Ignoring XMP File in PS "Automate" Function

I have an action that converts RAW (CR2) files to JPEG files while adding several water marks to each file.  I use the File-->Automate command to do this.  The RAW files are put in a separate folder which then contains both the CR2 and XMP files.  The Automate command runs fine but at the end of the Automate run, I get an error message that essentially says that the action could not process the XMP files.  That's not a big deal because the RAW files were correctly converted, but is there a way to keep "Automate" from trying to process the XMP files (which MUST be in the folder with the CR2 files in order for my edits to take effect.)?  I would like to keep the XMP files as "side car" rather than embedded.

In the automate>batch dialog, at the bottom where it says:
Log errors to file, change this to stop for errors and see if that
helps.
If that does not work, you might try the image processor, under the scripts menu.
If you use the image processor, uncheck the save step in your action.
You can specify a save format in the image processor dialog.
MTSTUNER

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    Tai Lao wrote:
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    Hi Steve,
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  • Photoshop Elements 6 won't open RAW with XMP file.

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       <crs:ParametricMidtoneSplit>50</crs:ParametricMidtoneSplit>
       <crs:ParametricHighlightSplit>75</crs:ParametricHighlightSplit>
       <crs:SharpenRadius>+1.0</crs:SharpenRadius>
       <crs:SharpenDetail>25</crs:SharpenDetail>
       <crs:SharpenEdgeMasking>0</crs:SharpenEdgeMasking>
       <crs:PostCropVignetteAmount>0</crs:PostCropVignetteAmount>
       <crs:GrainAmount>0</crs:GrainAmount>
       <crs:ColorNoiseReductionDetail>50</crs:ColorNoiseReductionDetail>
       <crs:ConvertToGrayscale>False</crs:ConvertToGrayscale>
       <crs:ToneCurveName>Medium Contrast</crs:ToneCurveName>
       <crs:ToneCurve>
    <rdf:Seq>
    <rdf:li>0, 0</rdf:li>
    <rdf:li>32, 22</rdf:li>
    <rdf:li>64, 56</rdf:li>
    <rdf:li>128, 128</rdf:li>
    <rdf:li>192, 196</rdf:li>
    <rdf:li>255, 255</rdf:li>
    </rdf:Seq>
       </crs:ToneCurve>
       <crs:CameraProfile>Adobe Standard</crs:CameraProfile>
       <crs:CameraProfileDigest>3DA8CE4A626CE36A1D0C55BF157793C9</crs:CameraProfileDigest>
       <crs:HasSettings>True</crs:HasSettings>
      </rdf:Description>
    </rdf:RDF>
    </x:xmpmeta>

    I’m pretty sure Adobe NEVER intended for someone to copy an XMP file from one photo to another outside of LR as a way to replicate settings.   You can make a preset from a photo, as discussed, or if you don’t want to do that, copy-paste the settings from a representative photo that you initially select to one or more new photos.  You could have a special LR folder that holds standard photos to copy/paste from.  Of course creating a Develop preset from the representative photo is the “normal” way to handle such situations, but maybe you have hundreds of different situations to copy settings from and don’t want to create presets for each one, but I’d argue that you could create a complex folder hierarchy for your presets and still have them findable without that much problem.
    As far as the mystery about why some photos show Reset and some show From Metadata, is the Process Version (down in Camera Calibration) of the photo before reading the settings the same between the two situations?  And in general, are these virgin photos newly imported into LR or have some been modified in LR, already?  Does an XMP file already exist for any of these, where that XMP is being overwritten by your external-to-LR copying?  Or do you have auto-write-XMP enabled and your hand-copied XMP is getting overwritten by LR, automatically, before you have a chance to read in anything?

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