Printing with aperture.

I have no problem printing a contact sheet. Is there a way to print 3 or 4, 3.5 X 5's on a single sheet,of 8.5 X 11" paper. Each picture is a different picture. I am also interested in 2
5 X 7's, 4 X 5's.
If not, I also have iphoto, can it be performed there.
If neither of these programs will, can anyone suggest a program that can do this.
Thanks in advance for any help that can be offered.

Try using Photoshop CS. Go to File then choose Automate, then Picture Package. Hope that helps you.

Similar Messages

  • About printing with Aperture

    When I print with PS or any other application (e.i.: Pages) always appears the presets that I have calibrated for printing with my three favorites papers, but with Aperture these presets do not appears and the dialogue of the printer is complety different.
    Does anybody knows how can I solve this?

    Hi
    I found this article on the apple website to be super helpful. I now get the most accurate prints from Aperture, noticeably superior to anything other program I've tried printing from..
    http://support.apple.com/kb/HT2026

  • Best Large Format Printer with Aperture 3.1 & 10.6.5??

    I have an Epson R1800 and am not pleased with my print results. Prints are too dark and generally lack "pop". I have read through threads here and other places and tried a lot of suggestions ... all to no real improvement.
    Simple question -- which larger format printer (13") are you using that works very well with Aperture?
    Thanks.
    Ken

    Hi,
    I use the Epson R1900 with very good results. I never expect what prints well to look good either on my monitor, or on Slideshows transfered to video usage. If it looks good on my monitor, that is what I want the settings and adjustments to be locked into for my files. I think my monitor is very true -- some proof of this is evidenced by prints I have made via the print services I have available to me via SmugMug. Those prints (either Bay Photo or EZPrints per my choice) look just like what is on my monitor when shipped to me, and that is super! The print process fundamentally must compensate in some manner to achieve the backlit look of a monitor. I get very close to that in the prints from Aperture now, by using the Brightness and other controls in the Print Dialogue.
    Ernie

  • Printing with Aperture and HP B9100

    I am new to Aperture. I just purchased the new 24" iMac and have installed Aperture and a new HP B9100 Pro Printer. I have been making test prints directly from Aperture with photos taken on a Nikon D80. None of the prints have come out anywhere near close to how good things look on my monitor. The prints are darker and lack the vividness and detail I see on my screen.
    I got better prints from iPhoto and my Canon MP780.
    Any suggestions? I apologize for being so green about this stuff.
    Thanks.
    Roger
    24" iMac   Mac OS X (10.4.8)  
    24" iMac   Mac OS X (10.4.8)  

    I have the HP D7160 (uses six inks). I had the same problem, until I spent countless hours testing different parameters.
    I had problems with Aperture printing too muddy/dark until I did the following:
    On an HP Photosmart D7160:
    In Aperture, I have the "system management" as my Color Sync preference. Printer gamma set to 1.25 Black comp "on"
    In my printer dialog, there is a dropdown menu when you select "print". Under the printer presets, I select "Paper type/quality". In this dropdown, there is a selection for Paper: Color:- I select "Color Sync" (not the printer selected "ColorSmart/RGB")
    I also go to the "Color Options" tab and decrease my magenta output to -5.
    I saved this as a "HP D7160" preset, so whenever I print, it automatically changes these for me.
    Works like a charm now, after a lot of trial and error.

  • Another problem printing with Aperture and Epson 2400.

    Hi -
    I posted this on photo.net a while ago and nobody could seem to figure this out. I've searched through here with no help either. Here is the original photo.net post presenting my problem:
    I've been having a problem with my print workflow that started about 6 months ago but has only now gotten to the point that I really need to fix it.
    My equipment: Epson R2400 with stock inks, Aperture (latest version), iMac 2.33Ghz fully loaded and updated. I typically print on Epson Premium Luster or Enhanced Matte (I change K cartridge accordingly).
    Once upon a time, I had this workflow working perfectly. Prints were coming out exactly as I wanted them to, really better than expected. Then something changed, but it wasn't hardware. Somewhere along the line, I'm guessing in a software update, all my profiles changed. I typically do all my adjustments in Aperture, then in the print dialogs do the following:
    +In the 2400 settings, I turn color management off, and in the Print Settings, I select my paper, switch to Advanced, and typically choose Best Photo or whatever quality I'm needing.+
    +Then in the Aperture print settings I choose the ColorSync profile that matches the paper and quality I selected in the above Print Settings window, keep Black Point Compression checked, and I'm off. As I said - this has worked flawlessly up until recently.+
    The one thing I noticed that has changed is the available profiles in Aperture's ColorSync Profile pulldown menu. It used to only show paper profiles specific to each paper and quality, ie. "SPR2400 PremLuster BstPhoto.icc". Now, it shows not only those specific profiles, but also more generic paper profiles, such as "SPR2400 PremiumLuster", with no quality specification.
    The problem is this: When I now select the paper/quality-specific profile, as I used to do, the prints come out all washed-out and flat. It even shows this in the preview window. It's slightly better when I select these new generic paper profiles, but still not like what I had. This is true with both types of paper I use.
    I've attempted all the usual fixes, such as trashing all my profiles and re-loading new ones from Epson, re-installing Aperture and Epson software, and trashing prefs. Heck, I've reloaded all software that even remotely related to photography so many times, I can't even count any more. Nothing - just washed-out, dead-looking prints every time. And it all changed when I noticed those new generic profiles mentioned above.
    I did make one hardware change after I first started experiencing these problems. I went from a PPC Dual 2.8Ghz G5 to the iMac, but as I said, these problems first occurred on the G5 and continued with the new iMac.
    Any thoughts?

    Well, you could dump Aperture only to find that a 2.0 came along with OS 10.5 and fixed your problem, who knows.
    And I wouldn't call 6 months of not being able to print anything at all from Aperture jumping to conclusions. When I press Apple P in any other application I get prints that even unprofiled will come out better than Aperture. It's serious. Not just sorta bad. The ocean looks like sewage water- not just mildly unappealing- sewage.
    The solution for us, I suppose, is to buy calibrator hardware. I guess anyone who is professional should have one of these (and I do not) but I didn't buy Aperture to export for printing.
    As far as how to get Apple to acnowledge this... I don't know. It seems as though they are tired of hearing me talk about this. This is the first post of recent about this that hasn't been deleted by an admin. Who knows? I'm just tired of having to buy all the hardware and all the software that is all supposed to work together and then once you pay, you find that you're up the creek for prints.
    Don't get me started, or I'll start talking about how they don't support my camera make yet (or ever).... (Sigma). As you can imagine, I'm already IMPORTING 16 bit tiffs from my raw converter. I guess I need 3 copies of the same shot to do business in Aperture for now. I need some mylanta.
    Otherwise, love ya Apple!
    P.S. If you are looking for someone with the same hardware and problem as I, it's easy. Check out the print proofing podcast page on O'reilly "Inside Aperture". There's one there in the comments part (that I replied to). Others can be found on this forum.

  • Trouble printing with Epson 2880 and SL

    Installed SL on my MBP but not my iMac yet as it is my main computer for printing with Aperture. I have been very happy with the 2880 and how well the prints match what I see on the screen (calibrated with i1d2). Well with SL I downloaded rosetta and the new 2880 drivers (as instructed by Epson), but whenever I choose a paper profile e.g., Premium Photo Glossy, the picture in Aperture Print Pane turns a purple hue. I, of course, have color management turned off in the Print Settings dialog. Anyone have any idea what is going on? As far as I can tell I'm not doing anything differently. More importantly, has anyone been able to get good photo printing with SL, Aperture and the new Epson drivers for the 2880 or similar Epson printer?
    Thanks, Jim

    That KB article just saved me from going back to 10.5. I was having the same purple problem with all Ilford and Hahnemuhle profiles.
    That problem is now gone (by just disabling Black Point Compensation) but: when trying to print from Aperture (2.1.4) with my R2880, any paper I choose is apparently stuck at +roll paper+, giving a +wrong source+ error when it reaches the printer. I now have to hit preview, select the correct page setup and profile and print from there. So far this seems to work. But it's a pain and not what I want to be stuck doing for very long.
    I had this problem before but only when printing to Manual-Roll. Now even Sheet Feeder options don't work. This would all be fixed if we only had a proper Page Setup option in Aperture as in every other OS X application...
    At least that convoluted method gives me the right colors - which I was definitely not getting by going the system managed route.
    Growing pains anyone?

  • Print quality with Aperture and Epson RX580

    Hi all,
    I feel like I've tried everything, but I just can't get Aperture (the latest version with all the updates) to print from my MacBook Pro on my Epson photo printer the way I could from other photo software on my old PCs.  On my old PCs, when I would print a photo from Canon DPP or Capture One, or even the Windows photo management software, I get a rich menu of dialogue boxes for the Epson printer offering different qualities of prints, different papers to choose from, "photo enhancement," and lots of other options.  Prints came out sharp, colorful, and just great.
    When I print from Aperture, I get none of these options (I get color management and resolution, and that's about it).
    When I print from Aperture, I get vertical lines in the prints, visible dots, and pixellation.  So what I do is email the "exported" versions to my daughter's PC laptop and print from there -- and get good results.  Boy, that's a pain.
    Surely Aperture can do better than this.  So what am I missing?  Any ideas for what I should be doing?
    Thank you.

    Canon MP990 and Macbook pro (os X snow lep.. and Lion) - Lines in prints in Aperture.
    While a bit vague I got there and found the distinction between the printer driver managing it and the printer managing the photo quality causing the issues. 
    I could only transfer the pic's to iphoto and print for ( admitedly about the same time of more than a year).
    The FIX
    in the first window after selecting print scroll down to rendering and select printer managed.
    Select all the other settings you need then select print on the right bottom of this window.
    This next dialogue box at the bottom is a show details button then a new set of menus are present (initial is layout in a pull down menu)  select color matching then automatic ( you can change this but it worked so if it is not broken I'll play later ).
    You should have clear prints with no lines...

  • Printing Success with Aperture 1.5.2 and HP Photosmart Pro B9180

    With so many "hit-and-miss" posts regarding printing, I thought I'd post my result with Aperture 1.5.2 and my newly-acquired HP Photosmart Pro B9180.
    Firstly, I have my monitor calibrated using ColorVision's Spyder Express. It's a cost-effective solution to monitor calibration and what I see on the screen is what I'm seeing in the print. I calibrate weekly.
    Secondly, I'm using HP's Advanced Photo Glossy Paper for prints. HP provides the ICC profiles for their papers (and thus far, they seem to be dead-on accurate).
    Thirdly, and I believe this is where issues can occur, is to set, via the Print Driver, color management as Application Managed. This bypasses the default of allowing the printer to manage color for you. This allows Aperture to use the ICC profile of the printer and calculate the proper color "conversion".
    Finally, via the Apple's support article on optiziming print (http://docs.info.apple.com/article.html?artnum=302821) save the customized printer setup for a specified print size, paper, etc.
    I have made 20 prints thus far and all have come out satisfactory. The only "tip" I'd make is that I noticed the gamma setting in the print dialogue is ideally set at 1.15. Otherwise, the print seems to be a bit dark.
    PowerMac G5 Dual 2GHz   Mac OS X (10.4.9)   4 Gigs RAM, CalDigit S2VR Duo 1TB

    I just got a B9180 too so thought I would try printing from Aperture. As you suggested I set Gamma to 1.15 - but I still feel the prints are a bit dark. Tried 1.20 but that looked identical to 1.15!

  • Help with Aperture 3 printing to Epson R1800 please

    No I haven't got the wrong forum, I think I will get the best answer here. I am a fully paid up member of the Lightroom 2 club and like to use both as I am sure others here do.
    I cannot get a good print from Aperture 3, there is always a slight magenta colour cast. Prints from Lightroom and CS4 are perfect! And yes all settings are correct, I am not a beginer at this. This is with custom Permajet paper profiles and with Colormunki profiles. And as I have said prints from Lightroom and CS4 using a digital dog test print are spot on.
    I remember back in earlier versions of Lightroom printing to the R1800 was problematic and the only way to get round this was to go into the ColorSync Utility and and under Devices and then the default Epson Media type, change the Current Profile to the paper profile that you wished to use. It now seems that this is also the only solution for A3. Doing this will give me an identical print to LR and CS4.
    Now was this a problem with Lightroom or the R1800 driver? I am using the latest driver V6.23.  Also I am using Aperture 3.0.2 and OSX 10.6.3.
    I would be grateful for any help.

    Hi Ian,
    I am glad to hear you're getting good prints from LR and CS4. I am not aware of any outstanding issues with print color management in Lightroom (the print path is pretty solid and conforms to the OS requirements, and will perform correctly as long as the driver also conforms to the OS requirements; many recent drivers do, some older ones do not).
    FYI, I understand you feel that there are forum participants here who may be able to help answer your question with Aperture. Though that may indeed be the case, that does not make it an appropriate use of this forum. (As an analogy, many forum participants here are also well-qualified to answer Photoshop questions, but Photoshop questions should be directed to the Photoshop forum, instead of here.)
    Eric

  • Problems with 'Order Prints' from Aperture 2.1.3 Mystery borders

    *Some background:*
    I've been using Aperture for about 3 months now, importing most of my iPhoto library into the program. I have only recently started shooting in RAW format, most of my photos image files are in JPG format. In the past, I've had no problems with obtaining prints from within iPhoto or to a limited extent Aperture. So, far as I know my program is up-to-date. I have 2 plugins installed: Aperture2twitter and *flickr export Lite* both of which work acceptably.
    *The problem:* I ordered 317 4×6 prints from my aperture library.
    Every photo has a 1/4″ border on both sides of the image, i.e. the printed image is only 4×5 1/2″. I have never ordered this quantity before, but I don’t believe that was the problem, it appears that the processing machine was misaligned and no one reviewed the prints prior to shipping.
    I tried again, on 4 different images ... all JPG files with 3 out of 4 were OK, but one exhibited the "border" issue.
    I haven't a clue what is going on here. Apple implied +(via email)+ that I would have to individually crop every photo to ensure proper aspect ratio. This makes no sense to me at all, as I have never had this kinda problem before.
    Could the plugin(s) be interfering with the s/w? Is there a trick to having photos printed from within Aperture that was not present in iPhoto?
    Any thoughts on what the problem is would be greatly appreciated.
    Thanks
    -john

    I believe that I've solved this problem, with the help of the folks at Apple who handle Aperture tech support using the Aperture support ID that came with the product.
    So the short answer is: Aperture print services REALLY DO REQUIRE the image to be cropped (constrained as they say) prior to the data being sent to Apple Print services.
    Here is the link that describes cropping http://support.apple.com/kb/HT1993?viewlocale=en_US
    The process as described is cumbersome, but the support tech pointed out that in Aperture, crops are 'non-destrutive' and can be undone simply by removing the check mark on the Adjustments tab of the image you crop. *This means that you do not have to make a duplicate image for cropping.*
    So, here is the process that I arrived at to ensure that my "order prints" job turned out:
    1. create an album of all the photos you want to submit for printing.
    2. for each image call up the Crop HUD by pressing 'c' on the keyboard.
    3.select the aspect ratio that you want for your photo. Make sure that it does NOT SAY Master Aspect Ratio, or Main Display Aspect Ratio.
    4. Crop the photo
    on the adjustments tab you can see the X and Y data and Height / Width information which can be undone.
    5. Submit your print request to Apple for all the cropped photos.
    When the prints arrive, you can compare the prints with the submitted photos. They should all be good. You can then delete the album (since it really is not a physical thing) or keep it for reference.
    It all seemed a bit arcane to me, as I never had to worry about this in iPhoto. It must be that iPhoto sends different data than Aperture. I have just received 200 + prints back from Apple Print Services with about 98% success rate. I just have to adjust my thinking and my process when dealing with Aperture.

  • Commercial printing of pictures processed with Aperture

    I first processed my pictures with Iphoto, and now Aperture 2.1.1. - when my pictures are ready for printing, I transfer them to a folder on my desktop, burn a CD or a DVD depending on how many I have and take them to a photo processing place to have them printed (I have tried kodak, and Fuji). My pictures always come back several shades darker than what I see on my LCD screen (please don't tell me that I have to adjust the color on my screen)
    I used to have the same problem with my home printer and after reading several forum recommendations I resolved this issue by selecting the "colorsync profile" of my printer in Aperture, and setting the "color handling profile" in photoshop Elements to "printer manages color".
    Do you have any suggestions of what can be done to obtain correctly exposed Aperture prints from a commercial printer ( After getting some very awful prints, I now specify that prints modified in Aperture be printed as they are). I suspect that this problem has to do with different colorsync profiles but, I do not know how to resolve it and it is getting quite expensive and time consuming to print hundreds of pictures at home. Your suggestions will be appreciated.

    A few different things to try. Once you use the
    Print command (Command+P) hit the "Printer Settings"
    button. Chose your printer and in the third drop
    down (the one under "presets" make sure that you turn
    colour management off. For my printer, (Epson) there
    is an option labelled just that - it may be different
    for others, but check every box.
    Yes, I have done that. The choice in my case is labeled 'Application managed',
    meaning color profile is managed by Aperture, and not by the printer color
    profile. It does not produce any significant improvement.
    Once that's been done, back to the Aperture print
    dialogue and press "ColorSync Profile" Chose the
    paper type that matches what's in the printer from
    the "Output Type" selection. Then print and see if
    that's any better.
    Again, I found this in the Aperture print dialogue. I selected
    the printer/paper type, "HP PS ... C7100 - Premium Paper".
    No significant improvement, sorry to say.
    iMac   Mac OS X (10.4.8)  

  • When using printer Epson R1900 with Aperture 3 and if I mistakenly choose the wrong paper such as, epson's luster instead of glossy, does that change the exposure? Like make it too dark one or two stops!

    When using printer Epson R1900 with Aperture 3 and if I mistakenly choose the wrong paper such as, epson's luster instead of glossy, does that change the exposure? Like make it too dark one or two stops!

    Hi,
       If you choose the incorrect settings for printing, yes - the print quality will be affected.
    Different papers absorb the ink differently, so you can end up with prints that are too light, too dark, or have a colour cast if you make incorrect choices in your Aperture or printer settings.

  • Printing problems with Aperture

    I just switched from Windows (long story, many years) to an Intel iMac 20, with Aperture pre-installed. I had a Canon PIXMA iP 6000D printer; all prints had a yellow cast. I bought an HP Photosmart 7160; all prints have a yellow cast. I have done a format and re-install of OS X and all software. I have installed my Aperture software on another iMac 20 at the store; with my printer and the store's printer the prints had a yellow cast. I took my computer to the store and printed on their printer; all prints had a yellow cast. I get the same results printing from Photoshop CS2 for Mac or from Preview. I have tried several USB cables. My monitor is calibrated with a SpyderPro 2. Prints directly from a memory chip in the printer are fine. I've tried all the adustments in the print setup; no help. I'm working on the sliders now, but with seven sliders with 100 possible settings on each I think that's seven to the 100th power possible settings. Both printers work fine with my Windows computers.
    I've exhausted all the available Apple support. Anyone have any ideas?
    Arthur
    iMac 20   Mac OS X (10.4.8)  
    iMac 20   Mac OS X (10.4.8)  

    Well, to reiterate, I am using the HP printer as there is only room for one printer on my desktop. I am using HP paper, the "Advanced" type which is bar coded so that the printer recognizes the paper type and sets the appropriate defaults. I have also tried other HP papers, and selected them from the printer dialog. I have tried setting the paper type manually with the "Advanced" paper. I have tried printing with all the defaults left alone.
    When I said that I had tried every print option in the printer dialog sequence, I meant that in the printer dialog I had tried each of the paper types, each of the color options, each option under HP Colorsmart, several types of HP printer paper with the proper option selected. Under ColorSync, there are only two options here. One is "Standard" and the other is "in Printer" which is greyed out.
    Go down the print dialog. I have tried every option. Under "Paper Type, Quality" I have tried every option for paper type, quality, and color. I have done this systematically, using all available combinations.
    I don't know how else to describe the process Apple and I have tried to use to try to repair my problem. Name an option--I have printed using it.
    I tried the "sliders" as a possible way of altering the output from the computer to the printer, as I had exhausted all other possibilities, and if I could find the magic combination I could set it as the default and all my prints would be
    affected by those settings and print correctly. They appear in the printer dialog from Aperture. My photos print correctly if I copy the file to a Compact Flash chip and place it into the printer slot and print directly.
    Pardon me if I seemed snappish. I bought the iMac specifically for photographic work, have had it for a couple of months, have made several hundred prints, have exhausted support from Apple, and am grasping at straws. I have 8 GB of photos from my last trip which remain unprinted. Shortly before the trip I did two wedding shoots which were quite successful, printed from Photoshop CS2 under Windows. All my current photos print acceptably on this printer from my Windows computer. They are not acceptable printed from Adobe CS2 for Mac.
    Can I be more specific in what I have tried? Do you have a suggestion for something for me to try? Apple and I are grasping at straws, and would appreciate any help you can give.
    Arthur

  • Printing issues with Aperture 3 - color management

    I just made three prints of the same images, two with Aperture 3 that turned out very dark and off color, almost as it they were printed without color management or double profiles. I then printed the third by exporting the image to CS4 and printing with the same settings (rendering intend, printer settings and custom printer profile) and that print looks fine. Has anyone else run into similar problems with A#? I did not have this issue with Aperture 2.
    Thanks,
    Message was edited by: pcalvin

    I print on an Epson 2880 with Lyson inks and custom profiles. In Aperture 2 it worked perfectly, with exactly the same settings as for printing Photoshop - using the laboratory prescribed settings:perceptual and no black point compensation in Photoshop, and Adobe RGB Gamma 2.2 in the Print settings.
    Using the same profile and settings with Aperture 3, the colours are way, way off - exactly as described.
    I then tried with Aperture 3 turning off the Adobe RGB setting, so there was no colour space adjustment in the Print setting. This gave a slightly better result, but rather dead and slightly blue.
    I ran some tests with the GretagMacbeth colour chart used in preparing the profiles, which confirmed the above but also shows a lack of sharpness when printing from Aperture 3, and a blue border on three sides of the image - even though the border was set to 0.00. I have checked the printer head adjustments and run the test chart through Photoshop again to verify these are Aperture 3 artefacts.
    Unless this is resolved, it renders Aperture completely useless! (I have tried reinstalling printer drivers, to no effect).

  • Printing with ICC profiles: Aperture/Leopard/Canon 9500

    My Canon 9000 prints perfectly with Aperture 1.5 and 2.0 under Tiger.
    A friend with a Canon 9500 eports that the cannot turn off color correction in the printer driver under Leopard. It seems that the option is greyed out.
    There is a bit of chatter about this in various PS/LR and other forums.
    Is anyone printing successfully from AP to a Canon 9500 under Leopard? If so, what driver and settings are you using?
    DiploStrat

    I just picked up the 9000 today and I had the same problem too. I discovered that the CUPS driver doesn't allow turning off the profile in the driver. I installed the other driver that is available from the Canon website and it does allow it to be set to 'none'. It is the 4.8.5 version. However, the results I am getting do not look as good as it does from iPhoto with the same settings. I am still experimenting with it.

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