1 measure for nothing before recording music to video

Opened a video to score, detected cuts got a buch of semi useful markers, created 1st music cue 4/4 @ 69 BPM (does not start at a cut detected marker), the 2nd cue will be 4/4 @ 48 BPM. Here's what I don't understand; I make a marker at the location I want the 2nd cue to start, I also want one measure before that marker to be at this new tempo which is 48 BPM. I had limited success by drawing in beat mapping to set the measure start from the cue 2 marker, but cannot get a measure for nothing a tempo prior to cue2 start. Once I learn how to just pick a spot, pop in a tempo / signature, and have a 1 bar for nothng count in for conducting purposes, I'll be able to sleep. The global section of Logic when it comes to variable tempos/ bars and signatures/ and beat mapping is perplexing. It seems when I make changes, areas of the project that were correct get messed up and the grid of bars changes and regions that were in sync both visually and timing wise get thrown off. Many thanks go out to those who can help.

Kewl!
Well, you could work one of several ways:
0) Have a "master score file" along the lines of what Fader8 suggested. This will be an LSO that starts at the very beginning of the movie and lasts the length of the movie. This file is your master "repository" for 2-mixes of all of your cues and is used for gaining perspective on the arc of the film and how your score is working within that arc.
So once you finish a cue, bounce a 2-mix (with at least a 2-pop at the head) and then lay it up into this master LSO. Align the 2-pop with picture. And as you progress with the score and add more cues, you can reference this LSO to gain perspective --- not only with the flow of the score, but you'll also gain perspective on the overall level of each cue and how they relate to one another.
If you keep this file as an "audio reference only" file, you can load this up along with whatever cue you're working on without fear of blowing out sampler memory (which can cause your current cue to crash).
So, on to suggested work methods:
1) Leave the movie file intact and set the movie start time (and SMPTE start time also) in each cue's LSO to correspond to the start of each cue. Once you've identified where you want to start, make note of the timecode for your downbeat, and then adjust the movie start again so that you give yourself some count-in leeway.
If it would be helpful to have the perspective of hearing the previous cue before starting the next one, the amount of leeway at the top of the new can be as long as the previous cue. What I'm getting at here is this: plop your 2-mix of the previous cue into your current cue. Once you get it aligned, SMPTE-lock that cue. Now you're free to adjust the tempo and SMPTE start point for your next cue.
At this point I'd like to temper the suggestion in my previous post by saying that it's not "illegal" to compose more than one cue per LSO. Sometimes it will seem absolutely natural -- if not essential, or eminently practical -- to have multiple cues contained within the same LSO. Just don't "overdo it". So, for example, if you have a 10 minute continuous music cue followed by 10 seconds of tacet followed by a reprise theme that lasts for 15 seconds --- all of which uses the same orchestration/sampler instruments as the longer part, sure, compose it all within the same LSO. But if what follows is a long period of tacet, start the next cue in a separate LSO.
2) If your computer has trouble dealing with playback of a large movie file, or, your scoring assignment is such that you have definite "hard" locations for the beginning and end of each cue, you can divide up the movie file to correspond to each cue. Just give yourself some leeway for count-offs.
This might be the default way you'd work if you were scoring a TV show or anything with commercial breaks, where each act might be delivered as a separate "reel" anyway.
There are some other advantages to using this method also, but as this post is getting mighty lengthy I'll leave it here for now. And I have the feeling that you'll get the idea mighty quickly as to how all this works.
Cheers!

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To my knowledge, on the iPhone you can only manage photos/images on your Camera Roll and Photo Stream. I have no intentions of using my iPhone for music or video either, but I do have an iPod so of course I have to have iTunes.
Unless you wish to connect your iPhone as a mass storage device and (carefully) pick through the folders that way to add and remove files, I find it more convenient, albeit slow to start it up on my computer, to use iTunes to manage my Photo Library. I do not know of a way to otherwise manage content on the iPhone (or any other Apple device, for that matter).
Managing apps is easy on the iPhone itself (I don't know how long you've had your phone for so this might all be old news to you). If I want to add one, I go to the App Store icon. If I want to rearrange them, I hold my finger on one until they all jiggle and then I drag them around at will. If I want to delete one, I hold it down until they jiggle and touch the black X at the top corner of the app and accept the prompt to delete it.
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Thanks for responding. Since I upgraded ITUNES to IOS 6, my IPOD Touch no longer works at all. I had numerous apps, music and videos on this touch. It made me restore to factory reset and it still does not work!!! Nothing I do will work on this touch n

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If you restored to factory settings/new iPod and still have the problem that indicates a hardware problem.
Make an appointment at the Genius Bar of an Apple store..
Apple Retail Store - Genius Bar

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What is the precise wording of the message that is occurring?
Are you attempting to update via iTunes on a computer or over the air on the device?
How much free space is actually on the device?
If updating via iTunes on the computer, how much free space on the computer?

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Which Canon Camcorder has the best built in microphone for recording musical instruments

Which Canon Camcorder in the affordable price range has the best built in onboard microphone for recording musical instruments
Thanks.

TheBee,
Thanks for writing!
The built-in microphones on the camcorder are fairly similar. When you're recording music, we recommend the use of an external microphone.
The mic you use really depends on what you're recording and where.
So we may better assist you, please provide a bit of information regarding the type of recordings you'll be making, the music and the setting (i.e. what kind of venue, your distance to the music, etc).
Did this answer your question? Please click the Accept as Solution button so that others may find the answer as well.

Alternative to ipad for recording music?

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Your needs are unclear. Are you looking for something portable? Or are you looking for an interface? I would suggest a zoom recorder. What do you want to record? Guitars? Voice? Drums?

[svn:fx-trunk] 9407: Reordering the if-statement in isMeasureFixed() exposed that hostFormat can be null when measure() is called if styles changed and measure is done before the next commitProperties .

Revision: 9407
Author:   [email protected]
Date:     2009-08-19 15:11:34 -0700 (Wed, 19 Aug 2009)
Log Message:
Reordering the if-statement in isMeasureFixed() exposed that hostFormat can be null when measure() is called if styles changed and measure is done before the next commitProperties. This states test exposed this.
We should rethink if we want to clear hostFormat rather than have a hostFormatChanged flag. If there is no hostFormat at measure then it has to be fixed because there is no line break format to check for auto-size.
QE notes:
Doc notes:
Bugs: SDK-22779
Reviewer: Gordon
Tests run: checkintests
Is noteworthy for integration: no
Ticket Links:
    http://bugs.adobe.com/jira/browse/SDK-22779
Modified Paths:
    flex/sdk/trunk/frameworks/projects/spark/src/spark/primitives/RichEditableText.as

Oh my god, it is too long! You definitely check out types, casting and especially ODP.Net (it does everything for you)... etc. They can help you to simplify your code. I do not have enough time to copy paste it to Studio and understand and solve your issue, so I got title of your message as your main question.
In Oracle, you can create an autonumber field by using sequences object. This is really useful when you need to create a unique number to act as a primary key.
Basically you can create a sequence simply typing;
CREATE SEQUENCE MY_SEQUENCE;
now you have a sequence called "MY_SEQUENCE"... Then, I advice you select a number from sequence;
select MY_SEQUENCE.nextval from dual;
I said I advice actually kinda must, although it called sequence, I cannot be sequential. Do not even try to predict the value. You can be sure that it is unique number so you can use it.
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2) A folder with question mark icon appears at bootup before Apple logo.
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Repairing permissions for “**** HD”
Reading permissions database.
Reading the permissions database can take several minutes.
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10.6.6 is a frickin' disaster!!!! Everything was working perfectly before this update and now I feel like I've been kicked in the balls by Apple. Thanks for nothing Apple!
Message was edited by: vanguard95
Message was edited by: vanguard95

It didn't do anything to Front Row on my computer. I doubt it did anything on yours, either.
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If it finds errors and fixes them, try booting from the hard drive. You may have to re-install Snow Leopard.

How can I derive Measures for coming periods like (Next Qtr – Measure)

Hi All,
How can I derive time series measures for coming periods just like Qtr Ago and Year Ago I want Next Qtr and Next Year columns in my fact, how can I achieve this?
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yyy | yyy |yyyy
Ago(measure, level, no of periods)
Thanks,
SMA
Edited by: SMA on Sep 21, 2010 4:23 PM

Hi All
I have derived Next to Next Qtr starting date using the following formula
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Please let me know if any one worked on this before
Thanks,
SMA

Beginner! Need help getting started with recording music.

I am the definition of 'new' at the moment. I want to record my own music at home and I've been told that using an Apple Mac is one of the better ways to go about it at home.
I have a number of questions, most of which have probably been asked before (apologies!) starting right from the beginning.
1. What type of Mac would be best suited as a dedicated tool for recording music? Obviously speed and memory are big factors, but are there any other considerations here (available inputs, drivers, sound cards etc)? I'm hoping to keep the cost below AUS$3000 if possible.
2. Do i need any other hardware for this application? (this is where you can tell how inexperienced I am haha) such as mixers etc? If I should need a mixer, is there a particular type or brand of mixer that works well with Macs?
3. Will plugging a guitar amp into the mac improve sound quality over plugging the guitar directly into the Mac? I bought a Griggin Garage Band guitar cable a while ago to record some background music for a friend's DVD, and I found it worked well, but I'm looking for the best quality sound now.
4. What would be the most effective software to use? I've briefly used Garage Band and found that to be simple and useful, but I've heard that there are better software packages available.
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I would presume one line level input will suffice?
Close, you need a Line Level AND Mic Level input since you'll want to record vocals.
Thanks for the link to your Q&A page, I found some very useful info there.
It's showing its age, and will hopeful get updated soon, but most of the info is good at least for a background.
Anyway, I think I might recommend this Presonus INSPIRE over the FireBox, it'll save you about $100 and since PreSonus makes excellent equipment (and we have an active member here that uses the Inspire), I'm confident that it offers great quality.
I think the firepod that you use looks great, but might be overkill
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my talent and engineering knowledge is quite limited
Then I would strongly suggest GB as the software, and then do lots of reading. The weakest link in music production is your engineering skills. Mixing and Mastering (especially the latter) are art forms. A bad engineer using a $10,000 bit of software and hardware would make a fantastic performance sound like garbage. With good engineering skills you can make a pro recording with GB.
The learning curve with something like Logic is dramatically increased, and again, without the skills to take advantage of what it offers, your recordings are not going to sound any better. At the very least, start with GB to learn the skills of Recording/Editing/Mixing/Mastering. The "price of admission" is low enough that if in a year you find that you need a feature GB doesn't offer, your money will not have been wasted, it will have been valuable learning time.
Hope those more specific answers help
~~HangTIme [Will Compute for Food] %-)>
Note: I am an Amazon Associate, if you purchase this item via my link I will get a small commission)

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Hi
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Thanks

Hi,
Please use the below table,
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MLGT u2013 Material Master: WM Inventory type
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MKOP - Consignment price segment (old versions of SAP)
EBEW - Valuation of sales order stock
QBEW - Valuation of project stock
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DVER u2013 Material Master: Consumption <MRP Area>
MVKE u2013 Material Master: Sales <Sales Org, Distr Ch>
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MARC - Material Master: Plant data
MAPR u2013 Material Master: Forecast
MARD u2013 Material Master: Storage Location
MCH1 u2013 Material Master: X Plant Batches
MCHA u2013 Material Master: Batches
MCHB u2013 Material Master: Batch Stock
MDMA - MRP Area data
DBVM - MRP Planning File Entry: MRP Area
MOFF - Outstanding Material Master Records (Maintenance status)
MARCH - Material Master C Segment: History
MARDH - Material Master Storage Location Segment: History
MBEWH - Material Valuation: History
MCHBH - Batch Stocks: History
MKOLH - Special Stocks from Vendor: History
MSCAH - Sales Order Stock at Vendor: History
MSKAH - Sales Order Stock: History
MSKUH - Special Stocks at Customer: History
MSLBH - Special Stocks at Vendor: History
MSPRH - Project Stock: History
MSSAH - Total Sales Order Stocks: History
MSSQH - Total Project Stocks: History
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BW error: "invalid call sequence for interface when recording changes"

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I already tried that. This is what's happening.. When I get this error, if I try again it will activate and gets collected into a transport. I moved this transport to our QA system. As soon as I try to execute an infopackage under this datasource in QA, I get the error datasource xxxxx must be activated. Before the excecution of the infopackage, the datasource is in "Active version executable". After I get the error message "datasource must be activated", the datasource in the QA system changes to "Active version not executable". I am not sure all these issues are related back to the "invalid call sequence" error I am getting when I try to activate the data source.
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Hi Experts,
I am facing a problem with the DME File download. This problem happened all of sudden in our production system since last month and it was never before. Our system landscape has also not been changed but as per our basis consultant he has added two-three more new application server to the Production client. Even we do not have this problem in our testing clients.
Please note that we have been using the output medium '1' from the day one and thus the system has been generating the DME in 'File System' which we download on the desktop and upload the same to the bank online. After running the payment run when we trying to download the DME File, the system gives the error "There is no source data for this data record, Message FZ205".
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With best regards,
BABA

Hi Shailesh,
Please share how you solved this problem.
Many Thanks,
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1 measure for nothing before recording music to video

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