16x9 SD capture creates giant file

Hi all:
I'm not new to this but made recent changes that have SD video files clogging my external drive. I'm running FCE 2.0.3, capturing to a 500GB LaCie (with 403GB available) and shooting with a Sony PDR-170 that I just switched to 16x9 after years of 4x3. I use Capture Now and have tried both 4x3 and anamorphic 16x9 settings and have trashed my preferences and started over. Since I last captured in 4x3 I've upgraded the OS.
If I stop capture at two minutes I end up with a QT file around 200MB that plays fine. If I let capture run, at about 10 minutes everything freezes and I have a 400GB file "(filename)-av" filling the LaCie. The file shows a QT thumb, but trying to open it gets the error "This is not a movie file."
So what am I missing (other than the likely choice of operator error)? Any thoughts or ideas appreciated. Replacing the iMac and moving to FCE4 are in the budget for 1Q 2010, but that doesn't help me now.

Then I suspect there's a basic incompatibility between FCE2 and your OS/QT. I know there are issues, but I forget at which points in the FCE/OS upgrade paths they appear. (There are others in this forum who should be able to give you specifics.)
You will likely need to go back to your previous versions of OS/QT.

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Hi
appzapper & such are pretty flaky at removing things usefully, imo.
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Hi John
Wounder what kind of project You started ? (HD ?)
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Unable to create a file in Application Server using OPEN DATASET stattement.

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TRY.
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Problem creating PDF file using the Adobe PDF printer

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I am using Adode Acrbat 9 PRO version 9.4.6 on a Windows 7 SP1 machine.
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Some progess
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Welcome to Apple Support Communities.
This is the image contained in the file causing the problem...
I certain the original is contained in the Combo updates and on the OS disks.
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LUMIERE created XML files to 'facilitate the migration of project in FCP.'

I recently purchased Lumiere so that I could work with material shot on the JVC GY-HD100U camera in FCP. I understand that FCP is due to for an update soon, but alas, I'm unable to wait. That being said, I have followed the various steps to create mov files from the compressed MP2 files generated through Lumiere. The supposed last step before beginning the edit in FCP is to decide whether or not to 'create FCP XML' or not.
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2. Can I edit using the custom 24p Apple Intermediate Codec I was told to create usinf the mov files instead, and then online, or convert the timeline to full resolution just the same using the mov files?
3. If I am getting an error message when trying to import the XML files and am therefore unablr to do so... any ideas why? I had one file with 'acceptable errors'. The log read that there was a path problem with the audio files, which I was unable to fix. The other files would not import at all. Why?
4. What is the best way/codec for editing HDV - outputing te best image resolution without a Xserve raid or the like...
I know this probably reads like questions for a Lumiere forum, but I have tried and received no answers... Any insights appreciated, as my deadline is fast approaching.
-Thanks
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Maybe this will help from the Lumiere HD forum on their site (http://www.lumierehd.com/forums/showthread.php?t=576) :
720p EDITORIAL WORKFLOW USING JVC-GYHD100 AND FCP5.0
By Jon Farhat
CAPTURING AND EDITING
JVC GY-HD100 720p > LUMIERE HD > FINAL CUT PRO 5.0
Workflow Steps:
1. Launch Lumiere HD and begin with the CAPTURE/PRINT tab.
2. Enter your Logging information into the fields labeled REEL, DESC., SCENE and SHOT. The program with create a name for you based on this information and place it in the NAME field.
3. You can also check AUTOINCREMENT. Doing this will create a Name based on the Scene Name and will add a Shot number starting with 1. Each time you capture a new take, the shot number will increase as well as appear as an extension to the file name as indicated in the Name field.
4. Click on the DESTINATION button to choose a folder for your raw Transport streams. The files placed in this folder will have the naming convention, DESCSCENE1.m2t. Note that these files have the Audio and Video multiplexed together.
5. Use the toggle controls to line find your desired take and back up a while to add a little pre-roll. (Note: LHD does not do Batch Capturing so you have to click the CAPTURE and STOP CAPTURE button for each take.
6. Once you have captured all your takes and placed them in your working folder, click on the PROGRAM STREAM tab.
7. Click on the DESTINATION button in the PROGRAM STREAM VIDEO area. When the navigation window opens, click on NEW FOLDER and create a folder called “Video”. Select OK to choose your new folder.
8. Click on the DESTINATION button in the PROGRAM STREAM AUDIO area. When the navigation window opens, click on NEW FOLDER and create a folder called “Audio”. Select OK to choose your new folder.
9. Now click on the SELECT M2T FILE(S). IMPORTANT NOTE: If you have used the Autoincrement function, or have sequentially numbered files, no not select the folder housing your m2t’s but rather drag select across all your takes, starting from the lowest number to the highest. Then click OK.
10. Now you are read to split the raw m2t transport streams into a separate AIFF audio file, which will be placed in the Audio directory you created and and M2V video file which will be placed in the Video Directory. It is important that the audio files and video files are in these separate directories.
11. Choose the PRESETS pull-down menu In the REALTIME TIMELINE CODEC window. Select OTHER.
12. In the COMPRESSION TYPE Pulldown menu, select APPLE INTERMEDIATE CODEC.
13. Select the FRAMES PER SECOND pull-down menu and select 23.98.
14. Select the OTHER button in the COMPRESSOR > PRESET.
15. In the SIZE section, choose the SOURCE button. Note that you can also create a smaller dimension such as 720 x 406 (16:9 aspect ratio) since this is only used as a proxy in FCP to edit with. But if you have the memory and speed, working in the full 1280 x 720 is preferable. These files will not be rendered into your final master. After you edit with this proxy codec, you will use Media Manager to build a new timeline from the full size raw capture images. It is on this new full-size timeline that you will color correct your movie as well. (Discussed later in this document)
16. In the FINAL CUT AUTOMATION section, check the CREATE FCP XML box, and UN-CHECK the ANAMORPHIC box.
17. Click on the AUDIO FILES? Button and either double-click on the AUDIO directory you created which houses your AIFF’s and then click OPEN or simply select the directory once and then click OPEN.
18. Now click on the SOURCE button in the SOURCE/DESTINATION section. Open the Video folder which houses your de-multiplexed m2v video files.
19. Click on the DESTINATION button in the SOURCE/DESTINATION section and select NEW FOLDER and call this “project name”_REALTIMES. This is where your .mov files which are compressed with the AIC (Apple Intermediate Codec) will be placed.
20. You are now ready to hit the GO button. So, what are you waiting for, hit the GO button now!
21. When the Quicktime settings dialog opens, confirm your SETTINGS, FILTER and SIZE settings under the VIDEO sections. IMPORTANT NOTE: Make sure to select the SOUND > SETTINGS button and change the SAMPLE RATE to 48kHz, 16 bit, Stereo.
22. After Lumiere HD creates your file(s), another window will open asking you to input your XML FILE NAME. Do this then click OK.
23. When you view your “REALTIMES” directory, you will notice that you now have matching files to your demultiplexed Video files. For instance, if your file was named, DESCSCENE1.m2t then then Realtime file you use for editing will be named DESCSCENE1.mov. The XML file will also appear in this destination directory.
24. Open Final Cut Pro. Let’s start by creating a new EASY SETUP preset. (You will only have to do this one time since no Easy Setup setup exists for AIC 24p in FCP. From then on, you will start FCP and simply go to Easy Setup and select this Project Preset before you import your XML skipping to item 29 below) Select AUDIO VIDEO SETTINGS. Under the SEQUENCE PRESETS tab, select APPLE INTERMEDIATE CODEC 720p30 from the scrolling menu. Note that we are going to create a preset for 23.98 from this one by changing the frame rate. All other settings are the same as the 720p30 preset.
25. Select the DUPLICATE button. In the SEQUENCE PRESET EDITOR change the NAME to “Apple Intermediate Codec 720p24” Go ahead and also change 30 to 24 in the DESCRIPTION text box.
26. Confirm the following settings in the GENERAL tab.
a. FRAME SIZE: 1280 X 720
b. ASPECT RATIO: HDTV 720p (16:9)
c. Make sure the ANAMORPHIC (16:9) box is UNCHECKED.
d. PIXEL ASPECT RATIO: Square
e. FIELD DOMINANCE: None
f. EDITING TIMEBASE: 23.98
g. TIMECODE RATE: Same as Editing Timebase
h. QUICKTIME VIDEO SETTINGS: Apple Intermediate Codec.
i. QUALITY: Desired setting based on your system capacity.
j. AUDIO SETTINGS: 48kHz, 16-bit and a Default Config:
27. Click OK, then select this new Preset once you return to the AUDIO/VIDEO SETTINGS dialog and then click CREATE EASY SETUP.
28. When the EASY SETUP dialog opens up create type in the NAME field, “HDV-Apple Intermediate Codec 720p24” Enter a description and then click the CREATE button. Save in the CUSTOM SETTINGS pull-down menu.
29. Let’s start by closing all open Projects and stay in FCP. It’s always good to have a separate 720p project for all your JVC HD-100 sequences. Select EASY SETUP and select your new “HDV-Apple Intermediate Codec 720p24” Of course you will still be in the basic program now with no Projects or Sequences, but your system is now configured to import the XML and the sequence presets will match perfectly. (Keep in mind we did all this to circumvent a bug in FCP5.0)
30. Now go to FILE > IMPORT > XML and select the XML file you created in Lumiere HD. Select CHOOSE. When the IMPORT XML window opens, select the CREATE NEW PROJECT in the DESTINATION pull down menu. Make sure your DEFAULT is APPLE INTERMEDIATE CODEC 720p24. Make sure all buttons are checked, including OVERRIDE WITH SETTINGS FROM XML. You should be able to simply check this override box when importing into any open FCP session and create a new project with the XML settings once the bug is fixed in FCP.
31. This will create a new project named after your XML, and a directory of all your real-time clips called “project name”_REALTIMES.
32. You will also notice that the clip names do not end with .mov but rather end with .m2v. These names actually access the AIC compressed .mov files as this naming convention in the browser is simply a means to locate the uncompressed transport streams later with Media Manager once you have finished editing.
33. Now you can start editing. When you drag a clip to the Timeline, the corresponding AIFF audio file will also travel with it and be locked to the Video. However, until Timecode sync is offered in LHD, you may need to re-sync via the Clapper slate as mentioned above. However, unless you are using very long takes, the sync is within fractions of a frame and isn’t perceptible.
34. Edit away but avoid doing things like color correction or final rendering of effects until you are done with the need to work in real-time.
35. Once you are finished editing, move to the next section.
GOING ONLINE
FINAL CUT PRO 5.0 > LUMIERE HD > JVC GY-HD100 720p
CONNECTING ORIGINAL MEDIA: ONLINE OPTION #1
1. Select sequence in your browser.
2. Choose FILE > MEDIA MANAGER.
3. Media Manager Settings:
a. Media: CREATE OFFLINE
b. Set Sequence to CUSTOM
c. 1280 X 720
d. Pixel Aspect Ratio: SQUARE
e. Anamorphic Box: UNCHECKED
f. Editing Timebase: 23.98
g. Timecode rate: SAME
h. Compressor: NONE or HDV720p30
i. Audio: 48kHz, 16 bit, stereo default
j. Project name: ONLINE 720p24
k. Go to ONLINE 720p24 tab in the browser. Double click on the sequence. (Note: the is currently an issue in LHD’s XML function in that it will not transfer the REEL NAME to the clip. You will have to select all your clips to add the reel name, otherwise the the clips will not be made “Offline”. You can always right-click on the clip an select the MAKE OFFLINE function. )
l. Save project name: ONLINE 720p24
m. Go to ONLINE 720p24 tab in the browser and double-click on the sequence. (clips should be offline if the reel name is added in the brower.)
n. Select all the clips in the browser in the ONLINE 720p24 sequence and choose RECONNECT MEDIA.
o. Point to the original digital negative clips that you demuxed in LHD. (ignore mismatch warning and all your clips should reconnect.
IMPORTANT NOTE: The above routine for going online worked will with FCP4 but now there exists a BUG in FCP5 in the Media Manager function.
BUG REPORT: When doing an offline and choosing "based on clip names" (which are NAME.MOV), Media manage will add .MOV to the source name resulting in NAME.MOV.MOV.
This is happening in FCP5. It never happened in FCP4. We've used this freature extensively before for online/offline editing workflow. The advantage of using clip name vs. file name in the browser is that you can edit a proxy and always keep track of its online version by naming the clip the same name as the online version. Now that it ads .MOV to the name, it's unusable - or you have to reconnect by hand rather than using hte "connect the clips based on relative paths" option.
CONNECTING ORIGINAL MEDIA: ONLINE OPTION #2
STICKING WITH APPLE INTERMEDIAT CODEC.
For now, it is possible to stick with the Apple Intermediate codec when going online and back through LHD to the JVC HD-100. If so, choose NONE compression when exporting a Quicktime from FCP for use in LHD. However, the best case will be to use the above option #1 when Apple gets around to fixing their bug with Media Manager.
Otherwise, you will have to reconnect all your clips to the original m2v’s manually to avoid the codec altogether.
About the Apple Intermediate Codec
The Apple Intermediate Codec is a high-quality video codec that Apple developed for use as an alternative to native MPEG-2 HDV editing in an HDV workflow. Instead of editing the MPEG-2 HDV data directly, you can capture video from the tape source and then transcode it with the Apple Intermediate Codec to optimize the video data for playback performance and quality.
Working with the Apple Intermediate Codec is less processor-intensive than working with native HDV. Unlike MPEG-2 HDV, the Apple Intermediate Codec does not use temporal compression, so every frame can be decoded and displayed immediately without first decoding other frames. The drawback of this codec is that it requires three to four times as much bandwidth and hard drive storage space as MPEG-2 HDV.
Data rates for the Apple Intermediate Codec are variable; the data rates and storage needed may vary slightly, depending on the complexity of your footage. Images with a lot of detail have a higher data rate, while images with less detail have a lower data rate.
Format and Data rate
MPEG-2 HDV 720p30……….2.5 MB/sec. (equivalent to 9 GB/hr.)
MPEG-2 HDV 1080i60/50……….3.3 MB/sec. (equivalent to 12 GB/hr.)
Apple Intermediate Codec HDV 720p30………. approximately 7 MB/sec. (equivalent to approximately 25 GB/hr.)
Apple Intermediate Codec HDV 1080i50………. approximately 12 MB/sec. (equivalent to approximately 42 GB/hr.)
Apple Intermediate Codec HDV 1080i60………. approximately 14 MB/sec. (equivalent to approximately 49 GB/hr.)
Frame Aspect and Dimensions
MPEG-2 HDV and Apple Intermediate Codec feature a 16:9 widescreen aspect ratio for all resolutions.
The 1080i format features 1080 lines (1440 pixels per line), interlaced, using non-square pixels to display a screen ratio of 16:9 (equivalent to 1920 x 1080). The 720p format features 720 lines (equivalent to 1280 x 720) with a progressive scan.
Color Recording Method
Both MPEG-2 HDV and Apple Intermediate Codec HDV record a 4:2:0 component (Y´CBCR) digital video signal. Each sample (pixel) has a resolution of 8 bits.
Note: This article was based on information from the HD and Broadcast Formats document (in Final Cut Pro 5, choose HD and Broadcast Formats from the Help menu).
EXPORTING QUICKTIME TO LUMIERE HD > JVC GY-HD100
1. Use the following settings when feeding a Quicktime file back to Lumiere HD if you plan on generating a 720p24 transport stream to the JVC GY-HD100 or BR-HD50.
2. Quicktime settings:
a. Resolution: 1280x720
b. Frame Rate: 23.976 (23.98)
c. Progressive
d. Audio on whole track.
e. Audio Settings: 48kHz, 16bit, stereo
f. Square Pixel.
3. Open LHD and select the TRANSPORT STREAM tab.
4. Select JVC 720p/24 (GY-HD100, BR-HD50) in the pulldown menu.
5. Select the HDMASTER tab and then choose your .MOV file.
6. Select the DESTINATION BUTTON under the TRANSPORT STREAM section.
7. Now return to the CAPTURE/PRINT tab in LHD and select the print to tape button. Choose your new edited TS (transport stream) file and Click OPEN and it will print to tape automatically.
Special Thanks to the following for their input to this document:
Frederic Haubrich
Neil Boone
Apple Docs: Article number 301599
Jerry

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QL> shutdown
Database closed.
Database dismounted.
ORACLE instance shut down.
SQL> startup nomount
ORACLE instance started.
Total System Global Area 629145600 bytes
Fixed Size                  1250548 bytes
Variable Size             171969292 bytes
Database Buffers          452984832 bytes
Redo Buffers                2940928 bytes
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SP2-0042: unknown command "DATAFILE" - rest of line ignored.
SP2-0734: unknown command beginning "'C:\ORACLE..." - rest of line ignored.
SP2-0734: unknown command beginning "'C:\ORACLE..." - rest of line ignored.
SP2-0734: unknown command beginning "CHARACTER ..." - rest of line ignored.
SP2-0044: For a list of known commands enter HELP
and to leave enter EXIT.
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2      MAXLOGFILES 32
3      MAXLOGMEMBERS 2
4      MAXDATAFILES 32
5      MAXINSTANCES 16
6      MAXLOGHISTORY 1752
7 LOGFILE
8 GROUP 1 'C:\oracle\product\10.2.0\oradata\rose\LOG1ROSE.ORA' SIZE 50M,
9    GROUP 2 'C:\oracle\product\10.2.0\oradata\rose\LOG2ROSE.ORA' SIZE 50M,
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CHETAN YADAV wrote:
hi
i am getting following error while creating controll file
QL> shutdown
Database closed.
Database dismounted.
ORACLE instance shut down.
SQL> startup nomount
ORACLE instance started.
Total System Global Area 629145600 bytes
Fixed Size                  1250548 bytes
Variable Size             171969292 bytes
Database Buffers          452984832 bytes
Redo Buffers                2940928 bytes
SQL> @c:\study\rose\c.sqlWe can't debug what we can't see. And what we can't see is the contents of "c:\study\rose\c.sql".
SP2-0042: unknown command "DATAFILE" - rest of line ignored.
SP2-0734: unknown command beginning "'C:\ORACLE..." - rest of line ignored.
SP2-0734: unknown command beginning "'C:\ORACLE..." - rest of line ignored.
SP2-0734: unknown command beginning "CHARACTER ..." - rest of line ignored.
SP2-0044: For a list of known commands enter HELP
and to leave enter EXIT.
1 CREATE CONTROLFILE SET DATABASE "ROSE" RESETLOGS froce logging NOARCHIVELOG
2 MAXLOGFILES 32
3 MAXLOGMEMBERS 2
4 MAXDATAFILES 32
5 MAXINSTANCES 16
6 MAXLOGHISTORY 1752
7 LOGFILE
8 GROUP 1 'C:\oracle\product\10.2.0\oradata\rose\LOG1ROSE.ORA' SIZE 50M,
9 GROUP 2 'C:\oracle\product\10.2.0\oradata\rose\LOG2ROSE.ORA' SIZE 50M,
10 GROUP 3 'C:\oracle\product\10.2.0\oradata\rose\LOG06.LOG' SIZE 25M,
11* GROUP 4 'C:\oracle\product\10.2.0\oradata\rose\LOG07.LOG' SIZE 25M
SQL>

Hi All,Error while creating a file in EMIGALL

Hi All,
When am creating a File name in Data import screen.
The process which i had done is :
I had copied the Migration object DEVICE from std SAP to my company ZTEST and generated the report for this from menu option Migration object --> Generate Report . After that i had selected the option Data import from the same menu option .
In the Data import screen i had selected radibutton Batch Wrork porc and in the Import file tab i had given the file name as DEVICE.ZDE and pressed the create .When i pressed create the following message is appearing :
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if I see the detailed help it is showing the following message :
Error opening file DEVICE.ZDE
Message no. EM022
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Hi Bharat,
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Hello Everybody,
I have been thinking if any of you has ever done simmilar thing..
I have a crontab task that runs a script that gathers some space statistics each month from couple of servers..and sends an output to a file..
how to redirect that output so it populates certain table in the database?
can you recomend best approach?
thanks a lot,
agat81

The easiest way would be to create your file in a way that it will look like
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insert into your_table_name values (blub, 4,5 ,6);
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cu
Andreas

Can't create a file using fm 'File_Get_Name'

hi gurus,
Can you please help me with this issue. There's a program that have to create a file using the said fm. It was working before when it was set in OS NT. But when the settings and codes have been changed to UNIX, the program was able to generate the program. But the file doesn't exist. It seems it doesn't create a file in that server.
What else do I need to check?
Points will be rewarded. Thanks
Here's the code for your reference:
CALL FUNCTION 'FILE_GET_NAME'
       EXPORTING
*         CLIENT                  = SY-MANDT
            logical_filename        = 'Z_SYSBRIDGE'
         OPERATING_SYSTEM        = SY-OPSYS
*         PARAMETER_1             = ' '
*         PARAMETER_2             = ' '
*         USE_PRESENTATION_SERVER = ' '
*         WITH_FILE_EXTENSION     = ' '
*         USE_BUFFER              = ' '
       IMPORTING
*         emergency_flag          =
*         file_format             =
            file_name               = ltfile-out_path
       EXCEPTIONS
            file_not_found          = 1
            OTHERS                  = 2.

Hi Maui,
Did you check SM69, where the code that ties to this FM creates a file after it execute your FM...
SM69 are os commands that does UNIX execution or other OS commands...
or maybe you have missed another FM like FM 'SXPG_OS_COMMAND' or of some sort.
Thanks
William Wilstroth

Unable to see the logical path and file created in FILE tcode from AL11 and unable to upload the file to this path from front end

Hi Experts,
I have created the logical path and filename in FILE tcode.I am trying to upload the pdf file to application server by using this path.But
I am getting message like "Unable to open the file".Even I cannot find the this path in AL11 tcode.Kindly anyone advise how to upload pdf file using
custom path and file created from FILE tcode.
Thanks & Regards,
Anusha.

Hi Anusha,
Please give as below.
I forget to say you cannot open the PDF in AL11 and for that you need some configuration, i think it can be done using content server,not sure completely please wait for some more suggestions.
Regards,
Pavan

Crystal Server 2013: How to troubleshoot "Can not create temp file---- Error code:-2147215357"

We have a Java7 web app, which generate PDF report by calling Crystal Server 2013 SP4.
The app is being deployed on many different servers. We sometimes got the error below when generating report:
com.crystaldecisions.sdk.occa.report.lib.ReportSDKException: Can not create temp file---- Error code:-2147215357 [CRSDK00000615] Error code name:internal
at com.crystaldecisions.sdk.occa.report.application.PrintOutputController.controllerExportInternal(PrintOutputController.java:280)
at com.crystaldecisions.sdk.occa.report.application.PrintOutputController.export(PrintOutputController.java:152)
at com.crystaldecisions.sdk.occa.report.application.PrintOutputController.export(PrintOutputController.java:130)
at com.crystaldecisions.sdk.occa.report.application.PrintOutputController.export(PrintOutputController.java:113)
Problem is, this seems to be a pretty generic exception. It could be caused by many different reasons.
e.g. network connection problem, wrong DB login, wrong folder path, lack of folder access right, etc.
Each time we could only guess what's wrong.
We are running into it again, and this time everything seems correctly configured so far.
We wonder if there are more info we can get to troubleshoot? For example, any log file of Crystal Server we should look into? Or does Crystal Server has debug mode which prints more details to tell us what goes wrong?

Prithviraj Shekhawat wrote:
Hi Henry,
I believe you are using RAS SDKs to export the reports to PDF.
Apply trace on RAS server and check what you find in RAS logs.
Check whether you can see timeout error is RAS logs. Usually if connection is lost and the RAS server no more have the session to write to the temp directory, we do see these errors.
Also, does the account that runs RAS have permissions to create a file in RAS's default temp directory? Are you getting any out of memory or out of disk space exceptions on App server or RAS, tracing RAS server is the way to move forward.
Thanks,
Prithvi
>>I believe you are using RAS SDKs to export the reports to PDF.
Yes
>>Apply trace on RAS server and check what you find in RAS logs.
>>Check whether you can see timeout error is RAS logs.
How to configure tracing, and where are RAS logs? Is it configured in CMC --> Servers --> Crystal Report Services?
>>Also, does the account that runs RAS have permissions to create
>>a file in RAS's default temp directory?
Pretty sure yes.
>> Are you getting any out of memory or out of disk space exceptions
>>on App server or RAS, tracing RAS server is the way to move forward.
Not on App server.
For RAS, that's the problem, I am not sure where to look.......

Can not create temp file---- Error code:-2147215357 [CRSDK00000615] Error code name:internal

Hello,
While exporting Export reporting from BI4 getting exception
Can not create temp file---- Error code:-2147215357 [CRSDK00000615] Error code name:internal
In Trace Log I am getting
com.crystaldecisions.xml.serialization.XMLWriter||Failed to create an object instance for CrystalReports.TextObjectFormat
java.util.MissingResourceException: Can't find resource for bundle java.util.PropertyResourceBundle, key CrystalReports.TextObjectFormat
at java.util.ResourceBundle.getObject(ResourceBundle.java:374)
at java.util.ResourceBundle.getString(ResourceBundle.java:334)
I tried following solution according to the all forums but still issue exist.
Done changes mention in KB article In <Installation-dir-of-BO>\Common\4.0\java\CRConfig.XML we have to increase the JAVA heap MIN and Max size
<JVMMaxHeap>64000000</JVMMaxHeap> <JVMMinHeap>32000000</JVMMinHeap>
Increase the value in the ReportApplicationServer Services in the CMC for "Number of database records to read when previewing or refreshing a report". The value -1 is for unlimited records but not recommended for performance.
Check for temporary read write permission on server
Using SDK library from C:\Program Files (x86)\SAP Business Objects\SAP BusinessObjects Enterprise XI 4.0\java\lib
Can you please let me know is there anything missing.

Hi,
We face the same problem with some BI4 reports.
The same report works well with the "Crystal Reports Viewers API", as used in Infoview, but not with the "Report Application Server (RAS) API".
This error appears after some time working on a report. If we reproduce the same report, but from zero, no problem.
Hope it can help.
Ludovic.

16x9 SD capture creates giant file

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