Premiere Pro CS3 Importing Issues

Hi all,
I'm new to Premiere, and I've been having issues with a project that I am trying to start. I am running Adobe Premiere Pro CS3 on Windows Vista. I want to import a file that was originally a .mkv file. Because Premiere does not use .mkv files, I simply changed the file extension to .avi. The file is about 1.42 GB. But whenever I try to import the file as a .avi, my program freezes and I get a (Not Responding) error on the dialog box at the top of the program. When this happens I am always forced to close the program. Am I experiencing this simply because the files I am attempting to import are too big? Or is it something else?
Also, if it is indeed because the files are too big, how can I get around this problem? I have tried using software such as VirtualDub and SolveigMM Video Splitter to cut the AVI files into smaller parts, but they do not seem to be working. Any help would be greatly appreciated! Thanks a lot!
(By the way, I attached a JPEG file of a snapshot of what happens when I try to import into Premiere.)

This is because you cannot simply rename a file's extension to "look like" a different format. An .mkv is as similar to an .avi as a goat is to an iguana. First, you may want to try something like this.
You can also try opening your MKV in VirtualDub (without renaming it ".avi"), which may work. I have read that recent releases of VirtualDub can handle (more or less) MKV files, but I have no experience with this myself. If this works, you can save it as an AVI from VirtualDub.
As for the AVI format, it is really just a "container." What matters more is the codec with which the AVI is compressed. A good choice is often DV (and here is a good free DV codec if you need one). However, DV only works with videos of certain resolution and framerate, so you may want to convert to an uncompressed AVI or use a codec like Lagarith.
Assuming you are able to find a decent MKV -> AVI converter, could you please post more details on your video, such as its resolution. It would also be helpful to know what format you plan to output your edited video as.

Similar Messages

Premiere Pro CS3 exporting issues

Hey everyone,
Been racking my brain lately trying to figure this one out but i've yet to fix the problem.
I'm getting various errors when trying to export a video. These range from and include; the traditional failure to render (with the error coming at various points), video rendering losing a frame, unkonw errors and the infamous "\Src\PPixHandleUtilities.cpp-114" error.
I have been browsing the forums and encountered a suggestion to optimize the speed of rendering based on my memory by going through the edit>preferences>general option.
Specs of my computer: I run a Windows 7 ultimate 32-bit OS, 4GB ram, with an intel core 2 duo processor @ 2.80 GHZ. For a video card i run a Radeon 5830. All drivers for everything are fully updated and current. I am currently using one 500 gb HDD and a 2TB external. In addition to the computers spec i feel it is important to note that i run a dual monitor display with one 26 inch @ 16:9 and one 19 inch @ a 4:3.
As adivised by Hunt in anothe rpost i have taken the liberty of looking into the size of the paging file for all drivers. It is 3327 MB.
Should anybody require more details let me know.
Problems and errors: The errors which i am having are not restricted to certain intervals of the video, they range and can occur at any point throughout the exporting and rendering process. This most commonly will occur within the first 30%.
The video itself is a little more than 12 minutes long and contains footage from two different cameras, each one had provided a different file type (the primary being .MOV and the secondary being .AVI) At first i had believed that the secondary cameras footage could have been the problem (we had never used this camera for filming prior to this) so i ran a conversion on the file types through AVS and transfered them to a .MOV file as well. However, this seems to have not resolved any isseus with errors. Prior to this video i had never had any issues with Premiere Pro and exporting, that being said, i am still fairly new to premiere pro.
I have tried exporting this file in may different ways. The main one, . AVI had no luck and was mainly plagued with the "\Src\PPixHandleUtilities.cpp-114" error with a few unknown errors present just to mix it up a bit. I began trying to export through encoder to find an extension/any settings that could possibly work. The main one which i've been trying is the .MOV extension with the intent of uploading to youtube. settings i use for exporting on that are as follows:
quallity - 100
width - 1280
height - 720
bitrate - 4000
Every piece of video within the footage runs at 29.97 fps (what we try to export at) with the exception of the three clips from the secondary camera which were previously AVI. They run at 30.00. All file types are shot in 1280x720. The one image which is present as a title overlay within the video is also a 1280x720 size.
If anybody has insight towards this issue please let me know, i would be very happy.
Should anybody require any further information give me a shout, i'll do my best to provide it.
-Monkey Business

If anyone has found a solution for this problem, please let me know in this thread:
http://forums.adobe.com/thread/862623

Premiere Pro CS3 - Scaling Issue 720p

Hello,
I'm working with HDV1080p footage in an HDV720p project. I'm experiencing a flashing edge in my Program window when playing back footage in a sequence. The 1080p footage has been placed in the sequence without any scaling, or "Scale To Frame Size" applied. There is a flashing, jittering edge that appears on the right-hand side of the frame during playback.
The same flashing, jittering block of video on the right edge of the frame also appears in exported video.
Any help fixing this will be greatly appreciated,
Thank-you,
Andrew

hi,
I'm new at using premier pro cs3 ( 3 weeks about )... so I'm no expert.
I'm curious if you know about a program called GSpot, which lets you get information about a source file or exported file...gives a lot of information about the specific nature of the video and audio. If you do a "screen capture" of the GSpot program with your source file, you can upload that screenshot here (should be 450 pixels or less in width to upload here ) and people would know what kind of file you are dealing with.
I have a sample 1080p file that was already converted to a MOV from RAW original, which I loaded into Premiere project of HD 720x480, and it looked good, previewed well (though cropped a lot, it was centered in the project monitor). Then I exported as a Quicktime (using H 264) and although the clip lost a lot of quality it exported OK and looks fair.
You might upload more specifics about what your source is and what you want to export as, and I'm sure people here can help.
Rod

Importing AVIs into Adobe Premiere Pro CS3 !!!

Heres what Im trying to do: We have been working on a PC Leitch Velocity Q NLE system for the past couple years and just got 2 new Matrox Axio LE NLEs with Adobe Premiere Pro CS3. We are trying to get all our old projects from the Velocity system onto our Matrox systems and not sacrifice any of the video quality. I've been thinking that the best way to do this is by compressing old projects to AVI format from the Velocity system and move them over to the Matrox using an external hard drive.
I was actually able to bring in an AVI from the Velocity system onto the Matrox yesterday using the same Velocity settings below, except that I changed the aspect to 720 x 480 and the audio sample rate to 48,000. When playing the video on the timeline in Premiere the video looked great on my computer monitor but on my external NTSC monitor all motion in the video looked a little jerky as if frames are missing. I tried importing the test clip into both Matrox uncompressed 8-bit and uncompressed 10-bit projects and had the same resulting jerky looking video. Even after rendering the clip the video looked the same. Then I tried exporting the clip to mpeg using the Matrox media encoder but saw no change in the jerky movement. Here are my project and export setting for both systems.
The AVI was made on a PC Leitch Velocity Q NLE system. My project settings on the Velocity system are;
29.97 drop frame
720 x 486 24 Bit
Interlaced field order B
Sub pixel off Cropping off
Audio:
16 sample
44 / samples / second
2 channel
Export settings are; (These are the settings I was trying the first time that didnt work. All I changed the second time was the aspect ratio to 720 x 480 and the audio sampling rate to 48.)
AVI
Frame rate 29.97
720 x 486
No Compression
Color 24 Bits
Field handling interlaced field order B
Audio:
16 sample
Sampling rate 44
2 channels stereo
Do you recommend compressing the video coming out of Velocity?
There are a couple other options other than No Compression in the export dialogue such as: Microsoft H.263 video codec, Microsoft H.261 video codec. I definitely want to maintain the highest quality possible.
Matrox Axio LE project settings
Editing mode: Matrox NTSC
Timebase: 29.97 fps
Video
Frame Size: 720 x 486
Pixel Aspect Ratio: D1 / DV NTSC (0.9)
Fields: Lower field first
Display: Format 30fps Drop Frame Timecode
Audio: Sample 48,000 Hz
Display: Audio sample
Video Rendering: Maximum bit depth is Unchecked
Previews: File format Matrox uncompressed 8-bit NTSC (tried Matrox uncompressed 10-bit too.)
I think the jerky video might be due to dropping frames but Im not sure.
Any help is greatly appreciated!

While it seems that the field order is consistent, I have seen issues where converting from clips that change field order creates this sort of problem. This is particularly obvious when converting from MJPEG codecs like Meridien or Miro/Pinnacle to DV.
What happens if you just import the files into Premiere and let it do the rendering to the project settings?

Premiere Pro CS3-CONSTANT Memory issues when editing/rendering/exporting

Alright, as said in the title I am currently using Adobe Premiere Pro CS3, and my issues are horrendous
No matter what, within 10 minutes of editing, Premiere will warn and then crash because of memory issues, starting with the message:
"Adobe Premiere Pro is running very low on system memory; please save your project and proceed with caution"
Also, whenever I try to export this project, within 800 frames of a 7000 frame project (currently), it displays the message:
"Error Compiling Movie", and then the previous message above if that hasn't already happened before
And eventually, the program will crash out of nowhere, with random windows errors
Here's my specs:
Intel i7 920 Processor
6 GB DDR3 RAM
Nvidia 480 GTX
750 watt power supply
24" Dell Ultrasharp Monitor
Now, I've noticed that whenever Premiere is getting close to crashing, my RAM gets up to around 4.7 GB being used, and then it crashes.
I have already gone into Edit-Preferences and tried switching from Performance to Memory; that hasn't fixed anything
I noticed that when I was just running my video over and over again, it stayed stable at 4 GB or so, so maybe its a rendering issue?
I have already tried lowering my number of processes running at any given time, including my antivirus program (Kaspersky) and even explorer, but it still crashes no matter what.
========================================================================================== ========
This is a SERIOUS issue for me, as even with all the normal crashes I could finish the video; but now I cannot even export my video at ALL without it crashing, and I have a plenty strong-enough computer to handle this, so what gives?
Please help

Ok, well this has been getting me nowhere
I tried importing (both my CTRL-X method, and literally importing the project), and now the program won't even RENDER the footage, it just errors out at 800 frames (just like exporting)
What is going on???
I used to use Premiere Pro 2.0 all the time, on a separate computer, but I have 6 GB of RAM, is this really impossible???
EDIT:
And now, even after finally getting it to render (by saving after rendering before what crashed, and then starting it up and rendering again), all my footage looks like crap XP

Import Premiere Pro CS3 Windows projects into Premiere Pro CS5 Mac.

Hi there people. I hope you can help me. I have had premiere pro CS3 on my windows system for some years but now run a Mac with Master Collection CS5, my problem is that my existing prproj files on windows format do not open in CS5 Premiere Pro for Mac, I get a message telling me that I need to see the user guide for importing options, I have tried to do so, but there is no information about how to do this.
Can anyone here please tell me how to get around this, as I need to rework some of these old windows projects however my old windows system is totally dead now so I cannot open the files in the CS3 windows version either.
Please help, oh and spare me the useless windows vs. mac arguments.
I hope someone here can help
Thanks

Since you are trying to Open a CS3 PC Project, you should not have THAT many issues in CS5 Mac. Have you tried both the Open and Import - similar but different operations? Have both methods failed?
One possible problem would be the Effects & Transitions used in the CS3 PC Project. Here is a LIST of the Transitions and Effects in CS4 for the PC, that are missing in the Mac version. I would assume that CS3 and CS5 would be similar. However, in similar cases, PrPro has thrown a more specific error message. I have only Opened Pr 6.5 Mac Projects into PrPro 2.0 PC, and these have been almost perfect. Where there were missing Transitions, I got a very explicit message, telling me what had been used that was missing from my program, and exactly where the problem existed (specific TimeCode). In my case, two Transitions just did not exist in my PrPro 2.0, and one was a 3rd party Transition, or Effect, and I did not have that. Still, the older Mac Projects Opened fine, and I just made note of where I would need to make changes. I would anticipate that similar would occur, if the Mac version did not have some Transition, or Effect, but do not know specifically. Still, based on the warning messages that I got, with such complete documentation, I'd expect similar.
Now another consideration - Assets. If there are Assets that you cannot work with on your Mac, say DV-AVI, or WMV, those would likely throw an error. Again, I would expect that error message to elaborate a bit more.
Do you know the details of your CS3 Projects and their Assets? Anything that you can think of there?
Just thinking here, and unfortunately, I have never gone the direction that you are going, and with the versions that you are working with, so something simple and glaring (to others) might just be slipping past me.
Good luck, and maybe others will have much better input on your issue. Also - welcome to the forum!
Hunt

Trouble Importing MOV files in adobe premiere pro cs3

Hi,
I just bought a Canon 60D camera and I am using adobe premiere pro cs3 for the first time.
I tried to import MOV file footages made by my Canon 60D, but it says that my files are not supported.
I don't know what to do!
Can someone help me?
Thank you.

Hi All,
Let me tell you how I solved the XDV9 codec trouble on my Windows 7 system. The solution is rather stunning because I am using completely free software. First download the Shark007 codec pack for your system here: http://shark007.net/forum/Thread-Setup-and-usage . Please be aware that the codec pack installer comes with a toolbar install option so make sure you de-select this option during the installation process. After installation check the MOV tab on the "Settings Application" program. Make sure "use LAV's splitter" is selected for MOV Playback.
Now comes the crazy part... To convert the XDV9 MOV video clips just download Windows Essentials Movie Maker for Windows 7. At this moment more info about this program can be found here: http://windows.microsoft.com/en-US/windows-live/movie-maker-get-started . Again, make sure to set the right settings during installation otherwise you will be installing a lot of possible unwanted crap like Windows Live Mail, Windows Skydrive etc.
Movie Maker has quite good settings for converting (High Definition or custom settings are supported). Select your clip, or select multiple clips to create an unedited full length clip of all your clips, and then select "create movie". I used the "use recomended settings for this project" settings as it matches the source file resolution and frame rates etc. It is quite some work to convert clips like this but its the only free solution I could find so far.
Good luck!
Rodger

HDTV import in Adobe Premiere Pro CS3

Hi all, I am a 3D animator and I am working right now in an animation where the client wants a High Definition resolution HDTV 1920x1080. When I finish my work and make the render, I went to edit in my Adobe Premiere pro CS3 and find with surprise that that preset does not exit!!! ...so my question is: How can I do for to import my targas sequence files 1920x1080 into Adobe Premiere???...there are some free plugin that fix this problem???
Thanks in advance for any answer.
Best Regards
Boris.

You would swear this kind of things is not
in the manual. :)
Cheers
Eddie
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Importing video files into Adobe Premiere Pro CS3

I own a Sony Handycam DCR-SX63. When I import the movies I have taken onto my PC (Vista) they are .MPG files. When I import these files into Premiere Pro CS3 the video portion imports but the audio of that file does not. I have read all I can find and nothing seems to answer my question directly. I tried an encoder to see if maybe Premiere doesn't accept .MPG files. I converted it to .AVI file and tried to import and that gave me audio with no video. I tried opening the new project with a dozen different settings offered up by Premiere but every one I tried gave me the same outcome when I tried to import my video file.
Please. please. please help. I am pulling my hair out.
I appreciate any help given.
Thanks

First... To work with AC3 sound files in Premiere CS3, copy the ad2ac3dec.dll file from the Encore CS3 directory into the Premiere directory
Second... Read Bill Hunt on a file type as WRAPPER http://forums.adobe.com/thread/440037?tstart=0
What is a CODEC... a Primer http://forums.adobe.com/thread/546811?tstart=0
What CODEC is INSIDE that file? http://forums.adobe.com/thread/440037?tstart=0
Report back with the codec details of your file, use the programs below
For PC http://www.headbands.com/gspot/ or http://mediainfo.sourceforge.net/en
IF your files are MJPEG...
MJPEG edit with Morgan or MainConcept http://www.morgan-multimedia.com/
http://www.mainconcept.com/site/prosumer-products-4/motion-jpeg-codec-785/information-797. html

Help Trouble Importing Files into Premiere Pro CS3 !!

Before I reinstalled my computer, I was able to import HD MOV files into Premiere Pro CS3 without a problem but now it it says file not supported! what is going on?? Am I missing a driver since I reinstalled my computer? Thanks Please Help

like magic ! how cool...
you might mark thread answered so others dont keep going to it to " help " ...
good luck with new computer stuff...

When importing MPEG files into Premiere Pro CS3 the audio sequence is missing.

We have two computers running Premiere Pro CS3. Our computer most recently installed with PPCS3 will only import an audio sequence with the MPEG video file when I extract the file directly from the DVD. When I take the video folder from the DVD and drag to my Desktop, importing to PP from the desktop, it will only import the video sequence; audio does not appear. What would cause this happen and how can I fix this? It's too time consuming to continuously use my DVD Extractor.

1st, that old program has a different forum http://forums.adobe.com/community/premiere/premierepro_previous
2nd, To work with AC3 sound files in Premiere CS3, copy the ad2ac3dec.dll file from the Encore CS3 directory into the Premiere directory

Can animated titles created in Titlemotion imported into Premiere Pro CS3?

Hi,
We are using Titlemotion Software(Standalone Version)for creating animated titles.
We would want to use these animations into Premiere Pro CS3.
We can save the animations made in Titlemotion as
1) an FX-script,
2) a targa sequence &
3) a '.VIA' format.
'VIA' files created in Titlemotion do not get imported into Premiere Pro CS3, Premiere Pro informs that they are not supported.
Is there any way to import a .VIA file into Premiere Pro CS3?
OR
Is there any work-around wherein animations created in Titlemotion Pro could be taken into Premiere Pro CS3?

Save as a targa sequence with an alpha channel.

Premiere Pro CS3 Will Not Import Any Files

I connected my Motorola DVR to my PC (Windows XP SP2) with HD content passing through a Firewire 1394 connection. I opened a new Premiere Pro CS3 (Master Collection) file and accidentally selected capture. The computer immediately went to blue screen. After rebooting I cannot import any files into new or old Premiere Pro projects. It appears I compromised the software when I accidentally hit the capture button. Encore works fine so I am assuming the problem is only with Premiere Pro. Is there any way of reinstalling only Premiere Pro from the CS3 Master Collection disc set without having to reinstall the entire suite of programs?

You may be better off installing the whole suite again.

Audio balance greatly different in Encore CS3 after encoding 5.1 master track in Premiere Pro CS3

Hello! I'm wondering if anyone can offer some advice for my DVD audio problem.
I have a Premiere Pro CS3 project with a 5.1 master track that appears to behave correctly judging by the meters when I play it in PP. It also sounds reasonable (in a mixed-down fashion, I guess) on my PC system's speakers (L,R,LFE), and all rebalancing and panning seems to work well. However, once I export the master track to Encore using PP's SurCode Dolby Digital codec, the resulting audio mix is totally off. Here's what I get: both front channels play mainly out of the right front and center speakers, and the rear channels play mainly out of the left front speaker. I've tried all different settings, but I can't seem to change this. Well I've read that Encore just sends the audio mix straight through (the DVD trancode status is "Don't transcode"), but when I build the DVD and play it on both of my 5.1 surround systems, the results are just as bad as what my desktop PC speakers were hinting at. [Actually all DVDs that Encore builds are UNSUPPORTED on one of my set-top DVD players and they're both Panasonic! So first, I first have to copy the DVD using Nero and then the copy is accepted by all. That seems to have no bearing on my audio dilemma but I thought I'd mention it. I would love to know what Nero is doing right that Encore is doing wrong!)
Anyway, here's some background: I began to notice this problem with the audio balancing whenever a .wav music source is imported into PP as a stereo source. [A side issue here - I don't seem to be able to explain - or control - how one .wav file gets imported as stereo while another is imported as 5.1!] Anyway, as one would expect, since my master track is 5.1, the stereo track is automatically set up with a rebalancing tray with the puck set in the middle. The meters show that the source is stereo and the sound has been rebalanced across the master track. If I drag the puck around, the master meters behave accordingly. Then I import my video (.avi video clip) and that sound is imported as a stereo track. For that track, I drag the puck to the rear. Again, the master meters respond correctly. So far so good. But when I export to Encore, the resulting audio mix so completely wrong it can't even be explained as a 5.1-to-stereo downmix situation. The sounds that were supposed to come out of the rear channels are in front left and center (and deafening), overpowering the music that is only coming out of front right. And the rear speakers are silent unless I turn on Pro-Logic on my amplifier, which just confuses the issue. I didn't bother to check LFE as things were bad enough.
Where I DO NOT have the problem is when the audio file is imported as a 5.1 source (although it is just a stereo CD track ripped using Sony CD Architect). In that case, there is no rebalancing tray and the track meter shows only the L and R channels active, as expected. Ditto for the master track. Now if I go ahead and send the music to a stereo submix track and let that rebalance to the master, I see all channels active. But that results in the problem above after exporting to Adobe Media Encoder using SurCode and then importing the audio into Encore. If I don't remix to 5.1, the audio on the DVD is OK. But I would like to have the music come out of all speakers when there isn't a video soundtrack as there are many still pictures in the presentation.
So the question is, if I can rebalance and pan channels in PP CS3, why are the results coming out all wrong in Encore using SurCode? And how can I hear my project on DVD the same way I mixed in PP?
Any help would be greatly appreciated!
Doug Herbst
Holmdel NJ

Problem solved everyone!!!
Rebecca of Adobe support helped me identify the root cause: project was originally set up as standard (2-channel) and although it had evolved to a 5.1 project over time, it could never grow up to be anything other than a standard audio project. After you set up the new project, the setting that controls your audio is buried in the project somewhere. Changing your project settings to set up new 5.1 audio tracks for new timelines does NOT make the project 5.1! The real audio identity attribute set at birth is not alterable OR EVEN VISIBLE (even as a grayed-out project setting) although PP will allow you to set up and mix 5.1 audio tracks at will. So you may think you're working on a 5.1 project now, but you're only fooling yourself and PP goes right along with it. Even the .ac3 files you create via export are 5.1! But dare to build your DVD in Encore and all of your timelines are transcoded back to 2.0 instantly. Resistance is futile.
A new feature in PP CS4 will allow you to view, and even CHANGE, your project's audio identify from standard to 5.1. How sweet!
Well, I've devised a way to dig out myself out of this deep hole in CS3 and it worked, but I can't promise that it will work for everyone. (This assumes you own the Dolby Digital 5.1 codec from Minnetonka.)
1. Create a new Premiere Pro project as 5.1 audio from the get-go.
2. Import your suspected 2.0 project into this new 5.1 project and click each sequence to flesh out the timeline.
3. Re-export all audio as elemental streams using Adobe Media Encoder. Make sure you export the audio component of each timeline as Dolby Digital 5.1 and exactly - and I mean EXACTLY - the same way. To deviate the audio settings for each timeline is to ask for trouble, so I recommend setting up an audio pre-set that you can just click when you need it.
4. Create a new Encore project and import all original video assets and your new replaced and, hopefully, 5.1 audio assets into it.
5. In Encore, create a separate timeline for each pair of assets (.m2v and .ac3 for example). DO NOT ATTEMPT TO PLACE MULTIPLE PAIRS OF ASSETS ON THE SAME TIMELINE! For some unexplained reason, the build process will transcode the audio back to 2.0, and if you continue pack new 5.1 audio assets on the same timeline, you will get an error message "an input contract violation has occurred" because you now have 2.0 and 5.1 assets on the same timeline, even though you really don't know that and didn't ask for that to happen anyway. (Thanks to Bill Hunt who mentioned his habit of keeping the asset pairs on separate timelines in another thread - that suggestion was absolutely essential to the solution here.)
6. In Encore, check to make sure that all of your original video sychs up correctly with the new, true 5.1 audio. Link the end actions of each timeline with the next timeline to play in the correct sequence. Check your project for orphan timelines and other errors. Then, before you start building menus and start getting fancy, build a DVD and make sure it plays as 5.1 on your system.
Tip #1: while you're re-exporting and replacing the audio files, don't have Encore running. I've seen it gracefully and automatically re-import the replaced file once the export is done, but I have also seen it choke with the terribly descriptive "Encore has encountered a problem" message upon discovered the asset is not available while it is being replaced. Encore then continues to mark the asset as offline.
Tip #2: when re-exporting and replacing files, always select audio and video separately. For some reason, Encore will allow you to replace an .ac3 file when you perform an elemental audio export, but when you try to combine video and audio and both files exist, Encore will prompt you to replace the video, but immediately abort with an error that it cannot replace the .ac3 file, thus forcing you to delete the .ac3 component manually before trying again.
Doug

Adobe Premiere Pro CS3 3.2.0 update

Thought I'd share a bit of information on the 3.2.0 update that will be coming out via AUM this morning. The update will come out first via AUM, then will be available on the updates page shortly after at http://www.adobe.com/downloads/updates/?ogn=EN_US-gntray_dl_updates.
The readme will also be hosted at http://www.adobe.com/support/documentation/en/premierepro/releasenotes.html.
Dave Helmly has posted about the update on his blog, as well: http://blogs.adobe.com/davtechtable/2008/04/xdcam_and_premiere_32.html#more
New in this release:
- This update adds compatibility with the Sony XDCAM range of cameras. This includes disc-based XDCAM and XDCAM HD cameras., and the newer SxS-based XDCAM EX cameras. Content from XDCAM cameras can be imported and edited natively without transcoding or conversion. This makes possible similar workflows to Panasonic P2, including the ability to edit content directly from XDCAM EX cameras.
- Note: Adobe Premiere Pro CS3 3.2.0 does not support IMX editing or XDCAM HD50 editing at this time. Export to XDCAM is also not possible.
- Adobe Premiere Pro now has presets for HDV 24p. Note: Adobe Premiere Pro does NOT support print to tape in 24p mode.
- Improved handling of MPEG streams (e.g.: HDV video), along with error detection. MPEG stream errors can occur during recording due to tape dropouts, record start/stop glitches, timecode breaks, etc. Bad frames caused by these MPEG stream errors are identified during import/indexing or playback. These frames will play back as full red frames to alert the user that there is a problem in the encoded video at that location. Adobe Premiere Pro will also log error messages to the Events panel, indicating where the error(s) were encountered in the stream. Users can open the Events panel, determine the location of the MPEG stream error, navigate to that location in the clip and take corrective action, such as trimming out the video glitch or covering up the red frames with duplicated good frames copied from before or after the glitch. Note: MPEG files will need to be re-indexed to take advantage of the improvements in Adobe
Premiere Pro CS3 3.2.0. For more information, please see Working with MPEG Files.
Notable fixes:
- Titles/Footage no longer show up as offline when reloading saved projects.
- Rendered preview files no longer missing when reloading saved projects.
- Certain filters and/or transitions are now applied correctly when reloading saved projects, until the timeline is forcibly refreshed.
- When exporting via the Adobe Media Encoder, there is no longer a long delay before the progress dialog shows and rendering resums (Mac OS 10.5.x only).
- 24p HDV clips shot on a Canon XH A1 no longer come in incorrectly as 30 fps clips.
- Creating an offline clip in the project window then attempting to link it to media on disk no longer results in the application crashing.
- QT PAL movies rendered out of Adobe After Effects® software are no longer incorrectly identified as requiring rendering in a Adobe Premiere Pro PAL project.
- DV Clips of certain specific durations are no longer incorrectly identified on the timeline as requiring rendering.
- For P2 DVCPro clips, the right-most pixel column no longer contains video garbage.
- Fixed a memory fragmentation problem that would occur with projects with many custom bin columns.
- Fixed a bug where exporting to a QuickTime movie (with QT 7.4) would crash the application.
- Selecting "display only exact name matches" when relinking clip no longer crashes on Leopard.
- Fixed an issue where 30p and 30f HDV clips would incorrectly be identified as requiring rendering in a 29.97 progressive project.

Harm,
I don't use HDV, so I'm not sure if this is the case or not, but in the top post, there is mention of having to re-index the MPEG files "to take advantage of the improvements in Adobe Premiere Pro CS3 3.2.0." While it seems this should be an automatic process, maybe wiping out the previously-created index files (I seem to remember them being in the Media Cache folder when importing MPG files from DVD rips and such) would let the project open. Or, maybe the old trick of importing an existing project into a new one? Just a couple thoughts...
To the other poster: surely, I don't jest. At least, not when it comes to anything in the video production industry and my operation in it. Long ago, I gave up expecting perfection from any particular piece of hardware or software, and just focused on being creative. That's why I got into this. I refuse to let any piece of equipment dictate what I can or can't do--I just find another way around. Funny how we managed to make it as a species and a civilization as long as we have, and now that computers are here to make our lives easier (*snort*), we're quick to raise our ire about everything that's wrong with them. That's why I will always marvel at things built long ago prior to the advent of all the technology we take for granted today.
Anyway, we're all entitled to our opinions, and I've taken this thread completely off-topic. My apologies, so...

Premiere Pro CS3 Importing Issues

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