Where XML and related file belong when send from FCP to Color?

Hi(Bonjour)!
Where XML and related file belong when send from FCP to Color?
I want to start a fresh project and delete all previous tests.
Michel Boissonneault

Hi(Bonjour)!
I messed up with preference for home directory.
Thank you.
Michel Boissonneault

Similar Messages

  • The Color doesn´t recognize the clips´time when I send from FCP to COLOR

    I have a big problem. When I send from FCP to Color does not recognize the mounting clips. In each plane is everything and not the s 2 or 4 seconds it had in the assembly of the FCP.
    I have worked with Color more times and have not had that problem.
    Anyone can help me?. Can it be the codecs, the times of the FCP, the settings of COLOR?
    Could you help me, please ?

    subpaper clips.
    What is a "subpaper clip"?
    By the way, all this nonsense about COLOR only supporting one layer of video... where is this coming from? This is utterly untrue... I am thinking of Stevie Wonder's song that states that when people believe in things they don't understand, that's superstition.
    Rather than try to explain all the things that COLOR cannot do, maybe it would be easier to lay out the basic concept of what should be sent.
    Very fundamentally, COLOR is a sequential-file (.dpx) color correction or grading application that has been modified to work with a few Quicktime codecs, and can accept a single sequence of independent media (discrete clips) from Final Cut. That sequence can have many layers, but it cannot have any nested sequences, and there still are a number of editing strategies within Final Cut that can be proxied, albeit inexactly, but occasionally not at all.
    The safest sequence to send to COLOR from Final Cut consists of independent Quicktime Clips, all of the same resolution, codec, and frame rate, which should match the sequence settings of the Final Cut project. There is a naive assumption that anything that can be done in Final Cut can be replicated in COLOR and returned intact. This is absolutely untrue, and the evidence of that is everywhere in this, and other forums.
    In this particular instance, "zotero"'s problem, while lamentable, is of his own creation by ignoring or proceeding without any preparation or investigation, and assuming that every editor's concept of what passes for the creative process has been anticipated and compensated for by the application developers.
    To mark them manually now when already I have the definitive assembly is a labor of many hours.
    Unfortunately, that may be your fate. Alternatively, you may consider the use of a "Media Manage" operation which will re-organize the independency of the source media. The Media Manager is covered extensively in the Final Cut manual. I'd advise doing a lot of back-ups before proceeding with anything else at this point, because it really looks like there is going to be a lot of trial-and-error in the near future... mostly error. Good luck with it all.
    jPo

  • Missing audio when sending from FCP

    When I send my project to Soundtrack Pro from FCP, Soundtrack opens and loads everything up, but oddly some audio clips show no waveform, and contain no sound, but the sound is clearly present and working in FCP.
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    mrjam, I am having the same exact problem. I have a sequence in FCP and am using the "send to "Soundtrack Pro Multitrack Project" command. I have tried this almost 30 times now and only twice has it worked properly, i have no clue what was different these two time and tried to repeat the process the exact same way to no avail. What a pain. I have no clue why this function doesn't work. I have a mono pair in FCP and when i "Send to.." there are no waveforms in STP at all, and of course, no audio. Funny thing is it did work twice! Sounds like a major bug! Have you had any luck?

  • Significant quality loss and jagged diagonal lines when exporting from FCP

    I've been working on this problem for several days and I'm going insane! Every time I export my movie from Final Cut, there is a significant quality loss. It is most noticeable in two ways: diagonal lines become very jagged (looking somewhat like diagonal lines in an older video game -- more a diagonal sequence of blocks); also, in some areas such as faces, the colors get a little blurry and there seems to some "pooling" of colors around the edges of the face.
    I'm pretty sure the problem's not in capture: the Quicktime clips that I captured from the camera are all pristine. When I play them in Quicktime, I can blow them up several times their original size, and they maintain their sharp lines. (I also Reverse Telecined them all with Cinema Tools, if that's relevant.) I also know the problem's not just my computer monitor; when I play these movies on my external monitor and TV, they look bad too. The clips look bad after I bring them into Final Cut, and while I'm editing, but at first I figured that was because Final Cut sometimes doesn't show full resolution in the timeline. Still, when I export, the quality of the original captures just isn't there.
    Some details:
    Captured from 24A progressive, Sony HVR V1U HDV.
    Using Final Cut 6.0.1, Compressor 3.0.1, Quicktime 7.2.0, OS 10.4.10 (all the most recent versions I believe).
    I've exported in many different ways: using Compressor (and have tried a number of different settings: the DVD Best Quality 90 Minutes default Setting, as well as using a variety of bit rates from 3.0-8.0, One pass CBR, Two pass CBR, Two pass VBR, Two pass VBR best; Video Formats NTSC, HD 1440x1080...I have tried many combinations. Regardless of the size of the m2v created, the files seem to have the same problem over and over. I've also tried exporting from Final Cut as a Quicktime Movie and with Quicktime Conversion. Same result. I also tried using different compressors with my Final Cut sequence: Apple Intermediate Codec (which I used when capturing -- you have to with the Sony HVR), HDV 1080p24, HDV 1080i60, Apple Pro Res 422, H.264...
    What's happening? Why is Final Cut turning my nice pristine captures into jagged foulness? What can I try that I haven't yet?

    Welcome to the forums!
    Unfortunately, you seem to have tried everything I can think of, and I don't have the latest versions of FCP to know if it is a bug. However, in the off chance that you haven't given this a shot:
    Take a problematic 10 second section of your timeline (set in and out points) and the Export -> Quicktime (not QT Conversion) and make sure that you have it on Quality settings that you captured, and select the "Make Self Contained" box.
    Look at that in Quicktime and see if it's bad. If it's not problematic, use that video file in Compressor for your render.
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  • Is Compressor 4 necessary when sending from FCP X to DVD Studio Pro

    I am making a FCP X movie and when it's finished I want to put it on a DVD using DVD Studio Pro. I have done this before but now I'm wondering if I should first export it to Compressor 4 and then to DVD Studio Pro. I understand that if I was puting it on YouTube or an iPod device I would need to Compress it however why would I need to go to Compresss 4 first if ultimately going to DVD Studio Pro? Would I get a better Codec quality then what I get from exporting in FCP X using their default Compression format i.e. Quicktime? Should I use an Apple ProRes Compression from Compressor 4? I guess I really don't understand the encoding quality options very well however I do want the best quality on my finished DVD. The DVD or Sequence is somewhere around 20 - 25 minutes if that makes any difference in your response.

    People will tell you that encoding in Compressor will give the best quality, but that assumes you are using a suitable preset and for your length of video the ready made ones are unsuitable and will waste time as they are all 2-pass with variable bit rates (VBR).
    For DVDs under 70 minutes long the best quality and fastest encoding times are achieved using a constant bit rate (CBR) of around 7.5mbps.
    For your short DVDs you should achieve the highest quality and fastest processing by simply exporting the project from the timeline as it is, drop it into DVDSP and set DVDSP to encode and burn it at the specs I gave above.
    Returning to my opening comment, you will frequently find that the theoretically best solution to a problem results in no discernible improvement but often entails a lot more work and time-expenditure.
    P.S. You might get marginally better quality by raising the bit rate to 8mbps but you run a slight risk that some old or cheap players may not be able to keep up, resulting in dropped frames.
    Message was edited by: Ian R. Brown

  • Sending from FCPS to Color doesn't work (choosing Color is not possible)

    Hi, i bought the final cut studio 3 update for my final cut 4.5 HD application and installed the full 47GB update and i ran all possible software updates. i even reinstalled my mac os 10.5.6 befor installing fcp. if i right click the footage in final cut pro for sending it to color 1.5 i can't choose alternative for sending it to color. sending the footage to compressor, motion or soundtrack works properly. i've never used colors befor, so... do i have to preset something in the settings? additionaly, i made a online registration for color, not for fcp. thanks for helping.
    Message was edited by: Snydelchen

    Hi, i bought the final cut studio 3 update for my final cut 4.5 HD application and installed the full 47GB update and i ran all possible software updates. i even reinstalled my mac os 10.5.6 befor installing fcp. if i right click the footage in final cut pro for sending it to color 1.5 i can't choose alternative for sending it to color. sending the footage to compressor, motion or soundtrack works properly. i've never used colors befor, so... do i have to preset something in the settings? additionaly, i made a online registration for color, not for fcp. thanks for helping.
    Message was edited by: Snydelchen

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    BR
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