2k cineon pipeline for Final Cut and Color

Hi guys,
I'm looking for some info (and Google's getting me nowhere fast) on how to properly set up a pipeline between color and final cut pro. What I have is 2k cineon anamorphic frames,what I would like to do is work with those frames in Final cut in hd resolution, then send it to color for final grading on the original 2k images. Any information, links, etc. would greatly be appreciated.
thanks,
-michael
mac pro & mac book pro Mac OS X (10.4.10)
mac pro & mac book pro Mac OS X (10.4.10)

I don't work in 2k so not sure if this applies, but generally speaking it sounds like you want to use Media Manager to create offline HD files, edit, then use Media Manager again to online the files to the 2k video. Then, as already suggested, send the online sequence to Color via the file menu.
You must have a wicked setup, usually we offline to DV or lower, never heard of someone offlining to HD but if you've got the juice, rock it!
Jason

Similar Messages

Hi, I downloaded the app for macbook "Lens Flare for Final Cut" and I've struggled a lot to install this app at final cut . Someone could help me ? i´m from Mexico i speak spanish

Hi, I downloaded the app for macbook "Lens Flare for Final Cut" and I've struggled a lot to install this app at final cut . Someone could help me ? how i can install this app in Final Cut? this app cost me money and not is working to me, i am disappointed sorry if a write bad, i´m from Mexico i speak spanish

This is a user2user board for FCPX - maybe better you discuss your issues with the makers of that 'plug in'
Seems for me a bit 'fishy', isn't it? - other professional plug-in makers deliver with an installer... That advice at AppStore, how to install it, is ... rare:
How install it ? – click the launch button. Motion 5 will start itself. When Motion is open click save as. Write a generator name - Lens Flare and choose category RGB HOUSE or make it. Click Publish and you are done. If you don’t have Motion 5 look at support site - how to install in FCP.
How it works ? – In Final Cut Pro you will find in Generators RGB HOUSE group, where will be Lens Flare. Drag this generator above all clips in timeline. When it’s there remember to change blending mode to Screen (in video section). You can adjust color, steak color, glow, intensity, scale - apacity and blur of artifacts, position. Any parameter could be stored as a keyframe, so You can easily animate the flare.
so, I don't speak Spanish, lets have some fun with translate.google...:
Cómo instalarlo? - Haga clic en el botón de inicio. Motion 5 comenzará Misma. Cuando el movimiento está abierto clic en Guardar como escribir un generador de nombres -. Resplandor del objetivo y seleccionar categoría RGB CASA o hacerlo. Haga clic en Publicar y ya está. Si usted no tiene el movimiento 5 vistazo a sitio de soporte - cómo instalar en FCP.
Cómo funciona? - En Final Cut Pro se encuentra en el grupo generador RGB CASA, donde serán destello de lente. Arrastre este generador por encima de todos los clips en la línea de tiempo. Cuando es allí te acuerdas de que cambiar el modo de fusión a la pantalla (en la sección de vídeo). Usted puede ajustar el color, color carne, brillo, intensidad, escala - falta de definición apacidad y artefactos de su posición. Cualquier parámetro podría almacenarse como un fotograma clave, por lo que puede animar fácilmente la antorcha.
Hope it makes at last a little sense... I don't trust these automatic translators
(the German translation is ... awesome funny!)
Finally: it's from 2012! Needs probably an update - contact the dealer!

Tips&Tricks How to use Final Cut and Color !

Hello ,
Final Cut - Color - Back to Final Cut
After many days of trying to get this combination working I have found a non-Color-Final Cut way :
1)After you final cut picture edit is locked you have to clean as much as possible the timeline . That means you will have to stick all your image clips to a sigle video timeline and remove all attributes from each clip . Delete all empty video tracks and audio tracks .
Make sure you don't have any gaps in the timeline .
All clips should have the same compression type and frame rates .
2)Send it to Color , grade all the scenes and render it out .
3)Go in finder to the render folder and create an automator work flow adding as source the render folder from color.
Add the find finder option and set it up to look after .mov files .
Add a move finder option and move all the .mov files from Render Color Folder to a new empty folder .
Having done this you should have all the files from the render color folder moved to a new folder .
4)Go back in Final Cut drag&drop all the clips from that new folder on a new timeline , go ahead and check if the new timeline is identical with the old one .
Copy and paste all the attributes from the old sequence to the one from color and re-render in Final Cut . That's it you should be able now to put it back on a tape as a master movie.
In my case Color 1.02 and Final Cut 6.02 I couldn't get the material out from color using another way .
Please post your detailed work flow here and also post if you find this post useful and/or bugs you find about this workflow .
I hope Apple will fix this issue in their next update .

I use external drives as backup. But I don't trust them. And in case of fire or what ever...It is of no use...
But I agree on your comment about DropBox. It would have been the perfect solution though.
What else is there?
I have a 2TB HD but these projects are huge and still growing - so I have to move my projects to several external drives. So maybe I should just work directly from external drives and skip the partition of the computers main drive? I am thinking of the disadvantage of reducing the total storage of the disk.

Final Cut and Pro Tools

I recently installed Final Cut Express on my iMac. I also have Pro Tools 7.4.2 on my machine. When I went to open Final Cut, everything slowed to a screaming halt. One problem was that Final Cut was latching on to my Waves bundle for Pro Tools when it opened. After that, when I restarted my computer it took over five minutes for the desktop to load up. Apple tech support walked me through removing Final Cut, and reinstalling Leopard, but I'm wondering if there's a way for Final Cut and Pro Tools to co-exist. I'm not opening or using them at the same time. 2 BG

The apps should certainly coexist peacefully. If you want to prevent Final Cut from loading your Waves bundle (or any other Audio Units you have installed) then you have to move these units in and out of your /Library/Audio folder. Perhaps worth investigating would be the free AU Manger app for handling these plugs as sets

My HD died on my iMac. I replaced it and lost everything that was on it. I found my source disks from my original purchase for Final Cut Express HD 3.5. I now have Maverick ISO and it will not let me load my software so I can continue my film work. ???

My HD died on my iMac. I replaced it and lost everything that was on it. I found my source disks from my original purchase for Final Cut Express HD 3.5. I now have Maverick ISO and it will not let me load my software so I can continue my film work. How do I get it too recover it without paying for it again since I paid for it already and have projects in progress that need to be completed?

1) Partition your hard drive or add an external drive and install Snow Leopard (with the Optional Rosetta) into it and then you can dual-boot (System Preferences:Startup Disk) into Snow Leopard and run FCE 3.5 there.
2) Use one of the following methods to install FCE 3.5 into Mavericks:
a) Pacifist: http://www.charlessoft.com/
b) Jeremy Johnstone's Terminal method: http://www.jeremyjohnstone.com/blog/2012-03-11-installing-final-cut-pro-studio-2 -0-on-mac-os-x-10-7-lion.html
Reports on this forum seem to confirm that Final Cut Studio 2 will continue to operate in Mavericks once it is functionally installed, albeit some plug-ins may fail to function. FCE 3.5 is the same generation as FCS2, and presumably will continue to operate in Mavericks, as well.

WHAT IS THE BEST VIDEO CARD FOR FINAL CUT PRO and MOTION?

Hello folks,
I have found a lot of posts regarding all kinds of troubles with ATI READEON X1900 video card.
When I talked to people from Apple, trying to decide which videocard to install in new MAC PRO, Ati Radeon X1900 was the one they did recommand for FCP and Motion. So are there any other cards which would actually suite better for Final Cut Studio2, or is Ati Radeon X1900 really the one to go with?
Thanks for any suggestions,
Kootenay

Techreport has some more information on the new 55nm Radeon (X3000) which should be another "mid November" releases, as well as an updated 8800 GT that still is under wraps.
So seems Intel and everyone else is trying to get new products out before the end of the year, if possible.
Drivers for graphics controllers may or may not need the work that sometimes seems to plague companies.

Student Help advice! what is best iMac model for Final Cut Pro and logic pro

Hi
I am currently looking into getting a iMac, but is toggling to device if I need a 27inch or a 21inch(top model),which will be used for Final Cut Pro and logic
There is a lot of money being invested iMac, and I really not want to be stu k with a computer that not going to keep up with the amount of work load in the future.
The specs that I have on mine are..
21inch
Upgrades include
Sdd drive 512gb
Intel core i7
16gb of ram
Or
27 inch
Upgrades
Fusion drive or sdd 250gb
Intel core i7
(Possible graphic card) NVIDIA GeForce GTX 680MX 2GB GDDR5 [+ £105.60]
(Ram is way to expensive so will buy from second party)
Anyone who has brought a iMac for final cut or logic what would you likely buy?..Am really stuck on the hard drives between the 27inch fusion and 512gb on the 21inch
My budget is £1900
My fear is that the 21inch top model's graphic card may not be good enough for advance editing on Final Cut Pro In the future when I start to get more deep into editing..logic really only needs 8gb to run smoothly..buts its the final cut specs that am having problems deciding. I know iMacs are not future proof or technology lasts for that matter, but I do expect to have it run good for a number of years before I upgrade again.
If anyone can give me some advice, or even tell me about there set up they have for media work please let me know.

All kinds of things affect system & HD performance, I can't tell you why your 4 year old Mac is slow. Just because your old Mac is slow doesn't mean that a new iMac will be equally slow.
You are correct about the issue with the smaller fusion drives. It's one of the reasons I am not high on recommending them. Everyone thinks they want power & performance but don't understand the gap between marketing and real life performance. The 1TB fusion drive however should give you a good combination of rapid access and sizeable storage capacity.
I have used external FW800 / 7200rpm drives for years and have never had a problem with any of them. I consider them very reliable but admittedly I DO NOT use consumer drives like the WD MyBook that the big-box stores sell. For the most part I assemble my own with OWC Mercury Elite enclosures. In the past few years I have centered on WD Caviar Black and WD Scorpio Black drives. I also have some Seagate Barracuda 7200.xx drives. They all perform excellently and reliably.
Pls. refer to my earlier post for what i recommended to you.

Why is there no disc for Final Cut Pro X, is there one coming, and how do I transfer the program to a new machine from the download? Thanks!

Hello:
Why is there no disc for Final Cut Pro X?
Is there one coming?
Can and how do I move the downloaded application from my old machine to a new computer?
Thanks!

You purchase FCX in the Mac App Store, there is no disc. You can reload past purchases under your account within the app store. You should also be regularly backing up your system

Keyboard for Final Cut Pro

The new thin keyboard that comes with the Mac Pro is not to my liking.
It continually runs words together when I type because I'm not hitting the space bar effectively. I'm also having to hit the keys harder just to ensure that the keystroke is recognized.
I also miss my ps2 PC keyboard that had colour-coded keys for Avid when I was on a PC.
Can anyone please suggest a usb keyboard that has shortcut keys for Final Cut Pro (latest version) and has extra usb ports (at least one) on the keyboard for the mouse and other usb peripherals and works correctly with a Mac Pro and includes the eject key to open/close the dvd bay doors on the Mac Pro?
Thanks for any advice.

As far as 'color coding' your keyboard, I have had great success with a sticker set from
www.editorskeys.com
I know some people want the 'official' color coded keyboard, but the cost of that compared to $20 for a sticker set is something to consider. I have had my set on my keyboard for over two years and have had no problems ... and I edit 5 days a week, eight hours a day so they have been 'put to the test'!!
good luck
Real McKoy

Plug-ins for Final Cut Studio

Please post your recommendations for plug-ins for FInal Cut Studio (Final Cut Pro and Motion).

film leaders clips can be downloaded online if you dig around a bit ... Peter Wiggins has a nice Motion Template clock he offers for free (which is a bargain by anyones reckoning)
easy enough to create your own film leader style countdown with a few back to back text generators separated by clock wipe transitions
color bars can already found in your fcp video generators bin
color bars and a film leader style countdown can also be auto generated during output (print to video and edit to tape)
distort faces and license plate like they do on tv? ... ok i give up, what do you mean? if you mean you want to disguise them (Mosaic, Blur etc) then you can have a bash with my Region Blur plugin
Message was edited by: Andy Mees

NEED HELP Deciding. new final cut and a powerpc4

I have a power mac G4 and I want to know will the new final cut package work on it? My pc has a radeon 9000 pro, dual 1.25 processors,, memory 1.25.
i just want to know if final cut and the other programs will work on it. I do not do HD and when i do i will buy another but for Sd is this ok to run and buy the new fc.
thanks everyone who can help

I'd think you will be able to run FCS 2. Your computer is above all of the minimum specs, only wild card here is your graphics card. It has enough VRAM ... just not listed in the compatible cards. Bet it works OK though. Look at the Motion and Color minimums. FCP will work without a hitch in any event, and so should compressor, LiveType, and DVD SP. You could upgrade it if you find it lacking but I'd give it a go with the card you have to see if you're OK first.
http://www.apple.com/finalcutstudio/specs.html
Jerry

ATI Radeon X1900 worth it for only FCP and Color?

Hello,
I've been looking around these posts for a while and I can't seem to find this specific answer, so I apologize if my question has been asked already.
I am looking to purchase a MacPro tower. I don't use Motion. I don't play video games. I don't need 8 zillion giant monitors. I intend to use the computer mainly for Final Cut Pro 6.0 and probably a fair amount of Color as well.
With this being the case, what are the benefits of the
ATI Radeon X1900 XT 512MB Graphics Card, over the
NVIDIA GeForce 7300 GT 256MB Graphics Card? Is it really worth the money? I've seen some posts that say you won't see a difference in FCP, but is this also true for Color? And if so, what exactly will the difference be?
Thanks,

Here's what they said at the Color board...
With anything less than an ATI x1900...you may experience issues such as lack of realtime playback, missing support for 10-bit images and 2K frame sizes, no float support for your grade settings.
For this version of Color, ATI is the way to go. I wouldn't go so far as to say an Nvidia card gives you a crippled version of the program, but it's close.
http://discussions.apple.com/thread.jspa?messageID=4611284&#4611284
http://discussions.apple.com/thread.jspa?messageID=4672792&#4672792
http://discussions.apple.com/thread.jspa?messageID=4620097&#4620097

Enable Final Cut Studio color compatibility

I was wondering who has this function available in the QuickTime player preferences. If you go to QuickTime>Preferences do you see a checkbox for this as the last item in the General prefs panel?
What I'm trying to find out is if this is available to FCE4 users, or whether it requires you to have the QuickTime pro player or FCS. If you have both the current versions of both FCE and FCS you should certainly have it, but I'm curious if you have only FCE4 if it's available.
Thanks very much.

Hi
Please tell more (or I'm not clever enough to get it)
Enable Final Cut Studio color compatibility
In QuickTime Player 7.6 (Mac OS X.4.11)
Under Preferences there are three symbols in my version
General/Full Sceen/Record
And I can't find anything alike here
Nor under the title QuickTime-preferences
which opens System-preferences and the QuickTime menu
Still nothing as FCS color compatibility.
Am I looking in wrong direktion ?
Yours Bengt W

IMac to TV for Final Cut Pro

I'm a newbie so forgive my ignorance.
I have a mid 2010 iMac and I would like to hook it to my HD insignia TV to view playback for Final Cut content.
I just need to know which method is the best (VGA, Mini DV, Hdmi, etc)
What cords & adapters do I need?
I'm running OS X mountain Lion with Final Cut Pro X.
Insignia 32inch HD TV model # NS-32LB451A11 (rev A)
Thanks!

Oh. I also have a Cakewalk US-25 EX 24bit 96 kHz sound card too.

Final Cut and After Effects "file is busy"

Hello All-
I am running Final Cut Pro 5.1.4 and After Effects 7.0.1 Pro (on OS 10.4.8) and I have a question. I have a series of After Effects animated DV Quicktime clips edited together in Final Cut, and when I make changes to the After Effects project files and try to rerender, I get an error:
After Effects error: unable to overwrite - file is busy (delete) (-47) ( 3 :: 3 )
It's like Final Cut is "holding onto" the files and not allowing After Effects to rerender them. If I close down Final Cut, I can rerender just fine, but this gets real annoying closing it down and restarting it every time I need to rerender a clip. The problem is, because of my workflow, I need to do this dozens of times a day with clients in the room and I'm spending a lot of time closing and restarting Final Cut over the course of a day... is there way to do this without closing down Final Cut?
I assigned After Effects to be the "External Editor" for "Video Files", and used Final Cut's "Open In Editor" command. It sends the quicktime file to After Effects (not exactly what I want) and you would think that at this point Final Cut would have relenquished its access to the file so that I could rerender in After Effects, but nope, I still get the error. I have tried this with the User Preference setting "Always Reconnect Externally Modified Files" both on and off, no difference. I have also tried "Embed Project Link" in After Effects's quicktime output options, but this didn't help anything (I believe this only affects other Adobe apps).
The weird part of this is that when I drop a Photoshop file onto the Final Cut timeline, I can do "Open in Editor", it throws it to Photoshop, I can alter it and save with no problem, and pop back into Final Cut and it will be updated. But no such luck with Quicktime files and After Effects.
Let me know if there is a solution to this, or if I am stuck having to shut down Final Cut every single time I need to rerender one of the After Effects animation clips in the timeline.
- Bob Wilson
MacBook Pro 2.33ghz Core 2 Duo 15" Mac OS X (10.4.8) 3 gigs ram, 160 gig HD

What i have to suggest is more of a work around than it is a solution. i've had this problem off and on as well. What i do is add a number to the name of the newly rendered file, (ie. "monkey_throwspoo2.mov") import that file into FCP, open it in the viewer, and then copy it (apple + c). Provided it's the smae length as the previous file, you can right click on the previous file in the timeline and paste attributes, making sure to click on the content button for video (and audio if there is any). This should replace the old file in the timeline with the new one. Granted, you end up having a bunch of files that you're not using, but it's faster than restarting Final Cut (and looks more like it's something you're doing on purpose rather than a problem with the program to your clients). Hope this helps.
Craig

2k cineon pipeline for Final Cut and Color

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