaCore folder and was able to launch PP 2014. And this time it launched with all the plug-ins.
I was also able now to launch After Effects CC 2014 with all its plug-ins working.
Is it possible there's a different file structure for PP 2014 Plug-ins?
Anyway it's working. Thanks for your help.

Premier Pro 2014 is very sluggish

I installed Premier Pro 2014 last week and since then it's been running very slowly with frequent crashes. I have been using Premier Pro CC on a daily basis since it was first released
and hardly ever had a problem with it. Very frustrated and disappointed with this latest release - so have now decided to go back to to the more reliable Premier Pro CC.
I am hoping that this is a teething problem with Premier Pro 2014 - and that soon an update will be released that will make it just as stable as Premier Pro has proven to be.

So I use the following instructions posted by BobanskyBH and it seems to have worked perfectly!
In the finder menu click and hold on the GO menu.
Hold the option button and the User library menu will show up.
Click the User Library.
In that folder go to preferences and find the adobe folder.
Right click on adobe folder and click get info.
In the Sharing & Permissions section there should be three names. All should say Read & Write next to them.
Unlock the lock, switch them all to read and write. Then click on the little gear directly under the names or to to the left of the lock and in the pulldown click on "apply to enclosed items. Then lock the lock again.
Now go to your OS Hardrive and click on Users, your user name, Documents.
Find the adobe folder there. Right click on adobe folder and click get info. In the Sharing & Permissions section there should be three names. All should say Read & Write next to them.
Unlock the lock, switch them all to read and write. Then click on the little gear directly under the names or to to the left of the lock and in the pulldown click on "apply to enclosed items.
The lock the lock again.
Wait 1 minute.

Premier pro vs premier pro (2014)

What is the difference between the PREMIER PRO vs PREMIER PRO (2014). I try to stay updated on my Mac with CC and now have what appears to be duplicate applications, i.e. a regular CC version of the apps and a (2014) version. I don't understand.

Premiere CC and Premiere 2014 are two seperate programs. They are not duplicates.
Premiere 2014 is and update or upgrade whatever you want to call it of Premiere CC with all new features.
Below a link to all those new features.
Adobe Premiere Pro Help | New features summary

How to import a jpeg image into premier elements 12?

how do i import a jpeg image into premier elements 12?

chuckx
Just for background information, what computer operating system is your Premiere Elements 12 running on?
The generalized answer is Add Media/Files and Folders/Projects Assets from where you drag the photo to the Expert view Timeline.
But all that can generate a mountain of questions about the photo and the project into which it will be going
a. what are the pixel dimensions of the photo - will or will I not have to resize or crop/resize the photo for the project
b. is the photo going into a project that will consist of photos and videos
c. if video inclusion, that leads to questions about the properties of the video so that you can set the project preset to match those
d. that leads to questions on the best size to have your photo before you import them into this project.
So, one simple question generates a lot of side questions.
Please let us know how we might help to sort out the details for your Premiere Elements workflow and its source media.
Thank you.
ATr

How Best to Import iPhone 4 video into Premier Pro CS5 - Settings for new import "sequence preset"?

Shooting video with my iPhone 4 (ATT version) and am trying to import file into Premiere Pro CS5 (5.0.3) running on Macintosh OS 10.6.6.
The problem is that I am simply guessing on how to import sequence, and the result is that I am getting motion artifacts and generally inferior quality. I am using iMovie 11 as my basis for comparison.   Not surprisingly, iMovie 11 imports from iPhone beautifully, but when I've looked around inside of it for properties, there isn't much to see.
From using Apple's built in quicktime "inspector," it is possible to see that iPhone4 video has following properties:
".mov" file
dimensions:   1280 x 720
codecs: H.264, AAC
Color Profile:   HD (1-1-1)
Audio Channels: 1
Total Bit Rate: 10,543
PPRO - PRESET DESCRIPTION:
<my comments in angle brackets>
???? = Question
General
Editing mode: DSLR    < Correct?   Best i could do, perhaps it should be "Mobile Device" perhaps it doesn't matter>
Timebase: 29.97fps
Video Settings
Frame size: 1280h 720v (1.0000)    <from apple quicktime "inpector" window >
Frame rate: 29.97 frames/second     <from apple quicktime "inpector" window >
Pixel Aspect Ratio: ????
Fields: N????
Audio Settings
Sample rate: ?????
Default Sequence
Total video tracks: 3
Master track type: Stereo
Mono tracks: 0
Stereo tracks: 3
5.1 tracks: 0
Submix mono tracks: 0
Submix stereo tracks: 0
Submix 5.1 tracks: 0
Seeking advice on how to smoothly and *losslessly* import/ingest iphone4 footage into PPro CS5. (I am not worried about exporting for iPhone display, which is what most of the information I can find relates to).
Thanks in advance, Michael

Wow. Thanks Colin.
When I follow your approach, I don't get the same "sequence preset" dialog box popping up.
FU question, though, the motion is frequently jagged. Is there a way to smooth out/increase the quality of the rendering?    I have 16gb ram, Mac Pro.   which is able to handle iPhone video rending fine in quicktime.   (I've tried rendering for "performance" and "memory" but both seem to produce, eh results.).
Michael

How to use portrait still photos in Premier Pro CS4

I am new to Premier Pro and want to insert a bunch of still photos into a video I am making of a recent vacation. A lot of the photos have a portrait orientation, and when I import them into Premier Pro, they are automatically turned to landscape. Can you tell me an easy way to have the pictures flipped 90 degrees? I do not want to show the motion of the flipping - I just want the pictures to be oriented correctly. I am fine with a fill border on the sides of the pictures. Thank you!

Rotating still in the Effect Controls is somewhat work intensitive.
If you have Photoshop you can batch rotate them.
Otherwise open them in the Windows Viewer, rotate and close.
If al is well the still will now import correct.

How to Work in 32 Bit in Premier Pro Plug In

As I understand it, Adobe Premier Pro doesn't support "Smart Render" mode as in After Effects.
Yet I don't understand how does it support 32 Bit Per Channel input.
I look at the SDK sample called SDK Noise, at the following code:
PrPixelFormat destinationPixelFormat = PrPixelFormat_BGRA_4444_8u;
                if (pixelFormatSuite) {
                        (*pixelFormatSuite->GetPixelFormat)(output, &destinationPixelFormat);
                        if (destinationPixelFormat == PrPixelFormat_BGRA_4444_8u){
                                ERR(suites.Iterate8Suite1()->iterate(   in_dataP,
                                                                                                                 0,                                                              // progress base
                                                                                                                 linesL,                                                 // progress final
                                                                                                                 &params[NOISE_INPUT]->u.ld,             // src
                                                                                                                 NULL,                                                   // area - null for all pixels
                                                                                                                 (void*)&niP,                                    // refcon - your custom data pointer
                                                                                                                 FilterImageBGRA_8u,                             // pixel function pointer
                                                                                                                 output));
                        } else if (destinationPixelFormat == PrPixelFormat_VUYA_4444_8u){
                                ERR(suites.Iterate8Suite1()->iterate(   in_dataP,
                                                                                                                 0,                                                              // progress base
                                                                                                                 linesL,                                                 // progress final
                                                                                                                 &params[NOISE_INPUT]->u.ld,             // src
                                                                                                                 NULL,                                                   // area - null for all pixels
                                                                                                                 (void*)&niP,                                    // refcon - your custom data pointer
                                                                                                                 FilterImageVUYA_8u,                             // pixel function pointer
                                                                                                                 output));
                        } else if (destinationPixelFormat == PrPixelFormat_BGRA_4444_32f) {
                                // Premiere doesn't support IterateFloatSuite1, so we've rolled our own
                                IterateFloat(   in_dataP,
                                                                0,                                                              // progress base
                                                                linesL,                                                 // progress final
                                                                &params[NOISE_INPUT]->u.ld,             // src
                                                                (void*)&niP,                                    // refcon - your custom data pointer
                                                                FilterImageBGRA_32f,                    // pixel function pointer
                                                                output);
                        } else if (destinationPixelFormat == PrPixelFormat_VUYA_4444_32f) {
                                // Premiere doesn't support IterateFloatSuite1, so we've rolled our own
                                IterateFloat(   in_dataP,
                                                                0,                                                              // progress base
                                                                linesL,                                                 // progress final
                                                                &params[NOISE_INPUT]->u.ld,             // src
                                                                (void*)&niP,                                    // refcon - your custom data pointer
                                                                FilterImageVUYA_32f,                    // pixel function pointer
                                                                output);
                        } else {
                                //      Return error, because we don't know how to handle the specified pixel type
                                return PF_Err_UNRECOGNIZED_PARAM_TYPE;
                        err = AEFX_ReleaseSuite (
                                in_dataP,
                                out_data,
                                kPFPixelFormatSuite,
                                kPFPixelFormatSuiteVersion1,
                                NULL);
I removed some code related to errors.
Yet even if I set the Render and the Sequence (Preview) to 32 Bit (Max Bit Depth) it still always selects 8 Bit Format.
I don't understand how the pipeline should work in order to enable support for 32 Bit processing.
Any assistance?
How exactly does it work?

Hi Royi,
The pixel format requested depends on the action that triggered the render. I went back to CS6 and I'm seeing the 32-bit YUV path taken, although for draft renders while scrubbing around in the timeline the 8-bit RGB path is used.

Import AVCHD video footage into Premier Pro CS6 - MAC - AUDIO MISSING!

Hi,
Ive been attempting to import AVCHD video footage captured on a Panasonic into Premier Pro CS6 on my MacPro. I've tried this from the camera and after copying the entire folder to my desktop. The footage is there, but has no audio! I have read loads, forums, advice, YouTube vids and Adobe manuals, trouble shooting and help, but found no simple answer to this simple issue.
Any help would be appreciated.

Thanks too Jeff. Sandeep's post is a simple redirect to a post on Adobe which naturally I've already read before turning to the forum. The link then sends you to another link! Info. is too light on specifics, doesn't help! I have 6.0.5 as downloaded from Adobe... no joy! All remains the same, picture but still no audio! Maybe a compatibility issue with Panasonic's HC X900... but Panasonic's website is as light on info. as Adobe. I'm off to the shop to buy FCP or Avid.

Importing Kodak .mov files in Premier Pro CS3?

I am using Premier Pro CS3 and I have a new Kodak Playsport Zx3. Kodak says the .mov clips are 1080p, and 30 frames a second. I tried importing clips into CS3 and I get 'file type not supported' error. The manual says .mov are supported. What am I missing? Do I need Quicktime installed for importing the files?

Welcome to the forum.
Can you tell us more about your computer?
If you are getting the "Not Supported" error, then it is likely that you do not have the proper CODEC's installed. For the MOV format, those are usually installed with Apple's QuickTime Player. Do you have that installed? If not, it is free, though IMHO, is not that great a player. In your case, you only need the CODEC's that it installs.
Good luck,
Hunt
PS - something else to consider is that many camera mfgrs. will ship their own version of the CODEC's, and these might be on the CD/DVD, that came with the camera. Sometimes, the CODEC is an extra install, sometimes it's built into the driver for the camera, and sometimes, it's part of some video editing program, that ships with the camera. It just depends.

Hello all How do I download updated version of Premier Pro? I am using Windows 8.

Hello all I just finished editing my first mini documentary on Premier Pro. I took it to a friend who helped me polish it up using his Premier Pro software.
When I got home to edit on my laptop. My file could not be read or opened because I needed to update the latest version. Could someone guide me through this prcoess step by step.
I'm not sure where to start and where to find the latest update for my Windows 8 computer.
Thanks everyone.
Nicole

You should find out which specific version of Premiere Pro you need to use. The most up to date version is a subscription-based application, but you might not need that version.

How to import 4k cinema dng on premier pro 2014

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