10bit sequence to DV output ?

Hi,
I have an 83minute PAL 10bit sequence that I need to output to PAL DV. What is the best way to do this?
When I use "Export QuickTime Movie" it takes 4 hours to render out to PAL DV, and then the resulting file has the wrong field order and flickers on an external monitor. I have to apply a shift field filter to the resulting file and then re-render.
Seems there must be a better way.
Any suggestions?

I have the same problem (but in my case was only 1 or 2 files not 83minuts of edit material).
The solutions was to put the files in DV-PAL sequence (lower field) and on the files (in the DV-PAL sequence) to remove the filter SHIFT FIELDS.
Maybe in your case export without conversion and then try my way...
Krale

Similar Messages

Work flow? How to link multi-cam sequences for DVD output?

Pr cs4 (very new)
Still taking baby steps each day... please take my hand and help me!
Final output will be 2 DVD's (each DL) each about 2 hrs. Content are chamber music student groups in two recitals.
I have assets from two camera angles. I have successfully practiced on one of the groups performance (10 min.) following the steps illustrated in a multi-cam tutorial. http://www.adobe.com/designcenter/video_workshop/?id=vid0234
This leaves me with a great multi-cam sequence for that group located in the Project Panel, exactly what I want.
Now, I want to know what is the best method (workflow?) to ultimately produce a DVD containing about 10 of these type performances (one after the other) with chapter markings for each group, titles etc.?
I have yet to use Encore and I'm guessing that is where I'll send the finished edit for DVD production, though I don't know at what step I jump there?
Do I try to create one very long multi cam sequence of all the content, then send to Encore? Or can I create seperate multi-cam sequences (each performance) then link them together, adding transitions and make the DVD? This would be my preference to keep things more manageable, especially with audio synching.
With my practice multi-cam sequence on the timeline, I tried to drag the same sequence from the Project Panel to the end of the timeline to simulate how this would work, but it does not add to the timeline as a clip would.
This is probably childs play for you pro's, but we were all baby's at one time...I just happen to still be one!
Thanks for your patience and advice,
Kenny

Yes I did...now toss me a cookie please.
I am trying to quickly get up to speed in Pr CS4 to get this project completed. In the process, I'm trying to learn and understand the interface and correct terminology so as to make my questions intelligible to a community that posses vastly greater understanding than myself.
Is there anyone who can help with my main question at hand? Namely, how to go about creating a full length sequence (in the timeline) made via the nesting of synchronized multi-camera clips within a new "multi-cam sequence"?
As I said, I have completed a small test sequence in this fashion, nesting clips in a new sequence then using multi-cam monitor to record cuts. Now I need to add about 10 more of these together in a completed sequence to then send to DVD production.
Is this intelligible?
Thanks, Kenny
__0
_ \<,_
Date: Wed, 4 Nov 2009 09:11:06 -0700
From: [email protected]
To: [email protected]
Subject: Work flow? How to link multi-cam sequences for DVD output?
please take my hand and help me!
Well, at least you had the gumption to admit that up front.
>

Access Sequence for PO output

Hi experts,
I have defined new PO output type in NACE by copying existing one.
I have created New Condition Table for PO output (in SPRO).
Now, i want to create new access sequence. But, i am facing following problems
1. If i try to create new access sequence by copying existing one , i am not able to add Newly defined condition table.
2. if i try to create new access sequence without copying existing one , i am not able to enter access i.e. 10 ,20 , 30, 40 .... for access sequence.
Also , how to link this new access sequence to newly defined Condition table?
Please, guide me to resolve it
Regards,
rahul
Edited by: RahulNsk on May 9, 2009 9:34 AM

David,
I can't answer your question directly but I can propose an alternative:
If you are looking for another field to trigger output determination, you may want to consider having an ABAP developer create a custom requirement for that output type. Requirements can make simple validation checks and if it passes (sysubrc = 0) then the output is proposed, if not, then output is not proposed.
Create requirement @ Materials Management > Purchasing > Messages > Output Control > Maintain Requirements for Message Control
Assign requirement to output type @ Materials Management > Purchasing > Messages > Output Control > Message Determination Schemas > Define Message Schema for Purchase Order.
I hope this helps

Importing .asf files, blurry in source/sequence monitors and output

I have a large amount of material to work with in .asf form, 480x360 resolution. I'll be outputting to 480x360 as well, so no scaling/zooming needed at all. Problem is, when I import one of those asfs it immediately becomes blurry, i.e. in the source monitor even before I insert it into the sequence and do any modifications. Comparing the imported files to the originals there is a noticeable difference at the exact same dimensions.
I've made sure my sequence settings are at 480x360 resolution. Not sure where else to look on this, any suggestions?
In the past I've done a very similar workflow in PE with no problems, so I'm assuming (hoping??) that there's some easily changed option. Thanks in advance.

Have tried various other permutations in project setup and output - still no luck.
I'm wondering if a clue is the behavior of the program monitor - the clip displays clearly in it until I 'select' the video screen, at which point it blurs just like the output. If I click another area of the screen again, the image resharpens, and so forth. Anyone know what mechanism is causing that?

LabVIEW sequencing DAQmx, setting outputs on input triggers

I am still learning labVIEW. I am an engineer in a mechanical test lab and I am currently working on a test.
The test needs to run through a sequence controlling a stepper motor, sensing when a touch screen is activated, and write load cell DAQ to a file. This needs to repeat as much as 1,000,000 times. It is a cycle test.
I have been working on learning labVIEW for the past month and it has gotten me pretty far but I am having trouble with tying together my first VI for an actual test to be performed in the lab.
My biggest constraint is:
I don't understand how to set an ouput to a level (HIGH/LOW) at the condition of a rising/falling edge of a input. This pertains to how the stepper motor and touch screen works. I want to set an output to high to extend the motor and wait until it activates the screen which will send a digital high input. I want to collect DAQ at this point then set a second output to hight that will retract the motor to a 'home' position.
I have attached photos of my setup, a diagram of how it is wired (hand drawn), and two VI files. Both VI files don't work since I don't know how to 'tie' everything together and control an output when an input edge is triggered.
Load Cell VI_V2 uses DAQ Assistants to sequence through.
000_Touch_Screen.vi uses DAQmx which are seperated into operations that I want to sequence.
Any thoughts on best method for a newbie?
Thank you in advance for any help!
Attachments:
Xerox IS_MP_001.pdf ‏126 KB
000_Touch_Screen.vi ‏23 KB
Load Cell VI_V2.vi ‏268 KB

Your application should be written using state machine as discuss in http://www.ni.com/white-paper/3024/en. One of a very good example could be found in https://decibel.ni.com/content/docs/DOC-8596.

Help required with Access Sequence for 'Delivery output' of Scheduling note

Dear Gurus
I need help with creation of an Access Sequence.
I have created an access sequence for sales org and customer, where the communication is emailed or faxed to the CR party- Forwarding agent.
BUT - some customers have more than 1 forwarding agent in their masterdata, and not all forwarding agents are wanting to receive fax/email, so if a condition record exists it will always try to send via the method set up against the customer.
I need to create an access sequence which looks at the customer/ Forwarding agent combination, - I have created new condition tables and Access sequences to include Vendor, - but when i create delivery notes, - this is not working, - it is not recognising the access sequence at all, the vendor party/haulier is not being recognised at all- I keep getting access not made, Initialised field'
Please advise how i can get the customer/Forwarding agent scenario to work
Many thanks
Tony

Hi Tony,
The field SPDNR can not be entered directly in the feild catalog list.
First it has to be included in the list through inculde or user exit......
SPRO->Sales and Distribution>System Modifications->Create New Fields (Using Condition Technique)-->New Fields For Output Control---> Use INCLUDE for new fields in Dictionary (messages) or Use user exit for new fields (messages)
You ask your ABAP consultant to do this then it will be available in the field catalog list then u can select in the condition table then into access sequence and so on...
Kindly Reward points if usefull.
Regards
vK

Creating a control sequence of digital outputs with timing

I'm trying to create a controls system for a cleaning process. I am controlling a pump, heater, and several solenoid valves using relays that I am opening and closing with the +5V from my USB 6008 and each relay goes to one of the digital I/O lines, where I provide a sink to switch the relay.
I am using the front panel as the user interface for the machine, so the user can specify three different processes, so I'm using an event structure to call each process. An example of the steps in the process are as follows:
1. Open relay #1 (solenoid valve)
2. Open relay #4 (heater)
3. Wait 30 seconds (while relays #1 and #4 are still open)
4. Close relay #4
5. Close relay #1
6. Open relay #2 (solenoid valve)
7. Wait 5 seconds (while relay #2 is still open)
8. Close relay #2
I am trying to use a framed sequence structure within the event cases, with the DAQ Assistant saying which lines are sinks and which are also outputting +5V (no delta, keeps relays closed), but I don't think this is working and will bog down the system if it did. I think inverting the lines will make it so the lines nominally output the +5V so I just need to send it a sink when I want to close the relays, and make sure it keeps doing that while it waits so the process can be completed.
What is the best way to do this? I've used Labview before, but I'm hardly a pro, so any help would be greatly appreciated.

As nijams mentioned a state machine architecture is a good place to start. In case you are unfamiliar in how to implement this in LabVIEW there is a blank state machine template available in LabVIEW. When you create a new VI select From Template->Frameworks->state machine. In addition I've included a link to a simple example posted on our NI Community.
State Machine Example.zip: https://decibel.ni.com/content/docs/DOC-15515
Regards
Regards,
Isaac S.
Applications Engineer
National Instruments

*** Dropping an HDV sequence into a DV sequence for DVD output

I would like to output my HDV project to DVD but don't have an HDV camera or deck. I've dropped a few clips into an SD (anamorphic) sequence and rendered it out, but when the playback is viewed on a tv, it is jittery and not smooth as it needs to be.
I've had success sending my HDV project directly from FCP to compressor, but in this case, I can't do this because my next problem is having a glitch where it causes FCP to crash during the outputting to Compressor process.
This is the next workaround I've though of.........but it is having difficulty working.......is there another option or a setting I can change on this one?

All of the HDV footage I've worked with has been Lower Field First. If you want to de-interlace, use Apple's de-interlacer that can "interpolate" instead of duplicate or blend. This maintains the images edges. this can be found in Compressor, Shake, and even Motion. Also, Sending a sequence out to Compressor straight from Final Cut may seem like a good idea, but remember that HDV uses MPEG 2 Interframe encoding, and a lot of your cuts take place between complete frames. I've heard of a lot of problems, and experienced them myself by going this rout. I'd recommend exporting your entire sequence to a self-contained movie, which will render it completely, then taking that in to Compressor to convert to DVD or any other format. I like using the Apple Intermediate Codec or DVC PRO HD because it converts it to an Intraframe encoded format, aka, every frame stands on its own. It takes up more drive space, but its far less CPU intensive. While you're in compressor, you'll have to go into the "Frame Control" tab and set up your de-interlacing, which I believe lets you choose something like "motion estimation" or "best" which will interpolate the fields and produce sharper results. In Motion, it's just a filter. In Shake, its a node, or you can use the FileIn node to convert the format which can do the same.

Access sequence of the output type ?

HI All
where can i set the routine in access sequence of the billing document output type?
rewards will be given
regards
pinal

hi,
<b>assigning access seq to o/p type</b>
tcode: NACE-> select V3 -billing> click output types.>now select RD00->click the bino ikon whick in the top, this is take u inside RD000-> here u will find access sequence-->here u can assign
<b>assigning processing routines</b>
In the same procedure-> click processing routines on the left hand side->here u will find the form routine column
hope this helpd u
regards,
Arun prasad

Please explain the relationship between sequence setting and output

I am looking for an explanation of the sequence setting and the output settings (Mac Quad core, 10.7.4 - CS6 Production Premium, PR) I am primarily working in AVC-I 100 and XDCam. I've found that I can drop in AVC-I into a Seq and it will set the Seq to that codec. Many times I'll need to send the in-progress and final edits to my clients as an WMV (HD) video file. In FCP, I would export the self contained seq and use Episode to transcode to wmv. I'm having trouble understanding the best way to do this in PR (CS6). I've found that if I leave the Seq setting to the AVC-I, the render and the file output is a 50% quality mpeg-I. Is it best to set up a custom sequence w/ ProRes as the render codec? I'm having a hard time finding or getting an explanation of best practices for this type of operation. Any guidance would be appreciated.
Thanks,
jim

Remember I said you could force Pr to use your rendered preview files instead of the source media for export? Selecting Match Sequence Settings in the Export Media dialog is how you force it. Don't do that. And don't shoot the messenger -- I've lobbied against that label for that control for 2 versions now.
Some Export formats, like H.264 Blu-ray and MPEG2-DVD, have an available Preset called "Match Source Attributes". If you choose that Preset, you get something like this:
For details on setting up a sequence, see the Help files:
http://help.adobe.com/en_US/premierepro/cs/using/WS3E67AF4C-B2A2-4f04-90B4-F8CCFB74B144.ht ml#WSd79b3ca3b623cac941d41a681247d1f35a4-7fff
Jeff

Converting HD sequence to AVI output?

Oh boy...
first the specs: FCP 5.1.4, OS 10.4.11
I need to export my finished sequences (shot in HDV, footage transcoded to and edited in Apple Intermediate Codec) to an AVI file for some guys in Europe working on an Edius Broadcast system.
Of course, everyone is asking for an "uncompressed HD" file. Now we all know that the stuff was compressed in camera, and so what they really want is a file that's transcoded with as little "compression" as possible, right?
I looked around on the boards here, found a few notes about using the Quicktime Export components in Compressor to export an AVI, and of course tried to export the AVI directly from FCP using Quicktime Conversion.
No matter where I look, however, I don't see any HD settings for AVI, leading me to think that...AVI doesn't support HD files?
I did export an AVI using the "none" compressor setting...and got a 22 gig file for a 2:30 movie! It was big, but was it HD?
If you were in my situation what would you send them? I'd love to do this as a file...but for whatever reason, they say they can't open a Quicktime movie made on a Mac (this is where I go HMMMMMM.....), even though they claim to have QT for Windoze on their machines.
Does AVI support DVCPRO HD?
Is there a reason Edius doesn't support Quicktimes?
Maybe HDV tape is the answer? I'm all ears...er, eyes.

Ah, MPEG Streamclip!
I use it so often to make QTs out of MPEGs, I never even considered that "make AVI" button.
I'm transcoding my AIC reference movie to JPEG2000 100% quality as I write. AND I plan to send them an HDV tape output, as well, so they can have at it, trad vid style!
Thank you mucho. I will check out VisualHub as well. The Blackmagic codec was also suggested as a possiblity, fyi.

Changing print sequence of the output types

Hi Friends,
We are using Z program for issuing output .
In this we are giving input values as Application (ex. V3) and output type (Ex Zx50) to take invoice printouts
At present we are having three output types ZX43 , ZX44 AND ZX45.
For this three output types program name and form name is different .
To take invoice print we are executing this Z program with output types separtely.
Our requirement is
Creating new application ( ex V4 ) AND new outype type (ex ZX46) under this we have to bring this three output types ZX43 , ZX44 AND ZX45.
By giving input as V4 and ZX46 it has to do the same work as it is done separtely
while doing code please give me the suggestion or logic how to combine all these three output types in one
Regards
R.vijayakumar

Hi,
You can do this in the NACE configuration itself. we can call 5 program and forms for a particular output type.
In the output type processing routine of nace transaction mention the program and form name
Thanks
Arul

Changing the print sequence of the output types

Hi Friends,
We are using Z program for issuing output .
In this we are giving input values as Application (ex. V3) and output type (Ex Zx50) to take invoice printouts
At present we are having three output types ZX43 , ZX44 AND ZX45.
For this three output types program name and form name is different .
To take invoice print we are executing this Z program with output types separtely.
Our requirement is
Creating new application ( ex V4 ) AND new outype type (ex ZX46) under this we have to bring this three output types ZX43 , ZX44 AND ZX45.
By giving input as V4 and ZX46 it has to do the same work as it is done separtely
while doing code please give me the suggestion or logic how to combine all these three output types in one
Regards
R.vijayakumar

Hi,
You can do this in the NACE configuration itself. we can call 5 program and forms for a particular output type.
In the output type processing routine of nace transaction mention the program and form name
Thanks
Arul

Access sequence requirement for output control

Hi!
I would like to get some inputs on how access requirement for output control works. I created a new requirement for a condition table that has key combination billing type/sales org/country because I need to restrict the output for a paticular customer in one country. I think the requirement works fine such that it is not fulfilled for the customer that I want ot restrict, thus no output is created. However, I noticed that other customers in that sales org/country are affected by the requirement. The output is created (sy-subrc=0) but it is not processed (remains in yellow status). The output should be emailed immediately upon creation (medium 5/timing 4). For other sales org/countries the creation of output and sending of email work as expected.
I hope someone have valuable inputs regarding this.
Note: I created this discussion under ABAP development but it was rejected, for reason: This does not appear to be an ABAP question. So I hope I have selected the correct one with SD.
Cholen

There is Output determination log available in the output screen (see the menu). It tells everything about how the output was proposed.
If the requirement is not fulfilled, you won't see output created with any color - yellow, red or purple with sparkles. If output has been proposed and has a yellow light it means it has not been processed yet. Output is processed only after the document has been saved, so while creating the document, you'll never see any other color. If after saving the document output is still yellow, it must have a different timing than 'process immediately' and it will be processed according to that setting.
This is a very simple concept, well documented and discussed gazillion of times on SCN. Requirements and conditions are two different things with different purposes. You might want to read a bit more on the output determination.
Thank you.

Combining sequences to final output

My question is. I am wanting to create my DVD project in sequences eg. my intro in one sequence, the body of the DVD in another sequence and maybe the credits in a third sequence. I know how to create another blank sequence etc, I just don't know how to combine all the sequences in the end for final export. Please help

iedit wrote:
But I am working in the FCE program
...So post your qstn on the Final Cut Express forum here:
http://discussions.apple.com/forum.jspa?forumID=936

10bit sequence to DV output ?

Similar Messages

Maybe you are looking for