1440 x 1080  in 4.5

Is there any way to work with 1440 x 1080 footage into FCP 4.5 ?

AIC will not work in FCP 4.5...nor will HDV. Period...end of sentence. That version is too old, those formats came out AFTER FCP 4.5 was made. The only option is to convert the footage into a format that FCP 4.5 works with, and the only options for FCP 4.5 are DVCPRO HD and uncompressed HD. DVCPRO HD is the better option. HOWEVER, 1080i DVCPRO isn't 1440x1080, it is 1280x1080...so you will be losing some lines of resolution.
Time to upgrade if you want to work with current formats.
Shane

Similar Messages

  • How to make compressor give me 1280x720   h.264 from my 1440 x 1080 sequenc

    can someone please tell me how to make compressor give me 1280x720 h.264 from my 1440 x 1080 sequence, with compressor I load up my high defition h.264 but i cant see where i can chage the size, I can tab on the preset and change max bit rates and other stuff but not to make it 1280 x 720,
    Thanks for the help,
    Daz

    In Compressor 3's Settings window:
    Apple > Apple Devices > H.264 for Apple TV
    this is one of the presets that is supplied as standard and it is pre-configured for H.264 1280x720 output
    if you're building your preset from scratch then you can set the output frame size in the Dimensions area of the Geometry pane

  • Best Compression for 1440 x 1080 HDV

    I have a short film, around 13 minutes long, which I've recently completed. It was filmed in 1440 x 1080 24fps in HDV. What compressed video format would produce the highest quality "lossless" compression of the film? I'm planning on using the video file as my highest quality master copy –besides the FCP file itself. Thanks.
    Message was edited by: Hadjimurad

    It all depends on many things, including the running time. (Which camera did you use, I am assuming it is 24P?) Also I am guessing you want to put this on DVD?
    Generally you will need to calculate the rates you can encode to make the video fit
    [Rate Calculations|http://dvdstepbystep.com/faqs_7.php]
    Keeping mind issues of how rates can affect the DVD
    [How Rates Affect Playback|http://dvdstepbystep.com/faqs_7.php]
    Not sure if you are targeting SD (PAL or NTSC) but the video needs to be encoded to m2v which is a compressed Codec (HDV is also).
    Compressor (the newest version) and bitVice both do good jobs in creating m2vs off of HDV. In Compressor the frame controls willl help produce better results though it can take longer to encode.
    Here is a good thread discussing 24FPS and what is happening
    [24P Issues |http://discussions.apple.com/thread.jspa?messageID=3943775&#3943775]
    I would probably export the movie as self-contained to start (not sure if there are alot of color corrections etc that need to be conformed and that can take time) and run that through the encoders, tweaking the settings.
    [HD to SD Threads |http://discussions.apple.com/search.jspa?threadID=&q=HD+SD&objID=f952&dateRang e=last90days&userID=&numResults=15&rankBy=10001]

  • How to edit 1440 x 1080 with SQUARE PIXELS?

    Yes, I know it's weird. I would like to edit 1440 x 1080 with square pixels - HD with a standard aspect ratio. Unfortunately, any preset in 1440 x 1080 (HDV for example) is anamorphic and won't let me change it to square pixels. How do I create a project in 1440 x 1080 with square pixels?
    I know I can alter the aspect ratio on export, but that would squish the images, so that won't do. I need to maintain square pixels from start to finish.

    Ah, but it is not coming from a camera. I am creating it from images. In fact the main purpose of creating this video is
    so the projectionist can adjust zoom and focus to bring the projector back to optimal "standard" settings while the audience has something funny to watch. Sure, I could create it in DV 4:3 format, but my images are already sized for 1080 height (I made a similar video for adjusting the zoom/focus for widescreen, which is really 4:3 with the top and bottom offscreen since the projector doesn't do 16:9). It is an older projector before HD standards and 16:9, but is higher resolution than the typical 4:3 formats. Another reason I want to use higher resolution is because I previously made the video at 720 x 480 resolution and it looks much better in HD.
    So the question remains - how do I set custom resolution with square pixels?

  • Changing HD 1440 X 1080 video into NTSC

    Hi,
    I took most of my video in HD 1440 X 1080 and am finding it too slow to render. I want to complete my project soon. Is it possible to easily change the 1440 X 1080 video int NTSC so that the project won't take so long?
    Thanks,
    Andy

    what Tom is telling you:
    your source is HDV/29.97fps.
    set your FCE project to that format.
    if the project or squence is set correctly, no rendering, no hickups..
    when the sequence has any other setting, FCE renders everytime you change/edit anything..
    why would you downscale to NTSC?.. you lose tons of quality..

  • HD 1440 X 1080 in iDVD can?

    Hello! I need help please; I have proyect, a clip (of 20 minutes) but it is
    filmed and made in HD 1440 xs 1080. It is not in PAL
    I want to view it in my TV (my TV is normally in PAL not blue ray) I have to pass the film HD 1440 X 1080 --> in iDVD and in iDVD can be in HD 1440 X 1080 or I have to pass in the format PAL 720 x 576?
    thousand thanks!

    AIC will not work in FCP 4.5...nor will HDV. Period...end of sentence. That version is too old, those formats came out AFTER FCP 4.5 was made. The only option is to convert the footage into a format that FCP 4.5 works with, and the only options for FCP 4.5 are DVCPRO HD and uncompressed HD. DVCPRO HD is the better option. HOWEVER, 1080i DVCPRO isn't 1440x1080, it is 1280x1080...so you will be losing some lines of resolution.
    Time to upgrade if you want to work with current formats.
    Shane

  • Compress to Stream in 1440 X 1080

    I have a .mov in 1440 X 1080 and I'd like to compress it to stream well over high speed internet connections. I'm brand new to compressor & video work and I've been trying the presets available. When I use the streaming presets it does not retain the correct aspect ratio.
    Does anyone have any suggestions for preserving audio & video in the original aspect when compressing for streaming?
    Thanks

    stevetothink,
    I'm not an expert at this but may be able to give you a starting point. I compress from 1920x1080 down to 480x270 for streaming and it looks pretty good.
    To do this you will have to add a setting (plus sign under Settings tab) in Compressor. From the pull-down menu, select Quicktime movie. You should see the Inspector window. Give your setting a name and description.
    Under the Encoder tab, chose file format Quicktime Move; extension .mov;
    Click on Video-Settings, and chooose compressor type: H.264; Motion frame rate 29.97fps; Key frames every 20 frames (reordering checked); Compressor Quality Medium; Encoding Best quality; Data Rate restricted to 800kbits/sec; click ok
    Under the Filters tab, I check the deinterlace box because we shoot 1080i
    Under the Geometry tab/Dimensions, Frame Size is 480x270 Custom (16:9)
    Save it all.
    You will have to experiment with different settings. Make sure you have a short (10 second) clip that you can work with.
    Hope it helps.
    kr

  • HDV 1440 x 1080 on timeline to dvd compliant MPEG-2?

    Gents, I need your help, suggestions and advice once more.
    About 2 months ago, I belatedly and finally entered the HDV world by purchasing a Canon XH-A1s which all in all I’m very pleased with. Due to time constraints, limited processing resources and the complexity of the project involved, it was only earlier this month that I submitted an HDV program to be aired on local access cable.
    Well, it turns out that I was under the false impression that their fairly new server that feeds their broadcast system could handle MPEG-2 files with HDV content! Instead, it’s very picky & not the case. Their head tech guru wrote me an e-mail stating that all they got was a black screen (which is embarrassing to all concerned) and that from now on I either submit a NTSC dvd spec 720 by 480 file or my program is off the air.
    My Premier Pro project (only v3.2) concerned (currently on the timeline) is 1440 by 1080 shot in 60i with an FPS of 29.97. So now I’m required to downgrade it to SD & do my best to ensure that quality doesn’t take a tremendous hit. The mission is to take this project direct from the timeline (it’s finalized + fully edited) and make an MPEG-2 dvd spec file. Bottom-line, how is this best achieved & by what process/methodology or workflow?
    My twin goals are to:
    a)      Preserve the aspect ratio since I take very tight shots, so a crop and resize probably would do more harm than good. What kind of an option is SD 16:9 over 4:3? What are the pros & cons of each? I don’t want to unintentionally crop off part of a body part for example.
    b)      To the extent possible, maintain image/footage quality so that it remains watchable. I’m looking for a workflow that will retain quality within reason.
    What approach and solution would you take if you were in my shoes?
    Am sure others have traveled this route before and would appreciate all input and pointers to mull over and try to apply them not only to this project, but those in the future as well.
    Thanks so much.

    Tutorial HD to SD w/CS4
    http://bellunevideo.com/tutorials/CS4_HD2SD/CS4_HD2SD.html

  • Does iMovie'08 import 1920 x 1080 at 1440 x 1080

    After some thought the subject (Sony HDR SR11 resolution) of my last post yesterday may include all HD camcorders with 1920 x 1080 resolution. when iMovie'08 imports the files they are saved as quicktime movies. When played in quicktime and the details looked at in Movie Inspector (quicktime/window/show movie inspector) the format is shown as Apple Intermediate Codec 1440 x 1080,
    Does iMovie'08 import 1920 x 1080 at 1440 x 1080 and then output it at 1920 x 1080 ?

    Hi(Bonjour)!
    Look at this very interesting link about H.264 CODEC and web compression:
    http://www.kenstone.net/fcphomepage/qt_h-264_moviesfcp.html
    As WEB involves many compression and smaller frame sizes, the quality will be on par for both formats.
    iDVD will accept HD sequences movies from FCE but it will convert them to standard definition as it cannot output (authoring and burning) high def blu-ray DVD.
    Look at this link (altough you don't have ProRes codec with FCE package...) about HDV limitation for DVD usage:
    http://www.kenstone.net/fcphomepage/hdv_timeline_to_sddvd.html
    Michel Boissonneault

  • Importing still images 1440 x 1080 not filling frame (PRE9)

    My preferences are set to 1440 x 1080 but when I bring in jpgs resampled to this size (at 72dpi) they're not filling the frame view. I know there must be a simple explanation . . . but I'm simple. Enlightenment welcomed.

    Me too. What happens if you right-click on the still photo on your timeline and uncheck Scale to Frame Size?
    (Better yet, go to Edit/Preferences and turn off Scale to Frame Size permanently. It gets in the way of a lot of work.)
    Meantime, if that doesn't work, you can always just click on the picture in the Monitor panel and drag on its corner handles to stretch it to fit the frame.

  • How do I set up Premiere as ProRes 422 at 1440 x 1080?

    Hello.
    I am still on the learning curve for Premiere Pro having held out on FCP 7 for as long as possible.
    Anyway.
    I need to edit a project that was shot on HDV.
    It was originally captured as ProRes 422 in FCP at 1440x 1080. I am now importing the video files into Premiere.
    I want to continue to edit in ProRes 422 at 1440 x 1080.
    I have the ProRes 422 codec installed for Premiere but I can't figure out how to change it from its default of 1920 x1080. When I change the 1920 to 1440 it changes the 1080 to 810.
    I might be doing this in the wrong place. I am attempting to change it in the sequence settings under video previews. I can't seem to find anywhere else to change it.
    Can someone please advise?
    Many thanks.

    Open a matching  Sequence by dropping the clip on the "NEW ITEM" Icon at bottom of the Project Panel.

  • Why FCE4 change LiveType to 1440 x 1080 ?

    Hi there,
    I import in some effects I created in LiveType.
    In LiveType under the Preference, I clearly select Apple 1080i50 ... but when I goto FCE4 & import in the LiveType .ipr file, the properties showed it as 1440 x 1080.
    Does that mean the rest of my sequence & clips in Timeline (which was recorded in 1920 x 1080) will be downgraded to 1440 x 1080 when I render the whole sequence ?
    Another thing, that is puzzling me, when I open up the same LiveType project file & see the project properties, it has changed to HDV 1440 x 1080 despite me changing & saving earlier to Apple 1080i50
    Any ideas ?
    Thanks

    Tom Wolsky wrote:
    What are the exact item properties of your FCE sequence?
    There is no Apple 1080i50 preset in LiveType. There are HDTV presets and there are two sets of HDV presets, one for the Apple Intermediate Codec. If your FCE sequence is HDV you use the 1440x1080 HDV Apple Intermediate Codec 1080i50 preset. If it's 1920x1080 you use the HDTV 1080i50 preset.
    Okay thanks Tom, now I understand.
    I used to think that Apple 1080i50 is 1920 x 1080.
    Btw, my sequence in FCE is 1920 x 1080. So, if I understand you correctly, in LiveType, I should use HDTV 1080i 16:9
    However, if my sequence is 1440 x 1080, in LiveType, I should use HDV-Apple Intermediate Codec 1080i50
    My earlier mistake when I said I used Apple 1080i50, I meant I used HDV-Apple Intermediate Codec 1080i50 in LiveType thinking it is 1920 x 1080. Now I know this is 1440 x 1080, that is why in the browser, the ipr file from LiveType is indicated as 14440 x 1080.
    What I should select in the LiveType preset should be HDTV 1080i 16:9. This is to match my FCE sequence of 1920 x 1080.
    Is the above correct ?
    Thanks

  • Conversion of 1440 X 1080 25mbps after Log Tranfer

    Shot footage on Canon XF100 at 25mbps 1440 X 1080, 24p
    Imported files into FCP 7 using Log and Transfer and Canon plug in.  This creates .mov files that are added to FCP browser.
    When these .mov clips are viewed in FCP they are 16:9 but when the .mov files are viewed with QT player outside of FCP image is squezed as it is not 16:9 (heads are too narrow for example).
    What is the best way to create the best quality QT files of this footage that my client can view as QT files outisde of FCP?
    I tried exporting one of the clips as QT 1280X720 24p Apple Pro Res and that solves the aspect ratio problem in the resultant file.
    Is that the best option?  Am I degrading the image by doing this?
    Thanks in advance.

    Open the file in QuickTime Player 7.
    Press command and J to get the Properties window.
    Click the Presentation tab.
    Click the Conform Aperture checkbox
    The setting will change to Clean and display your video correctly.

  • Create a 1440 x 1080 comp

    Hi,
    I need to create a 1440 x 1080 comp which is the same dimentional size of my video.
    I tried to create a new comp and dragged my video to new comp icon, what I get is not a 16:9 aspect ratio.
    The only thing I could get 16:9 aspect ratio is by selecting HDTV 1080 preset.
    As this preset is designed for 1920 x 1080, my video is only 1440 x 1080. Not sure if this is the correct approach. The preview in AE looks fine to me, am I doing it right?
    Why doesn't AE let me create 1440 x 1080 comp with 16:9 aspect ratio? Anyone know?
    I attach a screen capture of my setting of creating 1440 x 1080 comp but this setting only give me 4:3 aspect ratio.
    Thanks.

    You are not understanding pixel aspect ratios and your footage. Here's the problem, 1440 X 1080 is a standard comp size for a non square pixel format. There's only one of those formats and it's not useful for anything but acquiring footage from the cameras that use that format. You're better off, unless you specifically need to render back to the DVCPro codec that supports this frame size, working in a 1920 X 1080 Square Pixel HD comp. Your graphics will look better, you won't be sub pixel sampling still images brought in to the project, and you'll be able to see exactly what the project will look like.
    If you drag your DVCPro HD footage into a 1920 X 1080 comp then it will fit perfectly. No need to do anything.
    If there's a specific reason that you MUST render back to the DVCHD Pro format then let us know. Other wise, just use a standard HD comp with a matching frame rate. You will be a happier camper

  • HD movie files need constant RENDERING in FCP 24p HD 1440 x 1080 sequence.

    Hi,
    I have been editing a feature film which which uses a FCP 24p HD 1440 x 1080 timeline (sequence, or many different sequences actually). The movie was filmed exclusively on a Canon HV40 camera using, of course, 24p HD footage, widescreen. However, I am now adding footage shot on a small Canon Powershot digital camera which also can shoot decent HD video (.mov files likewise, but not in 24p). When I put this HD video into my timeline, a red render bar appears above the footage, and apparently I have to render the footage before being able to view any of it in "Safe RT" mode. When in "Unlimited RT" mode, an orange bar appears above the footage, and it "plays", but the footage plays very unsteady, stopping and starting, making it nearly impossible to edit fast & intuitively because the eyes/mind don't see the full clips in all their natural wonder/splendor. One just sees images that skip and fumble by, along with their sounds, and it's somewhat headache-inducing. Is there any cure for this? I have lots & lots of Powershot footage to edit into this film, but at this rate it will really slow down the natural flow of editing if i can see the footage as nature or god or Buddha or humans intended it to be viewed.'
    Any help would be much appreciated.
    Thanks,
    Marc

    David,
    It might seem simple and obvious from your end, but these issues are pretty spanking new to me - despite editing for years in FCP they've just never come up. I'm a simple aim & shoot, edit & print sorta guy. So, I don't know, for instance, how to convert the 940 footage to to my Canon HV40 footage. Any help would be greatly appreciated. I did run a sample of mixed clips through through compressor, and there does seem to be some degrading of quality on the 940 footage, tho' I'll accept/use it like that if I have to. Luckily all the 940 footage appears in the film as flashbacks of sort from the main character, so the degrading element of the 940 footage might have a redeeming stylistic affect - MAYBE. But I'd rather keep it as pure of footage as I possibly can muster.
    Thanks much,
    Marc

Maybe you are looking for