Setting motion keyframes on head and end of a clip in the timeline

I've been exeriencing a weird problem lately.
If I throw a clip into the timeline, then double click it
back into the viewer, then use CONTROL K to place keyframes
across all motion perameters at the head of the clip, THEN hit the down arrow button to get to the end of the clip so I can make adjustments and have keyframes placed at the end of the clip, the process of hitting the down arrow to get to the end of the clip actually takes me to the head of the next clip in the timeline and up in the Viewer keyframe viewer.
If I use the left arrow to move one frame backwards to try and get to last frame of the clip I actually want to place a keyframe on the end of, it doesn't get
me back to the original clip...I've still got the second clip up in the Viewer motion keyframe area.
It's been requiring me to reload the clip from the timeline again, drag the viewer playhead to the end of the clip being careful to not accidentally go past the end of the clip, or it again goes into the next clip and it's impossible to navigate back to the first clip without double clicking it back up into the window.
So long question...after having placed keyframes at the very head of a clip double clicked back into the viewer from the timeline, how do I quickly get to the end of the clip to place my changed keyframe perameters, without overshooting the clip and running into the next?

To get to the Out point of the current clip, instead of the next clip/edit, you need to press Shift-O.
Also helpful: pressing Shift-I takes you to the In point.

Similar Messages

  • Can I change the Set-In point to an earlier time on a clip in the timeline?

    After a clip is added to the timeline from the source window, can the starting point of the clip in the timeline be changed to an earlier time than what's in the clip in the timeline?
    Or do I have to use the source window to re-import the clip back into the timeline, after selecting an earlier time for the clip to start?
    I'm running CS 5.0.3 on Win7, no special HW or addons.
    Sorry for the newbie question; if there's a better forum to ask this in, please provide a reference. I'm reading the AGI Digital Classroom Premiere Pro CS5 textbook, and I'm not seeing a way to do this from the timeline. I'm not finding answers to this in the FAQ or in other online videos.

    Thanks for the quick response!
    I like the 3rd suggestion the best, but it doesn't seem to work.
    Here's what I'm trying to do:
    The sequence in the timeline has: clip A clip B clip C. I don't want to change anything in clip B or clip C, I just want to add an extra second of footage to the beginning of clip A to the sequence in the timeline.
    Let's say the original video file for A is 10 seconds long, and clip A that was added to the timeline started at time=4 and was duration 3 seconds, in the original video file for A.
    Now I want to change the starting time of clip A from t=4 seconds to t=3 seconds, so that the new clip A will have a duration of 4 seconds.
    What I'd like to be able to do is:
    - double click on clip A to send to to the source window (works fine)
    - change the In Point from t=4:00 to t=3.00
    If I change this in the source window, then click the "Set In Point" button, nothing happens.

  • Can only see first and last frame of clip in the timeline HELP PLEASE

    Hi, my first time and I did look for an answer, but can't find one. I have premiere elements 4 and I am trying out ver. 9. In ver. 4 the clips in the timelin shows all the frames, but in ver. 9 it only shows the first and last frame of the clips. Is there any way to make all the frames show. By "all the frames", I mean the clips fill with frames.I liked to see all the frames in the timeline, it is easier for me to select and trim the bits out.
    My specs are Core 2 Duo 6750, Nvidia 8600GTS, 4G Ram, Vista Home Premium. 3 HDD 3TB.
    Thank you for answering
    Werner

    As for the GUI, PrE had one more like PrPro (the early versions), up through PrE 3. With PrE 4, they streamlined the GUI (and some of the operation), and went with the "dark look." PrPro went in that direction starting with CS3, and now, the two programs' GUI looks more alike - darker. Personally, I like PrPro 2.0's brighter GUI. Now, one can alter the brightness, but the contrast can work against doing much of that - give me the lighter GUI....
    The look of PrE 4 thru PrE 9 is very similar, though things have moved about some. Still the look is similar. Same for PrPro CS 3 through CS 5.5.
    As for the trial, things have changed in PrPro, as of CS 5.5. Once, the PrPro trial was very crippled, but had no watermark. No more. No crippling, and still no watermark. The trial for PrE is far less crippled, but does have the watermark. We do not know what changes might be coming with the trial of PrE10. We will just have to wait and see. One great option that Adobe offers is the 30-day, money-back guarantee. If you buy Premiere (either flavor), and use it for 29 days, but do not like it, then you return it for your money back. This is the full-paid version (both flavors) with nothing crippled, and no watermark. Not that many companies make such an offer. Basically, on can use the trial for 30 days, to see some of the powers of the program, and then buy it, and try it fully for another 29 days. If not completely satisfied, they get their money back - essentially a 59 day trial.
    Were I doing AVCHD, I would definitely look at buying PrE 9, and giving it a 29 day shakedown. The only caveat is that AVCHD requires a lot of computer "horsepower," and not all computers (especially if more than a year, or so old) are up to that task. I find it amazing that a consumer format, like AVCHD, requires more computer power to process, than most professional formats, until one gets up to, say RED 2K/4K. However, that is the nature of the H.264 CODEC, and by that, I mean all H.264, not just the AVCHD version.
    Good luck and happy editing,
    Hunt

  • Downloaded Premier Pro 6 trial and can't insert clips to the timeline..

    So whenever i mark a clip from a video that i want to edit i just cant insert it/overwrite to the timeline.
    When i click the insert button,nothing happens, it's like the timeline is locked or something..
    Any help will be appriciated.

    More information needed for someone to help... please click below and provide the requested information
    -PPro Information FAQ http://forums.adobe.com/message/4200840
    Exactly what are you editing?
    Codec & Format information, with 2 links inside to read
    -read both links in reply #1 http://forums.adobe.com/thread/1270588
    Report back with the codec details of your file, use the programs below... A screen shot works well to SHOW people what you are doing
    http://forums.adobe.com/thread/592070?tstart=30
    For PC http://mediainfo.sourceforge.net/en or http://www.headbands.com/gspot/
    For Mac http://mediainspector.massanti.com/
    Did you set up your sequence using the NEW ITEM process as described at a link in The PPro tutorial list in message #3 http://forums.adobe.com/message/2276578 may help, with more help in message #5 ???

  • BIAPPS how can we manually set both ETL start date and end date?

    Dears experts,
    how can we manually set both ETL start date and end date while conducting incremental load IN DAC?
    Please advise me.
    thanks,
    Joe.

    You can set those dates in the DAC system parameters tab. You should see lots of $$xxxxxx parameters.
    If I may, I'd suggest you use the OBI Applications forum for questions on DAC.
    Antonio
    BExpert, Brazil

  • HT201274 iPhone 4s, but wifi option is greyed out. I want to erase all content and setting from my old 4s and it will not connect to the internet, because the cellular data is no longer connected, bought a iPhone 5c. how do I erase all on my 4s with no in

    I have an iPhone 4s, but wifi the option is greyed out. The wifi stopped working on it months ago. Now I wanted to erase all content and setting from my old 4s and it will not connect to the internet, because the cellular data is no longer connected, since I bought a new iPhone 5c. I can't erase my phone by pluggin it into my Macbook Pro, since I can't disable the "Find my iPhone" App without internet. How do I erase all the data and setting on my 4s without connecting to the internet? It is running ios 7

    See this https://answers.yahoo.com/question/index?qid=20131119125513AAtRloc
    I just did it. To enter DFU mode, I had to use "method 3" on this post
    http://thebigboss.org/guides-iphone-ipod-ipad/dfu-mode
    Too bad my 4S is 2 years old. Wifi is dead. I had to upgrade to 5S, but 5S is soooooo much faster than 4S so it's kind of good outcome. Without the 4S breaking down, a stingy person like me would have never upgraded the phone.

  • Link does not work for-End-of-Sale and End-of-Life Announcement for the Cisco Secure Access Control System 5.4

    Link does not work for
    End-of-Sale and End-of-Life Announcement for the Cisco Secure Access Control System 5.4
    How do we get Cisco to fix?
    see attachment

    Give it a couple of days - it looks like they just sent out the notification before the notice was published on the public page.
    Once the ACS 5.4 EoS/EoL notice is published you should see it linked from this page.

  • If i already have a data carrier setting in my iphone 4, and i want a upgrade for the setting via itunes, will it write over my existing settings?

    If i already have a data carrier setting in my iphone 4, and i want a upgrade for the setting via itunes, will it write over my existing settings?

    You can set up more than one device on your computer, and iTunes will remember the settings for each of them:
    How to use multiple iPods, iPads, or iPhones with one computer
    But you'll have to use your Apple ID to sync bought media to her device. Disable all other things you don't want to sync like photos, contacts, etc.

  • I set up a hotmail account and I got a message stating "the connection to the server failed" what do I need to do to get my email working.

    I set up a hotmail account and I got a message stating "the connection to the server failed" what do I need to do to get my email working

    Do you have a good wifi connection?
    iOS: Unable to send or receive email
    http://support.apple.com/kb/TS3899
    Can’t Send Emails on iPad – Troubleshooting Steps
    http://ipadhelp.com/ipad-help/ipad-cant-send-emails-troubleshooting-steps/
    Setting up and troubleshooting Mail
    http://www.apple.com/support/ipad/assistant/mail/
    iPad Mail
    http://www.apple.com/support/ipad/mail/
    Try this first - Reset the iPad by holding down on the Sleep and Home buttons at the same time for about 10-15 seconds until the Apple Logo appears - ignore the red slider - let go of the buttons. (This is equivalent to rebooting your computer.)
    Or this - Delete the account in Mail and then set it up again. Settings->Mail, Contacts, Calendars -> Accounts   Tap on the Account, then on the red button that says Remove Account.
     Cheers, Tom

  • Display metadata instead of clip name on the clips in the timeline and in the source monitor

    Is there a way to display metadata instead of clip name on the clips in the timeline and in the source monitor? Clip names are usually set by the camera and are of no use to me. What i would like the clip and the source monitor to display is the name of the shot from the metadata. That's,in my opinion, a very useful info when you're editing a film.  If that feature doesn't exist, is there a way to batch rename clips based on metadata?

    thanks
    is that new or was that always there. Not to sure if I have tried that in the past
    anyway it helped and will makes things much faster
    one other question maybe you have an answer to that too. it seems both Audio tracks are independ when putting on keyframes is there a way when using keyframes in the time line that it affect both channels of audio for example a1 an a2
    once again thanks for your help

  • Why can't I click and drag the clip to the timeline?

    Nothing happens when I try to move the clips to the timeline. Have Windows 8.1. Premiere Pro CC.

    Be sure Source Patching and Track Targeting are set properly.
    https://helpx.adobe.com/x-productkb/global/offline-help.html

  • Shorten Clips In The Timeline And Shorten The Project Duration

    When I shorten a clip in the timeline by dragging on one end a blank space appears. I know this is in order to keep the project the same duration but I do not want this. I am happen for the project duration to reduce in accordance with my timeline clip editing, without any blank spaces appearing.
    How do I achieve this noting that this seems to be a recent default situation, whether I use FCPX 10.09 or 10.01.01.

    Thank you Tom and Luis, but I'm not with any of this. I can add a clip to the timeline or insert a clip into it via the "arrow tools". If I attempt to shorten the clip IN the timeline there is a blank space representing the amount trimmed from the clip.
    I want the next clip along to that I've trimmed to automatically move along the timeline albeit shortening the total project duration.
    Pressing "A" on the keyboard doesn't achieve this.
    I simply click on the clip in the timeline  to highlight it with the yellow margin. I then click on one "edge" with the arrows symbol and drag the edge inwards. This then leaves the space I do not want.
    As for "Preferences" when I click this under "Final Cut Pro" i see nothing either relevant to this problem or that I could trash.

  • Keyframed lens flare across multiple clips in the timeline?

    How can  I apply a keyframed lens flare that continues across multiple clips in my timeline?
    Using keyframes I am trying to have a lens flare travel across several clips in my timeline as one contiunes movement.
    Back in the day (before elements) i could do this in Premiere using something called virtual clips (I think).
    Thanking you in adavance for any help on this or "virtual clips"

    Welcome to the forum.
    Premiere Pro allows for Transparent Video (think the opposite of Black Video, in both PrPro and PrE), but PrE does not have that feature. You are probably thinking of Sub-Clips, also not available directly in PrE.
    Steve's method will work, but here is another to consider:
    Place the WAB (Work Area Bar) over those particular contiguous Clips, and then Publish+Share (for PrE 11, or Share for PrE 7 - 10), and export those contiguous Clips to an AV file. The choice of Publish+Share settings will depend on what you have for your Source Footage, and what your Project's Preset is. If you are working with, say AVCHD, then doing the Publish+Share to matching H.264 will probably be what you want.* In the Publish+Share dialog, make sure to check Work Area, to limit that to JUST the area defined by the WAB. Import that output file into your Project, and replace those edited Clips with it. Apply your Keyframed Lens Flare to that Clip. That is basically a manual Sub-Clip, but with a few more steps, than in PrPro.
    Good luck,
    Hunt
    * For some other options on the output settings, see this article: http://forums.adobe.com/message/4556586#4556586

  • Multicam Clips in the Timeline and Image Stabilization

    I've got a multicam clip in my timeline that I would like to use image stabilization on. What I'd like to do is:
    double click on the clip which brings up the angle editor with the range and angle selected.
    press cmd-B to blade the clip
    turn on image stabilization.
    Unfortunately, step one doesn't work. I'm forced to open up the angle editor and manually skim and search for the desired angle and time range. It would be okay if the playhead in the angle editor was slaved to the one in the timeline. Then when you went into the angle editor you'd be right at the desired source material, but no, the two seem to be independant of each other. It makes performing the task much slower and more tedious. So much so I am convinced more experienced users are going to know a quicker way to do it.
    So, does anyone know an easier work-around for this?

    Thank you Tom and Luis, but I'm not with any of this. I can add a clip to the timeline or insert a clip into it via the "arrow tools". If I attempt to shorten the clip IN the timeline there is a blank space representing the amount trimmed from the clip.
    I want the next clip along to that I've trimmed to automatically move along the timeline albeit shortening the total project duration.
    Pressing "A" on the keyboard doesn't achieve this.
    I simply click on the clip in the timeline  to highlight it with the yellow margin. I then click on one "edge" with the arrows symbol and drag the edge inwards. This then leaves the space I do not want.
    As for "Preferences" when I click this under "Final Cut Pro" i see nothing either relevant to this problem or that I could trash.

  • I am moving clips to the timeline and they arrive zoomed in.  how can I stop this?

    need some help.  I'm moving clips to the timeline and they arrive zoomed in.  I don't want this effect.  How can I stop it?

    To expand a little on John's questions and link, every clip and every sequence has its own frame dimensions (and pixel aspect ratio & frame rate). By default, Premiere preserves the dimensions (or "resolution") of a clip when you add it to a sequence. That means that if a clip's resolution is greater than that of the sequence, it will appear to be zoomed in on the frame. Conversely, if the clip is lower res than the sequence, it will appear shrunk, with black borders.
    If all of your content is the same resolution (which is the ideal case), then you should use a sequence that matches. The easiest way to do so is the "New Item" method that John refers to--dragging a clip to the Project Panel's New Item button--or, in later releases of PPro CC, dragging it into an empty Timeline panel. If you're working with content of mixed resolution, then you have to pick your poison and scale smaller clips up or larger clips down. The latter option is generally preferred because the former--scaling clips up--often results in unacceptable pixelation.

Maybe you are looking for

  • Creation of Public Sector Planning application fails for LDAP user

    The environment is on Windows 2008 R2 & EPM 11.1.2.2.302 of Planning. The creation of "general" planning applications works fine, regardless of the method of creation, Native User/LDAP User or Classic/EPMA. The creation of Public Sector Planning appl

  • CX_SY_OPEN_SQL_DB:ORA-00060: deadlock detected

    Hi All, I am runtime error DBIF_RSQL_SQL_ERROR abd Exception CX_SY_OPEN_SQL_DB in the following code. I am pasting Error Analysis from ST22. An exception occurred. This exception is dealt with in more detail below . The exception, which is assigned t

  • Error after upload of the book while ordering

    Each time I try to buy a book, it starts to upload when I click "Buy" but at the exact end of the upload, it gives me a message that the transfer didn't work and I should retry, of course it doesn't work... I am via an Airport network at home but I d

  • Integration of external applications with E- Recruitment Business Package

    Hello All, We are planning for an implementation on E-Recruitment Business Package on EP. We need to know whether it is possible in addition to E- Recruitment features provided we would be able to Integrate custom created/ external applications like

  • Clone tool - why does it darken in layers?

    Some years ago I used to use an old version of PS at work. It was before the CSs but I can't remember the version. When I used the clone tool it would simply clone the area with the same tonal depth and I used it a lot. I now have CS6 and when I use