16-bit tiff with a blue hue

I have a canon 20D, which I use to take RAW images. I convert them to 16-bit tiff's using Photoshop CS. When I transfer the images to my ipod photo using itunes they appear on the ipod with a blue hue to them, all the 8-bit images transfer fine. Can anyone tell me if this is a know/widespread issue, and if there is a solution to this.

Did anyone find an answer to this problem?

Similar Messages

When taking photos ,with flash the picture ends up with a blue hue?

I have recently upgraded my software to the latest 4.3.5 os. Coincidently I am unable to take decent photos with the flash in low light, instead I get this blue over the whole photograph. Is this right? Beforvthe upgrade I could take goog flashed photos. any ideas?

Disregard, it was the background problem. Can't figure out how to delete this discussion!

16-bit TIFFs seem to have a blue hue

I modified the original images (usually RAW) with photoshop, and saved them as 16-bit TIFF files so as to retain as much quality as possible.
(I am using a collection in photoshop elements to manage the pictures, and itunes syncs them from there.)
Yet, when they sync to my ipod/color 60g, they have a blue-ish hue to them.

open system preferences (either from dock or click on the apple pic top left of screen and select from drop down) or from a finder window: applications, and then click on displays>color then> calibrate and you can play with colors there... and yes, you can click to get it to factory settings..

ACR with 32-bit tiffs?

I ran a set of HDR images through Merge to HDR Pro. Saved the result as a 32-bit tiff. Back to Bridge 6.0.1.6 where I can see the tiff.
I now want to do the RAW processing on the HDR file in ACR. I have no "Open in camera RAW".
I can open .NEF, .jpg, and other tiffs. Does ACR not support 32-bit tif files? And if it is supported, what do I need to do so I CAN get into ACR with a 32-bit tif?

Check this thread:
http://forums.adobe.com/message/4514579

Having problems with my epson perfection V600 scanned images printing in blue hue. Anyone have a solution?

Have new Macbook Pro, just bought the mentioned epson scanner. Running Mac OS X 10.7.2. Have HP photo smart 8250. Scanned images of white, lined index cards print out in blue hue. Trying to figure out what my problem is. Running scanner with Image Capture. Any pointers in right direction welcome.

You really need to check with Epson with regards to that printer. This forum is for the MacBook Pro hardware.

10-Bit display test with 16-bit TIFF

Okay, I just got this new HP Dreamcolor Z27x and want to test it on 10-Bit with Windows 8.1 64bit and Photoshop CC 2014.
I followed that guide:
10 Bit Color Depth and Adobe Photoshop CS6 | ted lansing photography blog
to create the TIFF-File:
In Adobe Photoshop create new file
900 px wide and 300 px tall
RGB color and 16 bit
Use gradient tool to create gray scale gradient from RGB: 64/64/64 to RGB: 96/96/96
Safe file as 16 bit tif file
Wich behaves very strange!
When I create the gradiant in 16bit mode, it shows me zebra stripes, like it would be 8-bit.
I actually need to change the Color Mode from 16 to 8 bit, to see a smooth transition within the gradiant.
BUT, did I just kill the 16-Bit information with changing the mode or is it just a bug? I´m really distracted...
Please can somebody tell me, what to do?
Thanks in advance!
PS: In Premiere, the TIFF-File is shown naturally in 10-bit like it should be!

What video card are you using? Can you try using CS6? There are issues in Photoshop CC with 10-bit and AMD cards, with Adobe and AMD both blaming each other but neither seems in a hurry to resolve. See Re: PS cc and 30 bit

Migration with 16 bit tiff then

It is suggested that the migration from Aperture is by converting to 16 bit Tiff, no doubt to keep top quality images when exporting them to Lightroom.
Once in Lightroom, do I need to keep them as 16 bit, bearing in mind the size of them or should I be converting them to 8 bit Tiff`? What is the advantages of keeping them as 16 bit? What would be the disadvantages of keeping them as 8 bit tiff, especially is I have no intention of doing further editing/adjustments and just use for personal use?
thanks
john

Once in Lightroom, do I need to keep them as 16 bit, bearing in mind the size of them or should I be converting them to 8 bit Tiff`?
You are not given the choice ... if its 16 bits, then LR will keep it as 16 bits.
What is the advantages of keeping them as 16 bit? What would be the disadvantages of keeping them as 8 bit tiff, especially is I have no intention of doing further editing/adjustments and just use for personal use?
16 bits will provide you with opportunity to produce better edits than from an 8 bit image. If you are 100% sure you will not be editing these again, there is no harm in exporting the photos from Aperture as 8 bits, instead of exporting from Aperture as 16 bits. But also if these were JPG originals, I don't think there's any benefit to converting them to 16 bit TIF, as JPGs are 8 bits and the TIFs should probably be 8 bits.
I am skeptical that you will never edit these again ... please bear with me, I don't know you ... but in my case, a long time ago, before I had Lightroom I used Photoshop Elements to edit my photos; then I got Lightroom and as I learned how to use Lightroom effectively, I went back to my old images that I had edited in Photoshop Elements and was able to GREATLY IMPROVE the appearance in the photos, compared to my previous edits in Photoshop Elements. As you learn more about Lightroom, you may find you still want to edit old photos to improve them.

Save as a 16 bit TIFF file for Enlarging?

Question, a local photo developer told me that if I wanted to develop my photos at something like 16 x 20 or larger I should save my photos as a 16 bit TIFF file. Elements 4.0 does not seem to allow me to set the bits at 16, just 8. Is there any truth to what they are saying?
Also isn't the file size going to be massive when doing this. Most likely prohibiting an upload to their site?
I am shooting with a Nikon D50 in RAW format. Obvioulsy I have to open it in Elements from Camera Raw as an 8 bit photo to save it in either TIFF or JPEG format.
Any comments are appreciated.

Thank you for your comment.
When I save the 16 bit file in ACR it saves it as a .dng file. When I open the .dng file in Elements again the raw editor opens it as a 8 bit file automatically. This may be all well and good if I can have enlargements made with this file type but not good if what the developer is telling me is true. ???????

PSE 10 as external editor for Aperture 3 - 8-bit TIFF and what color space?

Hi all,
I'm taking the plunge and trying PSE 10 as my external editor for Aperture 3. I understand that I need to export as 8-bit TIFF files (not 16) because PSE can't do certain things with 16-bit files. Is that right? Should I specify a color space in Aperture or leave it as "no profile selected"? (I don't know much about color spaces; I'm not a pro.) I print on an Epson RX580 Stylus Photo printer, if that matters.
I'll be grateful for any help and advice. Thanks.

Can I suggest you buy Philip Andrews book, Advanced Photoshop Elements 10. he explains colour spaces and much much more very clearly and exactly what can be done with 16 bit files and what you then have to change to 8 bit to accomplish. He's written basic and advanced guides for Elements since day one. Usually available from Amazon for under £20.

Import 16 bit tiff files in premiere pro cs5 ?

When i try to import a 16 bit tiff sequence I get an error message "The video bit depth of this file is unsupported.".
I could not find how to set bit depth in project, however I understand from the help files that 16 bit workflow is supported.
What I am doing wrong?

Hi again Salazaroo....
Thanx for your answer...
I am working in a project shot with RedOne and the output will be 35mm and DCP.... we´ll made the prints with Cinevator system as well... same as yours...
What I did is open the Pr project in After effects and from there export the R3d as DPX to work in the compositings... I am trying different ways to do this... change the R3D settings to RedLog and RedSpace before to export as DPX OverRange, or PDLog985 and RedSpace before to export as DPX Standard (as Mark Christiansen says in THIS SITE) ...
Once I do it, I import the DPX to start the composition... so I change the Cineon Settings to OverRange or Standard (depending of the settings at export) and apply the Cineon Converter LogToLin... but then everything looks too overbright to work... I am working with the DPX and .psd and tiffs together so it is like crazy to match everything together...
I tried to export as PDLog985, RedSpace and OverRange Cineon Settings (instead of Standard) and it looks much better... I check the picture looking at the Info panel and everything is Ok, or close the 'Iris simulator' and detail appear in the image, ...but when I check different elements coming from matte painters and 3d artist, whites clip at 1... how can i match everything together in the same space color to work and then apply the Cineon Converter LintoLog before export???
This is the first time I work with DPX and I am reading a lot about it, but I could´t find a step by step explanation... and it is like there are many ways to deal with it... some people says to use a general Working Space, some people says don´t (See this Article) ...
Thank you man.... I really appreciate your help....

Rendering of an 8Bit-tiff with java.awt produces crap

Hi Folks,
i do a downsampling of tiff images. The source tiffs are colored 8 Bit greyscale with a 256 color-table. Now i have 2 possibilities to resample with java.awt:
1. the target-tiff is of 24Bit true color:
BufferedImage objDownsample = new BufferedImage(iTargetWidth, iTargetHeight, BufferedImage.TYPE_INT_RGB);The result is a perfect looking, but oversized tiff with 16 million colors each pixel.
2. the target-tiff is of 8Bit like the source-tiff:
BufferedImage objDownsample = new BufferedImage(iTargetWidth, iTargetHeight, BufferedImage.TYPE_BYTE_INDEXED,(IndexColorModel)image.getColorModel());The result is a small sized tiff image of 8Bit. Problem: it now has visible vertical stripes of two colors (which both composed result the source-color i assume).
Does anybody know what's wrong here and how to retrieve the 8Bit color-image without stripes?
Here comes the whole source:
    private BufferedImage resize(int newHeight, int newWidth, BufferedImage image) {
        int iTargetHeight = newHeight;
        int iTargetWidth = newWidth;
        //Create a BufferedImage that fits
        BufferedImage objDownsample = new BufferedImage(iTargetWidth, iTargetHeight, BufferedImage.TYPE_BYTE_INDEXED,(IndexColorModel)image.getColorModel());
        //A map with all necessary rendering hints to optimize the quality of the image
        Map<java.awt.RenderingHints.Key, java.lang.Object> obj_Map = new HashMap<java.awt.RenderingHints.Key, java.lang.Object>();
        obj_Map.put(RenderingHints.KEY_DITHERING, RenderingHints.VALUE_DITHER_ENABLE);
        obj_Map.put(RenderingHints.KEY_ANTIALIASING, RenderingHints.VALUE_ANTIALIAS_ON);
        obj_Map.put(RenderingHints.KEY_INTERPOLATION, RenderingHints.VALUE_INTERPOLATION_BILINEAR);
      // Draw the scaled image
      Graphics2D graphics2D = objDownsample.createGraphics();
        graphics2D.addRenderingHints(obj_Map);
        graphics2D.drawImage(image, 0, 0, iTargetWidth, iTargetHeight, null);
        return objDownsample;
    }Thanks
Albrecht

As far as I can tell, this solution only allows compositing within the component that is currently being painted. What would be nice is if I could add a custom composite to say .. a JLabel, which paints based on the colors of the underlying pixel data (ie. from its parent container). In this way you could make a JLabel that always inverts the color of what's underneath.
Here, painting to the screen using a composite allows me to get the pixels underneath as the destination raster, the pixels in the JLabel as the source raster, and what actually gets painted which is the destination output raster.
If I paint to a BufferedImage instead, the composite's 'destination raster' is the new BufferedImage's default values which are all black. Thus compositing over this would not have the desired effects described above (inverting the underlying image for instance). The missing piece when rendering to the BufferedImage is first copying the underlying screen data into a BufferedImage before painting to it. How do I do that? Something tells me it's very difficult.

Can't export 16 bit tiff in A3.1.3 Lion

If I try to export a 16 bit tiff, the extension automatically changes to jpg. I can only export an 8 bit tiff. Thanks for any tips.

Aloha Tom and Ashley. Perhaps I should start another thread. This is my first time looking for help in this way. Thanks in advance Ashley are you going from Keynote to iMovie to FCE? Sure would be nice if we didn't need so many steps! The only reason I am in FCE is because I have been unsuccessful in getting a QT export from Keynote that marries sound file with movie and is stable.
Tom here is how I exported. Playback uses: manual advance, Compression H.264, Frame rate 29.97, keyframe - all, data rate automatic, compression quality - best. Then I imported to FCE, married music and movie (so easy), rendered and exported with same settings. Big black area around movie, little tiny movie in middle. Then I discovered on the Sequence canvas there is a drop down with the choices <image> <image with wire frame> <show overlays> When I select image with wire frame it looks like it is creating a larger letterbox. But the export output when it is large is both fuzzy and distorted even when I import a 1920 x 1080 version.
Tom/Ashley perhaps this isn't the program to use. All I need is a high res 16:9 QT with music and movie married into one file and stable being used on computers and LCD players. It will not be TV viewed. I could reframe the Keynote to 4:3 if I have to to get the viewing size and image quality.
What would you suggest. And again thank you. I have been fiddling with this for weeks, with progress but no success. Cathy

Crystal Reports Plugin Issue with MyEclipse Blue 8.6

Dear All,
I am trying to integrate Crystal Reports Plugin with MyEclipse Blue 8.6
As i add the update site and i say Apply Changes to Profile, it calculates the requirements
and in the middle hangs. Please advice, is this version not compatible with MyEclipse Blue
8.6?
BR,
Prithvi

Dear Herman,
I am using 32-bit JVM not 64-bit, still it hangs. Any other work around.
Prithvi

Printing 16bit tiff with ID and Leopard

Does anyone know what ID does to 16bit tiffs when print in Leopard with a 16bit capable driver?
Since I can place 16bit tiffs in ID does ID pass it along when printing or does ID convert it to 8bit?

InDesign cannot read the 16-bit data. It reads the flattened 8-bit composite saved with 16-bit TIFF and PSD files.
And PostScript is limited to 12-bit data. Plus, you'd be hard pressed to see the difference in the real world anyway, even if it could be implemented.

Save U32 bit image as 16 bit tiff

Right now I am using IMAQ to grab a RGB(U32) color image in real-time. I am then trying to save the image as a 16 bit tiff file. However, the images only save as 8 bit tiff files. How can I fix this problem?
Thanks,
David

Hi David,
The simple VI that I attached reads an image from file and writes it as a TIFF. If you would like to test it, you can open up one of the images in the Vision >> Images folder (for example, candy.png which is U32) and you will see that it should save it as a U32 TIFF file. If the image you are reading in is I16 (i.e. IMAQ Create has type I16 wired in as a constant) then you should get an appropriate image out. If you are successful with this VI, I would recommend migrating it into your application. I hope this helps give you a good start.
Vu
Attachments:
Write TIF.vi ‏55 KB

16-bit tiff with a blue hue

Similar Messages

Maybe you are looking for