Is it possible to show Nikons raw files (.nef) in the organizer as thumbnails?
Hello
Is it possible to show Nikons raw files (.nef) in the organizer as thumbnails?
Best regards Dieter
Yes it is possible, depending on your camera and version of PSE
Similar Messages
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IPhoto 09 not reading Nikon raw files (.nef) properly?
Hey everyone. Over the weekend I upgraded from Leopard to Snow Leopard. Everything seemed to be working correctly until I started using iPhoto. Since the upgrade, I've noticed that photos that I imported from a Nikon D700 seem to look pixelated. I took it to a Genius Bar and the dude helping me was at a loss. He said to try and re-install Snow Leopard, which I did, and that didn't help. I went back and he upgraded me to iPhoto 09...also didn't help. He said he thinks that maybe it's Snow Leopard/iPhoto bug. He said that it's not reading the raw files correctly and seeing them as thumbnails. We looked at the photo info of a random photo, and even though it was a large 10MB file (indicative of raw format) its pixels were 160x160. Weird. Also of note, both Photoshop and Lightroom view and display all photos correctly.
If anyone has any suggestions or solutions on how to fix this it'd be much appreciated!!Welcome to the Apple Discussions.
We looked at the photo info of a random photo, and even though it was a large 10MB file (indicative of raw format) its pixels were 160x160.
That means that what you're seeing is the jpeg Preview inside the NEF and not the actual file.
My guess is that the your Camera Raw bundle is damaged.
Go to
HD / System / Library / Core Services / RawCamera.bundle
What version of this do you have?
Regards
TD -
Help please- Lion wont recognise Nikon RAW files [nef]
Hello all, posted this issue on a number of forums to no avail - basically been using my iMac with Lightroom to download and process photos from my Nikon D300s and D90 for over a year - then I upgrade to Lion and it all stops [no other changes]. Now the D300s isn't visible at all and the D90 is visible but only offers the chance to "save" the NEF files elsewhere. Having been forced to download my NEF to an old mac mini and into iphoto I know its not the cameras, the cable or the memory card. I have checked I have the most upto date software on the cameras and the latest version of lightroom so it would appear Lion has either messed up some settings or Lion can't cope with NEF files - can anyone help this is really maddening! Thanks in anticipation
What you need to do is update your camera raw files on PE7. You need the camera raw 4.5 update. The instructions are on the download page.
http://www.adobe.com/support/downloads/detail.jsp?ftpID=4518
Regards
Dan -
Hi Folk,
Having converting Nikon raw files (NEF) I found that MB25 in NEF became MB 51 in DNG.
Is it normal? Can I have more data than in the original?
Thanks
ShaulYes, it's normal. DNG is a more generalized intermediate format and may require to fill in info just for compatibility reasons like padding chroma sub-sampling and the like.
Mylenium -
Adobe camera raw 4.6 and nikon raw files from the d700
when opening a nikon raw file from the new d700, the picture appeares almost 1 step brighter than if you open the same picture in nikons capture nx2 software. the same happens when you do so with the new camera raw support in apples aperture - also almost 1 step to bright.
mac 2x2,8 ghz quad core intel xenon
8gb 800mhz ddr2
photoshop cs3
camera raw 4.6
josef>I expected that a raw file shows up the same in every raw-converter.
Your expectation is wrong. Every RAW converter will give you a different interpretation of the data. There is no single accepted way of interpreting RAW.
>shouldn't that be so?
Not really. I think what makes RAW so interesting is that you are not tied to the camera maker's interpretation of the data. This gives one far more versatility to get to your desired result. Of course, if you prefer the camera maker's interpretation, youu can use their software to develop the RAW or you can use the beta profiles in ACR/Lightroom and get
close to identical rendering. I don't know if Adobe released any beta camera profiles for the D700 yet though. -
Big Colour and detail changes between Original Nikon RAW files and the images created on the Preview page! Yes there are distinct visual changes when I preview my Nikon NEF RAW Files.Please note I do not use iPhoto at all.
If you view it as a contact sheet straight from the original folder there are no alterations but the moment you double click and want to 'Preview' it, this new preview page introduces very noticeable distortions : lighter shading goes missing and colour goes darker e.g orange turns red and mid blue goes deep blue! Alarmingly the little column on the left of the preview page showing the collection shows the original file colours and then after a few seconds show the new distorted image...you can see this visible change and it takes place after a few seconds once you double click! Also if you use Apple's 'Cover Flow' to preview, this function will replace your original RAW file with the new 'altered preview' image!
I have raised this with Apple but they have yet to reply...has anyone ever experienced this? I have used my Mac book for 18months only noticed it about 5 days ago!
I went to Apple store and we tried it in other laptops and Macs and it happened to all of them so we think this is a software issue and not down to the laptop.
Any help is much appreciated!Big Colour and detail changes between Original Nikon RAW files and the images created on the Preview page! Yes there are distinct visual changes when I preview my Nikon NEF RAW Files.Please note I do not use iPhoto at all.
If you view it as a contact sheet straight from the original folder there are no alterations but the moment you double click and want to 'Preview' it, this new preview page introduces very noticeable distortions : lighter shading goes missing and colour goes darker e.g orange turns red and mid blue goes deep blue! Alarmingly the little column on the left of the preview page showing the collection shows the original file colours and then after a few seconds show the new distorted image...you can see this visible change and it takes place after a few seconds once you double click! Also if you use Apple's 'Cover Flow' to preview, this function will replace your original RAW file with the new 'altered preview' image!
I have raised this with Apple but they have yet to reply...has anyone ever experienced this? I have used my Mac book for 18months only noticed it about 5 days ago!
I went to Apple store and we tried it in other laptops and Macs and it happened to all of them so we think this is a software issue and not down to the laptop.
Any help is much appreciated! -
when opening a nikon raw file in cs5, ACR, the sky turns red, but is not red in thumbnail
You most likely have the clipping indicator on that shows you blown out areas. Click the little triangle in the upper right of the histogram to turn it on or off.
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when I open a raw file (NEF Nikon 7100) and apply setting then click save, I get an error ( could not complete your request because of a program error ). Ideas?
Oh, dear.
If you use PSE as your external editor for iphoto, you need to save the images back to iphoto by using Save, not Save As and not changing anything like the name or format that would bring up the Save As window. (You may need to adjust the editor prefs>saving files>on first save to save over existing.)
OR you can export the photos from iphoto to the desktop, use file>open in the editor and then change whatever you want and either import the saved image to the organizer or import it back to iphoto as a new file. What you are doing is extremely risky, particularly to the iphoto library which you may easily damage by your workflow.
I would start the organizer holding down the shift key, then create a new catalog and switch to the new one. Then try opening the editor without opening an image and see if you get any farther.
PSE and iphoto are not designed to be used as you've been doing. You are trying to write to the iphoto library from outside iphoto, which is the fastest known way to corrupt the library and lose all your photos. -
I redownloaded my Photoshop CS5 and Camera Raw will not accept my RAW files nor will the Adobe Bridge display the picture view of these files. A message displays saying it doesn't support this camera. I have a Nikon 5100 DSLR Camera. It always displayed them in the past. How can I get it to display these photos in Bridge and open them in RAW?
Adobe - Adobe Camera Raw and DNG Converter : For Windows : Camera Raw 6.7 Update
Adobe - Adobe Camera Raw and DNG Converter : For Macintosh : Camera Raw 6.7 Update
Benjamin -
I have Photoshop CS5 and a Nikon D 810 camera. I have downloaded Camera Raw 8.8 & DNG converter. I can neither open the raw files (.nef), nor process them with the DNG converter. What is going wrong? Thanks!
This is the last paragraph from my very first response to you, post #1 in this thread:
…Additionally, you need to install the DNG Converter, not just "download" it, and you need to launch it and run it on each folder of NEFs you wish to convert to raw DNGs. [emphasis added] -
Cannot open nikon raw files from my 3200 in elements 8
i cannot open nikon raw files from my 3200 in elements 8
http://helpx.adobe.com/creative-suite/kb/camera-raw-plug-supported-cameras.html
You would need PSE11 since the 3200 requires ACR version 7.1
Only PSE11 can have 7.1, so to be able to use your raw files with PSE9 you should download the free Adobe DNGconverter which can batch convert a whole folder of raw files into the Adobe raw DNG format which your PSE8 can open.
http://helpx.adobe.com/x-productkb/multi/troubleshoot-camera-raw-photoshop-photoshop.html
http://www.adobe.com/support/downloads/detail.jsp?ftpID=5486
http://www.adobe.com/support/downloads/detail.jsp?ftpID=5518 -
Hello I installed ps cs6 using creative cloud and bridge doesnt show my raw files
hello I installed ps cs6 using creative cloud and bridge doesnt show my raw files. what should I do
What camera are your raw files from?
Have you updated the software to the latest release?
Why are you using Photoshop CS6 instead of CC (2014)?
-Noel -
Can i with a script force bridge cs5 to show only raw files?
Hi
i know there is the filter feature
but i have every time to set to show me the raw files
can a script show only raw files ? like *.cr2
in short i work only with raw files
i would like to have a solution to display only raw files
to load with bridge and have bridge ready to show only raw files
set it on the filter feature is boring ,seeing i use it a lot and every time i run bridge i have to set the filter every time
thanksIt appears that with the Sort function set to Flie Type you can bring up just the raw
files as a group. With the Filter it appears that it always opens up in the default mode to arrange by file name.
You could get a script to change it to file type, but that does not save any effort over just clicking on it in the Filter section. Whether or not you can get a script to change the defalult I would ask in the Bridge scripting forum. http://forums.adobe.com/community/bridge/bridge_scripting -
My version of LR-5.7 (OS X 10.8.5) apparently does not save the .NEF (Nikon RAW) edits done in the basic module. That means that I can correct exposure, highlights, shadows etc. but once I go to another picture and returned to the edited one the histogram (on the edited photo) and specifically the clipping triangles are white or some other color. This is normally suppose to indicate that some channel or all channels are clipped in the highlight/shadow areas. If I adjust any slider in the Basic panel even as little as one +/- value or press the J-key, the histogram will now show the original edit. Moving on to another photo and then returning to to previously edited one and again the edits are "not saved" and I have to hit the J-key or adjust a slider to see the previously edited information reflected in the histogram.
This is especially frustrating for fours reasons. If I have edited a shoot and return to it I cannot see from the clipping information whether the original edit was correct and of course I might re-edit it (to some now incorrect value). This brings up the second issue synchronization. I can't rely on it because if I go back to fine tune a specific image in the batch the triangles are white or some other color for that and every image. I have to hit the J-key to show/hide clipping or the back slash key to see before/after previews. This is the third issue which is very time consuming and inefficient regarding my workflow. The forth issue is that I have noticed that normally when an image is saved in PS, LR adds a copy of the saved version to its catalogue. I have noticed that the PS to LR saves are all wrong in terms of exposure (they are much lighter in tone) than the original LR edit and the PS edit on my screen. If I check the PS to LR photo in LR I notice that the Basic panel values have been changed and that I have to sync the image with the originally edited RAW/NEF LR file to get it to look the same.
Note 1). I am using an Apple cinema display and a calibrated Eizo ColorEdge monitor to view my NEF files. I have reverted back to using LR 4 however I am not sure if I should expect compatibility problems with Camera Raw 7.4 in LR 4 vs. Camera Raw 8.6 in LR 5.
Note 2.) I am going to do an import converting everything to .dng to see if this is a work around.
Note 3). I would be interested in knowing if this issue is related to the PS RAW engine ver. 8.6, the Adobe created NEF calibrations or LR 5.
Note 4). I have duplicated this issue in OS X 10.8.5, OS X 9.xx and OS X 10.10.1
Hopefully someone else has noticed this problem. Any shared information would be valuable. Thanks for the reply.Happy New Year!
The Develop panel Tone settings in your Dec 31 screenshot show both the Highlights and Shadows controls set to negative values (-48 and -19). For most images (such as this model shot) they should be set to opposite values (-Highlights and +Shadows). To try and duplicate your issue I used negative values for both of these controls with a similar high contrast image. I noticed that the Shadows control becomes non-linear when both the Highlights and Shadows controls are set to negative values. As I moved the Shadows control from a positive value the Shadows clipping indicator comes ON as expected. Moving the Shadows control to a value caused the clipping indicator to turn OFF and moving it further negative caused it to turn back ON again.
The following screenshots demonstrate the issue with only Highlights & Shadows controls applied as shown.
The Highlights & Shadows controls set just to the threshold of extinguishing the clipping indicators.
Moving the Shadows control toward negative causes the Shadow clipping indicator to come ON (as expected), but at-13 it goes OFF again!
Moving the Shadows control further negative causes the Shadows clipping indicator to come back ON at -33.
This is probably normal behavior for the PV2012 Image Adaptive Tone controls as they were not designed to be used way (- - or ++ Highlights & Shadows). The PV2012 Tone controls all interact with each other, which is why it is suggested to adjust them from the Top down starting with Exposure. For most images using -Highlights and +Shadows of near equal value produces good results.
I still can't duplicate the change in clipping indicators after selecting another image, so it may be unique to certain camera models and/or lighting conditions.
SUGGESTION
Try one of the image files that exhibits this issue using the following PV2102 Tone control adjustment procedure:
Start with all of the Tone controls at their default 0 settings and adjust them from the top-down in the order shown below.
Set Exposure to correct midtone brightness ignoring the highlight and shadow areas for now. Setting Exposure slightly higher (+.25 to +.50 EV) than what looks correct for the midtones seems to work best with most images.
Leave Contrast at 0 for now. It’s usually better to adjust this after the first pass.
Adjust Highlights so that blown out areas are recovered and “fine tonal detail” is revealed.
Adjust Shadows to reveal fine detail in dark areas. For most normal images simply setting +Shadows = -Highlights (Example +50 and -50) works very well.
The Whites control sets the white clipping point, which you can see by holding down the ALT key as you move the slider. Adjust it to the point where you see clipping appear with the ALT key.
The Blacks control sets the black clipping point, which you can see by holding down the ALT key as you move the slider. Adjust it to the point where you see clipping appear with the ALT key.
Now go back and adjust the Contrast control to establish the best midtone contrast
If necessary “touch-up” the controls using the same top-down workflow.
If the issue persists I suggest Exporting an image to DNG file format with the settings that exhibit the issue and post it to Dropbox or other file download site. -
What are all the fields covered in the Raw file received from the Card Co
Hi Experts,
I want to know what are all the fields covered in the Raw file received from the credit card company say AMEX before uploading the data into ASP system i.e. CCD format file to be uploaded in T-Code PRCC
Some of the fields I know:
1. Name of the Employee
2. Company ID
3. Credit card number
4. Currency
5. Amount
6. Exchange rate
7. Date of Transaction
8. Description
9. Document no.
10. Expense type
11. Expenses paid by company
Waiting for a positive response from your side
Regards,Hi
The below mention is the possible values/records will be received from Banks regarding credit card expenses
ORGANIZATION / HIERARCHY HEADER RECORD
FIELD NAME
RECORD TYPE
TYPE INDICATOR
COMPANY NAME
COMPANY ID
SUB COMPANY ID
EFFECTIVE / FILE DATE
CCF VERSION
COMPANY NUMBER
TRANSACTION POSTING DATE START
TRANSACTION POSTING DATE END
FILLER
TRX CONTROL DATA
ORGANIZATION / HIERARCHY DETAIL RECORD
FIELD NAME
RECORD TYPE
TYPE INDICATOR
COMPANY ID
SUB COMPANY ID
CORP PARENT NODE
CORP CHILD NODE
PAST DUE BUCKETS RECORD
FIELD NAME
RECORD TYPE
TYPE INDICATOR
COMPANY ID
SUB COMPANY ID
STATEMENT DATE
AMOUNT PAST DUE
30 DAYS PAST DUE
60 DAYS PAST DUE
90 DAYS PAST DUE
120 DAYS PAST DUE
150 DAYS PAST DUE
180 DAYS PAST DUE
180 PLUS DAYS PAST DUE
PREVIOUS BALANCE
FILLER
TRX CONTROL DATA
CARDHOLDER HIERARCHY RECORD
FIELD NAME
RECORD TYPE
TYPE INDICATOR
COMPANY ID
SUB COMPANY ID
NODE ID
ACCOUNT NUMBER
FILLER
TRX CONTROL DATA
ACCOUNT HEADER RECORD 1
FIELD NAME
RECORD TYPE
TYPE INDICATOR
COMPANY ID
SUB COMPANY ID
PROCESSOR
ACCOUNT NUMBER
ACCOUNT TYPE
LAST NAME
CARDH FIRST NAME
CARDH MIDDLE NAME
ADDRESS LINE1
ADDRESS LINE2
ADDRESS LINE3
ADDRESS LINE4
ADDRESS LINE5
CITY
STATE / COUNTY/ PROVINCE
POSTAL CODE
COUNTRY
NATIONAL ID
TELEPHONE NUMBER
WORK PHONE NUM
ID VERIFICATION CODE
DATE OF BIRTH
CYCLE CODE
FAX NUMBER
E MAIL ADDRESS
EMPLOYEE ID
CLIENT ID / CUSTOMER NUMBER
CUSTOMER VAT NUMBER
TITLE
STMT DATE
GENDER
FILLER
TRX CONTROL DATA
MAIN TRANSACTION RECORD
FIELD NAME
RECORD TYPE
TYPE INDICATOR
COMPANY ID
SUB COMPANY ID
CBS TR RUN DATE
ACCOUNT NUMBER
TRANS DATE
TRANS TIME
POST DATE
FILLER
AUTH REQUIRED
AUTH ID
CONVERS DATE
POS ENTRY
POS COND CODE
ACQUIRER ID
REFERENCE NUM
TRACE NUMBER
FILLER
TRANS ID
MCC
MCC INFO DATA
MERCH ACCEPTOR ID
MERCH DESCRIPTION
MERCHANT CITY
MERCHANT STATE / PROVINCE
MERCHANT POSTAL CODE
MERCH COUNTRY
MERCHANT VAT NUMBER
MERCH DESC FLAG
MERCHANT REFERENCE NUMBER
SOURCE CURRENCY
SOURCE AMOUNT
BILLING CURRENCY
BILLING AMOUNT
SETTLEM CURRENCY
SETTLEM AMOUNT
US DOLLAR CURR
US DOLLAR AMT
GB POUND CURR
GB POUND AMT
EURO CURRENCY
EURO AMOUNT
ASIA YEN CURR
ASIA YEN AMT
SWED KRON CURR
SWED KRON AMT
CANADIAN CURR
CANADIAN AMT
CONVERSION RATE
DB CR FLAG
MEMO FLAG
CORP ACCT NO
SALES TAX
SALES TAX FLAG
VAT TAX
VAT TAX FLAG
PURCHASE ID
PURCH ID FLAG
TRAN TYPE
NO OF ADDENDUMS
VISA_MCI TRAN CODE
ADDENDUM KEY
TICKET NUMBER
MSG TYPE
FILLER
VAT EVIDENCE FLAG
CUSTOMER REFERENCE NUMBER
DISCOUNT AMOUNT
MESSAGE ID
SUMMARY COMMODITY CODE
CUSTOMER VAT NUMBER
FILLER
TRX CONTROL DATA
The above mentioned is Just 50% of data will be received form the banks. Still footer details have to added.
Thanks,
Nandagopal C
Edited by: Nandagopal Chiranjeevi on Feb 6, 2009 5:40 AM
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