2:3 or 2:3:3:2 pulldown
Can someone confirm that FCP can ONLY remove 2:3:3:2 (advanced pulldown)
and NOT 2:3 (traditional pulldown).
And that cameras like the AG-DVX100 & AJ-SDX900 use 2:3 in "24p" mode and use 2:3:3:2 when in "24pa" mode.
So if the camera guys shot in "24pa" I can use the "remove advanced pulldown" feature in FCP to edit in a 24(23.98) timeline, but if they shot in "24p" I'm going to have to use Shake or Cinema Tools to remove it.
yes, i'll confirm these things for you, so will a bunch of other knowledgeable folk and so will the manual.
what seems to be the issue? a very common mistake is folks don't know whether they shot in 24p or 24pa (this just floors me, constantly!) so you'll have to step through the tape before the pulldown is removed to see the interlacing pattern to determine which flavor of pulldown was added.
Similar Messages
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I am unable to insert frames in the Director timeline via the menu pulldown.
I have been using Director in my career since 1990 and have taught it at the college level. But in my newly purchased version 12, I am unable to insert frames in the Director timeline via the menu pulldown. Unfortunately this was after I couldn't get it to open up in the first place, giving me the error message Ive pasted in below. Creating a new user login on the same Mac Pro (10.8.2), it will now open - but I can't insert frames in the timeline. Everything else works great though!
Not to bore you, but this is the long-time interactive project I began decades ago that I work on daily now that I am retired as a 100% disabled veteran:
http://www.madblood.net/tbi/
Having used the greatest multimedia application on earth for so many years, I want to thank Adobe for so kindly keeping Director alive after too many years of not knowing if 11.5 was going to be the last version. Thank you, thank you, thank you
Error message in my original user login:
Process: Director [43376]
Path: /Applications/Adobe Director 12/Director.app/Contents/MacOS/Director
Identifier: com.adobe.director_12_0.application
Version: 12.0.0r111 (12.0.0r111)
Code Type: X86 (Native)
Parent Process: launchd [15590]
User ID: 501
Date/Time: 2013-03-27 10:32:32.984 -0400
OS Version: Mac OS X 10.8.2 (12C60)
Report Version: 10
Interval Since Last Report: 1853328 sec
Crashes Since Last Report: 1558
Per-App Interval Since Last Report: 3658 sec
Per-App Crashes Since Last Report: 1
Anonymous UUID: C1706384-C52D-D59B-9B70-7023EE048A23
Crashed Thread: 0 Dispatch queue: com.apple.main-thread
Exception Type: EXC_BAD_ACCESS (SIGSEGV)
Exception Codes: KERN_INVALID_ADDRESS at 0x0000000060000020
VM Regions Near 0x60000020:
CoreServices 000000001ba6a000-000000001be92000 [ 4256K] rw-/rwx SM=COW
-->
__TEXT 000000008fe64000-000000008fe97000 [ 204K] r-x/rwx SM=COW /usr/lib/dyld
Application Specific Information:
objc_msgSend() selector name: _getCString:maxLength:encoding:
Thread 0 Crashed:: Dispatch queue: com.apple.main-thread
0 libobjc.A.dylib 0x919a6a87 objc_msgSend + 23
1 com.apple.CoreFoundation 0x97877513 CFStringGetCString + 115
2 com.adobe.director_12_0.textxtra 0x10f4ae55 0x10f00000 + 306773
3 com.adobe.director_12_0.textxtra 0x10f48b1c 0x10f00000 + 297756
4 com.adobe.director_12_0.textxtra 0x10f47928 0x10f00000 + 293160
5 com.adobe.director_12_0.textxtra 0x10f0da48 0x10f00000 + 55880
6 com.adobe.director_12_0.IMLLib.framework 0x008209de 0x798000 + 559582
7 com.adobe.director_12_0.IMLLib.framework 0x0081ef65 0x798000 + 552805
8 com.adobe.director_12_0.IMLLib.framework 0x0081f03a MoaCreateInstance + 107
9 com.adobe.director_12_0.DPLib.framework 0x0063502a 0x5a4000 + 593962
10 com.adobe.director_12_0.DPLib.framework 0x0060a5b1 MoaSrv_GetIMoaTextManager + 104
11 com.adobe.director_12_0.application 0x0017922d 0x1000 + 1540653
12 com.adobe.director_12_0.application 0x00176409 0x1000 + 1528841
13 com.adobe.director_12_0.application 0x001792d1 0x1000 + 1540817
14 com.adobe.director_12_0.application 0x001df0bd 0x1000 + 1958077
15 com.adobe.director_12_0.application 0x0031c518 0x1000 + 3257624
16 com.adobe.director_12_0.application 0x0031c722 0x1000 + 3258146
17 com.adobe.director_12_0.application 0x0031ad61 0x1000 + 3251553
18 com.adobe.director_12_0.application 0x00101312 0x1000 + 1049362
19 com.adobe.director_12_0.application 0x0010163d 0x1000 + 1050173
20 com.adobe.director_12_0.application 0x00171b9f 0x1000 + 1510303
21 com.adobe.director_12_0.application 0x00171df4 0x1000 + 1510900
22 com.adobe.director_12_0.application 0x00171ede 0x1000 + 1511134
23 com.adobe.director_12_0.application 0x00172d32 0x1000 + 1514802
24 com.adobe.director_12_0.application 0x001a49c4 0x1000 + 1718724
25 com.adobe.director_12_0.application 0x0031b0f6 0x1000 + 3252470
26 com.adobe.director_12_0.application 0x00091183 0x1000 + 590211
27 com.adobe.director_12_0.application 0x000e7173 0x1000 + 942451
28 com.adobe.director_12_0.application 0x00002c29 0x1000 + 7209
29 com.adobe.director_12_0.application 0x00002b58 0x1000 + 7000
Thread 1:: Dispatch queue: com.apple.libdispatch-manager
0 libsystem_kernel.dylib 0x92f9e9ae kevent + 10
1 libdispatch.dylib 0x9001ec71 _dispatch_mgr_invoke + 993
2 libdispatch.dylib 0x9001e7a9 _dispatch_mgr_thread + 53
Thread 0 crashed with X86 Thread State (32-bit):
eax: 0x01aebc90 ebx: 0x01aebc90 ecx: 0x9103905b edx: 0x60000000
edi: 0x978774ae esi: 0xbfffee0c ebp: 0xbfffeb18 esp: 0xbfffeac8
ss: 0x00000023 efl: 0x00010206 eip: 0x919a6a87 cs: 0x0000001b
ds: 0x00000023 es: 0x00000023 fs: 0x00000000 gs: 0x0000000f
cr2: 0x60000020
Logical CPU: 8
Binary Images:
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0xbb100000 - 0xbb103ffd libLatinSuppConverter.dylib (61) <A1318F1F-8E3E-3A9B-92A1-4749F4CBCE1B> /System/Library/CoreServHi Milky_au!
I appreciate your response. I believe I've discovered what the problem is with not being able to insert multiple frames from the pulldown menu - and it appears to be a limitation in Director's score that'll actually be easy to avoid as I continue building my project.
My background sprite channel and ten other channels I was using for navigation buttons had stretched well over six thousand frames (undoubtedly from a lot of copy and paste between DIR files of reused sprite channels over the past eighteen years that I've been working on this personal project that's been as much fun as using Director) while the sprites for the rest of the project had only reached just under three thousand frames.
On the phone with Rajeev Saini at Adobe for a good half hour with him in control of my screen to test what I had done, he had discovered that a new DIR file had no problem inserting frames via the pulldown. Although the Command+] shortcut would still add one frame at a time in my working DIR, I wasn't seeing that as a viable solution to my wanting to add, say, a hundred frames in one shot so I could build an animation in that area of the score.
I deleted three thousand frames that were being used by the background and those ten navigation buttons - and now inserting frames via the pulldown menu works exactly the way its supposed to now!
I can now see that I have to keep an eye on that background and those button channels so they don't grow so far beyond where I'm actually building my project.
I will pass this on to Adobe because it does seem like there's a definite limitation in the score. Luckily, that's easy to work around.
Thanks again Milky_au for your kind response!
Gary -
Default Pulldown value is not getting displayed on upper form of Second step of Unifier Workflow
Hi,
I'm new to Unifier and facing one issue while using the PullDown field on Upper. If I use the Pull down field with Default option selected in DataDefination on Upper form of Workflow's first step then it works fine, whereas if I use it on upper form of workflow's second step or any other step apart from first then it doesn't displayed. Please let me know how can i get the default value on upper form of any step.
Thanks in advance.
Abhishek@I assume that you are referring to a brand new field on the second step that was not on the form of the first step. If this is the case, then you should put the field in a hidden block of the first steps form. Default values and Auto-population from shells/single record BPs only occur of the create step, even if they are not used on that step. As long as you put them on the create step (even in a hidden block) they should initialize.
-
First, how do I create my own favorite theme template for DVD slideshows? I used to be able to select this from pulldown menu, but cannot now do so. I am directed straight to already existing themes, which take more memory. I have a large slideshow, and need all the space I can get. I just want to use a picture as my DVD cover, and then insert a slideshow. Also, when I try to burn my 8.5gb double sided slideshow, all that burns is the music. It is a large slideshow, a memorial on the life of my now deceased brother. This means a lot to me and to my family, and I am having so much trouble trying to burn it. I have gone into Project View and selected appropriately. The bar shows I have room to burn this DVD, but it does not burn. I have burned so many DVDs in the past, but this one just will not burn. I am so confused at this point. I will say this is the first 8.5gb I have attempted to create and burn. My specs list a 7.7gb or 4.7gb as operable....but there are no 7.7gb dvds. I had to purchase 8.5gb. Help? What am I doing wrong? I have spent so much time on this, and just cannot figure it out.
Final Cut is a separate, higher end video editor. The pro version of iMovie.
Give iPhoto a look at for creating the slideshow. It's easy to assemble the photos in an album in iPhoto, put them in the order you want and then make a slideshow of them. You can select from various themes and transitions between slides and add music from your iTunes library.
When you have the slidshow as you want use the Export button at the bottom of the iPhoto window and export with Size = Medium or Large.
Save the resulting Quicktime movie file in your Movies folder.
Next, open iDVD, choose your theme and drag the QT movie file into the menu window being careful to avoid any drop zones.
Then follow this workflow to help assure the best qualty video DVD:
Once you have the project as you want it save it as a disk image via the File ➙ Save as Disk Image menu option. This will separate the encoding process from the burn process.
To check the encoding mount the disk image, launch DVD Player and play it. If it plays OK with DVD Player the encoding is good.
Then burn to disk with Disk Utility or Toast at the slowest speed available (2x-4x) to assure the best burn quality. Always use top quality media: Verbatim, Maxell or Taiyo Yuden DVD-R are the most recommended in these forums.
The reason I suggest iPhoto is that I find it much easier to use than iMovie (except for the older iMovie 6 HD version). Personal preferences showing here. -
I can't seem to print directly from apps like the new York times. Print is not an option from the pulldown menu. Print to my hp printer works fine from safari and email though and from some other apps. Do some apps not permit printing? That doesn't right.
sadie1 wrote:
Thats funny. If go to ny times on safari therebis a print icon and no problem printing. On the app -- and I am a paid subscriber -- no print option ...
You can ask the NY Times why not.
Standard behavior is that Airprint always works with iBooks, Mail, Photos, and Safari. Apps are up to their author.
http://support.apple.com/kb/ht4356 -
How do I hide a pulldown menu if one of it's values has been selected but not others?
Through searching this forum, I've been able to figure out how to hide pull downs and fields that only have numeric info in them. I.e if the user selects. or if the pulldown value is zero. The item does not show or print on the form. What I cannot find, is how do you accomplish this if the values in the pulldowns are text? I.E. the pull down has three choices "choose an item", "ITEM 1", "ITEM 2". It defaults to "choose an item" and if left this way, I want it to be hidden or set to null, but if ITEM 1 or 2 are selected. Then it shows/prints ITEM 1 or ITEM 2 in the spot.
thank you for your help on this issue.I figured it out
and need to give kudos to George Johnson due to an answer he gave in 2008 pointed me to the solution.
http://forums.adobe.com/message/1152008
First I assigned a calculated value to each of the text items.
Then here is my script.
// Get field value
var v1 = +getField("Description1").value;
// If the value does not equal 0 then use the value
if (v1 !== 0) {
event.value = v1;
} else {
//If the value does equal 0 then blank the value
event.value = "";
Message was edited by: AXNUCorp due to a funky cut and paste -
How to create a pulldown list in numbers
how to create a pulldown list in numbers
Here is it:
Open Applescript editor
Copy the entire script and paste it into Applescript Editor
Compile it
Read the instructions at the top of the script
Run the script, following the instructions.
You can save the script and it will be available in the Scripts menu (on the right side of the menu bar where Time Machine , Airport, and all those icons are).
Copy and paste all of what is below:
-- Script to populate a Numbers pop-up list.
-- Instructions:
-- GUI scripting must be on in System Preferences
-- Create a list of items. Must be a contiguous range of cells in a table.
-- Select the range of cells to use as items in the popup.
-- Run the script.
-- A dialog box will appear asking you to select which cells you want to turn into pop-ups
-- Select the cells then click OK on the dialog box
set tValues to my doThis(1) -- get values of the selection
if tValues is not "" then
activate
display dialog "Select the cells where you want to create the PopUp." & return & "After that, click on the 'OK' button."
my doThis(tValues) -- set the cell format of the new selection to "PopUp Menu" and set the values of the each menu item
tell application "Numbers" to display dialog "Done"
else
tell application "Numbers" to display dialog "You must select the cells in a table before running this script."
end if
on doThis(n)
tell application "Numbers"
set tTables to (tables of sheets of front document whose its selection range is not missing value)
repeat with t in tTables -- t is a list of tables of a sheet
if contents of t is not {} then -- this list is not empty, it's the selected sheet
set activeTable to (get item 1 of t)
if n = 1 then return value of cells of selection range of activeTable -- return values of the selection
set format of (cells of selection range of activeTable) to pop up menu -- set the format to pop up menu
return my setValuePopUp(n) -- set value of each menu item
end if
end repeat
end tell
return ""
end doThis
on setValuePopUp(L)
tell application "System Events"
tell process "Numbers"
set frontmost to true
delay 0.3
set inspectorWindow to missing value
set tWindows to windows whose subrole is "AXFloatingWindow"
repeat with i in tWindows
if exists radio group 1 of i then
set inspectorWindow to i
exit repeat
end if
end repeat
if inspectorWindow is missing value then
keystroke "i" using {option down, command down} -- Show Inspector
else
perform action "AXRaise" of inspectorWindow -- raise the Inspector window to the front
end if
delay 0.3
tell window 1
click radio button 4 of radio group 1 -- the "cell format" tab
delay 0.3
tell group 2 of group 1
set tTable to table 1 of scroll area 1
set tc to count rows of tTable
set lenL to (count L)
if tc < lenL then -- ** add menu items **
repeat until (count rows of tTable) = lenL
click button 1 -- button [+]
end repeat
keystroke return -- validate the default name of the last menu item
else if tc > lenL then -- ** remove menu items **
repeat while exists row (lenL + 1) of tTable
select row (lenL + 1) of tTable
click button 2 -- button [-]
end repeat
end if
tell tTable to repeat with i from 1 to lenL -- ** change value of each menu item **
set value of text field 1 of row i to item i of L
end repeat
end tell
end tell
end tell
end tell
end setValuePopUp -
Looks like a pulldown issue, duplicated frames are baked into transcoded files...
Have a bit of a messy project atm...this started with a client call on my way back from a festival where I ran large format video screens as a VJ & camera switcher/editor (Sasquatch in NW USA) so I was tired from 5 solid days of work. I dropped by their studio to examine an example clip…tired and thinking they had a good test case pulled up & ready to look at.
Well, the first clip we analyzed ONLY had shutter speed issues. Checking the source file/.mov it was apparent it was shot at a shutter speed closer to 1/1000 than 1/60, adding a bit of pixel motion blur in AE solved that... In retrospect his export from FCP7 had the pulldown problems in the EXPORTED version of the clip, but we hadn't checked that (we watched the source clip play back and he sent the reference clip with me so I could match the edit). So the issues that have been in almost all subsequent clips were not present in the initial analyzed file unfortunately! When I got back to my workspace & the files were ingested it became obvious that there's a bad pulldown at work in most of the transcoded footage. The client had mentioned it looking 'choppy' and rather than just being motion blur it was a case of duplicate frames. Bad pulldown removal...
MOST of the footage as I have it is ProRes 4:2:2 LT 29.97p with every 3rd frame duplicated (1 out of 3 duplicated rather than 1 out of 5). The ProRes format didn't come from a digital recorder in this case, it was transcoded from the source media using a software tool to organize & collect the source media and compressor to transcode for editing. Since these 2 episodes were left in the editing pile for months, the source files are obviously *no longer around*….
In the past I've dealt with reverse pulldown issues from 24p & 24pA (where the frames are either interlaced or duplicated to achieve the pulldown) but these all give a 5 frame cadence. Also when done correctly they don't destroy good frames and leave frame dupes. What we have here seems more like improperly handled PsF (via HDMI or SD output from 1080p cameras) or pulldown incorrectly applied to 29.97 over 60i/59.94i, or...? In any case these are destined for 60i broadcast, so simply interlacing them again to create the 3rd frame is out of the question, and frame blending isn't much better than the dupe frames.
Removal of every 3rd frame which (since that = every 2nd frame) obviously gives a visual "jump" over the now removed dupe frame, and leaves footage has to be converted from 20p to 29.97 which looks horrible regardless of how its done (conformed or interpolated). Removal of every 3rd frame from 29.97 is actually not too hard, as 2/3rds of the frames are still 'good' it's easy to
apply a conform to the file headers bringing the rate down to 19.98p, bringing that into AE and creating a comp that's set to 'preserve frame rate when nested' under advanced, then putting that into a 29.97 comp..., that works relatively well but the missing frames STILL need to be replaced somehow...
To make matters worse, some clips have a cadence that doesn't stay consistent (the repeated frames will 'jump' from every 3rd periodically), OR worse yet there are sometimes 4-6 duplicated frames in a row (???), and then other sequences have only occasional frames repeated (meaning they need to be identified manually by stepping frame by frame). Some of this is potentially due to rounding errors in the pulldown, but there's got to be something more amiss as is evident by the other inconsistencies...very odd.
In any case what do to about the 3rd frames that need to be 'repaired' or 'created'? This is the crux of my issue, and software interpolation alone isn't going to cut it... Since a simple pass on the entire clip(s) causes vast sections get time stretched (not just every 3rd frame synthesized but rather the whole thing interpolated), I tried going in and setting timestretch keyframes manually (so I could manually stretch the area where the 3rd frame needs to be 'created). As the software applies motion techniques that obviously assumes the distance between frames in both directions is equal...well it just replaces 1 visual problem (dupe frames) with another (visual distortions). This has been the case with ALL the software tried so far...
I've tried AE's native higher quality mode (rather than just frame blending, which will look awful. Twixtor (demo) in AE, Smoke (autodesk), DaVinci Resolve (Light version but I have access to the GPU accellerated version as well) & Apple's Motion. All do a horrible job (FootageFIxing directory examples in dropbox) of handling this automatically, which I expected. However I had originally intended to simply 'replace' every duplicated frame using the interpolated footage, this resulted in WORSE matching to surrounding frames due to the poor interpolation not matching up well on many frames than frame blending, not better (portions of the frame 'jump' out of alignment with both the previous & following frames, after analysis it acts like a spine with a midpoint that is not parallel to a line drawn between the start & end points).
So dropping 29.97 to 20p then synthesizing every 3rd frame (until cadence jumps) is where I'm at. Once done synthesized frames have to be checked and a huge % of them (when there's motion on a person in the scene or camera pans etc) have elements…or whole frames…that are incorrectly synthesized. So pieces of surrounding frames have to be roto'd & composited into selective areas to 'patch' the portions that get 'squashed', 'stretched' or 'rippled' into position (VERY VERY noticeable).
Lastly, due to a variety of shutter speeds used the motion blur across frames is also an issue, so once a shot has been correctly re-synthesized for the missing frames it must be evaluated for whether motion blur is required, which brings us back to the rendering process that was assumed at the start of this (in other words final output of each clip may need motion blur in post before delivery).
At this point I'm left with doing the synthesis of the 3rd frame and 'repairing' the areas of that which distort too heavily, or duplicate (some of the camera pans are done to track high speed motion, birds flying through frame etc)...
Anyone have any interesting techniques I could try, beyond telling the studio I'm working with that they're hosed (that discussion is coming but I'm going to show best efforts and the timeframe required to achieve that across all shots/edits)....Oh and the easier way to removing the dupe frames was just to drop it to 19.984, set (nested) comp advanced settings to 'preserve framerate when nested' and watch for the occasional rounding error when back in a 29.97 container composition. It would be nice to be able to specify 29.976...
In any case the missing frame needs to be replaced, not removed. The visual jump i that gap actually looks to be closer to 2 frames when motion of objects is estimated by hand.
Also (as I think I mentioned) other clips seem to have even further oddities.
The reality is that I can actually create smoother motion by doing a lot of hand massaging of the footage (scaling previous frames in simple pans, hand-rotoscoping/masking/compositing in sections of frames around missing ones to synthesize motion in onscreen talent & background objects, things tracked across the screen by the camera and so on.
But that's a heck of a lot of work and probably beyond what's achievable at present I suspect... -
FCP 6 and Sony HVR-V1U 24p; can't remove 3:2 pulldown or convert to 24 fps
Hi, all, I'm hoping someone can help me out here. I recently purchased a Sony HVR-V1U HD camera that has a native 24p setting (using 60i with 3:2 pulldown to store on miniDV tape).
I have just started experimenting with pulling footage off this camera into Final Cut Pro (6.0.3), and am having some problems getting things to work using log-and-capture. Specifically, it seems I can either choose the ProRes 422 setting and effectively use a "capture now" capturing method--which gets me native 24 (or 23.98 if 24pa is used) frames per second--or I can use the 60i setup--which gets me the standard log-and-capture window where I can actually log my clips, but brings them in at 29.97 fps.
I would make due with the 60i setting since that allows me to batch capture clips I want from my footage... however, I am not able to alter the frame rate or remove the 3:2 pulldown using cinema tools (I get a "unable to find clips with 29.97 fps" error, when the properties clearly list the clips as having 29.97 fps).
Can anyone help here? I'm quite accustomed to using the log and capture window so the "capture now" method seems very inconvenient; but if I can't get the clips transcoded to 24fps somehow I'm not sure what else I can do.
Thanks in advance!
JohnCapturing HDV uses a somewhat different workflow than regular DV and other I Frame formats (if that is what you have been used to so far).
[Read this|http://documentation.apple.com/en/finalcutpro/professionalformatsandworkfl ows/#chapter=2%26section=0] to make sure that you are doing it right and not missing something along the way. -
How to remove 3:2 pulldown properly from 24p SD 16:9 NTSC footage (After Editing)
Hi,
I'm currently editing a full length feature film and originally imported all the footage directly into final cut making the timeline become a 29.97 timeline, when the pulldown should have been removed before the fact. After much research I know that you can properly remove the 3:2 pulldown from the 24p footage after editing and can be done in compressor. I've tried a number of different compressions and seem to have the dimensions correct which is good. But the 16:9 footage when brought into iDVD or dvd studio pro it seems to want to make the footage 4:3 which is quite confusing and frustrating. I need to be able to get my compression settings correct so that i'm able to put this on a dvd properly. I originally exported the footage from final cut as DV/NTSC and made sure it was 16:9 coming out of final cut. The resolution is 720x480 but comes out as 853x480 as its dimensions and has a squeezed look to the video as it did on its timeline unless the preserve aspect ratio button was unchecked. The only way around getting the squeezed look to go away is to go through compressor and make sure that letterbox is turned off so that its a full screen. Even though its a large file size I compressed using apple pro res to get the best resolution I could, but I need the best results with the lowest file size since the running time is roughly 1:43:00. The footage looks good coming out of compressor, but for some reason even though its full screen 16:9 everytime it is brought into iDVD or dvd studio pro it wants to make it 4:3? what is the reason for this! I recently read an article on this problem and the reverse telecine option within compressor is used to remove the extra frames that final cut adds, and makes the video of better quality relieving the horizontal lines that are caused by the extra frames. I need help on this and I know it can be done because people have proof that it works but I can't seem to reach a solution myself. Thank you to all who reply much appreciated!What happens when you drop a 4:3 clip - with its anamorphic flag cleared - into the 16:9 sequence ?
I have not been doing exactly this, but I have been going the other way, to produce letterboxed 4:3 footage from 16:9 HDV.
I found, when dropping the clip in, FCP automatically set a scale and distort, to correct for the differnce in aspect ratio - does it do this for you for 4:3 SD on a 16:9 SD timeline ?
Remember, you have to re-open a clip, from the sequence timeline, to see its motion settings in that timeline - I keep forgetting this, drop a clip on, then wonder why nothing I change on the clip happens in the sequence!
Regarding the final output, it all sounds fine, except for the possibility of the 4:3 TV output - the 16:9 footage would be okay letterboxed, but the original 4:3 footage would be better 1:1 - if you had to pillar box the 4:3 in the 16:9 (probably what FCP would do by default) and then letterboxed that when making the 4:3, you'll end up with a box in box, plus interlacing problems from the rescale.
I would consider making a second 4:3 sequence, once you have finished the edit on 16:9, try copying all the 16:9 edits (Cmd-A, Cmd-C) and pasting them into the new 4:3 (Cmd-V) - then its a case of leaving the 16:9 letter boxed, or zooming and panning it for 4:3, and removing the scale / aspect from the 4:3 sequences alltogether, so they play normally.
Messy - isn't it ?
Good luck!
PowerBook G4 Mac OS X (10.4.4) -
My pulldown menus and bookmarks have disappeared. How do I get them back?
Today, without doing anything to the browser, Firefox's pulldown menus and my bookmarks have all disappeared and I can't figure out how to get them back. I still have the icons for the basic tools, like the home page, but all the regular pulldowns, which I use frequently, are gone. Any ideas?
I have already downloaded the newest version of Firefox to see if this would work and it did not. Anybody?If ALL your menus have disappeared, press F11 (you may have to hit the Fn key simultaneously). If only one or two of the menu bars have disappeared, hit F10 (again, Fn key may also be needed, depending on your settings). This will bring the menu bars back temporarily--until you click on something else on the screen. While they are showing, hit View/Toolbars and check whichever menu bars you wish to appear. Unless you have a deeper issue, this should fix the problem.
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Cinema Tools doesn't recognize pulldown cadence on 24p DVCPRO 50
Hi everyone, I'm hoping someone can give me a couple suggestions on this...
I've been capturing 24p material for a documentary from different sources and with different pulldown cadences: DV @ 24p and 24p Advanced, and DVCPRO 50 @ 24p.
The extra frames from the two DV types get removed properly, but not from the DVCPRO 50. I take a clip into Cinema Tools and hit 'Rev Telecine..' (Automated so no options to choose from) and it gives me a 23.98 clip with the what should be the C frame interlaced. (A B C/D D)
It looks like CT is removing 2:3:3:2 'advanced' pulldown and not the normal 2:3:2:3, like it's reading the metadata in the clip wrong. Does anyone know a way to manually set the type of pulldown--either in Cinema Tools or within the metadata of the clip itself?
Thanks in advance,
Will
Dual 2.7 GHz G5, 4.5 GB RAM Mac OS X (10.4.2) FCP 5.03, Cinema Tools 3.03I didn't know therre was an Automated way either until working on this project, and maybe it's a new setting in Cinema Tools 3. The manual says that CT will recognize the pulldown on the clip automatically when it was shot in a 24p video camera, that this information gets embedded in the clip. The dialog box it gives you for the automatic reverse telecine has no options at all, and all my clips started on an A frame for the possibility of doing all as a batch.
I may have found what happened, (although not how to fix it). My capture setting had Remove Advanced Pulldown checked, and the tapes were recorded with regular pulldown. In my experience with DV footage this has never mattered, it would remove it if it could and if not leave the clip alone.
It looks like there's a bug somewhere in the DVCPRO 50 capture process--that the clip is has the 24p Advanced markers embedded even though it is regular 24p, and so Cinema Tools treats it improperly and removes the wrong frames:
24p Advanced (2:3:3:2) A B B/C C D 29.97 Footage
24p (2:3:2:3) A B C/B C/D D
I I 0 I I (CT removing 2:3:3:2 Pulldown)
24p Advanced A B C D
24p *my result* A B C/D D 23.98 Footage
Has anyone else encountered this bug? Any work arounds known?
Thanks,
Will -
DVCPro 50 24p @ 29.97 - Pulldown?
Hello,
I'm working on a project that was shot with the Panasonic SDX-900 at 24p.
I captured the footage with the DV50 Easy Set-up at 29.97 and I'll be outputting to DVCPro tape as well as DVD.
I've read through the forum on how it should be captured and edited, but I'm still unclear on Pulldown. Do I need to actually do anything with that in order to finish, or is the footage I captured fine in the 29.97 timeline without adding or removing pulldown? I apologize, but I just don't get it.
I read something about "flicker frames" and cutting on the 5th frame and that's a little unclear as well. I did notice when I exported a full-res Quicktime of the project that occasionally there would be a flash frame of the previous shot if I had used a clip from it's very first frame, so I went back and adjusted the in-points of those clips.
I'm giving the project to another post facility to online, and I want to make sure it's prepped as well as possible, so if anyone can tell me if there's any processing of the footage that I need to do before that I would really appreciate it.
Thanks a lot,
ShonaIn case anyone has the same question, this was answered on the Cow FCP forum:
http://forums.creativecow.net/thread/8/1000966#1000966 -
When you go to the bookmarks pulldown menu at the top of the screen, the menu window that opens is much wider than previous browser versions. often stretching the full width of the browser window itself.
In addition, once the cursor opens a bookmarks folder in a contextual side menu, you cannot go back to the main pulldown menu. It sticks there. You have to move the cursor up though the TOP of the contextual menu to free it to close the menu window. Simply moving the cursor back to the original menu does nothing -- the contextual menu sticks open as the active one.
It will often take several attempts to land the cursor on the bookmarks folder you want to open before the cursor will hit it without opening other nearby folders, getting stuck in the process. I can't just move the cursor to what I'd like to open. (Cursor is functioning normally in all other apps and windows.)
All other menus are fine. This occurs only with the bookmarks menu.
Machine is an Imac dual core 2.25 running Leopard 10.5.8. Firefox is version 5.0.
This behavior is repeatable on both a fresh download of FF5 and on the upgraded 4.0 to 5. Does not matter if launched in full mode or safe mode with no plugins -- same menu bug.
All plugins are updated, including Download Helper, Flash, Shockwave, Silverlight and a few others. They all pass the plugin tests.
This menu bug happens every time the FF browser is opened. No exceptions.
Would sure love to have version 4 back until this bug is fixed, but I can no longer locate it on the Firefox website. As it currently sits, the browser is virtually unusable. :-(Small correction to original post. Machine is an iMac 2.4ghz Intel Core 2 Duo. (I was at home when I made the first post.) But the bookmarks menu behavior still exists today and FF 5 is essentially unusable.
System details next to the post are not for machine with the bug in question.
Found a copy of FF4 to use until a solution is found. Turned off automatic updates to preserve this version. -
Problems with pulldown In Cinema Tools
I am attempting a pulldown on some footage shot at 24pA on the Sony V1U (which I was told on this forum was not real 24p and therefore did not require a pulldown but found out from Sony that it is) and captured at 29.97. Looking at the Quicktime file before the pulldown, every 3 frames are clear followed by 2 blurry ones (which I understand to be blurry due to being interlaced.) After the pulldown in Cinema Tools, 1 frame is clear and 3 are blurry. This gives the footage a "stuttered" or "jittery" look when viewed on an NTSC monitor. If I am editing this video with 29.97 video and my final export is NTSC, what is the best gameplan for dealing with the pulldown issue? To pulldown or not to pulldown? That is the question.
If you're not getting a clean pulldown removal, I wouldn't bother. The only reason to edit at 24 in standard def is if you're trying to author a 24fps DVD (which allows you to get better quality at a lower bitrate).
I don't have any experience with removing pulldown from material shot with this camera. I have removed pulldown from a film to tape transfer. I simply kept trying the different options available in cinema tools til I got a clean 24fps (actually 23.986) quicktime.
Message was edited by: Michael Grenadier -
23.98 fps advanced pulldown removel with lower field dominance??
When ever I have captured 24p advanced material shot on a DVX100B, I have always used Final Cut Pro 5's advanced pulldown removel easy set up (2:3:3:2). I haven't run into any issues until now. When I try to capture 24p advanced material, for some reason Final Cut sets my field dominance as lower (even). I made sure I was using the capture pre-set for advanced pulldown removel (23.98) and I was. Is there any way to fix this? I tried trashing my preferences but that didn't help. This is progressive scan material so in the past Final Cut Pro has always set it to field dominance as "none". Also, because my 24pa material is having a lower field dominance and as 29.97fps, I have to render in my 24pa sequence which I have never had to do. Any suggestions would be greatly appreciated.
PS: I'm using OSX 10.4.8 (the OS choice drop down menu hasn't been updated)
Update: I tried capturing a short clip (about 30 seconds) and it worked fine, but when I try capturing my clip, which is about 10 mins, I get it capured at 29.97 with lower field dominance.Anyone ?
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