Plz give me work flow of film editing in Final Cut Pro..

Hello Everyone...
I am basically a Avid Film Editor. Past 2 years I am using Final Cut Pro. Recently I finished Final Cut Pro Level 1 & T3. Right now I am working as a App. Support Engineer specially for Final Cut Pro .
I want know the work flow of film editing in Final Cut Pro. I am very interested to do film editing in FCP but the workflow from Avid to FCP its totally different.
I tried few options like using FCP & Cinema Tools..
1. Captured 25fps clips and cofirmed to 24fps in cinematools.
2. In FCP the Timeline frame rate is 24fps
But I am not able to understand..
1. What is Database?
2. Cant we capture 24fps in FCP?
3. How to Synchronize captured clips with Cinema Tools database?
4. How to link the captured clips in to Cinema Tools database?
5. Where do I enter the KN Start & KN End?
6. What about Pull List & Cut List?
Please give me the details of film technics in Final Cut Pro....
Thanks in advance....

I knew I'd find this same post here. That makes three versions of trhe same list of questions.
Posting three times here implies you have posted this set of questions in many other FCP forums around the Net. If that is so, do us all the kindness of returning to all of them and closing them. Include the suggestions you have received and the solutions that were successful for you. That way your multiple threads will show up on search inquiries when other confused FCP newbies try to start complex film projects.
It's a bummer you cannot find these answers in the FCP manuals, I'm usre you looked there first. But, since we run on volunteers around here, it may be several days before someone with enough practical CinemaTools experience can stop by and handle them for you. Please have some patience.
bogiesan

Similar Messages

  • Converting Nokia N95 video for editing in Final Cut Pro?

    I have some .mpeg4 videos shot with a Nokia N95 mobile phone that I want to edit in Final Cut Pro.
    I read everywhere that .mpeg4 is not an "editing format".
    I want to use Quicktime Pro (or Mpeg Streamclip) to convert the footage to something I can use in FCP *without degrading the original quality* but I am completely lost as to what settings I should use.
    Can anyone point me in the right direction? I have done some test conversions but a side by side comparison in Quicktime of the original and converted footage showed the latter to be softer, less contrasty and with different colours. Not at all what I wanted.
    I've posted this question on th eFCP and iMovie forums but haven't had any definitive replies. Is this really so complicated?
    Thanks in advance!

    I've been using iMovie 09 with these files but because the image quality is pretty poor I need the image correction functions of FCP. I can import the .mpeg4 files to FCP OK and work with them but I seem to spend all my time rendering. This is why I began to wonder if my initial file format and sequence settings were what they should be (and I am completely lost here).
    The edited film will be uploaded to blip.tv and then embedded in websites. My concern is not to degrade the quality during my workflow.

  • Which Mac Mini is best for Editing in Final Cut Pro X i5 or i7 ?

    Hey guys plz suggest me a good mac mini machine for editing in Final Cut Pro X. Is there any difference in i5 mac mini or i7 in terms of rendering or editing, and what is the use of an SSD drive in terms of editing in mac mini either than its 5400rpm HD, or should i buy imac i5 with ssd ?
    Lets see if i buy mac mini i5 with 16gb ram and a ssd drive,  Will it work better than mac mini i7 with 16gb ram but without ssd drive ?
    So guys plzz suggest me the best mac specs for video editing
    Thanks in advance

    Your budget?
    Take a look at this: http://www.barefeats.com/minivmp.html
    The 2012 Quad-Core i7 Mac mini is a real contender when it comes to CPU power compared to our examples of a Quad-Core Mac Pro and Quad-Core iMac. We plan to add some other examples of Quad-Core desktop Macs (including a faster Mac mini) to these graphs in the days ahead but the point is made.
    However, the GPU in the 2012 Quad-Core i7 Mac mini is weak in comparison to the Mac Pro (and iMac) as you can see from the "Heaven" graph.
    That's going to affect its ability to handle advanced Pro Apps that make use of the GPU for certain types of effect rendering.
    These apps include Apple's Final Cut Pro and Motion as well as Adobe's Photoshop, Premiere Pro, and After Effects.
    The Mac mini's Intel HD 4000 GPU will also hamstring hard-core gamers.
    The Mac mini is also weak in support of OpenCL as you can see from the "LuxMark" graph.
    It is forced to render the model using only CPU while the iMac and Mac Pro GPUs are able to render the model.
    Why does this matter? Because apps like Final Cut Pro, Motion, and Photoshop use OpenCL acceleration for rendering certain effects.
    http://www.barefeats.com/imac12p1.html
    Even a Mac Pro (refurbished special 4-core 2.8 is $1819 and can be upgraded to more RAM, 4x4TB w/o going into Thunderbolt storage) and have multiple SSDs as the choice or need arises.)
    Fusion drive + Thunderbolt but I think you are asking too much out of the mini. It is fine for a lot of uses.

  • If i edit in final cut pro x, how can i create a dvd

    What is the best DVD creator to download to create DVDs  from movies edited in Final Cut Pro X?

    iDVD gets my top vote - it is no longer available from Apple, but still part of the retail iLife 09 or 11 versions available from online resellers. It offers customizable menus/themes which will give your creation a professional look. It encodes/authors and you can burn directly from it.
    Second is Roxio Toast (no customizable menus, but many other features and an excellent burn software).
    I've tried DVD creator and found it to be too simplistic. Then there is Burn (free) - it burns.
    I use iDVD to "create" and Toast to burn.

  • I'm a bit confused. Since my original camera format was 720/60p, and I converted the footage to Pro Res422 in order to edit in Final Cut Pro 7, should I convert back to a higher quality format before sending the file to DVD Studio Pro?

    I'm a bit confused. Since my original camera format was 720/60p, and I converted the footage to Pro Res422 in order to edit in Final Cut Pro 7, should I convert back to a higher quality format before sending the file to DVD Studio Pro? If so, which Compressor codec is best to use in order to preserve the original 720/60p?   How do I maintain the highest quality?

    No...ProRes is a high quality format. Finishing format.  Many TV networks take that as a final deliverable. 
    BUT...DVDs aren't high definition...they are SD.  You cannot make a 720p60 DVD with DVD Studio Pro.  Any DVD you make will be SD...720x480.  The only HD DVD format out there is BluRay, and for that you need a BluRay burner.
    As for making a high quality DVD...using the BEST QUALITY settings in Compressor will work:
    #42 - Quick and dirty way to author a DVD
    Shane's Stock Answer #42 - David Roth Weiss' Secret Quick and Dirty Way to Author a DVD:
    The absolute simplest way to make a DVD using FCP and DVDSP is as follows:
    1. Export a QT movie, either a reference file or self contained using current settings.
    2. Open DVDSP, select the "graphical" tab and you will see two little monitors, one blue, one green.
    3. Select the left blue one and hit delete.
    4. Now, select the green one, right click on it and select the top option "first play".
    5. Now drag your QT from the browser and drop it on top of the green monitor.
    6. Now, for a DVD from an HD source, look to the right side and select the "general tab" in the track editor, and see the Display Mode, and select "16:9 pan-scan."
    7. Hit the little black and yellow burn icon at the top of the page and put a a DVD in when prompted. DVDSP will encode and burn your new DVD.
    THATS ALL!!!
    NOW...if you want a GOOD LOOKING DVD, instead of taking your REF movie into DVD SP, instead take it into Compressor and choose the BEST QUALITY ENCODE (2 pass VBR) that matches your show timing.  Then take THAT result into DVD SP and follow the rest of the steps.  Except you can choose "16:9 LETTERBOX" instead of PAN & SCAN if you want to see the entire image.

  • I have a Sony HVR-V1P, can i successfully capture and edit with Final Cut Pro X

      I have a Sony HVR-V1P, can i successfully capture and edit with Final Cut Pro X

    My HVR-A1U was able to capture just fine.  The only issue I had is that it has mroe frequently than FCP 7 ever did find Timecode breaks and split my clip apart.  I never had breaks before, so while it is possible I had them on this latest tape, I think X is just more picky.  I mean heck, it found three in a one minute timeframe.  My A1U worked with X without me needing to adjsut any settings form how I had it setup for 7.

  • Recording computer screen images to edit in Final Cut Pro?

    Hi folks
    I'm trying to record exactly the images from my computer screen to then edit in Final Cut Pro. Is this possible? Through the basic ilink cable or do I need specific software?
    I have been recommended software called Snapz Pro, which allows recording the screen image, but I have no idea if it can then be edited to my choice in Final Cut Pro. Anyone help? Or does anyone have any other suggestions?
    Thanks for reading.
    Cheers
    Cameron
    eMac   Mac OS X (10.4.7)  
    emac   Mac OS X (10.4.7)  
    emac   Mac OS X (10.4.7)  

    Snapz Pro works just fine, just bear in mind if you are capturing a screen area larger than video dimensions you will have to do some scaling and rendering (possibly) in FCP if you set Snapz to record a video size frame to DV NTSC/PAL codec it will be ready to use straight off. Snapz will even let you have the frame follow the mouse if you are using a monitor set to a higher res than video and don't need full screen but will be moving around the entire area (trust me this is easier to see in action rather than for me to explain)
    Anyway to sum up YES SnapzPro will work for the project you describe

  • What is my best hardware/software to convert vhs to digital so I can edit in Final Cut Pro X

    What is my best hardware/software to convert vhs to digital so I can edit in Final Cut Pro X?  Wondering if there is a solution under 100.00 or do I need to think a bit more. Thank you.

    Have been doing this for some time, my setup:
    I use an ancient "Symphonic" VCR player connected to an Elgato Eyetv Hybrid USB dongle.  That plugs into my G5 Mac, 10.5.8, which runs Eyetv software v. 2.5.3.
    Recording is dead simple after fiddling around a bit with software settings for channel, etc.  Start the player, hit "record" on the software and wait for the end.
    The recording is saved in some obscure ".eyetv" format with file size about 4 GB per hour of recording.  The software has export to a variety of formats including QT Movie which results in a substantially larger file size.
    Quality?  Well, it's viewable and usable for archive purposes.  I'm fine with it but more discriminating folks may want something better.  I end up burning the video on a DVD using iDVD and that's not the greatest anyway.
    There are various Elgato units available, and the Eyetv Hybrid seems to run bout $130.
    Hope that helps.

  • How to work efficiently with HDV footage in Final Cut Pro 6

    Hello everyone! I am fairly new to Final Cut & Mac. I have worked with Final Cut Pro 5 on my Powerbook G4 two years ago. But when I moved to HD, I switched to a PC with Adobe Premiere. Recently, I made the move back to Final Cut as I had problem with the stability of both Premiere 2.0 and CS3. I am really happy with it so far. In Premiere, I used the Cineform codec which performed very well. I also got a license for their MAC codec but unfortunately, I still have to capture under Windows.
    Since I have not worked with HDV on the Mac before, I have a few questions which I hope people on these boards can answer.
    1) How does Final Cut Pro 6 handle native HDV?
    2) Is it beneficial to convert to Pro Res 422 (in terms of quality, but also in terms of editing speed, rendering time, in favor of processing speed etc.)
    3) Which Pro Res 422 setting is advised? I will be capturing HDV through firewire and then recompress to Pro Res 422. The Canon XL-H1 squeezes 1080i into 1440x1080. So I figured I need the 1440x1080 setting. There are two options: normal and (HQ). The HQ files are around 4-times bigger then the native HDV file. The normal setting results in files around 2-times bigger. Coming from HDV, do I see the difference between normal and HQ?
    4) What systems are recommended so I can work efficiently? i.e. how to setup the scratch disks. I currently have the applications installed on Disk 1, all scratch disks on Disk 2 + 3 (RAID 0) and final results on Disk 4.
    I have the following system setup:
    - Apple Mac Pro Quad-Core (2.66Ghz)
    - 5GB of RAM
    - ATI X1900XT 512MB
    - Harddisks:
    -1- Western Digital 750GB SE
    -2- Western Digital 500GB RE2 (member of "VIDEO" - raid 0)
    -3- Western Digital 500GB RE2 (member of "VIDEO" - raid 0)
    -4- Western Digital 500GB SE
    - Two Dell 2407 FWP 24" LCD monitors
    Thanks for your help and don't feel obliged to answer all questions, I am already happy if one of them is answered!!

    1) How does Final Cut Pro 6 handle native HDV?
    Just like FC5.... no worries
    2) Is it beneficial to convert to Pro Res 422
    Just like the Cineform codec you will benefit from an all i-frame codec when working with titles and graphics. I wouldn't recommend capturing native then converting to ProRez as this will take an extremely long time. Many have found editing native up until the compositing then dropping the sequence into a ProRez timeline to render. I prefer to uncompress the HDV with hardware into a capture card and transcode on capture in real time. Depending on the flavor of HDV and the equipment you use you can probably find a method for this. I shoot run & gun field work on to tape, then with the deck I can export via HDMI and together with another product from Convergent Design it is converted to HD-SDI in the a Kona LHe into FC. The benefit for me is the all digital decompression from 1440x1080 4:2:0 to a 1920x1080 4:2:2 uncompressed HD-SDI signal to use anyway I need to. As to which level of PR I can't comment but I have used the lower level and it looks great. As to raid setup I can recommend www.maxupgrades.com to help you add two - four more drives internally for unbelievable speed and expanded storage space you will want. The owner (Syed) will give you all the support you need to take advantage of the Mac Pro capabilities for a low cost high performance raid solution. Sounds like you have a great setup in mind, you may want to look into the Kona LHe capture card for capturing and monitoring and a Convergent Design product like the HD-Connect SI or MI depending on the deck you are using. If you need broadcast quality monitoring look into the Matrox MXO.
    Good Luck
    Z1

  • Creating a film look in Final Cut Pro 3

    I have finished editing my short in and some of the images are too harsh; please advise me on how I can get a more film like look. I shot the short on a Sony PD-150 and edited it on Final Cut Pro 3 using a G4 and running OS X. 2.6
    A friend suggested using a filter like Magic Bullet, which doesn't work on OS X. 2.6. Someone else suggested rendering it in 30 frames per second but don't know how to do that in FCP.
    G4   Mac OS X (10.2.x)  

    You're not going to be able to make magic happen with DV footage on final cut 3. Film has a generally softer and murkier look than video, so try bringing down the harsher higlights and desaturing colors somewhat. You're just going to have to play arround with the the filters and color corrector, and eyeball it on a broadcast monitor.
    As far as frame rate is concerned, there's nothing you can do. DV is 29.97fps, film is 24fps. Simply changing the framerate (especially to 30) won't make it look more film like. 24 fps pulldown needs to happen in camera to achieve such an effect.
    If you're interested in something like Magic Bullet (which you'll have far better luck with), you'll have to find someone who has it.
    Honestly, my advice would be to worry about your film looking good more than worry about your film looking like film.

  • How to convert my personal DVDs to be edited in Final Cut Pro 7?

    Hi guys,
    I am working on a project that need to edit my personal DVDs in Final Cut Pro 7, but what i need to do first is rip the DVD to a Final Cut Pro 7 compatible format, to which format should i convert the DVD? I am using iSkysoft iMedia Converter for Mac, it has many output formats. It is a little difficult to decide the right one.
    Would you please help? If possible, please tell me the codec/ resolution/ bitrate . thanks in advance!
    Albert

    I understand what format DVDs are. My suggestion is - if you generated these DVDs, you must have the source footage. Why not use that?
    I'd suggest you open the manual and start with the getting started section and work through any tutorials that came with your version. This program is complex and you need a fundamental understanding of more stuff than we can cover in this forum.
    Ken Stone's website has a number of tutorials and is a good source of new user information as is Lyndia.com
    x

  • Error messages during editing with Final Cut Pro

    Hello,
    I am working with Final Cut Pro for the first time, editing my first indie movie project. The software normally works fine and when I started this project it ran fine for a while. But the software is now operating increasingly slow, to the point where it won't let me advance frame by frame. And I am getting several error icons popping up in the viewer window and the clip window to the right and I don't know what they mean. One of the icons is a little yellow triangle with a black exclamation point in the middle. Another is a little whi circle with a black letter x in the center. Another is a small green circle with a check in it. Does anyone know what any of this means? Could I be out of ram on the hardrive? I noticed that the changes occurred as soon as I did ctrl + z to undo an edit - it went haywire right after that. I would greatly appreciate any tips, thoughts, suggestions. Thank you.

    Slow performance can come from a number of different things. Without knowing more detailed information about your setup or workflow, it's difficult to accurately troubleshoot.
    -What kind of Mac are you using?
    -What is your source format?
    -Where is your source footage located?

  • Can I Change duration of a Film Burn in Final Cut Pro X

    Is there a way to change the duration of a Film Burn (.mov) in Final Cut Pro X.  for example I have 10 second film burn (.mov), and I want that film burn to be 30 sec or more any way I can do this? 
    Currently I copy the Film Burn several times on the timelien to make it longer.
    Note: The Film Burn is set at 10 seconds, I CAN NOT DRAG it to make it any longer.  Any Ideas would be great!

    You could drag three instances into a timeline and then create a compound clip that you could use over and over again.

  • PLZ  HOW I CAN T  USE THE COMPRESSOR AFTER FINAL CUT PRO X  WHY???????

    HOW I CAN EXPORT MY VIDEO FROM FINAL CUT PRO X TO COMPRESSOR TO YOUTUBE???

    You don't need to use Compressor. In FCP, Share>You Tube and then choose the quality setting you want.
    Alternatively you can use Compressor to give you more control over your settings. If so, choose Share and either  export a master file and bring that into Compressor…or SHare>Add Destination>Compressor settings.
    Good luck.
    Russ

  • Is there an easier way to work with adobe after effects and final cut pro x

    I use adobe after effects and I am thinking about deleting motion and compressor ( I can always install again). If you have a good reason to keep those apps let me know because I don't want to be hasty. If I delete them and stick with after effects and final cut pro...  Is there a secret to easy working between FCPX and adobe after effects?
    Thanks

    You'll go from FCP X to and from Motion a lot easier than AE.  Motion does pretty much anything AE does, most of the time faster and easier.  Without Motion, you can't do custom templates.  You can't customize the encoding of files without Compressor.  Why would you want to remove them from your system?  Leave them, use AE if you want along side of them.  But I'd learn Motion first.  Cause AE doesn't read FCPXML, so going back and forth between them is a PITA.
    And until Apple releases the round trip between FCP X and Motion fully, we have this gem:
    http://www.alexnking.com/2012/02/20/fcpx-send-to-motion-app/

Maybe you are looking for

  • Count Cells Based on Font Colour

    I have a Numbers spreadsheet that lists all my movies. The font is different colours based on Blu-Ray DVD (Blue), Apple TV (Green) or normal DVD. Column A has the list and I would like to list the number of DVD's based on DVD type (Font Colour) in co

  • How to see ALL CALLS on iPhone 4

    I read in one of these forums from 2012 that to see ALL CALLS received/made from an iPhone, not just recent calls, you need to create a My Verizon account, then go to usage, then click on usage details and you will be able to see all your calls. This

  • Verity search

    Hi, Does Verity Search able to index files (pdf, xls, doc) from network drive(s)? If it does, what should I do in order to index files from mapped drive? Thanks, Andy

  • Help! I am new to Itunes and don't understand this error message re Runtime

    When I try to open itunes, I immediately get an error message which says "Microsoft Visual C++ Runtime Library. Program: C:/Program Files/iTunes/iTunes.exe. This application has requested the Runtime to terminate it in an unusual way. Please contact

  • Can't adjust anchor points of path when keyframes enabled...

    I have an irregular shape layer that I'm warping over time (smaller to bigger). I'm able to adjust the anchor points of the path to the shapes I want-but once I set the two keyframes of the path that I'm interpolating with a slider, I am no longer ab