No jpeg compression in iphoto6?

There is no compression in iphoto 6 correct?
I don't understand why Apple would leave that feature out of a photo app.
I have found that I can open up a jpeg and go to file...save as...and decrease the quality and that helps but I would sometimes like to squash a jpeg to 60kb and I can't figure out how to do this on my mac with iphoto6.

James: If you're referring to keeping the image size the same but reducing the file size then you'll need a 3rd party application that can vary the quality (compression). Resize! and freePhotoConverter 2 are two that can do it. iPhoto can resize the image, pixel dimensions, by exporting and selecting the height and width desired.

Similar Messages

  • Is there any way to reduce the JPEG compression ap...

    I'm wondering if there is any way to reduce the fierce amount of JPEG compression applied to photos taken with the 6220 classic? I'm 99.99% sure that there isn't, but I thought I'd ask anyway.
    I'm a professional graphic designer with 15 years experience, and as such understand the technicalities of digital imaging better than most.
    What the general public fails to understand is that ever higher megapixelage doesn't automatically equate to ever higher quality images.
    The 6220 classic has a 5MP camera, which is one of the reasons I bought it, along with the fact that it has a Xenon flash and a proper lens cover. Its imaging quality also generally gets very positive reviews online.
    However, the 6220 classic takes far poorer photos than my 5 year old Olympus digital camera which only shoots 4MP. Why is this? Many reasons. The Olympus has a much larger imaging chip, onto which the image is recorded (physical size as opposed to pixel dimensions), a far superior lens (physical size & quality of materials), optical (not digital) zoom, and the ability to set various levels of JPEG compression, from fierce (high compression, small files, low quality images) to none at all (no compression, large files, high quality TIFF-encoded images).
    When I first used the camera on the 6220 classic (I've never owned a camera phone before) I was appalled at the miniscule file sizes. A 2592 x 1944 pixel image squashed into a few hundred kilobytes makes a mockery of having decent pixel dimensions in the first place, but then the average consumer neither cares about nor would notice the difference. They're not going to be examining & working on their images in Photoshop on a 30" Apple Cinema Display.
    Is fierce JPEG compression (and an inability to alter it) the norm with camera phones, or do other camera phones (perhaps from other manufacturers) allow greater latitude in how images are compressed?
    Thanks.
    Solved!
    Go to Solution.

    Believe me, I was very aware that this was a phone with a camera attached, not a dedicated camera, before I bought it. I went into this with my eyes open. I knew the lens, imaging chip, zoom, etc, would all be grossly inferior, but given all of this, surely the phone manufacturers should help to compensate for this by adding a few lines of code to the software to reduce (or ideally remove) the JPEG compression, or at least give the user the option to do so if they want? The fierce compression just makes images obtained with compromised hardware even worse than they would have been otherwise.
    It adds insult to injury and is totally unnecessary, especially given that the memory card in the 6200 classic is 1GB but the one in my Olympus is only 128 MB! It's not as if lack of storage space is an issue! On the Olympus I can only take about 8 pictures without compression (although I could obviously buy a much larger memory card). On the 6220 classic, given the ridiculous amount of compression, there's room for over 1200 photos! It would be far better to let 70 uncompressed images be stored than 1200 compressed ones. Does anyone seriously need to take over a thousand photos on a camera phone without having access to a computer to offload them? I doubt it.
    Also, compressing the images requires processing power, which equals time. If they were saved uncompressed, the recovery time between shots would be reduced, although obviously writing the larger files to memory may offset this somewhat.
    Just to give people an idea, an uncompressed 8-bit RGB TIFF with pixel dimensions of 2592 x 1944 takes up approximately 14.5 MB of space. (The exact number of bytes varies slightly depending on the header information stored with the file). The 3 photos I've taken so far with the 6220 classic (and that I've decided to actually keep) have files sizes of 623, 676 & 818 KB respectively. An average of these 3 sizes is 706 KB. 706 KB is less than 5% the size of 14.5 MB, which means that, on average, the camera, after is records the 5038848 pixels in an image, throws over 95% of them away.
    I'm deeply unimpressed.

  • LR JPEG compression vs. Photoshop JPEG compression

    I haven't found any documentation of the meaning of the 0 - 100% JPEG compression value in LR's (v1 or v2) Export File window. And the default value of 100% is overkill and results in huge files. At least I'm familiar with the Photoshop's 0-12 JPEG quality scale with associated quality names: Low, Medium, High, and Maximum.
    Via trial and error, I have found that LR has the same 13 quality levels as Photoshop and gives the same results, they are just mapped on a 0 - 100% scale. This also means that changing a few percent may not make any change at all, since a quality change only happens about every 7 percent.
    For those who might find it useful, here is a table of the mappings:
    The first column is the Photoshop compression number and name; the second column in the range of Lightroom percentages that will give the same results.
    0-Low 0-7%
    1-Low 8-15%
    2-Low 16-23%
    3-Low 24-30%
    4-Low 31-38%
    5-Med 39-46%
    6-Med 47-53%
    7-Med 54-61%
    8-High 62-69%
    9-High 70-76%
    10-Max 77-84%
    11-Max 85-91%
    12-Max 92-100%

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    This pretty much confirms LR and PS use the same 'Baseline Standard' JPEG compression algorithms. The PS level 7 reduced quality is also seen at LR's level 54-61 JPEG Quality setting. Jeffrey Friedel mentions this in his analysis of LR's JPEG Quality settings and a reply from Brian Tao:
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    Jeffrey Friedel's comment:
    One thing I find interesting (but don't understand) is that in the first example, the difference in file size between the  47〜53  quality and  54〜61  quality is considerable (49k to 66k bytes), while in the second example, the the same two levels of quality produces essentially the same file size. There seems to be some kind of switch in compression algorithm once Lightroom is at a quality setting of 54 or above that puts the emphasis on encoding the easily-discernible smooth gradients of the sunset example, and if they are lacking in the image, as with the reed-window-shade example, the attempt at extra quality fails, and the file size does not increase. That's my guess, but it's just a guess.
    Brian Tao's Reply:
    This is due to the downsampling (basically, a reduction in resolution) of one or more of the image channels before passing it to the actual compression routine.  Human vision is much more sensitive to changes in luminance (brightness) than chrominance (colour).  JPEG takes advantage of this by reducing the amount of colour information stored in the image in order to achieve higher compression ratios.  Because it is colour and not brightness that is sacrificed, this is called “chroma subsampling”.  Look up that term in Wikipedia for a far better and more detailed description than I can provide here.
    In a nutshell, Adobe products will use either a 4:4:4 subsampling (which is no subsampling at all, and thus full resolution) or 4:2:0 subsampling (both red and blue channels are reduced to one-quarter resolution before compression).  There is no switch to specify the amount of subsampling to use.  In Photoshop, the change from 4:2:0 to 4:4:4 happens between quality 6 and 7.  In Photoshop’s Save For Web, it happens between quality 50 and 51.  In Lightroom, you already noticed that something unexpected happens between 47-53 quality and 54-61 quality.  Guess what levels those correspond to in Photoshop?  6 and 7… exactly as expected.
    You can very easily demonstrate this by creating a worst-case scenario of JPEG chroma subsampling.  Create a small image in Photoshop with a pure blue (RGB = 0,0,255) background.  Now type in some pure red text (RGB = 255,0,0).  For maximum effect, turn off anti-aliasing, so each pixel is either full on red or full on blue. Zoom in to 500% or so for a clear view of the pixels.  Now save the image as a JPEG.  With the JPEG quality dialog visible, you will see a real-time preview of the effects of JPEG compression.  Start at 12, and work your way down to 0, one step at a time.  Watch what happens when you go from 7 to 6.  You can do the same with Save For Web and with Lightroom to confirm where they switch from 4:4:4 to 4:2:0.
    The file size discrepancy is more noticeable in the sunset shot because most of the information (relatively speaking) is needed to encode the gradual change in chrominance values.  There is virtually no luminance detail to worry about, except around the silhouette of the bird.  But in the photo of the reed window shades, the fine detail and texture and lack of colour result in practically no difference going from 4:4:4 and 4:2:0.
    Because of this hidden (and inaccessble) switch, I have been recommending that to be safe, one should never go below quality 7 in Photoshop, or 51 in Save For Web.  In Lightroom, this corresponds to quality 54.
    Hope this helps.

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    I know there are solutions available already - but these only work with flashing the phone.
    2) After updating some social network software the button for opening the gallery (right after taking a photo) vanished - and now shows an icon for uploading the photo instead of opening the gallery. ARGH ! - Even deinstalling that update did not bring the gallery button back. I now curse myself (and Nokia) for installing that senseless update.
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    Hape: There are always people who like everything. There are even people who like getting slapped in the face. So this shouldn't  be an excuse for every nonsense possible.
    The problem: That new button is just useless because you wouldn't upload a picture prior to knowing if it really is of the quality needed: On the N8s small screen, even blurred or out-of-focus pictures look ok. You'll only see the differences after zooming in.
    But you CAN'T zoom in using the quick view feature right after taking the photo - you need to open the picture taken using the gallery.
    Of course you may open the gallery via the menu - but you need to scroll down for finding the right menu entry. Takes unnecessary time and is a source of error.
    A QUICK review should be a QUICK review - you don't want to miss the next photo opportunity just because you waste your time fiddling with the menu entries just because Nokia destroyed a working system by introducing a button which is of no use if you cannot check the photo's quality prior to using it.
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    So again:
    PLEASE, Nokia: Remove that senseless button OR let us zoom photos in quick view.

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    Does anyone see this issue happening? In Flash Pro it's OK, but in AIR, it's broken.
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    Problem Description:
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    -dipak

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