24p footage in 30fps sequence is blurrier

Hello,
I'm about to load 20 hours of feature film footage shot on a dvx100b at 24p (regular, not adv.). Before importing a few shots of test footage I chose "DV-NTSC 24p" as Easy Set-up.
Every clip brought into the timeline requires rendering, and when I looked at the clips I saw that despite my setting, they imported at 29.97.
I'm willing to edit at 29.97 instead of sticking to 24p but here's the problem: I reset my Easy Setting as straight "DV-NTSC" and made a new sequence, and brought in the same clip as I'd loaded in the 24p sequence. A frame in the 29.97 sequence clip is notably less crisp than the identical frame in the 24p sequence clip.
Intuitively it makes sense to edit in 24p and just pull down (push up?) to 30 when it's DVD-burnin' time. Otherwise, I'd be dealing with 20% of my frames duplicated in the edit and who needs that?
Can I just bring in the footage at 24p and edit that way, or will the blur just come back? Thanks very much in advance for any help breaking through this bottleneck.
Best,
Sean
Mac Pro 2.66 Mac OS X (10.4.6) PowerBook G4 667

Sean -- that's cool.
Do keep this in mind when shooting with the DVX though...
24p setting and 24pA setting:
24p Setting is meant as a FILM LOOK setting. 24p setting will shoot from the CCDs 24 times a second but when it goes to tape it gets a pulldown cadence of 3.2 standard pulldown cadence - which means 2 frames are combined and added as 'interlaced' frames bringing the total frame count from 24 to 30 frames per second.
This is for two reasons... 1) miniDV tape won't take anything other than 30 frames per second, and 2) the 3.2 cadence is the standard cadence used by TV folk to convert film to 30fps and is least offensive to the eye.
Again, 24p setting on the dvx is to be used ONLY as a film look setting to be shown on standard 30fps display medium.
NOW --
24pA is when you want to shoot something and KEEP it in 24fps... either for film transfer or for 'perfect' film look on web or DVD (though as Pat says, the DVD player might be adding pulldown anyway --- which although I have the HIGHEST respect for Patrick... I've never heard myself before.)
What happens here is again, lens to CCD all happens at 24 times a second... BUT when going to tape a different cadence is added ... one that is easier for FCP to remove. This is the 2.3.3.2 cadence. Same process as before... frames are combined into 'interlaced' frames (upper half frame A and lower half frame B) and added to the 24 fps to make 30fps.
Now -- when capturing 24pA material, FCP will remove these 'interlaced' frames and return you to 24 progressive frames a second. PERFECT for film transfer.
Hope this clears things up.
CaptM

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Not sure of the 'button'.
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24p footage in 30fps sequence is blurrier

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