Poor rendering quality for still images

I have opened a new project with PAL DSLR settings (1080p, 25fps).
I have added a full res (about 4000px x 3000px) still image to the timeline and added a pan effect to it. When I view the preview in PE it looks fine. However, when I render the clip the quality is very poor in the preview.
I have tried exporting the clip to a file and this plays fine, but the preview does not look good.
Any ideas why the rendering should have this effect?

pickera2
I have a few things for you to consider and tryout if interested.
First, you are taking a 4000 x 3000 4:3 still into a 1920 x 1080 16:9 project (you say project preset = PAL/DSLR/1080p/DSLR 1080p25).
Your problem is confined to the preview of the pan and zoom result using the Pan and Zoom Tool (I am assuming the you are using Premiere Elements 10 or 11 or 12...I do not recall that you said which one).
Edit Menu/Preferences/General includes the preference "Default Scale to Frame Size" and it does just that. It is typically found ON. So, when your 4000 x 3000 pixels still is imported, the program tries to fit it as best possible into the 1920 x 1080 16:9 space set up in the Edit Mode monitor (Magnification = Fit) by the project preset. In your case, you would expect to see the following with black borders:
Is that what you are taking into the Pan and Zoom workspace? Or are you scaling what is seen there so that the image just fills the 1920 x 1080 space? Does it look like the following after scaling, if you do scale to fit?
And important point to remember is that whatever the case, the Pan and Zoom workspace is not referencing what is seen on the Timeline, but is instead referencing back to the original at the hard drive save location.
An alternative to all of this includes
Bringing you image into the project with the Default Scale to Frame Size disabled in preference. Then the 4000 x 3000 will overflow the space in the 1920 x 1080 monitor. You would then ignore what you see in the Premiere Elements workspace, select the Pan and Zoom Tool to open the Pan and Zoom workspace, and do your pans and zooms on the image that you see there. Click Done when finished. Back in the Premiere Elements workspace render the Timeline and scale what you see in the Edit Mode monitor as needed.
You also might want to look at beforehand cropping your 4000 x 3000 4:3 to 2200 x 1238 pixels 16:9 and using that as your source media with or without the Default Scale to Frame Size enabled.
Please view to see if the previews look any better and/or there are improvements in the export.
Thanks.
ATR

Similar Messages

How do you fix playback quality for still image video on Adobe Premiere Elements 10?

Hi there, I'm a new editor, and am still wanting to make my first awesome video. I find that when I do a still motion video all quality is very bad, and a little blurry. I asked that question and someone told me to fix the playback quality and I do not know how to fix that. If you can answer my question, please also give me the instructions too.

First, read these...
Photo Scaling for Video http://forums.adobe.com/thread/450798
-Too Large May = Crash http://forums.adobe.com/thread/879967
-And another crash report http://forums.adobe.com/thread/973935

Render Quality of still images for Blu Ray?

Hello,
can anyone help me on how to control the quality of still images beeing rendered within Encore?
Transcoding is for film only and on my full HD Blu Ray it seems, that still images or diashows are
rendered in SD quality at best.
Any hints appreciated!
Cheers,
Guenter

Hello and thanks for the quick replies and especially the welcome greetings.....
The images do match the resolution of the videos, they are all 1920x1080.
I created the images with Photoshop and next to JPG I also tried the PSD,
but it made to difference.
They are not part of the videos, they are just pictures I've included using
the diashow function within Encore. There is no transcode menu available
for single images nor the diashow.
The default transcode settings - which are used for video only afaik - are
also full hd, full quality.
Any other ideas?
Cheers,
Guenter

Quality of still images imported from i-Photo

I've recently got a new Mac, with updated version of i-Movie. Struggling to come to terms with it, but one major problem is quality of still images.
Whatever I do, they look rubbish in i-Movie. I've tried all sorts of settings, Ken Burns etc, still nowhere near the crystal images on the previous version of i-Movie.
I've read that we're not supposed to look at quality in i-Movie, but only on burning, but this is a nuisance, and anyhow when I made a Quicktime movie it was no better.
Can anyone help? And why, when something is supposed to be better, is it actually worse?
Thanks.
MacBook Pro Mac OS X (10.4.5)

Adam
You might try more closely matching the screen resolution of iMovie, which unless you are going widescreen is 720x540... There is not much sense in putting in more dpi than the video format can handle. You can get some distortion when it compresses the images.
I do find that they never look as good in iMovie on my TV as they did on the computer however. Ken Burns or whatever we try.
Also, iMovie will stretch smaller than 720x540 images to fit the dimension of the screen, which makes those look truly awful. We usually put those on a black background (in Photoshop) so that they stay at the smaller size.
Terri

What PS file settings are used for still images for FCE?

I have images to use/create for the titles and transitions in my first FCE4 project. Using Photoshop CS6, the preset for File > New > Film & Video has the prest size and pixel aspect ratio selections. I thought to use this with HDV 1080p/29.97 and HDV1080/DVCPRO HD 720 (1.33) for any images I need for the project.
Most discussions I see only refer to the pixel size reference for HD image sizes, but nothing addressing the pixel aspect ratio setting for the image. Are these settings ignored in PS and handled in FCE only? Or does it make better quality images to get this "right" in PS when creating the still image?
Thanks in advance.

I'm not quite sure I understand your question. In an ideal world, the graphic material you build in PS should match the sequence settings you intend to edit them into - so, if for no other reason, it reduces the amount of reformatting FCE has to do when rendering them.
But frequently you want to build graphics larger than the frame size of the sequence so that you can re-size and reposition the graphic within FCE without losing quality.
The apparent pixel aspect ratio of your graphic can be controlled with FCE by editing the graphic to the timeline, double clicking on the clip in the timeline, and when that timeline clip opens in the viewer, click on the motion tab and adjust the Aspect Ratio Paddle (this is the correction for a 1920 x1080 square pixel clip being placed into an HDV 1440 x 1080 timeline):
In Photoshop, you can change the way your work is displayed by going to the menu View > Pixel Aspect Ratio:
Does any of this help?
MtD

Poor rendering quality of Motion import

I have some simple Motion moves - pans scans and zooms across hi-res (3600x2400px) still images. When these are taken into FCP (v5.0.4), either as an import or as an export from Motion (v2.0.1), I encounter a problem with image quality. This is most apparent when I have zoomed into the original image, even when taking the precaution of not zooming in as far as tv resolution. All diagonal lines become stepped, as if the FCP image is displaying at around 240 lines rather than 480 (NTSC) This has a particularly nasty appearance with horizontal, vertical or diagonal lines in the image during movement. The original Motion file plays back beautifully, with no artifacts. I imagine this to be a problem within FCP to do with rendering. Can anyone tell me what am I doing wrong?
John

I'm viewing this on both the computer and an external TV monitor. The tv monitor exhibits the problem - that's why I am concerned - and so does the computer, where I'm viewing the clip at 100% resolution. This project is shot and cut in NTSC DV. I have imported the motion files into FCP and rendered them there, then rendered out the sequence to a self-contained file. (I have also tried rendering the clip from Motion and placing that clip into FCP. There is no apparent difference in quality.) Since my original posting I have tried this routine on someone else's computer and the end result was good, without any of the line flicker that is distressing on the problem version. I went back to my computer and re-did it and still got the poor end result. It would seem to me that there are some render settings somewhere that I need to change, but I don't know where else to look. Both computers used in this process are G4 Powerbooks.

How to maintain high image quality of still images

Hello,
I have been creating flipbooks out of still images shot on a canon MK II. They are 8 mp files and look great blown up large in photoshop, however, once imported into iMovie through iPhoto and played as a sequence in rapid succession they seem to lose quality. They appear slightly compressed or otherwise a little pixelated. A get info on an individual frame says it is is less than 200 KB when the original file is 3 mb. Is there a setting I am missing or other technique for maintaining the images' high quality after being brought into this rapid slideshow? Should I be using final cut to achieve this type of high quality?
thanks!

The following works well. Save your images in photoshop as TIFF files, with a resolution of 1920 x 1080, 72 pixels per. Save to the desktop. Drag into imovie. Make sure your imovie is hd 1080i. Use the Ken Burns to expand the picture to fill the black spaces, if you so desire.
At that point, you'll have a super high def show.
Hope this helps.

Quality of still images in PE9

Sorry, I know this has been discussed before, but I'm only an occasional amateur videographer, and the terminology in other forum posts is going right over my head. I've tried, honestly I have! But it's all too technical.
I have PE9.
Need to use still images in parts of my video project.
After importing and rendering they look fine until I actually play the video - then they go out of focus.
I understand this is something to do with the ?resolution? ?pixels?
I am in New Zealand therefore use the PAL format.
Can someone give me some very simple step by step instructions on what to do to prepare the photos for inclusion in the video?
I do have Photoshop Elements but have never used it.

You first need to decide on a correct project setting, which should match your video... and you then scale your pictures to match the project as closely as possible
So... let's find out what kind of video you are editing...
Read Bill Hunt on a file type as WRAPPER http://forums.adobe.com/thread/440037
What is a CODEC... a Primer http://forums.adobe.com/thread/546811
What CODEC is INSIDE that file? http://forums.adobe.com/thread/440037
Report back with the codec details of your file, use the programs below... a screen shot works well to SHOW people what you are doing
http://forums.adobe.com/thread/592070?tstart=30
For PC http://mediainfo.sourceforge.net/en or http://www.headbands.com/gspot/
For Mac http://mediainspector.massanti.com/
When you create a new project and import your video, and before you do any work, do you have a red line over your timeline?
http://blogs.adobe.com/premiereprotraining/2011/02/red-yellow-and-green-render-bars.html
Also, to help you get started
Steve's Basic Training Tutorials http://forums.adobe.com/thread/537685
-v09 http://www.amazon.com/Muvipix-com-Guide-Premiere-Elements-version/dp/1453871209/
FAQ http://forums.adobe.com/community/premiere_elements/premiere_elements_faq
TIPS http://forums.adobe.com/community/premiere_elements/premiere_elements_tips
User Guide PDF http://help.adobe.com/en_US/premiereelements/using/index.html
-the page also has links to help pages for previous versions... so go to the page for version 9
-then, Right click PDF link in the upper right corner and select to save to your hard drive for easy reading and searching

Changing rate of zoom motion for still image?

Hey everyone,
I'm working on a short documentary and have a large still image I am zooming out of with the motion tab, setting 2 key frames for zoom and center point at beginning and end.
The rate of the zoom goes slow at first and then speeds up more and more as it goes along, and it's going so fast by the end that you can't see the whole image. So I'm wondering how I can give it an even rate of zoom out, or at least slowing it down at the end.
I tried adding another zoom key frame, but couldn't find where the center point key frame was supposed to be, so it wound up changing it's directory a bit at that point.
There's got to be a way to do this. Thanks again!

Yeah, FC doesn't handle this real well. Using the Ease in sometimes works, but I've found that instead of easing in, it sort of adjusts (subtly) the position of the photo.
What I've done in the past is adjust the speed of the photo "clip" to run longer, so the zoom is slower.
I've also thought the original file size of the photo made a difference, a larger file seems to not have this problem as bad, though I have NOT tested this. For me, this seemed to happen when using smaller files. My PS files are around 30MB each! Yes, lots of rendering when doing anything to them, but that does work.
Jonathan

Set the compression quality for individual images for exporting a PDF?

When are export a PDF in ID, you are given an option to downsample and compress images. My problem is, I want to compress some images more than others. For example, a photo in the document could be downsampled much more than a png logo. Of course I could go and pre-downsample each image to the right size in photoshop, but that can get kind of involved. Is there a way I could at least exclude one particular image from the compression process?

Well, I didn't find any way to do this in ID, but I do believe its a useful thing to do. In Fact, by doing some careful image-dependent compression, I was able to reduce the size of my pdf by half and have the result still look better than a standard uniform compression. What I did was:
first place all the images in the ID file, size and position them as they should be
then, looking at the rulers, note the horizontal size, in inches, of each image in the document
begin with the first image, open it in photoshop. If you want this image at 200dpi, for example, multiply the horizontal size (from ID) by 200. Change the image size in photoshop to this number.
save the image in photoshop as a jpg and compress as appropriate for the image type
go back to ID, open up the links window, select the image you just changed, and click the update link button
do this with all your images
when you go to export a pdf, don't do any compression or downsampling on the images.. they're already optimised
So as you can see you have to have some idea of the ideal target DPI and compression of each image in your document, and it may require some experimenting. But if you know that some images can be lowered much more than others, I recommend this method. As I said, in my case I was able to reduce the file size by half without negatively effecting the pdf appearance.

Pixel dimensions for still images

Hello all,
I have just ran into a problem that seems to be a sizing problem with Final Cut Express HD. I used to crop my still pics to 1366 px - 768 px (for landscape) and then import them to FCE and export as a quicktime movie. When I brought the quicktime movie into iDVD and created the DVD it seemed to play great on my 46" Samsung tv -- full screen.
I just recently bought a Samsung 60" and when I create the same type of movies, I am getting a huge black border around the whole image (not just top and bottom but sides too). I tried creating a new movie and made all my still images 1920px x 1080 px, and it still comes out the same way.
I can stretch my tv so that they go full screen, but I think there should be a way to create the movie without having to stretch it....just have the tv set for 16:9, and I feel that it should work.
Any help would be greatly appreciated...thanks.
Norm

When you create a DVD, no matter what the pixel dimensions of your original material, it become 720x480 Standard Definition. This is what a DVD is. If you are creating a DVD that has material that is 16x9, then it creates a DVD that is 720x480 but plays back anamorphic, stretching to create the 16x9 screen.
If you play one of your older DVDs that played correctly on your previous TV, does it play correctly or does it also exhibit the black bars?
If it plays correctly then something has changed in the way you are creating your project in FCE.and encoding and burning the DVD.
If the older DVDs also exhibit the same playback problem, then I believe there is a menu setting on your new TV that will tell it how to display Standard Definition material from your DVD player, and you need to adjust that. (There are also settings in the set-top DVD player that tells it what kind of signal to send based on the what kind of display it is hooked up to.)
MtD

Can't select "Variable Speed" for Still Image Motion

I am using FCP 5.1 to add motion to still images. I've placed my still images on the timeline and added the appropriate keyframes in the Motion tab of the Viewer to Scale, Rotate, and move the stills on screen to my liking. But the speed is locked to "Constant," and I want to change that.
Specifically, am rolling a still image on-screen, freezing it in the middle of the screen a few seconds, and then rolling it off-screen. Doing this is easy: I just add a keyframe and type in the off-screen coordinates, then add another keyframe and type in coordinates somewhere on screen. But I want to vary the speed that the image rolls on-screen, so it moves on-screen quickly but then gradually slows down until it finally stops (freezes) in the middle of the screen.
Unfortunately, the "Setting" popup menu under "Time Remap" in the Motion tab of the viewer is grayed out and locked to "Constant Speed" (and yes, my still image clip is indeed selected and being displayed in the view). I cannot figure out how to unlock that popup so I can select variable speed.
I can choose Variable or Constant speed just fine for any imported "video" clips -- only still images are locked to Constant for some reason. Is this just a feature limitation of FCP 5? Any ideas would be appreciated.
Many thanks.

Why so much sarcasm in this FCP forum, Studio X?
Yes, it was in the manual, which by the way is quite large. And I didn't say how long it took me to spot that in the manual either -- a long time. I didn't spot it the first time I had read through that section (yes, I had read it before). And the fact is, you didn't know it either, otherwise you may have cared to point it out (for not only myself, but for others reading this forum too).
I participate in numerous other forums on other sites. Many times, people ask questions that are very simplistic to me -- I know the answers and I know those people putting forth the questions could easily have looked up the answer. Nevertheless, I take time to be helpful to others. For truly, some day I may be in their shoes, lacking time to read every part of every manual out there.
I am therefore thankful to those who likewise respond in a tactful manner to my queries, with the productive aim of helping others rather than condemning them. Thank you, David Harbsmeier, for being consistently positive and very helpful in this forum!

Format for still images

I recently made a slideshow in FCE, some of the images appeared stretched on my widescreen TV. What format should I use in the easy set up. A couple months ago I made a slide show and the still images looked fine on widescreen, but forgot how I did this. Thanks

Your widescreen TV should have an aspect control which you can set for 4:3 presentations.

Adjusting time for still images

Is there an easy way to import a series of still images into the timeline and make them all display for the same duration? OR does the time need to be adjusted on each individually?
Thanks.

Changing the default still duration only changes the duration of the master clips that imported to the project. You would have to re-import all the still after changing the default duration for this to work.
However, if you drop a bazillion stills into a timeline, you can select them all and choose a new duration, it will be applied to all of them, provided they all start out at the same duration.
Hope this helps -
Max Average

Poor quality of still images in final cut

i have been bringing in all types of files jpegs,tiffs,gifs,bmp,pngs and they all look grainy and digitized. anything know how to fix this?
thank you

New Discussions ResponsesThe new system for discussions asks that you take the time to mark any posts that have aided you with the tag and the post that provided your answer with the tag. This not only gives points to the posters, but points anyone searching for answers to similar problems to the proper posts. When you mark a post with the tag, it will also mark the thread as Answered. If you receive the solution or answer to your question outside of the thread, then, and only then, at the top of the thread, mark the thread as Answered. This will mark the thread as Answered without marking an individual post as .
If we use the forums properly they will work well...

Poor rendering quality for still images

Similar Messages

Maybe you are looking for