Video titling behind moving objects

i recently saw a titling effect in a video, in which a motorcycle drove across the screen and as it passed a title appeared behind it. how does one create video titling behind moving objects? i have no experience in animation, so i'm guessing that the video layer is duplicated and the top layer masked, frame by frame? would an 8-point garbage matte work?

You won't have an easy time doing this in FCP, but Motion, After Effects, or ultimately Shake, can do this a lot easier. You have to rotoscope the motorcycle, accounting for the rims, and space between the engine parts, or anywhere else where you would logically see through to the background, then duplicate that layer on top of the original, with the text in between the two layers. Depending on how long the clip is, you're in for a long haul. But if the footage is anything but DV25, clip analysis and automated keyframing might serve you well as a starting point after the initial mask is made.

Similar Messages

Text behind moving objects

Is there an easier way other than cropping to placing text behind (say a person) while the person is moving?

I'm assuming your video of the person wasn't shot on greenscreen so you can't key them out. You'll need to rotoscope - add a mask and animate it frame by frame. At least you'll only need to roto the sections where the text needs to go behind them.

Getting Titles Behind objects in a scene

I was watching tv and most of the movie trailers now have the Titles behind an object in the scene while other things are happening. In other words, Actors are walking right through the titles.
Fringe does this a lot with their titles.
How can I do something similiar?
Thanks in advance
I am running Final Cut Studio 3
and LiveType

You need to create a mask to produce the illusion of an object being behind another object. You can do this in After Affect or Motion.
Basically,
put the clip you want to title on the V1,
Put the title on v2
Put a masked version of the clip on v1, on v3
Mask the forground (v3) clip you want to have the title behind. The mask will hide all parts of the clip you DO NOT want to see in the forground.
Now that you have the forground isolated, it is simply a matter of layering the clips, and using the blending option.
It's a very straight forward prossess, but it will take some time to create the mask
Fringe Title with AfterEffects
Fringe Title with Apple Motion
Animated Masks and Tracking with Apple Motion
Tracking masks using Final Cut Pro and Motion
Text effect with tracking mask in Apple Motion
Good luck

Is it possible to get a video to play behind an object?

Hi all,
What I really want to do is have a video look like it's playing from an eliptical frame rather than a rectangular one. Is there a way I can place the video as normal in InDesign and place an object over it with an elipse cut out of it, the same colour as the background so it looks like a circular video is playing. Obviously, once the video is activated it keeps jumping to the front. Is there a way to keep it behind the object? Or is there an easier way to do this?
Thanks in advance.

You can create a dummy MSO frame that stays on top of the autoplaying video. There is a "Masking Videos" article in the DPS Tips app.

How can I colour pop a moving object in a stop-frame animation in After Effects CS6 (Creative Cloud)

Hi,
The title pretty much explains what I want to achieve.
I have a black and white video and I want to colour pop a moving object in it with it's original colours.
I'm a full member of the Creative Cloud and so have all the suite available to me.
How can I do this?
Thanks.
Neil

Wow!!
Thankyou for that.
I'm a video/AE newbie and found a great tutorial video.
Many thanks.
Neil

Interlace problems with moving objects using iDVD

I had an MP4 file (created by a 3rd party) from a Hi-8 analog tape which has some interlace artifacts on moving images (left image of boy) but not too bad. When the MP4 files was imported into iMovie 11 the interlace artifacts smoothed somewhat - that was OK (right image of boy). The camera was still and the boy was moving. Vertical lines on stationary objects are OK in all images. These are screen captures from the Mac of the mp4 played through quicktime and the same file imported into iMovie 11 and played. I paused both to take the screen capture.
The completed project in iMovie 11 looked OK when previewed prior to rendering. These are 20 year old videos so my expections were being met.   I rendered the project with iDVD to the hard drive first and then to a DVD with the same poor imaging result on the moving object. I am using a new Macbook Pro I bought in early January which came with iMovie 11 and iDVD Ver 7.1.2 (1158). Running Mac OS X 10.7.3 Macbook Pro 2.3 Ghz Corei7   8GB 1333 Mhz DDR3.
I couldn't screen capture from the MAC DVD player screen to illustrate the poor result (got a checkerboard screen) so I took a photo of the screen and imported that (below). The moving boy on the left is from an iMovie 11 screen capture, the image on the right is the moving boy from the rendered DVD I paused on the Mac (and took a pic of).
Below a close up of the poorly rendered moving boy viewed on the resultant DVD. This translates into a horrible rendition of any quick moving object. It happens with any moving image - i.e. a pan across a room with straight vertical lines like edges of a wall will show as serrated and poorly rendered edge. I used a trial version of the Daniusoft DVD creator with the same result! I am at a loss on how to resolve this issue. Any thoughts out there??
I had previously used Pinnacle Studios on my old XP PC which worked great on other tape's Mpeg files and created great DVD's (never had an interlace problem) ... until my computer died ..... so I figured Apple and associated software should be at least equal if not a superior product.   Now I'm not too sure!

I had an MP4 file (created by a 3rd party) from a Hi-8 analog tape which has some interlace artifacts on moving images (left image of boy) but not too bad. When the MP4 files was imported into iMovie 11 the interlace artifacts smoothed somewhat - that was OK (right image of boy). The camera was still and the boy was moving. Vertical lines on stationary objects are OK in all images. These are screen captures from the Mac of the mp4 played through quicktime and the same file imported into iMovie 11 and played. I paused both to take the screen capture.
The completed project in iMovie 11 looked OK when previewed prior to rendering. These are 20 year old videos so my expections were being met.   I rendered the project with iDVD to the hard drive first and then to a DVD with the same poor imaging result on the moving object. I am using a new Macbook Pro I bought in early January which came with iMovie 11 and iDVD Ver 7.1.2 (1158). Running Mac OS X 10.7.3 Macbook Pro 2.3 Ghz Corei7   8GB 1333 Mhz DDR3.
I couldn't screen capture from the MAC DVD player screen to illustrate the poor result (got a checkerboard screen) so I took a photo of the screen and imported that (below). The moving boy on the left is from an iMovie 11 screen capture, the image on the right is the moving boy from the rendered DVD I paused on the Mac (and took a pic of).
Below a close up of the poorly rendered moving boy viewed on the resultant DVD. This translates into a horrible rendition of any quick moving object. It happens with any moving image - i.e. a pan across a room with straight vertical lines like edges of a wall will show as serrated and poorly rendered edge. I used a trial version of the Daniusoft DVD creator with the same result! I am at a loss on how to resolve this issue. Any thoughts out there??
I had previously used Pinnacle Studios on my old XP PC which worked great on other tape's Mpeg files and created great DVD's (never had an interlace problem) ... until my computer died ..... so I figured Apple and associated software should be at least equal if not a superior product.   Now I'm not too sure!

How do you filter out moving objects in a movie?

Hello!
I'v searched the internet for solutions to this but I cann't find any.
Im prittie new and I need to make a house on fire while two guys (one is me)
will be walking away from it, towards the camera.
I want to filter out these two guys and only apply fire and flames to the house itself!
To do this I used Time Diffrence and tried to isolate the guy using Fast Blur and Luma Key
but Im prittie lost.. Nothing works and I really need guidence
Do you know a trick to use?
I cant do greenscreening as the green background would cost a fortune..
But isn't there anyway to filter out moving objects?

I'm not sure that you totally get the process. This kind of shot requires at least 3 elements or plates. These three plates become three layers in After Effects. The bottom layer would be the Background Plate which is a shot of the house without any actors in the shot. The next plate would be the Effect Plate or Fire Plate which could be any shot you can get or generate through plug-ins of flames. The top layer would be your Foreground Plate or your two actors.
Now that you know what you need you can plan your shoot. The background plate is easy. Just set the camera on a tripod and lock it off. NO zooming. No panning, No change of focus. The foreground plate is also easy. You don't have to green screen the entire set, all you need to do is to put a green screen behind your actors. I do this kind of thing all the time using a 6' X 6' (sometimes smaller) green screen (or blue or red or purple) made of fabric and stretched over a frame that I made from 1/2" EMT electrical conduit and 4 90º elbow connectors for less than $20 at Home Depot or Lowes. You get a couple of assistants to walk behind your actors holding the green screen behind them. If you need to include their feet they can be easily rotoscoped out later and you can garbage matte everything else. If it's impossible to green screen the shot then you are stuck with roto, but that's much easier in CS5 using the roto brush. If you use your show with the actors as the background plate roto is even easier because you can hide a multitude of sins by simply feathering the roto and letting the fire light wrap around the actors a bit.
The fire plate can be purchased footage, or you could shoot a real fire against a black background, or you could create the flames using AE or even a 3D app like Blender (free) or a bunch of other apps.
Making the shot look real requires a few tricks once you have your clean plates. Fire creates light so you've got to add lighting effects to the background plate to sell the fire. You've also got to wrap light around your actors. Look for tutorials on light wrap for this. You can really help sell the effect if you place some flickering light sources behind and to the side of your actors when you shoot the foreground (actors) plate.
Once you get a handle on these techniques it's fairly easy to make the transition to pulling of this kind of a shot with a hand held camera (now you have to learn motion tracking). On a project I recently completed we had to put a fire in a prop fireplace while actors moved around bringing milk and cookies for Santa. It was all roto and the fire was shot at night with nothing more than a black cloth (Duvetyne) behind the fireplace grate. The final composite was 10 layers and was so totally believable that no one questions the shot.
The layers were from top to bottom, reflection in grandmas glasses, light wrap, actors (roto of original background plate), fire flicker layer, color mask layer (more orange around fire, fire glow layer, fire layer in Add mode, second fire layer in screen mode, third fire layer Luma keyed, and finally the original plate which contained all the actors, carefully lit with flickering firelight simulated by dangling a stick with fabric cut into 1/2 inch wide strips about one foot long in front of a orange gelled light behind and to the right of the actors.
If I get a chance I'll post a screenshot.
Here you go:
Light Wrap:
The Movie
Part of the original render before color grading.
Enjoy

Blur moving object in AE CS6

Hi:
I need to blur a moving object:
- The effect is only needed at some point of the video, it must appear, and then disappear, not being on screen the whole time.
- The object is moving, and changing shape, the blur must adapt to it.
- I've been trying to use the "Track Motion" option with Position & Rotation, then the "Analyze Forward" button, but the thing makes a mess all over, it's not following the object at all, then if You try to adjust it manually, it's only done in 1 frame, in the other frames the thing is off the object, then the "Tracking" stays on screen.
Thanks in advance.

Are you saying that you have something in some video that you have shot that you want blurred out? If so, you could create an adjustment layer with a mask on it over the object you want to blur and then just animate the mask over time. Now, you could use motion tracking to help that mask follow the object, but it sounds like you are having trouble with getting it to work properly. Try the tips here for doing motion tracking correctly. Alternatively, you could follow the tips on rotoscoping to make the mask animation go more quickly. Also, if you have After Effects version 12 (also known as AE CC), you can use the new mask tracker feature.

When I render and Export there are these little lines around moving objects

When I render and Export there are these little lines around moving objects, what are they and how do I fix it?

The lines are caused by the video being interlaced.
If you export to DVD they should no longer appear. However, if they don't disappear you can use the Deinterlace filter on the footage whilst in FCE.
How are you exporting ..... QT Movie or QT Conversion ....... and what are you exporting to - the internet or DVD?

Highlight a moving object

Using AE CS5, how do I highlight a moving object in a scene? I want an ellipse shape of normal brightness highlighting the moving object. I want the rest of the scene to be around 60% brightness.
Thanks

These videos show some approaches to that kind of result:
http://tv.adobe.com/watch/learn-by-video/adobe-after-effects-cs5-motion-tracking-and-rotos coping/
http://www.video2brain.com/en/videos-1458.htm
Start here to learn After Effects: http://adobe.ly/bjBT3P

Delayed response of when moving objects in diagram and panel, happend in LV 6, only for vi's compiled from previous versions. any suggestions?

When I using the mouse to select portion of the diagram or the panel, or when I moving objects- I found that in all the vi's that I compiled from former versions of labview- there is a delay of close to a second to the actual selection or movement of the item. This happens in 2 machines out of 5 that I tested it, and it happened both in windows 2000 and in windows 98. any suggestions?

Sometimes a video driver issue. Update your video driver.
Or turn down the video driver hardware acceleration. Right-click an
empty area of the desktop, choose the Settings tab, choose the Advanced
button.
The location of this differs in different versions of Windows.
Win2000: go to Troubleshooting, and turn down the slider for hardware
acceleration.
Win98: I think it's on another tab.
Mark
ilan wrote:
>
> Delayed response of when moving objects in diagram and panel, happend
> in LV 6, only for vi's compiled from previous versions. any
> suggestions?
>
> When I using the mouse to select portion of the diagram or the panel,
> or when I moving objects- I found that in all the vi's that I compiled
> from former versions of labview- there is a delay
of close to a second
> to the actual selection or movement of the item. This happens in 2
> machines out of 5 that I tested it, and it happened both in windows
> 2000 and in windows 98. any suggestions?

How do you lighten a moving object?

I have video of a person who keeps moving out of his spotlighting. Is there any way to "mask" a moving object and they brighten only that whilst leaving the background in tact?
Hoping for a miracle!
Yes... I'm grasping at straws

Is there any way to "mask" a moving object and they brighten only that whilst leaving the background in tact?
Yes. It won't be easy though. You could duplicate the clip then use a multi-point garbage mask but you'll have to keyframe frame-by-frame.
Alternatively, you could try applying the 3 Way Color Corrector filter and using the Limit Effect feature IF the subject's coloring is distinct enough from the background.
-DH

Trouble selecting and moving objects near text in Adobe Illustrator? Try this.

It's been 4 years since I left Corel DRAW for Adobe Illustrator. One thing I could never get used to is the crazy way text has an impenetrable invisible sheet over it making it hard to select objects near or behind it.
With Corel DRAW I was used to be able to select text by simply clicking on the visible area of the text. Selecting stuff behind the text by clicking between letters or right next to a decender was never a problem. But Illustrator is a different story.
Tonight I finally found a way to make selecting text in Illustrator behave more like Corel DRAW.
I wrote it up here: http://www.johnstanowski.com/blog/trouble-selecting-and-moving-objects-near-text-in-adobe- illustrator-try-this/
Just thought I'd share!

It's not spam, but thanks for assuming.
I was up really late writing that blog post. Posting a link was the quickest way to share and be able to go to bed.
Plus it's rather lengthy. I thought that would be rude to use an Adobe forum for my articles.
If you saw my blog you will have seen there's not much going on there at all, and no calls to action to hire me. I don't have anything to gain by getting traffic.
And, yeah, layers work for selecting, but that slows you down. Who would want to look away from their work to find and select a layer when they're trying to tweak positions of objects? Layers suck for selecting quickly.
And there must be something wrong with me but I find using Type Object Selection by Path Only by itself hard to use. I'd really just like to click on the text itself rather than an invisible hairline you have to probe to find.
Here's the post. I hope people who had trouble like me find it helpful.
Do you have trouble selecting objects near Point Type in Adobe Illustrator? You’ve been there. You want to select an object. Problem is, it’s really close to piece of Point Type. All too often we try to select objects that wind up being unreachable because they lie too close to a piece of Point Type, which we wind up selecting instead. Luckily, after years of angst, I discovered a solution.
Point Type in Adobe Illustrator is funny. There’s this invisible “shield” around it. This shield is much larger (at least it seems that way) than the text itself. It prevents you from selecting objects behind text by clicking between letter and words. This shield is particularly meddlesome with lowercase letters and decenders because we think surely we can click on that blue box (or whatever) because it seems far enough away from that Point Type. But the lowercase “g” in the Point Type’s territory.
Okay, now that we know we’re talking about the same thing, let’s move on to the solutions.
Step 1. Check ‘Type Object Selection by Path Only’ in Preferences
You’ll find this option in Preferences/Type. Click it and that nasty text shield goes away. But there’s a price to pay. With this option activated, the only way you can select your text is by clicking on the text path, a super, tiny, thin baseline thingy under all the letters, but above decenders. It’s really hard to grab. To do it right you need to slowly approach the text path with your cursor. When you’re right over it, Illustrator will let you know by adding a small black square to your cursor. Now, you can click, hold and move your text. But this workflow can really slow you down and break your rhythm, maybe even more so with it turned off.
Step 2. Add the ‘Outline Object’ Effect
Select your Point Type and, from under the Effects Menu/Path/, select Outline Object. This effect does something really sweet to text in Illustrator: it lets your Point Type objects be treated as if their were converted to Outlines. You can still edit the text, but as far as selecting it, Illustrator now considers it outlines and shapes instead of a text object. Basically, it now considers the Path of the text to be the text itself! Now, since we’ve already checked ‘Type Object Selection by Path Only’ we can now click on the text to select it. Just the text. Not the baseline, not the wacky invisible shield surrounding it.
And now… you can select things behind the text by clicking between words and letters. And the ONLY way to select Point Type is to click on the visible parts of the text itself! Problem solved.
Potential Problem:
Too much of a good thing could be a bad thing. Let’s say you have some Point Type set in a very light face and it’s pretty small or you’re zoomed way out. Selecting that text could be a problem since you have to actually click on the text itself. Actually it isn’t that hard, it may just require an extra click to grab it. If you have a set of smaller, light-faced bits of text, you can elect to just not apply the Outline Object effect to these. They’ll get their ‘shield’ back and be easier to click on. And since they’re so small, they don’t pose a problem with selecting things behind them anyway.
Applying this technique to your old files
Now that you’ve learned this awesome new way to work around type in Illustrator, you may be anxious to open yesterday’s project and get back to work. But you may be not be looking forward to applying the Outline Object effect to each and every piece of type. For this you can use Illustrator’s “Select Same” feature. Select one piece of text. Then from the Select Menu click on Object/Text Objects. Now ALL of your text objects will be selected, and you can apply the Outline Object effect to all of them at once!
That’s it. If you build ads or work with a lot of type in Illustrator, you’re about to be able to work a lot faster… and happier.

DaNI following a moving object using it's ultrasonic sensor

Hi,
I was wondering if anyone would be able to point me in the right direction/ help me out.
Is it possible to program daNI to follow a moving object throught the use of it's ultrasonic sensor?
I ask as i aim to (hopefully) create a platoon of daNI using this program.
So far I've seen an awesome example of a daNI platoon from the UCLA Mechanical Eng. department, found here:
http://zone.ni.com/devzone/cda/tut/p/id/12902
If i read correctly, UCLA used an infrared sensor to get the daNI to follow each other.
My project aims to have a lead daNI that follows a specified path (or even just a straight line) and the following daNI will use the program I'm requesting further info for.
Regardless, if anyone could share any knowledge, links, or example code to kick me in the right direction, I would be very thankful.
Many Thanks,
Mike ^^,

Hello,
I think the examples in that link are using the ultrasonic sensor, you can see the little sensor moving left to right on top and they have placed a sheet of paper to get a good 'bounce'.
Getting a daNI to follow in a straight line should be fairly straightforward as you can get a distance and use that as feedback for your motors. I think using daNI's onboard sensor to follow a curved path would be quite difficult. In the linked video you can see that the robots are quite slow as they have to perform an entire sweep of their sensor before they can act. Traditional following systems use 2 sensors placed a distance apart from which you can measure the intensity of a sent signal and therefore calculate a rough position.
In terms of material, the courseware is pretty good for getting you started with daNI:
http://zone.ni.com/devzone/cda/epd/p/id/6491
Otherwise a browse of the Robotics community is a great place to go:
https://decibel.ni.com/content/community/zone/labviewrobotics
(this might be of some interest: https://decibel.ni.com/content/docs/DOC-18154)
Hope this helps.
Nick C.
Cardiff University

Crash when moving objects...

I have a HUGE problem... in fact I have had lots of problems with Illustrator... but this is anoying.
At least 10 times a day the program just crashes when moving objects... some time text, some time pictures, sometime lines.
Every time i submit a CRASH report with the details... but really I think they are TRASH reports, I mean I have NEVER get an answer, update or ANYTHING from ADOBE.
Last week I almost lost my job because of the ineficiency of the program, the thing is that I used to work with Corel and I was the one who tooked the desicion to change to Illustrator, so I spend the money on an entire suite,GOD!!
My question is simple, it may sound bad, but honestly Can I get my money back? Does anyone have heard about someone getting just so frustrated with the suite like me?
I love PS, I work just fine with DW, but Illustrator and Adobe support is killing me and leaving me without job.
Daniel Vazquez my name...
619-671-0100 x 273 my phone, just in case that a miracle occurs and someone from Adobe can help me.!!!

Ok, here I am after the crash number 8 of today, one more time moving objects in a document...
Answering your question about the system I have... here it is.
The system...
Intel(R) Core(TM) Dual Quad CPU
Q8300 @ 2.50 Ghz.
4 Gb RAM
Running on
Microsoft Windows XP
Professional x64 Edition
Version 2003
Service Pack 2
Video Card
NVIDIA GeForce 8400 GS
The program
Adobe Illustrator CS4 out of a box with Creative Web Suite.
And the info out of illustrator menu>System Info is as follows.
Thanks.
System info (from illustator Help)
Components:
ACE 2008/08/27-18:10:41 53.355610 53.355610
Adobe Linguisitc Library 4.0.0
AdobeLM 3.0.11.10077 (BuildVersion: 53.352460; BuildDate: Tue Jul 29 2008 16:47:08) 53.352460
FLEXnet Publisher (32 bit)
Adobe Owl 2008/08/12-18:12:12 2.0.69 53.353913
Adobe Owl Canvas 2.0.69 53.353913
PDFL 2008/07/29-20:24:25 53.199969 53.199969
Adobe Product Improvement Program 1.0.0.220
AdobePSL 53.497547_11.497538 53.497547_11.497538
Adobe Updater Library 6.0.0.1452 (BuildVersion: 52.338651; BuildDate: Wed Apr 16 2008 19:28:20) 52.338651
Adobe XMP Core 4.2.2 53.351735
Adobe XMP Files 4.2.2 53.351735
Adobe XMP Script 4.2.2 53.351735
Adobe CAPS 2,0,99,0 2.135373
Adobe EPIC 3.0.1.10077 (BuildVersion: 53.352460; BuildDate: Tue Jul 29 2008 16:47:08) 53.352460
Adobe EPIC EULA 3.0.1.10077 (BuildVersion: 53.352460; BuildDate: Tue Jul 29 2008 16:47:08) 53.352460
AFL 1.0
AFlamingo 2008/07/09-11:28:44 53.350580 53.350580
AGM 2008/08/27-18:10:41 53.355610 53.355610
AdobeHelp Dynamic Link Library 1, 3, 11, 0
AIPort 1.0 23.68434
AMTLib 2.0.1.10077 (BuildVersion: 53.352460; BuildDate: Tue Jul 29 2008 16:47:08) 53.352460
AMTServices 2.0.1.10077 (BuildVersion: 53.352460; BuildDate: Tue Jul 29 2008 16:47:08) 53.352460
ARE 2008/08/27-18:10:41 53.355610 53.355610
Adobe Illustrator 1.0
AsnEndUser Dynamic Link Library 1, 6, 0, 8
Unknown Name
AXE8SharedExpat 2008/06/11-20:19:53 NFR 53.348206 53.348206
AXEDOMCore 2008/06/11-20:19:53 53.348206 53.348206
AXSLE 3.3 1.242790
BIB 2008/08/27-18:10:41 53.355610 53.355610
BIBUtils 2008/08/27-18:10:41 53.355610 53.355610
CoolType 2008/08/27-18:10:41 53.355610 53.355610
AdobeCrashReporter 3.0.20080806
ExtendScript 2008/07/28-19:31:09 53.352300 53.352300
Adobe XMP FileInfo 4.2.2 53.351735
FilterPort 1.1 52.
FLEXnet Publisher (32 bit)
Microsoft® Windows® Operating System 5.2.6001.22319
International Components for Unicode 2008/03/20-16:33:10 Build gtlib_1.1 CL#7223
International Components for Unicode 3, 4, 0, 0
International Components for Unicode 2008/03/20-16:33:10 Build gtlib_1.1 CL#7223
International Components for Unicode 2008/03/20-16:33:10 Build gtlib_1.1 CL#7223
International Components for Unicode 3, 4, 0, 0
International Components for Unicode 2008/03/20-16:33:10 Build gtlib_1.1 CL#7223
JP2KLib 2008/06/11-20:19:53 53.100857 53.100857
Intel(r) C Compiler, Intel(r) C++ Compiler, Intel(r) Fortran Compiler 10.0
LogSession 2, 0, 0, 611
Transport Dynamic Link Library 2, 0, 0, 1211
Transport Dynamic Link Library 2, 0, 0, 716
LogUtils 1, 0, 0, 06052006
MPS 2008/07/07-10:33:04 53.350311 53.350311
Microsoft (R) Visual C++ 6.00.8168.0
Microsoft® Visual Studio .NET 7.10.3077.0
Microsoft® Visual Studio® 2005 8.00.50727.4053
Microsoft® Visual Studio .NET 7.10.3052.4
Microsoft® Visual Studio® 2005 8.00.50727.4053
Microsoft® Visual C++ 2.10.000
Microsoft® Visual C++ 4.00.5270
PDFPort 2008/08/20-20:15:08 53.354855 53.354855
Adobe PDFSettings 1.04
Adobe Photoshop CS4 CS4
Adobe(R) CSXS PlugPlug Standard Dll (32 bit) 1.0.0.71
Registration 2.0.1.10077 (BuildVersion: 53.352460; BuildDate: Tue Jul 29 2008 16:47:08) 53.352460
Adobe India Sangam Core Code 2008/07/17-10:11:31 53.102428 53.102428
Adobe India SangamML Import from Sangam 2008/07/17-10:11:31 53.102428 53.102428
ScCore 2008/07/28-19:31:09 53.352300 53.352300
Microsoft® Windows® Operating System 6.00.2600.0000
SVGExport 6, 0, 0, 305507 1.305507
SVGRE 6, 0, 0, 305507 1.305507
WRServices Friday May 30 2008 7:18:42 Build 0.7713 0.7713
ATE
OS: Windows
Version: 5.2
System Architecture: x86
Built-In Memory: 4084 MB
User Name: Daniel Vazquez
Serial Number: 9228870813575442
Application Folder:
C:\Program Files (x86)\Adobe\Adobe Illustrator CS4\Support Files\
Primary Scratch Folder:
C:\Documents and Settings\dvazquez\Local Settings\Temp\
Secondary Scratch Folder:
Plug-ins:
Live Menu Item
Adobe AI Application Plugin
Control Groups
Color Conversion
Composite Fonts
New Cache Plugin
AdobeLicenseManager
ZStringTable
Window Menu
Main Filters
Main File Formats
File Format Place EPS
AI File Format
Debug Menu
SLO Text Tool
Mesh Object
Document Window Plugin
Sweet Pea 2 Adapter Plugin
ADM Plugin
ASLib
AdobeActionManager
AILocalized Resources Plugin
FrameworkS
Art Converters v2
FlattenTransparency
FO Conversion Suite
Pathfinder Suite
PDF Suite
BRS Pencil Tool
Rasterize 8
AdobeSlicingPlugin
AdobeActionPalette
AdobeBrushMgr
Adobe Color Harmony Plugin
Control Palette Plugin
Adobe Deform Plugin
AdobeLayerPalette
Adobe Planar Edit Plugin
AdobePaintStyle
PathConstruction Suite
AdobeSwatch_
AdobeToolSelector
Adobe Tracing Object
Adobe Variables Palette
Adobe Custom Workspace
AdobeDiffusionRaster
SvgFileFormat
Snapomatic
Adobe Geometry Suite
Flatten Suite
ShapeConstruction Suite
ExpandS
AI Save For Web
SWFExport
Photoshop Plugin Adapter Targa
Photoshop Plugin Adapter PNG
Photoshop Plugin Adapter Pixar
Photoshop Plugin Adapter PCX
Photoshop Plugin Adapter BMP
Photoshop Plugin Adapter Unsharp Mask...
Photoshop Plugin Adapter Smart Blur...
Photoshop Plugin Adapter Radial Blur...
Photoshop Plugin Adapter Pointillize...
Photoshop Plugin Adapter NTSC Colors
Photoshop Plugin Adapter Mezzotint...
Photoshop Plugin Adapter Gaussian Blur...
Photoshop Plugin Adapter De-Interlace...
Photoshop Plugin Adapter Crystallize...
Photoshop Plugin Adapter Color Halftone...
Photoshop Plugin Adapter Filter Gallery...
Photoshop Plugin Adapter Colored Pencil...
Photoshop Plugin Adapter Cutout...
Photoshop Plugin Adapter Dry Brush...
Photoshop Plugin Adapter Film Grain...
Photoshop Plugin Adapter Fresco...
Photoshop Plugin Adapter Neon Glow...
Photoshop Plugin Adapter Paint Daubs...
Photoshop Plugin Adapter Palette Knife...
Photoshop Plugin Adapter Plastic Wrap...
Photoshop Plugin Adapter Poster Edges...
Photoshop Plugin Adapter Rough Pastels...
Photoshop Plugin Adapter Smudge Stick...
Photoshop Plugin Adapter Sponge...
Photoshop Plugin Adapter Underpainting...
Photoshop Plugin Adapter Watercolor...
Photoshop Plugin Adapter Accented Edges...
Photoshop Plugin Adapter Angled Strokes...
Photoshop Plugin Adapter Crosshatch...
Photoshop Plugin Adapter Dark Strokes...
Photoshop Plugin Adapter Ink Outlines...
Photoshop Plugin Adapter Spatter...
Photoshop Plugin Adapter Sprayed Strokes...
Photoshop Plugin Adapter Sumi-e...
Photoshop Plugin Adapter Diffuse Glow...
Photoshop Plugin Adapter Glass...
Photoshop Plugin Adapter Ocean Ripple...
Photoshop Plugin Adapter Bas Relief...
Photoshop Plugin Adapter Chalk && Charcoal...
Photoshop Plugin Adapter Charcoal...
Photoshop Plugin Adapter Chrome...
Photoshop Plugin Adapter Cont^e Crayon...
Photoshop Plugin Adapter Graphic Pen...
Photoshop Plugin Adapter Halftone Pattern...
Photoshop Plugin Adapter Note Paper...
Photoshop Plugin Adapter Photocopy...
Photoshop Plugin Adapter Plaster...
Photoshop Plugin Adapter Reticulation...
Photoshop Plugin Adapter Stamp...
Photoshop Plugin Adapter Torn Edges...
Photoshop Plugin Adapter Water Paper...
Photoshop Plugin Adapter Glowing Edges...
Photoshop Plugin Adapter Craquelure...
Photoshop Plugin Adapter Grain...
Photoshop Plugin Adapter Mosaic Tiles...
Photoshop Plugin Adapter Patchwork...
Photoshop Plugin Adapter Stained Glass...
Photoshop Plugin Adapter Texturizer...
Twirl v2
AdobeBuiltInToolbox
Adobe Symbolism
Simplify
ShapeTool
Segment Tools
Adobe Scatter Brush Tool
Reshape Tool
Magic Wand
Liquify
Lasso
Knife Tool
Adobe Flare Plugin
AdobeTextDropper
Adobe Eraser Tool
Adobe Crop Tool
Adobe Calligraphic Brush Tool
BoundingBox
AdobeArtBrushTool
Advanced Select
Smart Punctuation
TxtColumns
Spell Check Dictionary
Spell Check UI
Find Replace UI
TextFindFont
TypeCase
Adobe PSD File Import
Adobe PSD File Export
Photoshop Adapter
TIFF File Format
TextExport
AISangamMapper
PNG File Format
MPSParser
MPSExport
MPSCommon
Mojikumi UI
JPEG2K Plugin
JPEG Plugin
GIF89a Plugin
FXG UI
FXG
FreeHand Import Plugin
Adobe DXFDWG Format
ZigZag v2
Scribble v2
TextWrap Dlg
ShapeEffects v2
Adobe Scribble Fill
Saturate
Round v2
Roughen v2
Punk v2
AdobePathfinderPalette
Overprint
OffsetPath v2
AI Object Mosaic Plug-in
MaskHelper v2
Inverse
FuzzyEffect v2
Distort v2
Find
Expand
DropShadow
TrimMark v2
Colors
Cleanup
Adjust
AddArrowHeads v2
Add Anchor Points
Adobe Welcome Screen
AdobeTransparencyEditor
AdobeTransformObjects
Transform v2
Adobe Tracing UI
Adobe Symbol Palette Plugin
SVG Filter Effect v2
Stroke Offset v2
Services
SeparationPreviewPlugin
Scripts Menu
ScriptingSupport
Print Plugin
AdobeNavigator
Adobe Path Blends
AdobeLinkPalette
Kinsoku Dlg
KBSC Plugin
GradientMeshPlugin
Flattening Preview
FileClipboardPreference
DocInfo
Character and Paragraph Styles
Asset Management
Adobe Art Style Plugin
Adobe App Bar Controls Host
Alternate Glyph Palette
AdobeAlignObjects
3D v2
PDF File Format
ADMEveParser Plugin

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