Problem with Color Sampler Points

I'm using PSCS4 on a Mac Pro, and recently upgraded to Snow Leopard 10.6.3 from Leopard 10.5.8.
I regularly use color sampler points in Photoshop when adjusting curves. I seem to be having problems getting a sampler point to show up in the info palette when shift-clicking with the eye-dropper tool, or directly using the color sampler tool. I've also tried shift-clicking from within the Threshold command, but the points I click just don't seem to take a sample and show up. I never had this problem before. I'm bringing RAW, sRGB and ARGB digital images into PS from Bridge, and have tried 8 and 16 bit.
After trying for awhile, sometimes it just suddenly starts working again. For instance, I was writing this post after not being able to get PS to take samples. Then I went back and forth between the internet and PS, and it started working all of a sudden. Very odd.
Anyone else seeing this? Am I doing something wrong? Any workarounds?
Thanks, Lou

Thanks, Mark. You may be right, and I will try it.
I have my workspace setup saved, but I presume it is lumped in with all the other preferences. Is there a way to "Export" my saved workspace setup from Photoshop, so after I trash my preferences, I can reimport at least my workspace? I didn't see the ability to do that, but it may be hiding somewhere. I like my current dual monitor setup and prefer not to have to 'redo' it from scratch.
Thanks,
Lou

Similar Messages

  • Problems with colors running CS4 and W7.

    Hey everyone.
    I'm having some MASSIVE problems with colors on my system.
    Windows 7 Prof 64bit
    Photoshop CS4 64bit
    6g Ram
    1T hard drive
    Nvidia GeForce 9800 GTX+
    Dell SE198WFP Monitor 
    The system itself is a Dell Inspiron 530 that I put into a Black Widow V9 gaming tower. 
    Here is an example of the issue I'm having: 
    http://findae.deviantart.com/art/Converge-101214480
    http://i38.tinypic.com/bjcymr.jpg 
    The top image is a (admittedly old and crappy, but it shows the problem) photo that I had previously edited and put in my portfolio. The tinypic below is the result of copying that photo from the portfolio, pasting it into photoshop, and then saving it into a jpg. As you can see, the transitions between colors and the contrast are a complete mess. 
    Thing is, my hard drive recently quit on me, and I had to install the operating system and such on a new drive. I remember having this problem with the system when I first had it, but it either went away on its own or I fixed it somehow before. Now I can't remember for the life of me how I got rid of the problem, and I certainly don't know what the problem is in the first place. I'm tempted to think it may not be photoshop itself, but the problem seems to be especially bad when I'm working with photos. 
    Anyone have any idea what the problem might be and how to solve it? 
    Edit: I also noticed it when viewing http://findae.deviantart.com/gallery/#/d1hni37 in firefox, whereas the other photo appeared to be ok before I copied and pasted it. It has extremely obvious lines of green and orange in the transition from light skin tone to dark skin tone. Annoyingly enough, this doesn't show up in the thumbnail within my gallery at all, only when I click on the thumbnail and see the fullsize image. Extremely frustrating.  
    Here's another good look at the problem while selecting a color in photoshop: http://i37.tinypic.com/2h6t7gh.jpg  All I did was screenshot it a few times, and it deteriorated to that point.

    Screen glitches like color blocks appearing where they shouldn't could indicate a problem with your video drivers.
    Go to the nVidia site and see if they've released any updated drivers; people often report that updated drivers are correcting current problems with Photoshop.
    http://www.nvidia.com/object/win7-winvista-64bit-258.96-whql-driver.html
    Note the recent (3 weeks ago) release.
    -Noel

  • Strange problem with color measure in Mac.

    Hello, I am having a strange problem with color measure in Mac. For example i create a gradient in Photoshop from color 200 200 200 to color 240 240 240. When i measure the color of the gradient with the color measure tool of Photoshop or with the built in OS X color measure tool the measured color is from 200 199 197 to 240 240 238. I have measured the same gradient with Photoshop for PC and the values are OK (the same values that i create).
    I dont know what is the problem, but i belive that the colors that i create would be the same that i measure after creating them, and also the same values between Mac and PC. I will appreciate it a lot any help or information that you could give me that helps me to understand what is happening here.
    Thank you for your time
    Marcelo.

    Yep you got it, proof as monitor basicaly strips out any profiling and just delivers it straight.
    is there any way to make the OS X color measure tool to measure the original color values
    You mean the document colors - No, like I said photoshop is filtering your image through document profile, proof setup and monitor profile. Why do you want to use Digital color meter anyway for this?
    i dont understand what is the point to measure color values that will change every time a calibrate my monitor.
    Because color values are 'bigger' than whats on your monitor. Your monitor (via photoshop) is only doing the best it can to display those values - which can be anything from LAB colors outside the gamut of your monitor - to CMYK colors. Calibrating it is the only way to allow your monitor to do this in any way accurately. (not ever really possible) Monitors have a certain gamut and are only dispays/representations of the REAL colors that a document, with a profile, holds. So there's only one good reason to measure monitor values, and that's to generate a monitor profile.

  • Problem with comma and point

    Hello,
    I have a problem with comma and point in a double-digit.
    I use a english driver for HM8142. When I get the values then I only get
    int-digits. How can I change "Use comma as separator" . I tried to change
    the option in LabVIEW.
    I changed it, then I got the window. "To change, restart the programm". I
    have done this. But when I have a look at the option, it is not changed.
    What can I do?
    I am not the admin on the computer.
    Martin

    Hi Martin,
    you do not have to change any system settings neither in LabVIEW nor in your windows.
    All instrument drivers should use a point as decimal separator. You can overwrite the decimal point handling in the string functions "Scan from string" and "Format into string".
    Make a right click on the function and use "Edit Scan String". In the dialog open the ring under "Selected operation", the last entry allows you to set the character for the decimal separator. This separator will be used for all the following floating point numbers.
    From your name and problem I think you are located in central europe. I do not have a german version of LV so I cannot tell you how the elements are named in german.
    Waldemar
    Waldemar
    Using 7.1.1, 8.5.1, 8.6.1, 2009 on XP and RT
    Don't forget to give Kudos to good answers and/or questions

  • I have a problem with color prints from photoshop elements 12. The pictures are too light and with strange colors. I have a Canon pixma mg615I0 printer and use mac os X yosemite. The pictures are taken with a coanon eos 550d in the color space sRGB. I hav

    Hi
    I have a problem with color prints from photoshop elements 12. The pictures are too light and with strange colors. I have a Canon pixma mg615I0 printer and use mac os X yosemite. The pictures are taken with a coanon eos 550d in the color space sRGB. I have followed adobes recommendations and have tried both letting the printer respektive photoshop manage the colors. But nothing works. I see that there are different opinions about which is best to do so I tried both. I have the latest printer driver installed. Can anyone help me with this?

    Do the following:
    Print a test page from the printer. Perhaps the print head needs cleaning via its maintenance facility.
    Let the printer manage colors, not PSE
    Calibrate the monitor

  • Problem with colors showing in PE10

    Is there a known problem with color in Elements 10?
    I have a gif that when opened in paint shows the light blue color correctly but in PSE10 shows as a buff color.
    Red, yellow and blue seem about right.
    It doesnt matter if it is the gif or the psd file the color showns the same in PSE10.
    Is there a setting or could something be corrupted.

    Bump.
    I have uninstalled and reinstalled Elements and get the same result.
    Is there a way to adjust the colors represented in Elements 10?

  • Java update causes problems with color printing in Mac 10.5

    Had a big problem with color printing for the last two weeks. Thought the printer was broken because it would freeze and refuse to be "seen", or would generate error messages. Bought new Samsung 315, and had the SAME problem. Bought new HP CP1518ni, and had the SAME problem. Not resolved after talking to tech support at both places.
    Looked for software updates around the time of the onset of printing problems. on May 15 installed "Java for Mac OS X 10.5 update" (1.0) (am running on 10.5.8). Removed the Java preferences files (com.apple.java......plist) and restarted.
    Problem solved! Clearly not the printer.

    Hmmm. This is about the time my printer stopped printing too. I've now had two printers in my house and had trouble with both of them. What a pain we should not have to delete updates for our stuff to work together.
    Renee

  • Problems with color matching when printing...

         Hi, I work for a small family business in the P.O.P. industry.  We currently have myself and one other designer, we both take illustrator files that have come from the graphic design firm that we contract with and get them ready to print on our Vutek QS3200.  However ever since acquiring the printer we have begun to run into problems with the colors when printing.  When the files are exported off of my computer, I use either .tif or .pdf files, they print as they should, the colors seem to match the proof and everything goes smoothly.  However when the other designer exports a file, he tends to do mainly pdfs, the colors tend to be extremely different from where we want them.  Also we will get very strange results, such as yesterday he kept getting a faint yellow 1/2" border around his prints.  After I believe 3+ hours of him trying, I was given the original CD and instructed to try.  After 15-20 minutes of making the changes that we needed to make (adding a new price point) and ripping, mine printed perfectly. 
         We both use Macs, both have CS3 Design standard, only differences between the computers are mine is newer and a bit faster, and I'm running OS 10.5.6 and he has 10.4.  He has also at some point loaded various color profiles, whereas my CS package is just whatever the default is when I loaded it.  When we were being trained he grabbed the color profile off of the Colorburst RIP server and loaded onto his computer, plus I believe he has a couple for freelancing purposes on there as well.  My thought is that these profiles are somehow corrupting the files that are going through that computer, but I honestly am lost with it at the moment.  He believes the problem lies within the fact that he does not have the newer OS, I honestly cannot see that as having any effect on this at all.  I was wondering if anyone has run into any similar problems, or if anyone might have any advice on this issue?  I would really like to be able to solve this, as I was hired to do mainly structural design for the P.O.P. and I'm having to put in a lot of overtime to get my work done along with the additional work that I'm having to do.
    Thanks for your time

    I've got a few years experience calibrating large format printers.  First, the Yellow sounds like a file problem.  I used to work with two workstations, one PC ( RIP station ), and one Mac ( file prep station ).  I tend to agree with you in that the OS is probably not the problem.  But, any Colorburst profiles should remain in the RIP, not in the originator application.  My workflow consisted of creating EPS files that were based on established color settings in their given applications ( i.e., Illustrator, Photoshop ) which were interpreted by the RIP which had it's own calibrated profile ( perhaps more than one based on how many different substrates were being used ).  Your partner may be complicating things by incorporating a RIP profile prematurely.  If there are deviations big enough to be noticed, there has to be something in the application color settings that is causing some type of corruption.  This could lead back to the operating system, but I would think it lies somewhere in Bridge or the application color settings.  Start there.  You should seriously consider implementing a calibration system if you do not have one already.  Another slight possibility is the driver's ability to interpret files coming out of Leopard vs. files coming out of Tiger.  It may benefit you both to be in the same operating system dynamics, using the same driver versions and RIP profiles.  At the very least, match everything that is currently working successfully and put them on both machines.  If there is still a noticeable problem in color matching, then something is seriously wrong and you should call in a prepress profiling expert.  Hope this helps.

  • A little problem with color profiles

    I am trying LR and so far I love it, it has successfully replaced RSP for me, and also beat Bibble which I briefly considered but didn't like due to the weird UI.
    However, I have a little problem with colours, which has never happened so far with other converters, and I am hoping you can help me to solve it.
    My monitor is calibrated with the Spyder and the appropriate profile loaded in the video card.
    When I work on a RAW image in LR, and then export a sRGB JPG, and then open it with a browser, or the Win viewer, I see it redder. If I open the image in Faststone, I see it almost sepia.
    If I export a TIFF and open it in PS, I see it as in LR, but when I export a JPG from PS (this is my typical workflow), the resulting image has the same problem.
    Considering that my entire workflow is in sRGB, can anybody coach me as to the correct settings I must use in order to obtain a final sRGB image with the same colors as in LR? I think that I must be doing something wrong, as the program behaves consistently with PS.
    Thank you in advance for any help you will be able to provide.
    Andrea,
    from Italy

    Funny how it's only Windows users that have this 'problem'.
    This is not a 'problem' at all. The only 'problem' here is that you've been used to using non-color-managed applications. Suddenly, Lightroom comes in as a mature, color-managed, program... and you're all going bonkers.
    Mac users aren't going bonkers because we're used to using color-managed applications (Preview, Safari, etc. are all color-managed on a Mac).
    Let me clarify for you that by 'color-managed', I mean that the software is *not only* reading the embedded profile in your image, but is *also* converting, on-the-fly, the RGB values of that image to a new set of RGB values that compensates for the native response of your monitor. Say, for example, your monitor only displays a narrow gamut of reds. Chances are, then, that LR or PS will intelligently compensate for this by saturating reds before sending to your monitor. This is how color management works. You can now imagine the disastrous effects that a bad/inaccurate monitor profile might have...
    Your Windows applications, such as 'Viewer', use the Microsoft ICM 2.0 API. This *will* read the embedded profile in an image, but instead of converting to your monitor profile for output, will simply convert to sRGB. That's basically like half-a$$ color-management. Read more about it here:
    http://www.microsoft.com/technet/prodtechnol/windows2000serv/reskit/prork/prdn_img_vkev.ms px?mfr=true
    Firefox & IE don't even use the ICM 2.9 API, making them entirely non-color-managed. Whatever the raw RGB values are in your image, these applications spit out at your monitor.
    It's very important you understand these simple concepts before proceeding any further.
    OK, ready?
    The original monitor profile that came with my MacBook Pro (profiled by someone over at Apple generically for all MacBook Pro LCDs, I guess) really seems to have underestimated the gamut of my monitor. Hence, color-managed applications compensated for this be resaturating my images (especially in the oranges/reds) before outputting to monitor. Therefore, images looked really nice and saturated in color-managed applications; however, when I exported them to sRGB JPEGs and then uploaded to the web, they looked desaturated (in Firefox, NOT in Safari, since Safari is color managed). They even looked desaturated on other people's monitors (these 'other people' were your average Joes...).
    I then profiled my monitor using an i1 colorimeter. A 3-D plot of my monitor profile now showed that it actually had a much larger gamut than what Apple had predicted in their profile (but this gamut was still much smaller than sRGB, or the gamut of my Dell LCD or Sony CRT, etc.). Therefore, now, LR and PS, using this new profile, showed images much less saturated. Now when I made my edits, and then exported to sRGB JPEGs, images looked slightly *more* saturated in non-color-managed applications and on other people's computers.
    So, you see, your monitor profile affects how you make adjustments/edits in color-managed programs. If your hardware profiler profiled your monitor incorrectly (which I assume is the problem here), then you may be over-saturating certain colors within LR, skewing those RGB values so that a non-color-managed program, which will not re-correct these values as LR is doing, will display the image with too much, say, red.
    Bad monitor profiling also explains why you see this problem only on certain images/colors... if it were a LR problem, you'd most likely see it on every export. The color variance is more than likely due to a bad monitor profile that is not accurately describing your monitor's native response... hence LR/PS are incorrectly adjusting your images before sending to the monitor.
    And at this point, please don't resort to saying "but the colors in the web browser look 'right' and LR looks 'wrong'". This statement has no meaning, as what looks 'right' to you in your web browser might look horrible to someone else with a different monitor. The point of color-management is to minimize these differences. For example, I was very unhappy by how desaturated my images looked on the web compared to in PS before I calibrated my monitor. Now, images look slightly *more* saturated on the web than in LR/PS, which I'm OK with. *Should* they look the same? Heck no. Similar? Yes. Is it better if they do look the same after hardware profiling? Yes, if your main goal is web export, but, keep in mind, the only way they *would* look the same after PROPER hardware profiling would be if your monitor happened to have a very sRGB-like response (to explain this would take another few paragraphs... but you should be able to figure it out if you ponder a bit).
    I hope this is making sense. Let me ask you a couple questions now:
    1.) For your headshot image, IMG_8860, which colors look 'right' to you -- the colors in LR, or the colors upon export (i.e. the headshot on the left or the right in your link above)?
    2.) How exactly did your profile your monitor? Was it in the dark? I had quite a bit of variance in my monitor profile depending on whether or not the Mac OS X dock was visible at the bottom of the screen -- the light from the dock leaked into the colorimeter which then led to profiles that generated yellow/green color casts.
    -Rishi

  • Problem with configuration supporting point in MD62

    Hi,
    well I have detected a problem with my planned independent requirements for some materials.
    The materials that are concerned are semifinished product which have an active BOM.
    Example :
    material A composed with material B and C.
    On the material A I have the strategy group 54. For these materials I have "VSE" PIR.
    The problem is that for many materials, the VSE needs can not be seen by components.
    Example, on material A, I have a VSE need on 15.02.2010, MRP generates a planned order on 15.02.2010 on material A. No problem but I have in MD04 an alert 52 for these PO.
    I go to material B or C in MD04 and I don't see any needs ! The planned order needs have not been splitted to the components.
    I have seen that if I go to MD62 for material A and if I click on "Configuration supporting point", everything is OK after next MRP Run but the problem seems to go back after few days.
    The strange thing is that it works perfectly for some materials and it doesn't work for others materials although there is no differences between data of these materials !
    Finally, I have to say that program RM60RR20 is turning every night and I have seen that there are some calls to function DELETE_SUPPOINT. Maybe this program is deleting the supporting point but it should recreate the supporting point after...
    Is there anybody which know how this program is working or why sometimes my supporting point is deleted without being recreate ?
    Thanks.

    Hi Frederico,
    Have you tried typing the query in query manager and are you sure you've selected the correct column? You can check the column name if you switch system information on and verifying the values in the database for that column.
    Hope it helps,
    Adele

  • Problem with colors when print to pdf in FM9

    Hi,
    we have some problems with printing colors to pdf with FM9.
    The FM document contains (1) eps file with a green box and (2) a rectangle created with FM graphic tools, filled with the same green color values (91/0/60/44)
    In FrameMaker the two colors really looks different, but so what, in the PDF both colors (eps) and rectangle got the same correct green color.
    Ok, the were different in creation, so they were CMYK and RGB, but your print shop could manage that.
    Now in FM 9:
    (1) If I do a "save as PDF"  and switch OFF "convert CMYK to RGB" the resulting PDF is the same as from FM8 (correct)
    (2) If I print to PDF via distiller and define the job options to "convert all colors to CMYK" the resulting rectangle green is very  different from the eps green.
    I tried different job options, the best result was "convert all colors to CMYK", other options just very more ugly.
    Does someone of you know a solution for your problem? Help is very appreciated. I could send example files if necessary.
    Thanks in advance.
    PK

    PK-ulm wrote:
    But we want to use the print option, using the distiller.
    Pia,
    this last sentence needs some explanation, I think. Why do you want to use the print option?
    Using the print option, you still go the same route as FrameMaker Win always did, which is using the RGB-only Windows postscript driver. Now, with FM9, you have the option to get CMYK colors directly to PDF, as defined, without any color conversion. And it *does* work, as long as you restrict your documents to either CMYK colors or spot colors coming from the FM libraries.
    So, again: why do you want to use the print option?
    On a sidenote: I'm not sure if I interpret your username correctly, but if you are able to understand German, you'll find some in-depth color tests made with FM9 here: http://www.hilfdirselbst.ch/foren/FM_9_und_Farben_in_PDFs____getestet_P387800.html
    Bernd

  • Problem with running sample code from XML Schema Processor for Java

    Hi there,
    I downloaded the XML Schema Processor for Java and tried it out. Unfortunately, it failed at the first step. FYI, I included all xmlparserv2.jar and xmlschema.jar in my classpath.
    I compiled XSDSample.java with a warning: XSDSample.java uses a deprecated API. Recompile with "-deprecation" for details. There was no problem with compiling XSDSetSchema.java.
    When I tried to run report.xml by typing java XSDSample report.xml, I got Parsing report.xml
    NonParserException: null.
    I guess that report.xml from the sample is not valid.
    Could any one give me a hint? Any suggestion would be greatly appreciated.
    ---Denali
    null

    Please post this message at:
    Forums Home » Oracle Technology Network (OTN) » Products » Database » XML DB

  • 4400F scanner has problems with color slides

    About six years after buying the 4400F scanner, I finally opened it today in order to start scanning a lot of color slides going back more than 40 years.  It seems as if the software (or the scanner itself) doesn't know where one slide ends and the next one begins.  The slide holder accommodates up to four slides.  Using several methods of scanning permitted by the software, I obtain either three or five JPEG scans.  In the case of three, the images are properly centered--only the final one is missing.  In the case of five, the images are all off-center.  
    Has anyone had a similar problem with this unit and the software when scanning slides?
    EG 

    I've got a few years experience calibrating large format printers.  First, the Yellow sounds like a file problem.  I used to work with two workstations, one PC ( RIP station ), and one Mac ( file prep station ).  I tend to agree with you in that the OS is probably not the problem.  But, any Colorburst profiles should remain in the RIP, not in the originator application.  My workflow consisted of creating EPS files that were based on established color settings in their given applications ( i.e., Illustrator, Photoshop ) which were interpreted by the RIP which had it's own calibrated profile ( perhaps more than one based on how many different substrates were being used ).  Your partner may be complicating things by incorporating a RIP profile prematurely.  If there are deviations big enough to be noticed, there has to be something in the application color settings that is causing some type of corruption.  This could lead back to the operating system, but I would think it lies somewhere in Bridge or the application color settings.  Start there.  You should seriously consider implementing a calibration system if you do not have one already.  Another slight possibility is the driver's ability to interpret files coming out of Leopard vs. files coming out of Tiger.  It may benefit you both to be in the same operating system dynamics, using the same driver versions and RIP profiles.  At the very least, match everything that is currently working successfully and put them on both machines.  If there is still a noticeable problem in color matching, then something is seriously wrong and you should call in a prepress profiling expert.  Hope this helps.

  • Unexpected behavior with Color Sampler Tool

    Hi,
    I have a small AppleScript that used the Color Sampler Tool to place two color samples on an image. I am able to read back the (r,g,b) color values for these color samples, but the results in the script do not always match the info windows. It looks like Sample Size is always Point Sample when I read back the values in the script, even if the Sample Size is currently set to something like 11 x 11 Average.
    I am running Photoshop CS3 Extended on a MacBook Pro. A copy of my script is attached to this post.
    Does anyone know of a way to get the script to return the values using specific sample size settings?
    Thank you
    -- Bennett

    Wow, that's too bad. Does anyone have a suggestion on how I can do the following then?
    A. Determine what the current sample size is in the toolbar.
    B. Compute the correct average values using a combination of the position information from the Color Sample and the sample size from A.
    By the way, my eventual goal is to build this functionality into an Automation plug-in, so if you have ideas that are not possible in AppleScript but would work in C/C++ I would be interested in learning about those as well.
    Thanks for your help.
    Cheers
    -- Bennett

  • Adobe Photoshop CC, problem with color noise/pixelation on the monitor display

    After downloading Adobe Photoshop CC, my images come in with color noise/pixelation on the monitor display. I've tried checking the color space preferences, but this doesn't help. I didn't have this problem before. Is there anything else I can check? There's no problem with LR, just Photoshop.

    My performance settings are: Available RAM 10905 MB/using 7633 MG (70 percent); cache levels 4, history 20, cache tile size 1024K. However, I noticed under Graphics processer settings, it is set on Advanced Drawing Mode - perhaps this should be changed to Normal or Basic Mode? Your help is very much appreciated.

Maybe you are looking for

  • Where are Voice Memos after syncing?

    I've recorded a heap of Voice Memos, ticked "Sync Music" also ticked "Include voice memos" - so how do I now access those Memos in iTunes, and where do they go on my Mac hard drive (they're not in Unknown Artists). It seems to me the Memos don't get

  • New Mountain Lion Notes.app Keeps Crashing

    Hi everyone, So I am running into serious problems with the brand new Notes App. Everything worked fine with the new notes.app in terms of iCloud syncing and everything, but then all of a sudden the app crashes every time I either try to edit the nam

  • Photos missing when syncing from iPhoto to iPod touch 3G

    OK, I'm trying to upload photos from iPhoto to my G3 iPod Touch. They're in a specific album within a folder. There are 84 pictures in the album, but only 32 are uploading. Anyone know why?

  • Display current frame in applet.

    I am writing a Java applet that creates a media player. It plays a movie and I want to get the current frame. I have the code for this: FramePositioningControl fpc = ( FramePositioningControl)  player.getControl("javax.media.control.FramePositioningC

  • Is it possible to send a response from BAPI into another BS than Sending BS

    Hi guys, I have the following scenario: SOAP->XI->SAP and I'd like to get the BAPI response and send it via XI into the JDBC adapter. So, it should be something like synchronous call. Do you think, this is possible? Thanx 4 your answers, Peter