1080 24p export to DVD

had a question about 1080 24p going to NTSC DVD. should i just render out a 720x480 widescreen 24p file for the DVD from Premiere? another size i've seen is 720x405, not sure why the 405?
or should i render the 1920x1080 24p file into MPEG2 out of AME or Premiere for the DVD using a preset?
i'm building the DVD in DVD Studio Pro and the menu in Photoshop at 720x480 widescreen (D1/DV NTSC 1.21).

i've seen in AME the presets, that's probably what i will use. is that preset 720x480 or does it export at 720x405? the only reason i ask is on this project i received some footage that was 720x405 with letterbox, that was probably intentional to use the black letterbox...do you have an opinion on that?

Similar Messages

Importing 1080/24p sequence into DVD Studio Pro 4

Perhaps the answer here is as simple as "DVD Studio Pro doesn't do Blu-ray." In any event, I recently got a Sony HXR-NX5U, which, among its many functions, shoots 1080 at 24p, 30p and 60i. Following these instructions from Ken Stone (http://www.kenstone.net/fcphomepage/burn_br_mac_superdrivestone.html), I was able to output a 1080/24p movie and burn it to the hybrid format he describes, which plays fine on my PlayStation 3.
However, when I try and bring the files that were created as a result of the "Share" command in FCP 7.0.3 (which are an ac3 file and an H.264 file), DVD Studio Pro will not recognize the H.264 video file and says that it is invalid. I'm assuming that the "Share" command creates these files via Compressor... if I'm wrong, please let me know.
However, if I just do a straight export of my 1080/24p timeline as a QuickTime movie, then DVD Studio Pro will accept the files, marking it with a "yellow" indictator, indicating that it needs to be processed.
What I'm wondering is... is there a way to export using Compressor so that DVD Studio Pro will accept the files? If I just do a straight export from the FCP timeline as a QuickTime movie and let DVD Studio Pro do the encoding, will it remain 24p?
Bear in mind I'm not trying to burn a blu-ray disc.
Thank you!

DVD SP does't do Blu-Ray.
If you have time to kill, do a search on the forum for hours of entertaining reading on this subject.
To create a DVD, use Compressor to generate the m2v and ac3 files needed by DVDSP to author a DVD.
Again, a search of this forum will turn up hundreds of threads - most of which are restating the process for authoring that is spelled out in the manual.
x

Shooting in 1080/24p - exporting as PAL

Hi,
Does anyone have experience with shooting footage in 1080/24p mode, editing with FCP (1080/24p mode), and then exporting it as PAL 1080/50i?
Does the image get distorted or something like that?
I have a camera with 1080/60i and 1080/24p, and I need to send some DVDs in PAL
(or should I export it in FCP as 1080/24p and then use iDVD?)
Many thanks
~y

how does FCP turn a 24fps clip into 25fpc?
You should not do this in FCP. Edit your 24p project and export it as it is.
Then you can take that master file, either to a facility that offers real time hardware based standards conversion, or do it in software -which will take quite a while.
Software standards converters include JES Deinterlacer (free) or Natress Standards Conversion ($100). JES will do a decent job but in the end, you get what you pay for.
Compressor will do it too, but it takes ages and I think the result is not really worth it. If you do choose to convert, have it done properly by folks who know what they are doing. It's not a good stage in the workflow to start trying to cut costs.

What is the best frame rate to shoot/edit with for export to DVD?

Hello, I am going to shoot some instructional martial arts videos that need to be exported to DVD. I haven't exported to DVD since 2005. I am curious what the best frame rate is to shoot with and edit in Premiere to export to DVD. I've read conflicting information online. Some forums say that you can edit in whatever frame rate you want as long as the output is SD, 30i, which seems outdated to me.
I'm shooting on the GH2, so my options are 1080 24p (which has terrible strobiness compared to other cameras at 24p), 1080 60i, 720 60p, and apparently there is an HBR firmware update that allows 1080 30p. I want the motion to be as unstroby as possible, without being too soft. My friend's camera can shoot 1080 60p and I'm considering buying the G6, which also shoots 1080 60p. But I've read online that 60p to DVD looks choppy.
Any advice would be greatly appreciated. Thank you very much.
Jeremy

Thank you Jim. I do have one more question with regards to your advice:
I am putting the new firmware on my GH2 today, so I will be able to capture 1080/30p as opposed to only 1080/60i to edit in the 30p timeline. Is there a reason you would prefer 60i over true 30p at the same res? I've had problems with interlacing in the past never quite going away and getting funky when doing slow motion and other effects.

Still images exported to DVD look deinterlaced and flicker on TV monitor

Hi,
I have tried tried almost everything and I still have issues with the still images exported to DVD as sequencefrom FCP 7.0 by using Compressor are deinterlaced and flicker on TV monitor. Please help remove the annoying flicker.
My FCP Timeline Sequence settings match the image resolution:
Frame Size: 1024 x 682 (double of 720 x 480 standard DVD res)
Pixel Aspect Ratio: Square
Field Dominance: None
Compressor: Photo JPG (also tried, DVCPRO-NTSC)
I cropped the original images in Photoshop to the 1024 x 682 and saved as tiffs. They still look deinterlaced in FCP timeline and exported to DVD on my iMac computer monitor.
Final output of DVD will be on this monitor:
Specifications:
Ikegami
Model: VCM-2101
Resolution: 450 TV Lines (Horizontal)
Should I crop the images to 450 horizontal pixels or the double of that 900?
How can I match the sequence or the images settings to avoid the flicker and deinterlaced look on that monitor? I am not able to test the image by having the monitor next to computer.
Compressor:
I used custom DVD settings in Compressor for 90 min best quality DVD. Tried the Porgressive and "Same as Source" in Output field.
In "Crop to" and "Padding" I set for preserve source aspect ratio and letterbox area of source.
I followed the advices from below and I still did not resolve the problem. Please is there anythign else I can try?
Thanks a lot..
Re: Poor Quality Stills
Dec 19, 2006 4:08 PM (in response to Steve Braker)
Things to try (In increasing order of image degradation)
- (in FCP) field order>none
- (in FCP or Photoshop) reduce whites by 10% - reduces overly bright areas
- (in FCP) flicker filter - minimum
- (in Photoshop) motion blur>vertical> .2 - .5 pixels - blurs vertically only
- (In FCP or Photoshop) Gaussian blur> .2 - .5 pixels -blurs both horizontally as well as vertically
- (in FCP or Photoshop) deinterlace - throws away half the image and is generally not appropriate on scanned images

Dear Russ,
Thank you very much. Yes, there is something else in the sequence, old documentary, 768 x 570 (no field dominance, 25fps, Apple ProRes 422) but the images are more imporant.
make a progressive sequence with square pixels. (I am partial to 720P, 1080 should work – or 540). Choose Pro Res 422
Do you mean that I should make a sequence in FCP with these settings? If yes, how can I set a "progressive" sequence? I dont see a setting for output field in FCP sequence settings, lnly in customizing Compressor output DVD format.
Also: "720P, 1080 should work – or 540" are you talking about Frame size? If so, to set in Compressor or in FCP?
If you have interlaced material, then de-interlace before you bring it in. If you don't have interlaced clips, don't de-interlace.
The images are not interlaced after I crop them, apply motion blur filter in Photoshop but look interlaced in FCP timeline after I import them and even to the same as photos sequence in FCP timeline.
Please help and thank you for your comments.

Motion blur issue once exported to DVD through Encore

I have 59.94 HD footage. I edit it, export it through Adobe Media Encoder to Mpeg-2 DVD at 29.97, drop-frame, lower field dominance. I then import that .m2v file into Encore, and then export to DVD, without re-transcoding or encoding anything. The DVD plays back with a 24p-like jitter, or blur to it. I do not understand this. After encoding the .m2v file, I went back and played that on windows media player, and other media players, and the video played back as it should originally, very smooth. Why is it that in between creating the .m2v and exporting the DVD in Encore, I am getting this 24p-like blur/jitter to the video? Does it matter that some of these videos I am putting to DVD-DL and are quite large? Hope someone can help. Thanks. Any other info needed, I will supply for you.

Matrox, velocity and anyother hardware based NLEs use a 720 x 486 timeline. I've exported countless SD files through AME and the m2v files played fine through a Windows media and VLC, They also imported and burned to DVD with Encore flawlessly. SD is not the issue at all.
The problem is as stated in the original posting is.
I export the HD timeline(59.94) through AME as a MPEG2-DVD (29.97 Lower field) and the file plays fine in the WIndows Media Player and VLC. No jitter. Perfect
It's when I put the m2v encoded from a HD (720 x 1280 59,94 frame rate as a MPEG2-DVD in AME ) in encore ( do not transcode ) and then burn to a DL DVD. When the DVD is played back, the jitter issue arises.

Need to edit 1080 24p 7D footage and 50i SD XL2 footage in same timeline.

Any help would be appreciated. Editing using latest Final Cut Studio on a Mac Pro and a Mac Book Pro.
I have Canon 7D 1080 24p footage and 50i SD 16:9 Canon XL2 footage to edit together in the same timeline.
Outputting as an SD DVD. I'm working with PAL all the time. I was under the impression that 24p was PAL, but have been told that 24p is NTSC.
I convert the 7D footage to Pro Res LT. Then what do you suggest?
Do I use Compressor or Cinema Tools to "conform" the 24p to 25p? And then work in an SD timeline suited for the 50i footage? Would I be automatically making the 7D footage SD if I move it into the SD timeline? Thanks.

In case any one needs the answer to this in the future, I think I've stumbled upon the solution elsewhere.
Change the 7D footage to Pro Res LT. Using Cinema Tools, convert it to 25p. Drop the 25p footage into a Final Cut timeline that is set up for the 50i footage. I haven't tried it yet, but will.

1080 24p footage ready for youtube. best settings?

I've got a video that was shot in 1080 24p in Apple ProRess 422
i'm ready to send it to youtube. what's the best way to get it from my timeline to youtube with having the best quality and smallest size?
i've tried using Quicktime Conversion for h.264 out of final cut with multipass and best quality with automatic kbps setting.
is there something else i should do? should i send to compressor? is there another setting? a better kbps setting i should use?
because when i use my settings as i mentioned above, i love the quality, it's just my videos are still very large (4 minutes is about 2.7GB's) and it takes forever to export and upload to youtube

Hi There,
I'm no expert here but i have just sent a video to youtube a very crude way but it looks pretty good and it was 1080.
Select your sequence then FILE-EXPORT-QUICKTIME MOVIE
Once its on the desktop open the movie using Quicktime X, on the playback bar there is a little arrow icon, click this and there is an option to export to youtube, enter your user name and password and your away.
My movie took about 1.5hrs to upload.
Not an ideal solution but a quick and dirty way of getting your HD stuff onto youtube looking fairly decent !
Hope this helps.
Regards,
Dave.

720 24pn to 1080 24p upconvert, and DNxHD or QT uncompressed

I've finished my P2, 720 24pn documentary in Avid and want to deliver a 1080 24p master on hard drive to put to HDCam tape for a Da Vinci color correction.
I've exported a quicktime reference to After Effects and nested the 720 project in a 1920 x 1080 composition (to include all the 4k photos and titles).
Is this the best way to upconvert 720 to 1080? It looks great...
And is using the DNxHD 175 10 bit codec for the quicktime export as good as an uncompressed 10 bit quicktime? The resulting file size on a 100 minute file is 150 GB's vs 1.5 TB's.....
I have searched and searched the forum, but it's not easy to find the Truth!!

FYI for anyone wondering in the future, this is what my Da Vinci artist said:
"At my day job, doing HD spots for Sony Pictures (who are very particular about picture quality), the editors are also using Avid's DNX compression. The settings they are using (at 1080 lines) are: 175X for 23.98 and 220X for 59.94. We've run tons of resolution tests and the clients find this acceptable quality for big media buys (Superbowl, American Idol, etc.)."
Another said that if my original content was film he would go uncompressed QT, but since it was P2, DNxHD 175 is the way to go.
And this article (now a year old) evaluated DNxHD vs ProRes422 and Uncompressed.....
http://www.studiodaily.com/blog/?p=97
excerpt:
As a control, I used Apples Uncompressed 10-bit 4:2:2 codec. I rendered the animation to the ProRes 422 (HQ), ProRes 422, Avid DNxHD 175, Avid DNxHD 115, and Avid DNxHD 36 codecs. (Note: The DNxHD flavors are specific to 1080/24p format video. The 30i versions would be DNxHD 220 and 145.)
After re-importing the results in After Effects, I placed each file in a composition along with the Uncompressed 10-bit 4:2:2 version and used the Difference transfer mode to illustrate where the compressed image varied from the uncompressed. The results were quite surprising.
The DNxHD 175 files difference from the uncompressed was barely visible to the naked eye, but the ProRes 422 (HQ) codec showed significant differences. In fact, in my test, the DNxHD 115 codec also outperformed the ProRes (HQ).

Upgrade to 10.5.7 and now i get 1080/24p on tv??

I was hesitant to upgrade to 10.5.7 considering all the issues specifically centered around the screen issues since id already had problems hooking up my hdtv and detecting proper settings. i finally made the jump yesterday, and lo and behold , instead of my tv reporting 1080p simply, it now reports 1080/24p!!
this is all well and good, except the slight problem, if i can call it that, is that i noticed the mouse has suddenly gotten very sensitive, even though ive notched down the sensitivity, and it seems a bit erratic.
secondly, ive noticed when watching tv shows through my mini, i now have audio/video sync issues. i realize thats probably because the tv is now internally converting all video to 24p, while sound is still synced with 30/60hz. any idea how to fix this? the wierd thing is i can no longer find a 1080p output option, its either 1920x1080 at interlaced, which will not cut it, or 1920x1080@24hz.
anybody else seeing this? i havent read anything about this yet.

I am having the exact same problem, have vista/hp media center also, sometimes if I double click it will open after all, the arrow keys do navigate however, any suggestions?

First Video Export to DVD Question

Hi - I have my first ever video export from Premiere to a DVD and I'm a little nervous about it. My footage will be shot with the Panasonic ACHD (I think that's the model as I don't have the camera with me here) and the camera is set for 1280 x 720 at 24 FPS.
I was looking through the export settings in Premiere CS4 and found the MPEG-DVD and MPEG Blue Ray settings. When I select MPEG-DVD, I notice that two vertical bars are in each end of the output; when I select MPEG Blue Ray, there's a setting in there that makes those bars go away and the picture fits the dimensions perfectly, so it looks like I can use those settings.
My question is - after I export this file, how do I actually get it on the DVD disk? Should I export it like above and then use Adobe Encore to burn the disk? Or is there some other method?
Any help is appreciated. Thanks.

Your original file is HiDef, a DVD is Standard Def at 720x480 so you will see a difference from original to DVD
You may not use BluRay files on a DVD... see above
You use PPro for editing, Encore for authoring... reading below
The individual CS5 pages also have links to the CS4 user guide pages
CS5 User Guides - online and PDF (right click PDF link to save PDF to your hard drive)
http://blogs.adobe.com/premiereprotraining/2010/08/help-documents-for-creative-suite-5-pdf -and-html.html
Here Tutorials
http://forums.adobe.com/thread/913334
http://forums.adobe.com/thread/845731?tstart=0
-and http://forums.adobe.com/message/3234794
A "crash course" http://forums.adobe.com/thread/761834?tstart=0
A Video Primer for Premiere http://forums.adobe.com/thread/498251?tstart=0
Premiere Tutorials http://forums.adobe.com/thread/424009
CS5 Premiere Pro Tutorials http://forums.adobe.com/message/2738611
And http://blogs.adobe.com/premiereprotraining/2010/06/video_tutorials_didacticiels_t.html
And http://blogs.adobe.com/premiereprotraining/2010/06/how_to_search_for_premiere_pro.html
CS5 Tutorials http://bellunevideo.com/tutlist.php
PPro Wiki http://premierepro.wikia.com/wiki/Adobe_Premiere_Pro_Wiki
Tutorial http://www.tutorialized.com/tutorials/Premiere/1
Tutorial http://www.dvxuser.com/V6/forumdisplay.php?f=21
Tutorial HD to SD w/CS4 http://bellunevideo.com/tutorials/CS4_HD2SD/CS4_HD2SD.html
Premiere Pro Wiki http://premierepro.wikia.com/wiki/Main_Page
Exporting to DVD http://help.adobe.com/en_US/premierepro/cs/using/WS3E252E59-6BE5-4668-A12E-4ED0348C3FDBa.h tml
And http://help.adobe.com/en_US/premierepro/cs/using/WSCDE15B03-1236-483f-BBD4-263E77B445B9.ht ml
Color correction http://forums.adobe.com/thread/892861?tstart=0
Photo Scaling for Video http://forums.adobe.com/thread/450798?tstart=0
-Too Large = Crash http://forums.adobe.com/thread/879967?tstart=0
After Effects Tutorials http://www.videocopilot.net/
Authoring http://www.videocopilot.net/tutorials/dvd_authoring/
Encore Tutorial http://www.precomposed.com/blog/2009/05/encore-tutorial/
And more Encore http://library.creativecow.net/articles/devis_andrew/
Surround Sound http://forums.adobe.com/thread/517372

White lines on movie exported in DVD

ehi guys. I did just a nice movie with the suggestions of some members of this forum but at the end the quality of a 30minutes movie exported in DVD was not so much principally because of some white lines present in some pieces of the movie. These white lines are not clearly detectable, but still they disturb the vision. I guessed that this effect was due to the low ram of my laptop (512MB). is that correct?

It sounds like it *could* be an interlacing issue, especially as it appears on the TV, and not the computer. Chances are that the computer's progressive scan masks this issue, while the TV's internaced display shows it.
Now, are all of the source Clips on the same Timeline the same? Were they all Captured via PE from a miniDV camera, over a Firewire connection, or are the from mixed sources? Having this problem come in during the play of the DVD indicates that it might be some of the source files, but not all of them.
More detail on the Clips would help. In the Project Panel, you can get the properties of each of your source Clips. Listing those would be a good start.
Good luck,
Hunt
[Edit] Antonio,
If it is a Field Reversal interlacing issue, you might get some useful information from this current discussion.

Poor DVD Quality when exporting to DVD

I have an HD timeline with XDCam footage 1080i. I have been trying to export to DVD and everytime I export I get poor quality video. The image shows distortion and pixelation. My client is not very happy with the final product and I'm just running out of asnwers. I have tried exporting using Dynamic Link, Media Encoder and I get exactly the same result. I have tried exporting the first 15 min with same results. Jagged edges, etc.
I just upgraded to CS5 from CS4 hoping to resolve the problem and I get the same result. I only have the problem while exporting to DVD in MPEG format. Blu-Ray format works great.
Any help is greatly appreciated.

Hi Ann
    Here are the specs of my PC.
     Dell Workstation T7500
     12Gb RAM
     Quad Core Xeon E5520 2.27 CPUs
     Vista 64Bit OS
     Terrabytes and Terrabytes of RAID storage. Too many to mention.
I can edit HD content in real time and works great the only issue I'm having at this point is just Encoding HD to SD. The encoding is normally done fairly fast, except for HD wich takes almost a whole day to encode when delivered in HD. Right now is taking longer because I'm trying to go from interlaced to progressive I guess.
Question regarding your settings.
My settings are different than yours on:
     Quality = 5
     Field Order = Lower (Could this be the problem?)
Thanks

Poor video Quality when exporting to DVD

I cant seem to get a clear video. I am downloading from DV from a canon and the quality is sentational.
When on the time line averything is brilliant. When rendereing everything is still ok.
When exporting to DVD it goes pear shaped. I have tried dozens of different variations with the same results.
I am in AUstralia and am using PAL.
I get motion blur and what appears to be very poor quality result after exporting.
Help... I dont have much hair left.
Premier Pro Tragic

@Harm,
"Pear-shaped" (or sometimes "fruit-shaped") is a euphemism meaning that the effort has gone awry; it was a mess.
@John,
Export to DVD is a PPro 2.0 function; in CS3 it is now Export to Encore. Is that what you meant?
First thing is to check the field orders of your source material and of your export settings. Don't invert them, and don't deinterlace interlaced footage.
Perhaps a short list of the settings you have tried (and why you chose those settings) would help us help you.
-Jeff

My Imovie looks great on mac but it is discolored and grainy after I export to dvd.

My Imovie looks great on mac but it is discolored and grainy after I export to dvd. I need help, it looks awful when projected even playing from my mac.

It's my understanding based on what another long time contributor stated that Share to iDVD converts direct to a MPEG-2 format and drops it directly into the iDVD Project for you. Share to Media Browser saves it to .MP4 (actually .m4v which is what apple uses for iTunes video,etc) then that gets converted by iDVD into MPEG-2. So something about the export direct to MPEG-2 when you choose Share to iDVD is introducing the problem. That's why Share to Media Browser seems to get around that limitation, it uses a different encoding path altogether.

1080 24p export to DVD

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