16-bit colour export?

Hi everyone,
Is it possible to export quicktimes or sequences out of FCP at higher than 8-bit colour? And does anyone know which codecs are 16/32 bit capable? The manual makes passing reference to floating point colour but never refers exactly in what context. I'm not after float, just 10-16bit will be fine. All the options only list 16 million+ colours at most, which is still only 8-bit plus alpha. We're capturing at 10 bit off Digi so it would be a shame to toss away the extra info when going to Shake and After Effects.

hello User-138...
If you have your sequence set up to 10-bit uncompressed (sequence>settings>compression type)... you can export straight from the timeline (file>export>Quicktime) NOT quicktime conversion.
My FCP is capturing media right now, so i can't open menu's and look into the export details...
You can definatly do as you desire... just a settings option.
J

Similar Messages

  • Is mountain lion can out put 10 bit colour? I nee to buy EIzo Monitor

    Is mountain lion can out put 10 bit colour? I nee to buy EIzo Monitor.

    No. OS X cannot do it. If you want to drive an Eizo at its full 10 bits per channel you need to use a Windows PC.

  • 10 bit colour display path for lightroom 3??

    I have been following an interesting forum topic on the PS forum here about 10 bit monitor support in PS CS5.
    For some background:
    10 bits/pixel is becoming more prevalent with high-end displays these days (it provides 1.07 billion color possibilities instead of the 16.7 million colors available with the regular 8 bit display path). Getting a fully working 10 bit path from the app to the display appears to be more of a challenge though, but a challenge which appears to have been overcome now in PS CS5. I'm wondering if moves are afoot for Lightroom to also support the 10 bit color path??
    This is my take for what you need for PS CS5 to display 10 bit colour in windows (sorry, I'm not a Mac person so couldn't comment):
    Suitable graphics adaptor - Some ATI FirePro models and nVidia Quadro models support 10 bit color (cheapest is nVidia Quadro FX 580) - the availability/use of the displayport interface is most often the tell tale pointer as to whether the adaptor supports this. Only more recent driver packs provide 10bit API support for apps to utilise, so latest drivers are often required.
    Displayport connection between graphics adaptor and monitor (DVI only supports 8 bit color)
    A monitor which supports 10bit color - (High end NEC models (PA241W/PA271W models and new Spectraview Reference models in UK) now support this as does the HP DreamColor plus some Eizo and Lacie models to mention a few)
    Enable 10bit color support in the Graphics adaptor control panel - this option generally only appears when all of the above is in place, and when enabled, provides the display path via OpenGL, for apps to utilise if they are coded for such (this option is known as 'Enable 10-bit pixel format support' for ATI, and 'Deep color for 3D applications' for nVidia)
    Enable OpenGL hardware support (under Preferences, Performance,  'Enable OpenGL Drawing' in PS CS5)
    So will this be supported in Lightroom 3 before long? Or perhaps it is already??
    Anyone know this?
    Thanks, Paul
    p.s. I realise the above chain of requirements sounds complex, but I got it working this week for a new PC build and it was actually quite straightforward.

    martin-s wrote:
    What would be the advantage of this?
    If you google around for how many colours the human eye is able to distinguish, you'll find scientific research quoting numbers around 10.000.000.
    Horribly false.
    The prevalent sRGB color space is covered fairly well by the 8 bits per pixel depth most commonly used ("32 bit" or "True Color" color in Windows), and that is about 16.7 million colors.  While bit depth and color space are different things, once you go to the wider gamuts in other color spaces such as Adobe RGB without using more bits you will start to see banding in similarly colored (blue skies is a good example) areas because there are not enough digital steps to make smooth transitions as the color gradually changes.  Take my word for it (I've seen it in many of my own pictures.) or do more reading for more details if it's not clear, but the key points follow.
    First go to:
    http://en.wikipedia.org/wiki/XvYCC
    and read about the xvYCC color space.  In their reference number 2 down toward the bottom of the web page you find a link to:
    http://data.memberclicks.com/site/hopa/2007_xvYCC_forHPA_FINAL.pdf
    which is a pdf of a presentation discussing extended gamut color spaces.  Check out slide 3 which is at the bottom left of page 1 to see examples of many things in the real world that are quite visible to humans but outside of sRGB.
    Next check out slide 19 at the bottom left of the 5th page to see just how pathetic sRGB is at covering human vision.  The small pictures on the right in this slide show the coverage of the various color spaces of the "Munsell Color Cascade".  The gray areas indicate colors that each space cannot cover, and you can see sRGB has huge blotches of gray.
    Munsell did some of the very early definitive lab testing of human color perception.  You can start reading about him and his color system here:
    http://en.wikipedia.org/wiki/Munsell_color_system
    and continue reading other links found on that page for more info about the extensive lab testing of human color perception.
    Looking back at slide 4 on page 1 of the presentation linked above you will find an odd looking colored region that is curved around the top.  It looks like this:
    That colored region is the estimated range of standard human vision.  There is a version of that which has the sRGB color space shown on it at:
    http://en.wikipedia.org/wiki/File:Cie_Chart_with_sRGB_gamut_by_spigget.png
    And that large view also gives you a much better idea of just how pathetically inadequate the sRGB color space is at covering human vision.  Again, bit depth is not color space, but 8 bits per pixel is pretty much maxed out trying to represent the sRGB color space without having to fake colors within it's triangle.
    There are probably cases where banding can be seen even in purely sRGB images with only 8 bits per pixel.  And every color that you see in that large region with the curve at the top (in the picture shown in the last link above) that lies outside the sRGB triangle will have to be "clipped", which is converted into some color that does lie within the space.  That means you never see any actual colors that fall outside the triangle even if 8 bits per pixel could have covered them somehow using some other color space.  They're simply lost.
    If you do try to use 8 bits for wider gamut color spaces you end up with the banding I mention above because there are too many shades of color to be represented by 256 steps for each of red, green, and blue.  Thus the need for 10 bits or more per pixel.
    I hope this helps to dispel any more myths about the limitations of human vision falling within what 8 bits per pixel or sRGB can provide.

  • Safari on MacBook Air showing graphics in 16-bit colour

    Hi all,
    On my MacBook Air system, graphics that appear in Safari show up as this (here's a small sample):
    In particular, look at the mirroring under the image... it's streaky, indicative of 32-bit-to-16-bit colour conversion.
    Is there a setting on Safari that can force it to display graphics in 32-bit colour?  The MacBook Air's Display settings don't offer anything with regards to setting a display depth:
    Any technical details about this issue would be most welcome!  It's not a problem for me, but it is noticable in some Web pages.
    Incidentally, Firefox 8 also does this too, but running apps like OmniGraffle Pro:
    shows good colour graphics (32-bit).
    Is this something that the graphics controller is doing?!  For Safari and Firefox to use different rendering engines and produce the same results in rendering images with 16-bit graphics is rather perplexing!
    Or... is this Lion's doing?!  I am running Safari 5.1.2 and Firefox 8.0.1 on Lion 10.7.2.
    Cheers!
    —tonza

    I finally found what was going on with my MacBook Air... turns out it has nothing to do with the machine at all.  Instead it was because I was using a 3G connection in order to get to the Internet.
    My mobile phone provider was using a proxy server which reduced the size of images by re-rendering them on the fly in order to reduce bandwidth on the 3G network!  So all those graphics artifacts were caused by my mobile phone provider!
    If my MacBook Air uses another Internet connection (like WiFi) on another provider, the problem disappears!
    —tonza

  • Problem with 16 Bit colour in Elements 10

    I use Lightroom 4.4 to adjust/convert my camera images (Canon CR2) to TIFF 16 Bit colour  files. In Elements 10 when I try to use some of the tools to adjust these 16 Bit files I get a window stating :- "Could not perform the requested action because Photoshop Elements provides only limited support for files with 16 Bit colour depth. Do you want to convert the image to 8 Bit colour depth." When I convert I can use all the tools.  This is similar to Corel P.S.P. X3 - but in Corel P.S.P. X3 when you have finished adjusting the image and just before you save it -  there is a tool that allows you to convert the image back to 16 Bit colour depth.  Question:- Is there any way you can convert files back to 16 Bit colour depth in Elements 10 before saving.

    [email protected] wrote:
    ...  This is similar to Corel P.S.P. X3 - but in Corel P.S.P. X3 when you have finished adjusting the image and just before you save it -  there is a tool that allows you to convert the image back to 16 Bit colour depth.  Question:- Is there any way you can convert files back to 16 Bit colour depth in Elements 10 before saving.
    Converting back to 16 bits gives no advantage, as Barbara said. You don't bring back the information again. It has been said that if you want to apply heavy edits afterwards, starting with 16 bits should 'theoretically' yield better results... I have tried to show a difference, but I have been unable to provide conclusive practical examples, even with drastic edits.
    Note that it is easy to convert an 8 bits jpeg or tiff to 16 bits in Elements via the ACR raw conversion module. Open your 8 bits file in ACR, set the  menu to 16 bits (in the middle of the bottom bar) and click 'open' to get it in the editor. From there you can edit in 16 bits and save as tiff or psd if you want.
    To open a jpeg or tiff in ACR , use the menu 'open as' and select the 3rd option 'raw...'

  • Why doesn't Firefox for Android support 32/24-bit colour? When will it be enabled? Why isn't it an option?

    Can anybody explain why this isn't an option? 16-bit colour has massive amounts of banding and it would very nice if there was at least an option to toggle between 16-bit and 24/32-bit colour.

    If that's the case make an optional toggle so I can turn it on a fast device such as my HTC One X and turn it off on slower devices.
    Frankly put all the browsers I've tried use 32/24 bit colour whereas firefox is the only browser that I've tired that dosen't use the higher bit depth so at the moment I'm forced to use dolphin and so are many others who ask me for browser recommendations. I would prefer to use firefox but I can't at the moment until this is changed. I'm not the only one either.
    Anyways keep up the good work mates!

  • K7n2g lost 32 bit colour after installing new nvidas drivers

    can any one help i've lost 32 bit colours since i updated my nivida drivers, i done full uninstall with a washer b4 hand, and then i put the latest driver's on

    yep tried desktop there no 32bit choice, as for memory i got 256 single sided in slot one and a double 256 in slot 2, i cant stick any thing in slot three as if i try i cant boot, what if i try swaping them around?

  • Does PSE 12 work with 16 bit colour channels better than PSE11?

    Whilst I am definitely dissapointed that PSE 12 is not a native 64 bit windows application, I might still purchase it if it handles images with 16 bit colour depth fully, which PSE 11 does not.
    I cannot find any reference to this anywhere. - Normally this would mean that there is no change.
    Does anybody know the definitive answer please?

    Peter_Austen wrote:
    Whilst I am definitely dissapointed that PSE 12 is not a native 64 bit windows application, I might still purchase it if it handles images with 16 bit colour depth fully, which PSE 11 does not.
    I cannot find any reference to this anywhere. - Normally this would mean that there is no change.
    Does anybody know the definitive answer please?
    There is no change.
    I don't know why you would need it, but I don't.
    http://forums.adobe.com/thread/1223180
    The reason is that if you edit first in ACR, any ulterior 16 bits editing is just an illusion.
    On the other hand, don't expect Adobe to introduce much more 16 editing in future PSE versions. They want you to migrate to CC.

  • Converting a Signed 16 bit colour Image to 32 bit Image without Losing the Colour

    Hi,
    I am using the IMAQColourHistogram which only accepts 32 bit image inputs. I changed the Image from 16 bit to 32 bit using 'Cast Image'. The program worked but inserting an indicator, I realised that the Cast Image actually changes the Color in the image to a black and white Image. Is there a way I can change the 16 bit to 32 bit without losing the colour. 
    Any suggestions on this would be very helpful as I am currently stuck in my project.
    Thanks.

    Hi,
    Is your 16bit image a real color image or only a grayscale image with a false color palette?
    If your image is only a grayscale image, simply use the IMAQHistogram function  (located in the Analysis palette) wich accepts 8 and 16bit images.
    Color images are 32bit because you have 3 planes of 8 bit (Red, Green, Blue)
    16bit are not usually color images, but grayscale image with extended pixel depth compared ti traditionnal 8bit images.
    Regards

  • Bitmap with spot colours export to PS. How?

    Hello
    I`ve Ai document with many objects. One of them is embedded image which is made from spot colours.
    How to export it from Illustrator to Photoshop with these spot colours for further edit.
    Menu->export->*.psd,*.tiff and others wont work.
    Photoshop always converts it to CMYK.
    Thanks for any help.

    The Export to PSD does not support spot color and Photoshop cannot open AI document and preserve the spot either.
    The only thing you can do is raster the whole document and enable preserve spot color. But the problem is that their is no way to extract the raster from the Illustrator document. Not even from Acrobat.
    The only solution is to use PhantasmCS Publisher plugin from Astute Graphics. http://www.astutegraphics.com/
    The publisher version of the plugin allow to edit embeded image from inside illustrator. So what you need to do is raster the whole doc, and edit it with PhantasmCS Publisher to edit it in Photoshop.

  • Important to trim unused bits for export

    Perhaps an unclear subject line, but I find this difficult to describe. I have a multicam clip of about 90 minutes that I am editing. I actually have a copy of that same multicam clip right above it. I do this because I often crop and have one angle on that upper clip lie on top of the lower clip. It's a class, and I'll have the teacher in a small box in one corner of the main frame, which shows the students working. I don't do this throughout the entire 90 minutes, but here and there totalling maybe about half the time. I will eventually export this for uploading to YouTube and DVD and maybe eventually some other format (haven't figured that out yet). My question is, do I need to go through this project and cut out the bits of the clip (replace them with blank space) where I am not embedding one frame in another? Will this help in the export process, or somehow make it a better quality product? Kind of a hassle, but if it's worth it . . .

    So, you have a Picture-In-Picture effect, and you want to hide it for some exports, and not for others?  Am I understanding that correctly?  That is easy.
    Select all of the upper clips (the smaller ones you want to hide), assign them a video/audio Role.  When exporting, in the Settigs section of the export window, set "Roles as" to "Roles as multitrack QuickTime".  You can then decide which Roles to include or exclude.
    Or, you can select all of those clips and use the shortcut "V" to mute them, then export.
    Or, you can Duplicate the Project, and delete the unwanted clips, then export.

  • Windows vista ultimate 64 bit PDF export error

    Hi there, I'm using diadem 11.0 and  i have a big problem with my new os.
    When i try to export a report in pdf i get a print error in the status of the "diadem pdf export" printer.
    Any idea or solution for fix this problem ?
    Solved!
    Go to Solution.

    Thanks for the support Brad, i have tried to download and install diadem 11.1 but  it didn't solve the problem.
    After that i've tried to search in the amyuni forum for a solution and i found out this (it solved my problem)
    Windows Vista:
    Make sure that you are logged in as Windows administrator.
    Click the Windows button and click Printers.
    Right-click the Diadem pdf Export and select Properties
    Click the Ports tab, then click the Add Port button.
    Note: If the Ports tab is greyed out, right-click the Diadem Pdf Export icon and select Run as admin.
    Select Local Port and click the New Port button.
    Enter PDF1 for the new port name and click OK. Close the Printer Ports window.
    Put a checkmark in the box next to the PDF1 port if it is not already checked.
    Click on the Advanced tab.
    Select the Spool print documents radio button to make the options below it clickable.
    Clear (uncheck) the box labeled Enable advanced printing features by clicking it.
    Select the Print directly to printer radio button to make the options below not clickable.
    Click the Apply button, then click OK.
    Important: In order for the changes to take effect, you must restart your computer.
    Reboot your computer and then try to print, email, or create a pdf from Diadem.
    Regards,
    Ierman Gert

  • "16 Bit Colours" in 3.1 Bootcamp Update

    Hello, i installed today Windows 7 on my iMac 27. And i installed, the new Windows 7 Bootcamp 3.1 Update. But after the update, my grpahic looks like 16 bit. I have a piture link to see what i mean:
    Link:
    http://s1.directupload.net/images/100422/zq33qssh.jpg

    Same here. Just set up a new system, Boot Camp 3.0 was fine, but after update to 3.1 wallpaper is 16bit while everything else seems to be 32bit.
    iMac 27", Win7 x64

  • LR2 64-bit Web Export running too slow

    The Web Export process is not using any of the processing power available to it on my computer. It uses only about 8% of the processor and the disk activity is not that high. It runs fast at first then slows down.

    The only thing that is slow is the web previews. I canceled them and then just have tried creating the website. Still just not wanting to use the CPU, or much disk, or even change its memory consumption.
    Here's a dir listing of the process
    10/02/2008 05:55 PM 57,872 _MG_5132.jpg
    10/02/2008 05:56 PM 54,151 _MG_5134.jpg
    10/02/2008 05:56 PM 35,485 _MG_5135.jpg
    10/02/2008 05:56 PM 35,296 _MG_5136.jpg
    10/02/2008 05:57 PM 50,906 _MG_5137.jpg
    Taking 20 seconds to make some real low quality JPEGs. During most of that time no CPU is in use. The highest I've seen LR use was 15% for about a second.
    Its like the program is waiting for something then finally it happens. The computer is running just fine otherwise. All other modules work at expected speed.
    The beginning of the process does use CPU. Its just the part where its rendering the photos that dead slow.

  • Blurry screen when I set up 32 bit colour deep

    Hello
    I have problem with 32 bit color, when I set up 32 bit my screen is blurry and I can't work, when I change it on 16 bit its ok,
    My resolution:1680 by 1050 (max)
    I have Lenovo T60 type 8741-G4G
    Windows Vista Business SP1
    the newst video driver - ATI Mobility Radeon X1400 ver. 8.383.1.1000
    Any idea how can I resolve this problem?
    Kind Regards
    Chris

    # Open the Finder and go to the Applications folder
    # Right click (or command-click) on the Firefox app and select "Get Info"
    # Select the "Open in 32-bit mode" option

Maybe you are looking for

  • Error Data no longer available when SALV_WD_TABLE GET_MODEL called

    Hello , I have dynpro component on ECC6.0  POWL_UI_COMP which displayes service oders. This dynpro component has one more component usage component POWL_TABLE_COMP. This POWL_TABLE_COMP has used a SALV_WD_TABLE which is for ALV display. I have to cre

  • Calling an ABAP Program from source system in a process chain

    Hi, I need to call an ABAP program (Extract program RMBWV308) from R/3 within a Process Chain in BW 3.5 Your urgent advice please

  • Migrating the CA from 2008 to 2012 PKI ?

    Hi All, I am using the HSM in my PKI environment and i performing the migration of CA from 2008 PKI to 2012 PKI. What i noticed is if the private key of CA is protected by OCS card then i don't see the CA certificate while running the  Microsoft wiza

  • How to generate 855 outbound from oracle apps

    Hi, I need to generate 855 outbound edi file from oracle->bpel->b2b->customer. I have installed b2b and SOA(BPELL).Now I dont know how to start.How to get 855 xml file from oracle? Could somebody provide some steps to start. Regards, ashok

  • Role of a functional consultant in Middleware

    Hi Friends, Can any one please tell me the role of a SAP Sales & Service functional consultant in Middle ware. As of i know we take care of the Initial load of the objects and monitor the Bdoc's, Objects..etc.. Can any one share the experience as of