Maximum dimensions of still images in Premiere CC

Hi, anybody know what is the new maximum dimensions of still images in Premiere CC?
Is it still 256 megapixel (like CS5, CS5.5, and CS6)?
Thanks for the answers!
Bye!
Brianenno.

Yes still the same.
Do you want to import files that are larger then 32,768 pixels in e.g. either direction

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Maximum number of still images in a sequence exceeded

Model Name: iMac
Processor: Intel Core 2 Duo
Processors: 2.8 Ghz
Memory: 4GB
Bus Speed: 800MHz
FCP 7.0.3
So what's the maximum number of still images that are allowed in a single sequence in FCP 7?
Does it vary from FCP 6, 5, Express etc.?

http://www.flickr.com/photos/48395063@N07/5328011119/
http://www.flickr.com/photos/48395063@N07/5328011119/sizes/l/in/photostream/
You have to zoom in to read the yellow message box that appears when the mouse is loitering over the orange unlimited-time bar above the sequence.
For your pleasure I have typed it out:
"Video: Unlimited
Audio: Media File
_*The maximum number of real-time still images has been exceeded in this sequence.*_
A motion of composting effect can not be played in real time.
Real time playback is not supported for the clip on track 1.
The nested sequence on track 2 does not match this sequence settings.
The nested sequence on track 11 does not match this sequence settings."
Basically we're doing the "Artists Showcase" and artists send in photos and not all of them will be able to match the sequence settings since we take what we can get.
Besides that the estimated number of still images is 480.

Make still images in premiere elements 11

I want to make still images in premiere elements 11. I am a complete novice.
I tried reading the manual with no success. My options won't even let me get to where they tell me to go. Uggghhh
Learning Curves suck
Thank you in advance

>complete novice
Some links that should help you get started
Online User Guide http://help.adobe.com/en_US/premiereelements/using/index.html
-Page to download current PDF http://helpx.adobe.com/premiere-elements.html
Importing Video http://forums.adobe.com/thread/1065281
-and project settings http://forums.adobe.com/thread/1112086
Saving & Sharing http://forums.adobe.com/thread/1137128
-Sharing to DVD or BluRay http://forums.adobe.com/thread/1137645
-Sharing for Movies http://forums.adobe.com/thread/1051093
-Sharing for Computer http://forums.adobe.com/thread/1058237
-v11 http://www.amazon.com/Muvipix-Guide-Premiere-Elements-version/dp/1479311200/
FAQ http://forums.adobe.com/community/premiere_elements/premiere_elements_faq
TIPS http://forums.adobe.com/community/premiere_elements/premiere_elements_tips

Pixel dimensions for still images

Hello all,
I have just ran into a problem that seems to be a sizing problem with Final Cut Express HD. I used to crop my still pics to 1366 px - 768 px (for landscape) and then import them to FCE and export as a quicktime movie. When I brought the quicktime movie into iDVD and created the DVD it seemed to play great on my 46" Samsung tv -- full screen.
I just recently bought a Samsung 60" and when I create the same type of movies, I am getting a huge black border around the whole image (not just top and bottom but sides too). I tried creating a new movie and made all my still images 1920px x 1080 px, and it still comes out the same way.
I can stretch my tv so that they go full screen, but I think there should be a way to create the movie without having to stretch it....just have the tv set for 16:9, and I feel that it should work.
Any help would be greatly appreciated...thanks.
Norm

When you create a DVD, no matter what the pixel dimensions of your original material, it become 720x480 Standard Definition. This is what a DVD is. If you are creating a DVD that has material that is 16x9, then it creates a DVD that is 720x480 but plays back anamorphic, stretching to create the 16x9 screen.
If you play one of your older DVDs that played correctly on your previous TV, does it play correctly or does it also exhibit the black bars?
If it plays correctly then something has changed in the way you are creating your project in FCE.and encoding and burning the DVD.
If the older DVDs also exhibit the same playback problem, then I believe there is a menu setting on your new TV that will tell it how to display Standard Definition material from your DVD player, and you need to adjust that. (There are also settings in the set-top DVD player that tells it what kind of signal to send based on the what kind of display it is hooked up to.)
MtD

Show file names on still images in Premiere CS6

I need to know if there is a method in Premiere CS6 to have the file names of still images displayed, without manually making title cards for each one. I have over 400 images to treat and any automated process would be helpful.

If you have Indesign you might want to have a look at this tutorial for making multiple titles for Premiere.
How to update multiple titles in Premiere Pro using InDesign

How to Work With Still Images in Premiere Elements 10

I am struggling with the still images in my Titles for my video project, and would really appreciate some help. I have done a lot of googling on this and searched this forum, but can't seem to find the answer I need, maybe not searching the right questions or just "not getting it". Not even PE Adobe tips or Adobe TV cover this, although it seems important to know. I am not clear how PE10 will handle the resolution of an imported still image or graphic art from Photoshop. Perhaps this topic will also help others as well.
I am working on a video project for my job, editing an old training video. Created new Title graphics in Photoshop, inserted the Title images and integrated with video clips, then exported the video segments as MPEG files. I burned the whole video to DVD.
When the final DVD plays on a computer or TV screen, the photo images in the titles are fuzzy even though they were clear 300 dpi images. (I know dpi doesn't matter in video). The title text is also a bit fuzzy and the title text that has animation applied to it is even more fuzzy. Yet the old MPEG video clips look fine - it's just my title graphics and text that look bad (embarrasing).
So I need to know how to improve the quality of the still images/graphics for a video??
Project settings:
- Hard Disk, Standard 48kHz
- Editing Mode: DV NTSC
- Frame: 720 x 480 (0.9091)
- Frame rate: 29.97fps
- with "Optimize Stills" box checked
Using these settings because I am working with MPEG files from an old training video CD.
File Export: MPEG, NTSC DVD Standard
I export the video clips as MPEGS because they will be burned to a CD or DVD for distribution to our staff offices.
Work Details:
In Photoshop, I created still image graphics for each Title sized at 720 x480 with high resolution photos and company logo (300 dpi), and save them as a bitmap to import into PE10. In the Timeline, I insert the still image in "Video 1" track, then in Video 2 track create a Title over it for text (some animated, some still). Sometimes I stack 2 or three titles with text in separate video tracks over one still title image. Yes, there is a red line across the top in the Timeline because I didn't render the still images.
Questions:
• What is the best resolution for images imported into PE10 from Photoshop?
• Should I be creating title graphics/images at 720 x 480 or a larger ratio like 1920 x 1080 so it will display better when seen on a computer or TV?
• Do I need to render each title image in the timeline so that it will eventually display better in the MPEG?
• Is it better to create a title and then insert the still image into the title so they are integrated, rather than layered on separate video tracks?
I would greatly appreciate any assistance.

When the final DVD plays on a computer or TV screen, the photo images in the titles are fuzzy even though they were clear 300 dpi images. (I know dpi doesn't matter in video). The title text is also a bit fuzzy and the title text that has animation applied to it is even more fuzzy. Yet the old MPEG video clips look fine - it's just my title graphics and text that look bad (embarrasing).
Remember that DVD-Video was designed for CRT TV sets, and was a major step up from VHS tape. However, when viewed on an HD computer monitor, or HD TV *, it is still ONLY 720 x 480, with is about 1/4 of the resolution as 1920 x 1080, which is about what we are used to seeing on those display devices. That is but only 25% of the quality. It can never look as good as HD material.
Good luck, and if I missed something, please point that out to me.
Hunt
* With the advent of BD players, and up-rezzing DVD players, things HAVE improved, when viewing a DVD-Video on an HD TV. The newer players have up-rezzing chips, that do a very good job of "improving" the viewed material's quality. However, even with those amazing chips, DVD-Video will NEVER be as good as a full-HD source. Also, computers do not have those up-rezzing chips, so when one views a DVD-Video on a high-rez computer monitor, it will still look pretty bad. There ARE a couple of new DVD software players, that improve the quality of DVD-Video played on a high-rez computer monitor, and a few look fairly promising. I speculate that we will see some more development in the DVD-Video area, especially as BD is not proving to be the big seller, that many promised. Even 3D is not helping BD realize its promise.

Still getting a warped effect when rotating a still image in Premiere

Hi all,
I'm trying to rotate a perfectly round object in Premiere 6 on Windows 7.
First of all, I am now importing this round object in a square PSD file layer and setting it to "Maintain Aspect Ratio" under "Clip>Video Options".
When this perfectly round object in a perfectly, numerically square PSD file is set to sit still or to move laterally or vertically, it stays round, but when I put a rotate motion on it in the Motion Settings dialog box, I end up with an oblong, horizontally elliptical spinning image in my rendered video.
Is there a way to fix this besides trying (virtually impossible) to compensate for the distortion with the "Distortion" control in the Motion Settings dialog box?
Previously, someone else on this forum answered a similar question this way...
"Remember, Premiere Rotates on the rectangular Frame, and not by an object in that Frame."
So I thought if my imported PSD layer is square, fitting the proportions of my circular object that I am rotating, then it will hold on to its circular shape when rotated, as opposed to making my PSD size rectangular to fit the movie format... but I tried importing a perfectly and numerically square PSD that perfectly fits the proportions of my perfectly and numerically round object and I still get an oblong, warped rotating image in my final rendered AVI file. But the rotating image does appear to stay round when I preview the project in the monitor window by holding down on the ALT button a dragging (scrubbing) the cursor along the timeline.
I can see that the round object that I am rotating becomes horizontally oblong and oval shaped when it hits the 90 degree, three o'clock position, then becomes perfectly round again when it hits the 180 degree, six o'clock position, then becomes horizontally oblong and oval shaped again at the 270 degree, nine o'clock position, then becomes perfectly round again at the 360 degree, twelve o'clock position.
This would indicate that if I try to compensate for this strangeness by altering my original round PSD file object to be a vertically elliptical shape to compensate, then it would be vertically oblong at the zero degree, 180 degree and 360 degree positions, meaning the twelve and six o'clock positions.
Is there a way to correct or compensate for this odd behaviour in Premiere 6?
Thanks for any input,
digi

https://support.apple.com/kb/TS1713
try this, best I can do

Importing still images to Premiere Pro CS5

I have some still digital images in my computer which I want to use for a project for class.
The problem I find is that when I import the images they are too big and only a portion of shows.
Apparently the size of the image has to be 720 wide x 480 tall.
How do I resize it to that scale?
Please help.

Correction: I redid the whole thing as I was using the wrong image. But anyhow, this is the scenario.
My project requires images close to 720 wide x 480 tall. My image is 3264 x 2448
When I resized I couldn't use 720 width as the "constrain proportions" makes the height 540.
The latter being greater than the 480... so I have selected (with the right image now) 640 width and it automatically inserts a height of 480.
This is better than the previous dimensions with the wrong image so I guess I might be ok. What do you think?

Still images import and sizing in BlackMagic 10 bits footage Premiere pro CS 5.5 and AE

Hi,
I'm looking for the maths to calculate the needed image size when using normal images for import to use as still images in Premiere.
The images I have are 72dpi and 240dpi. The footage is Black Magic 10 bits AVI 1920x1080 (1,0) 50i and some stuff is 25p (for keying purposes).
I use Photoshop, Illustrator and Fireworks. I have the same question concerning the import and sizing of images in After Effects.
Thanks! David

The images I have are 72dpi and 240dpi.
That is completely irrelevant for video editing. The only thing that matters is the pixel dimensions. A 240 dpi image on a 4.3"screen is different than a 72 dpi image on a 200" video wall. The math is simple: one to one relationship. So if you edit 1920 x 1080, use 1920 x 1080 pixel dimensions for your images.

Premiere pro cs 3 still images not displayed correctly

Hi..I am having a problem
regarding still images in Premiere pro cs 3 .Once I have my imag
es on the timeline via automate to sequence the ima
ges are zoomed way in.I have fit to screen selected and optimize stills
checked in preferences.Stills are .jpgs .I've had 1
00s of stills on timeline in previous projects and have not had this problem .
Any help would be welcomed .
Thanks,Ray Perry

Read Photo Scaling for Video
http://forums.adobe.com/thread/450798?tstart=0

Still Images without flicker

I am looking for the best settings to run a 3d Max walkthrough (with still images) into Premiere CS4 and then export to F4V WITHOUT such a quality loss. I have succesfully exported to .mov and the clip looks great. Try exporting to wmv or F4V or FLV and the file size is small and the quality sucks. The .mov file is 119 mb, too large for client to download. The wmv or flv or f4v look too terrible to send on. I have tried using de-interlacing and flicker control and have had no positive results.
Please help.
Dave

Welcome to the forums.
Export at full resolution using a lossless codec and then use the free Windows Media Encoder to get the best possible WMV encoding. It has far more options than what is available in PPro.
Cheers
Eddie

Orientation of Still Images Wrong in Premiere?

As many users of various Adobe programs, have had issues with Still Images, that were shot in Portrait Mode, but when rotated in PrE’s/PSE’s, Organizer, or Adobe Bridge, find that the Images do not Import in the correct orientation, I wanted to address the problem.
When shot, the pixels are arranged in a certain order, basically appearing as Landscape, or 90 degrees out of orientation.
When one changes the orientation in Organizer, or Bridge (or many other similar programs), they are ONLY changing a flag, on how to display the Image, and are NOT altering the actual pixels, in any way. Each program has a unique way to actually apply Rotation, which will change the pixels, but that will depend on the exact program.
When ONLY the display of the Images has been changed, if one Imports into PrE, or PrPro, the Images will come in, just as shot, regardless of what the display has been changed to.
To actually Rotate the Image, as is needed, when Imported into a program, like Premiere, one will need to either use the editing features of their cataloging program (Organizer, Bridge, etc.), or do that work in Photoshop, or Photoshop Elements.
Now, once Imported, they can do Rotation in their NLE (Non Linear Editor), but the algorithms are better in Photoshop, or Photoshop Elements, and doing so, before Import, is recommended.
Good luck,
Hunt

In Photoshop Elements Organizer, here are steps to actually change the pixels to Rotate:
1-- first change the Organizer Prefernces to actually rotate the photo file which "flips" the actual dimensions of the photo file.
2-- multiple select the necessary photo thumbnails in the Organizer workspace and use the right click menu on one of the selected photos in order to rotate all the selected photos
3-- note that if you have portrait photos which display correctly in the Organizer thrumbnails when you first import those photos -- you may need to do a double rotate if later you will want to use these photos in Premiere Elements (rotate 90 degress in one direction so it looks on its side an then rotate 90 degrees back to the original position)
for your CURRENT project
yes initially your slideshow that has been sent to Premiere Elements does appear on the Timeline orSceneline ..... however ..
it is not obvious that -
Thanks to Barb O for those details.
Hunt

Still image sizes in Premiere Pro CS5.5

I've been looking for quite a while on Adobe's help pages, these forums, and also the PDF manual, but can't find the info I'm looking for.
I'm moving from Final Cut Studio to the Adobe suite of video production for various reasons. I've purchased (though not yet received) the Production Premium upgrade. I have a new project I'm starting, and want to correctly size my images for Premiere Pro. For instance, Final Cut Studio has this handy chart:
The video sequence frame size
If you are using this format                               is                    Use graphics with this frame size
CCIR 601 NTSC 4:3                                  720 x 486                             720 x 547
CCIR 601 NTSC 16:9 anamorphic               720 x 486                             853 x 486
DV NTSC 4:3                                            720 x 480                             720 x 540
DV NTSC 16:9 anamorphic                        720 x 480                              853 x 480
CCIR 601/DV PAL 4:3                               720 x 576                              768 x 576
CCIR 601/DV PAL 16:9 anamorphic            720 x 576                             1024 x 576
720p HD                                                  1280 x 720                            1280 x 720
1080i or 1080p HD                                   1920 x 1080                          1920 x 1080
So for a standard 4:3 DV NTSC video, I make my still images 720 x 540 pixels. 16:9 anamorphic, 853 x 480.
For whatever reason, this type of information is completely missing in the manuals for CS5.5. I did however find this information related to Premiere Pro 4:
4:3 DV (NTSC) or ATSC SD—create and save the square-pixel file at 720x534.
4:3 D1 (NTSC)—create and save the square-pixel file at 720x534.
4:3 DV or D1 (PAL)—create and save the file at 788x576.
16:9 DV (NTSC)—create and save the file at 864x480.
16:9 D1 (NTSC)—create and save the file at 872x486.
16:9 DV or D1 (PAL)—create and save the file at 1050x576.
16:9 1080i HD—create and save the file at 1920x1080.
16:9 720p HD—create and save the file at 1280x720.
So did this apply to CS5.5 as well? Meaning if I'm creating a standard 4:3 DV NTSC video, my still images should be 720 x 534, and 16:9 anamorphic 864 x 480? Not quite sure what the distinction is between DV and D1, other than the anamorphic sizes are different.
I also know these are different from Final Cut Studio. In Apple's manuals, they come right out and say the pixel sizes FCS uses for stills are different from most video editing software. So I'm not surprised to see 720 x 534 for for 4:3 NTSC in Premiere Pro rather than Apple's size of 720 x 540.
Thanks.

The list is valid if you save the file in square pixels.
However, I believe there is an easier way if one has
Photoshop.
In Photosohop, you can change the image pixel
aspect ratio directly. The drop down for that parameter lists common video formats.
Change the PAR first (e.g., 1.33) and then, using the crop tool set for the frame dimensions, e.g., 1440 x 1080. Save the file. Premiere will recognize the image format. There's no reason to keep track of what the square pixel frame size is.
You can create Photoshop Actions to somewaht automate this process.

Confirmation....still image dimensions from 16:9 720x480

Hi
I just exported a frame from a 720x480 16:9 DV NTSC video clip. I tried doing it from Premiere and it would only give me a bmp choice. I then did it from Streamclip, which gave me TIF, JPG and BMP choices but it did not really matter, because TIF is only 8 bit, just like the BMP in premiere...
The dimensions of the still image ( frame ) are (according to ps) 853 x 480 .
Is that correct for all frames exported from 720x480 16:9 DV NTSC videos ?
Reason I ask, is I want to create images that match ( size wise ) so I can make a slide show on a DVD eventually...
Thanks...
Rod
ps funny, I thought the 720 dimension would be favored and the height would be "squeezed" to something smaller than 480...for the 16:9 ratio.

Hi
Ah Ha ! Geez...I KNOW that the pixels are not square in NTSC, and ARE square in bitmaps, but I didn't even THINK about that last night when I was dealing with this...How can I be so dumb sometimes ?? Geez....
Thanks Harm.
If you could elaborate a little....I'm not very swift with math and ratios.
I just got out the calculator....and looked at GSpot...with a 720x480 widescreen AVI opened...
It is saying, par 1.185 (32:27)...for this particular AVI file that I made exported from Premiere last night...
Now, if I multiply 720 x 1.185 I get 853 !!! How cool is THAT....so I guess that's how I come up with the dimension of a bitmap when I do this in future...
And when I multiply 720 x .2121 (rather than 1.2121) I get 152.7...close enough !....same as 853...
How come there's two different ways of doing that ??
But my numbers are weird for 1.1212..... what am I doing wrong ??
Should there be one way to go about doing this math stuff ???
Anyhow, you've already answered my question and thanks a lot.... square pixels ! ..didn't even think of that...
Rod

Sizing of still images for use in Premiere Pro editing.

I use Premiere Pro 5.5. I use format: AVCHD 1080i25(50i) Anamorphic for my editing (I have a Canon Legria Camera). My current stills are resized to 800x 600. When I insert in to the sequence and play it, they fall outside the safety margins. I read the Adobe help notes on this topic and resized (if memory serves 32000x32000 was mentioned) This didn't work. I also tried 2200x 1200 but this still fell out of the safety margin. Even toggling the still in the timeline didn't work. Any advice on sizing? Many thanks

I agree with Ann. This ARTICLE goes into more detail on Scaling Still Images, and shows how to Automate to Batch w/ Actions in Photoshop, and also in Photoshop Elements. One can do an entire folder full of images in but moments.
Note: the article was done, when SD was the common Project, i.e. before HD gained popularity. Disregard the Frame Sizes in the early parts, as those pixel x pixel dimensions are for SD. Discussions on HD Projects follows pretty closely, as will some discussion by Todd Kopriva, on how things changed in PrPro, as of CS 5.
Good luck,
Hunt

Maximum dimensions of still images in Premiere CC

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