"Widescreen" filter on Dip to Color Dissolve?

I've applied the widescreen filter to two clips -- then now, I want to put a dip to white color dissolve between the two clips. But when I do it, the actual white isn't widescreen like the two clips and it looks odd.
How can I apply the widescreen filter to the white out part as well?
Many thanks,
Michael

Michael,
Seems like there would be an easier way to do it, but here's one suggestion that ought to do the trick:
1 Superimpose a bright green, solid color matte into the timeline onto a track that is directly above the transition.
2 Apply the widescreen filter from the other clips to the new color matte
3 Apply a Color Key from the Key folder in the Video Filters folder
4 Set the color to be keyed using the eyedropper to the same green as the color matte
Now the transition should appear within the bounds of the widescreen.
1 GHz PowerPC G4 eMac Mac OS X (10.3.9) 768 MB SDRAM

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When my Dip to Color Dissolve comes in my black bars (wide screen matte) are trumped by the dissolve.
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The good thing about nesting though is that you can adjust the clips in the original sequence and then they'll update in the nest.
Else check this out too:
http://web.mac.com/andymees/Freeand_Easy/main/Entries/2008/1/23_Andy’s_Letterbox2.html
CaptM

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Hi,
I am using a dip to color dissolve between clips, dipping to white. My problem is that the pillarbox lines are also dipping. Is there any way to avoid this?
Thanks.

The good thing about nesting though is that you can adjust the clips in the original sequence and then they'll update in the nest.
Else check this out too:
http://web.mac.com/andymees/Freeand_Easy/main/Entries/2008/1/23_Andy’s_Letterbox2.html
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Welcome to the discussions, Robert. Do you have your rendering set to Fast (linear)? There was/is a bug that causes problems if it is set to medium or high.
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On a short project we decided to use the dip to color dissolve. We wanted the scene to desolve to white and selected the color without problems, however, on applying the dissolve it goes to white as intended but then dissoleves to black halfway through the transition. We should like this to stay white and then fade to the the next scene from white.
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Well too me it looked ok, but I have now adopted a work around - by using opoacity over a white background on a lower track which produced the desired result.
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Dip to Color Dissolve

I am dissolving two of my video clips out to white, but my video clips are 16:9 widescreen and when it dips out to white the whole frame goes to white, even the black bars on the top and bottom. Is there a way to fad it to white just in the picture frame, excluding the black bars?

What camera is this exactly? Some cameras shoot correct anamorphic widescreen, others just shoot in letterboxed versions, basically masking the top and bottom of the image. If your material really is shot letterboxed and you're working in a standard 4:3 sequence, probably the easiest thing to do is to create a black mask for the top and bottom. You can either do this with a graphics application like Photoshop. You can also do it with either two color mattes from the generators that are cropped to the right shape for the letterbox areas, or you could use a four-point garbage matte on the color matte, making a matte of the picture area and then inverting it.

Dip to Color transition with graphic

I'm using a Dip to Color Dissolve transition between a black screen and a graphic that has colored text with a black background. When using the transition, I get the flash of white color, as intended, but the outline of the graphic is visibile. Dragging along the timeline, I found that this was because the graphic, centered in the screen, changes color more slowly than the rest of the empty space around, making it so that you can see the square outline of the image during the transition.
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One way is to insert a Slug.
Click the little A button in the Viewer and select.
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Hello. I am having trouble applying Cross Dissolve and Dip to Color to the transition between to separate clips. It works fine when I am transitioning between two clips originating from the same raw captured file (e.g. between two pieces I cut out of Raw 1), but I am unable to apply the transition to two clips from separate raw files (e.g. between a piece of Raw 1 and a piece of Raw 2).
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Enough handles?
#1 Transitions "Insufficient Content"
Shane's Stock Answer #1:
You need to make sure that your clips have enough media (called 'handles') at the beginning of the incoming clip and at the end of the outgoing clip for the transition. For example, if you have a 1 second (30 frame) dissolve, your in and out point need to be at least 15 frames from the edge of the clip.
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Dip to color effect in 16:9

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Thanks!

Okay, Tom. I'm learning as I go here. I've never even thought about any "properties" of either items or sequences before. I just manage to get it into the computer and edit. Thanks for enlightening me! I just checked:
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Vid rate: 29.97 fps
Frame size: 720 x 480
Compressor: DV/DVCPRO-NTSC
Pixel Aspect: NTSC - CCIR 601
Field Dominance: lower (even)
Audio Rate: 48.0 KHz
Audio Format: 32-bit Floating Point
The item properties are:
HDD:AVCHD
Vid Rate: 29.97 fps
Frame size: 1920 x 1080
Compressor: Apple Intermediate Codec
Data Rate: 15.5 MB/sec
Pixel Aspect: square
Field Dominance: upper (odd)
Audio Rate: 48.0 KHz
Audio Format: 16-bit integer
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Apple Intermediate Codec 1080i50
Apple Intermediate Codec 1080i60
Apple Intermediate Codec 720p30
DV NTSC 32 kHz
DV NTSC 32 kHz Anamorphic
DV NTSC 48 kHz
DV NTSC 48 kHz Anamorphic
(the rest are PAL, which I know aren't what I want/need)
Is there a best setting for me (from the list above)? Or, do I need to make several changes to my system settings? Any advice you can offer will be reeeeeally appreciated!
Thanks Tom!

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Unfortunately talking the FCP editor into doing this is not an option. Avid used to have the same problem, and they fixed it. I'm hping FCP will do the same.
G5 Mac OS X (10.4.1)

Problem with widescreen filter

Hi everybody
I'm working with Final Cut Pro 5. When attaching the widescreen filter to the footage and I'm ajusting the 4:3 picture in the mask, the picture no longer is as sharp as it was without the filter.
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Has anybody an idea on this topic or experienced the same problem? Could this may be a problem with the software?
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greetz

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Looking for a "color pass filter"..Remove all colors but 1

Looking for a "color pass filter"..Remove all colors but 1 or 2.
FCP6 doesn't seem to have one.
Anyone heard of one that works really well & that is fast to use?
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Jim,
You are totally missing the point. I am an Adobe Premiere Pro instructor. I have been for 5 years. I added my 1st FCP system 2 weeks ago & am experiencing typical transitional curiosities as all who switch to other platforms & editing apps do.
PP has a color pass filter. I was curious to see if FCP did. That sounds logical to me:) If posting the question about the possibility of there being a color pass plugin bothers you, well , that has to do with you.
If you take a moment to read the prior correspondence, you might see my point.
I think we can bury the hatchet now:)

Final Cut Pro 6 dip to colour dissolve

i recently saw a documentary shot on HD which used colour flashes as transitions (similar to dip to colour in FCP). The colours used resembled the rainbow and created the same look as 35mm (the end of film stock)
Can anybody advise me on how to create and authentic white film flash transition.
i have tried using dip to colour dissolve, but could not achive the desired effect.
As as reference: a similar thing can be seen in Coldplay's Viva La Vida (look out for whit flashes)
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Thanks!

Thanks Captain M
my bad, i meant "Violet Hill"
http://www.youtube.com/watch?v=IakDItZ7f7Q
this should give a better demostration.
the effect i wish to achieve is the kind you very often see on 35mm footage (as seen in "violet hill".
i wish to create this kind of effect in a music video i'm editing.
the style of the music video is desaturated colours with high contrast.
by gradients, what do you mean? i'm not that experienced with FCP.
do you perhaps know where one can download FCP effect/transition plug-ins?
Thanks again for your help.

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I'm sure I have asked this in the past but cannot find the answer and my memory is lousy!
I have added the Widescreen Filter to all the clips in a normal 4:3 DV sequence and everything looks OK.
I export the QT Movie and when viewed in QT Player it still looks OK as a letterboxed 4:3.
However, when I import it into iDVD or DVDSP I cannot stop it from being ridiculously stretched.
I have tried setting projects as 4:3 and 16:9 in iDVD but the video always appears in the preview window badly stretched.
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Would you Adam and Eve it !
It was less than 8 weeks ago I was saying how it worked perfectly!!!!!
http://discussions.apple.com/thread.jspa?messageID=8207730&#8207730
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Is it just that it normally appears like that in the preview but will play OK when burned to a DVD ?

"Widescreen" filter on Dip to Color Dissolve?

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