3ds Max importing to Final Cut Pro?

Is it possible to use a Windows 7 program through bootcamp such as 3ds max, and import a 3ds max composition into a mac program such as Final Cut for editing? For the msot part, I just want to be able to create something in Windows and export it into OS X for editing (or vise versa). How would I go about this? Thanks!

As long as you export an image sequence, for example, that you rendered in 3ds max,
and then load QT player, and convert to QT ProRes for example, you will have no problem
reading these rendered files in FCP xxx.
As for porting a max file into FCP, this is not possible.

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Import from Final Cut Pro not working correctly

I have a very simple project in FCP. (Ver 6) It is a HD clip that is about 5 min long with 7 chapter markers.
I exported the project as an XML file and imported that into Premiere Pro empty project.
I wind up with two assets, a .mov with same name as the .mov in FCP and a sequence with the same named sequence in FCP.
Right clicking on the .mov and selecting "New sequence from clip" creates a new sequence with the .mov on the timeline.
There are no markers.
Right clicking on the sequence asset and selecting "New sequence from clip" creates another sequence with the same name and the .mov on the timeline.
The markers are inside the .mov and audio tracks, not up on the top ruler line where markers appear when manually adding markers.
The keystrokes to move to markers do not work.
The "Clear all Markers" function is greyed out , like it is when no markers exist.
If a "Dynamic link to Encore is performed, there is no markers in Encore.
If you enter chapter markers manually and look at the project file (an XML file) you will see indexes with the chapter points , durations and names as children named "Markers" with attribute"ObjectID='22'.under "//PremiereData"
Following , in sequential order, are subsequent objects "Markers", ObjectID='23" through "ObjectID=n
However, if you look at the project file after importing a FCP project, this same function occurs, except that it is "Markers" "ObjectID=30 with the indexes and marker data 31 through n (further down in the file). This area is empty when adding the markers manually in Premiere Pro.
FYI , the project file is littered with the word "Marker" and "Markers" throughout the file, only their attributes make any node unique.
I am at 99.9 &% finished with a VB program to create / modify nodes, values and attributes, except that the XML date changes format at the node named "//WorkspaceSettings" so I am not able to edit values to make a file that will not crash when opening.
I would very much like the import from Final Cut Pro to work, or someone explain how to work with the nodes under "//WorkspaceSettings"
Thank millions for a solution.

It's a 2007 iMac with 2.4 GHz Intel Core 2 Duo. I had been using Final Cut Pro without any problems right until I upgraded to Yosemite. I'm hoping that upgrading to Yosemite doesn't mean I can't continue using Final Cut Pro - that would be extremely frustrating.

Video quality changes when imported into Final Cut Pro

I have video files that I have imported from an external hard drive that were transferred from an HD camera. When viewing the footage directly from the hard drive, the quality is great. Once imported into Final Cut Pro, however, there are small "flares" (don't know how else to describe them) that appear for split seconds across the screen. The best way to describe it is if you are watching a television that has an antenna, there will be static or interferance on the image. This is barely noticable but I can't determine what would cause the decline in quality. My video settings are set to DV NTSC 48 kHz and wonder if this is the problem or if anyone knows of something else that I should change prior to importing.

Thank you so much for your help! I am technically challenged and STRUGGLING to say the least.
Some files are definitely H.264 and I can convert them to ProRes. I also have clips that are
DVCPRO HD 1080p25, 1,440 x 1,080 (1,888 x 1,062)
Linear PCM, 16 bit big-endian signed integer, 2 channels, 48000 Hz
Current Size: 1,440 × 810 pixels
Will I need to do anything to those as well?
Here is the question I'm afraid to ask because I think I know the answer already. Can I simply replace the clips in my sequence with the newly compressed ProRes files or do I have to change all of the video and sequence settings and then start all over?

Why wont my clips import into Final Cut Pro ?

Why wont my clips import into Final Cut Pro ?

FCP doesn't work with 3GPP, which is basically a cellphone compression format. FCP only works with media in the QuickTime framework. It only works with video in standard video frame resolutions, which 800x480 isn't, and with video that uses uncompressed audio, while yours is compressed.
Standard definition video is 720x480 at 29.97fps with uncompressed 48k audio in a production codec, which H.264 isn't; it should be either DV or DV50 or ProRes.

MP4 (MPEG-4 MOVIE) FILE IMPORT TO FINAL CUT PRO X

I have some MP4 files I am unable to import into Final Cut Pro X from a Hard Drive. 1920x1080, Codecs: MPEG-4 Video, Linear PCM, Audio Channels: 2 Total Bit Rate: 35,253 ...
Any suggestions as to what steps I need to take to be able to import them into Final Cut Pro X ???

Okay, I fugured it out ... the footage I was provided was from a Sony XDCAM source ... the link below gave the information needed ...
Final Cut Pro X: Importing Sony XDCAM media http://support.apple.com/kb/HT4724
Just follow the instructions ... the sony documentation for the two downloads indicated that this would not work for FCP X ... but it did work fine ...

How can I restart media import in final cut pro?

The operation of background activities on Final Cut Pro is often convenient, except when an import gets interrupted by an inadvertant media removal. I usually have multiple SD cards connected to my Mac doing imports, and if I have more media than I have adapters/slots to connect them with, I will invariably unplug the wrong card, and interrupt an import that is in progress. When I put the card back in, there is nothing that I can see to "restart" the import of that media where it left off at, or at least start over, and overwrite any incomplete files. Instead, it seem that I need to import the card into a new event, and then use finder to then move the media files into the old event folder structure. Only then, can I get something that seems to work.
Is there some other way to reliably restart the import, or otherwise force the import to actually work? It seems that if I try to import to the same event, again, I see the animation of the closing file selection dialog toward the events, but the background tasks window shows no activity, and I don't see anything ever complete as an import.
This, also blocks any attempt to "share" the project too, because it keeps complaining about an import which has not finished, and thus the project is still referencing "media on the camera" . That limitation has got to go away too! I really want to construct my project, share it, and move on. Waiting for media to "import" when I actually can construct the project with the preliminary media view doesn't make sense. Even if importing needs to happen for conversion/rendering for the share, just do that in the background. Let me say "share", and go do something else with my time!
I have submitted feedback on this, but if anyone has pointers of simplifying import from SD cards that would be great!

Select the photos you want rotated, open the Inspector (command-4). In the Video section of the Inspector, hover your mouse near the Transform and click show if it's not already open. The rotation setting is in there.

How do I import my Final Cut Pro 10 (FCPX) XML files into Logic 9?

I am using 10.0.5. Which is the latest version Of Final Cut Pro X. I export my project out as a XML in FCPX. Then went into Logic 9 clicked on import then selected XML how ever the XML file was grey and Logic wouldn't come up as a valid XML to import. Please help me! Thanks

AFAIK Logic 9 can't import the form of XML that FCP X outputs.
There may be other ways to bridge the gap, but since I don't use Logic 9 I can't help further.

All audio tracks won't import to final cut pro...sigh :-(

Hello I'm Dani, probably a novice in comparison to regular final cut pro users
I have a big problem with putting any music onto my timeline. It always says 'files not recognised' when I try to import any type of audio file. Thus far I have only managed to place two music tracks onto a timeline, but have been unable to differentiate anything between the two files that import and the hundreds that won't!
Please help, I think there is probably a really simple solution but I cannot figure it out x thanks x

Your music tracks are probably in an incompatible format. What are the file extensions for these music files? See if you can bring them into compressor and convert to 48k16 bit aiff (probably the best format for working in fcp).

TS3850 Importing to Final Cut Pro from Canon XM2

My new iMac hasn't got a firewire port... Only Thunderbolt?? How do import from a Canon XM2 Camcorder? Apple Final Cut Pro says that this camera is compatible but which cables do i need???

You'll need a Thunderbolt to Firewire adaptor.
Russ

Import Failure-- Final Cut Pro XML

I am editing a short film with my school imacs and I want to bring that project home to add my music and sound effects in premiere pro CS6. I Exported an XML file from Final cut pro 6 with standard settings. I copied the xml file to a flash drive and brought home to my windows 7 PC with Adobe Premeire Pro CS6 installed. When Import the XML file from my flash drive i get the error-- This project contained a sequence that could not be opened. No sequence preview preset file or codec could be asociated with this file type. I checked the codec of the XML and it is <codecname>Apple ProRes 422</codecname>. Any help?

When you reimport the exported project XML to FCP, do you get the full project or just the single bin/sequence? If you get the full project then it sounds like you need Premiere help, not FCP help ... have you tried asking on the Adobe forums? If you only get the single bin/sequence then it seems you might have inadvertently selected those prior to creating the project export. Try making sure that your FCP Browser window is active and that you have not selected anything within that window prior to using the File > Export > XML command. If that still causes issue then you might try using an earlier FCP XML version.
Hope it helps
Andy

Can I import a Final Cut Pro X project back into Final Cut 7?

I want to go back to Final Cut 7 (Studio '09) from Final Cut Pro X, but I've already started work in Final Cut Pro X, and I'm worried that my FCP X timelines won't open in FCP 7. Does anyone know?

big no on that one Im afraid, at some point in the future FCPX may export xml but not yet, your project (timeline) is pretty much quarantined inside FCPX, I'd bite the bullet and finish it there if I were you
cheers
Andy

Freezing after importing media - Final Cut Pro 10.0.9

Whenever I import media, the import window closes and leaves the final cut screen darkened and frozen. I searched and saw someone had a similar issue when something plugged into their firewire port was interfering. Nothing is plugged in in my case. This is pretty annoying. If I restart the program the media I imported is there, but it's going to suck to have to QUIT the program every time I need to import media....
To be more specific it doesn't matter where it is or what kind of file. It could be a jpg from the desktop, doesn't matter. Just freezes..
Running OSX 10.6.8
Model Name:          iMac
Model Identifier:          iMac11,3
Processor Name:          Intel Core i3
Processor Speed:          3.2 GHz
Number Of Processors:          1
Total Number Of Cores:          2
L2 Cache (per core):          256 KB
L3 Cache:          4 MB
Memory:          8 GB
Processor Interconnect Speed:          5.86 GT/s
Boot ROM Version:          IM112.0057.B00

Final cut screen is dark. The top menus (file, etc) are accessable but do nothing. All other apps run fine. When you click on FCPX in the dock, it shows that the media window is still open, but it isn't.

Importing from Final Cut Pro-improving rendered quality

Is it possible to render an exported movie in FInal Cut so that it can be immediately written to the DVD rather than be rerendered/ compressed? FC allows you to create MPEG2, the same as iDVD or DVDs generally?
Failing that. my guess is that the export from FC should be with as little compression as possible (Animation, None, others ?). I have been quite disappointed with the end result quality in the burned disc seen on a TV, it doesn't look nearly as good as on the computer monitor. Perhaps this is a function of the limited resolution of TV/ versus the 720x480 DV. But I'm also getting color noise on black backgrounds, elements that I suspect are created by compression.

Hello,
Rendering and compression are two different beasts. If you are working in the DV format then you want to stay (render) in the DV format. Rendering to another format (HD, Animation, etc...) is not going to give you any more quality than what is already there: DV in this case. Compression takes your current format (DV) and turns it into an MPEG 2 (for most cases) for burning to a DVD. Keep in mind that 1-hour of DV is 13gigs while a DVD can only hold 4.7/4.3 gigs so the material must be compressed. Next, as you have surmised, these codecs were designed for SD Television display which has a much lower resolution than you computer monitor & also only displays one field at a time, alternating between two fields very quickly. The difference between interlacing fields and progressive scan. When editing in FC, you can hook a deck (or your camera) up to the computer and also send a signal via the analog outputs of the camera to a TV (I use an el cheapo 13" Philips but it serves my purposes). This allows you to have an idea of what the material will look like on a TV rather than the computer monitor.
FC will use Compressor to create the MPEG 2 files (compression) for a DVD. iDVD uses the same compression engine but does not give you control over the variables of the compression. However, iDVD cannot use an MPEG 2 file created by Compressor, iDVD wants to do it's own Compression. When exporting out of FC, you can either save the file as a reference file or as a self contained movie (using the same settings you captured with, DV in this case). You can drag either of these files to iDVD for compression/burning. The following is by stock answer on iDVD & quality:
Quality and iDVD- Quality is subjective; what one person finds as good another may not. Quality is also highly dependant upon input. In other words: quality in, quality out; garbage in, garbage out. It is helpful to have a basic understanding of what makes a DVD a DVD. When you record on mini-DV you are recording to an already compressed format. Arguably a very good compressed format but compressed nonetheless. This means information is being tossed at the point you are using the camcorder. iDVD, or any DVD authoring app on any computer, Windoze or Mac, compresses this material even further into the MPEG 2 format for playback via a tabletop DVD player. Now mini-DV has about 30 frames per second (NTSC). MPEG (in a very basic nutshell) takes a picture about twice every 30 frames and uses this as a reference frame and then only records the motion difference between that reference frame and the next time it creates a reference frame. So you go from 30 frames/second to TWO, with motion difference! This is how one hour of DV which is 13 gigs, can be compressed to fit onto one DVD. Two hours would be 26 gigs of DV compressed to one DVD! Hence the general quality difference between one-hour and two. And keep in mind that is compression will show artifacts that may have always been there but you didnt see until the other 28 frames where tossed out.
Having a basic understanding of what makes a DVD can help you make better DVDs. As example, if you see that your recordings have a lot of motion that is bad. Remember, when compress to DVD it only records the motion difference so you want to keep the camera steady and use slow controlled movements (pans & zooms). Quick pans or zooms or jerky movements are the bane of any MPEG compression scheme.
That is just one example. There are thousands more. Sometimes, merely recording to a different blank media yields better results. iDVD has a unique way of discovering bad RAM, so if you have added any RAM lately, this may affect your quality. The list goes on. /End my standard reply.
Black also poses difficulties for compression (fades to and from black, black with no motion and so on) since the Compression is looking for motion. The first step in "fixing" this is understanding it. What are your black backgrounds? Can

Import From Final Cut Pro To iMovie

I know it seems backwards, but it is what I want to do. How can I move my FCX 10.0.2 project with it's events to iMovie 10?

No joy on this end.
I'm trying to export an event or the files in the event from iMovie 10.0.6 into FCPX 10.10.1.
Running Yosemite.
Only option to export in iMovie is file>share> but then all options are grayed out, e.g. theater, email, vimeo, file, etc.
Cannot export as xml (no option found). Cannot drag-drop from iMovie to fcpx either.
Tried to import to FCPX using file>import>media but cannot find the iMovie event or the files associated with it.
Can you give me a tip on this one?
Thanks..

Why is my 60i video pixelated/choppy when imported into Final Cut Pro X?

I just bought a brand new Nikon D5200 to get into some indie film making. I put together a quick short the night I got it (http://www.youtube.com/watch?v=uN8OAprluOI) and filmed in 1080p at 24fps. It turned out great, footage looked great, was ready to test out the 1080 60i they put on it. Again, the footage looked great but only on the camera this time...Every time I go to import it into FCP X it comes up pixelated and choppy but if I'm just watching it in Quicktime its smooth and looks fantastic. Is there anything I can do to get my 60i footage imported into FCP X and stay true to the quality? The codec it's importing on is
h.264 and when it gets into FCP X it switches over to it's true nature of 29.97i so i just don't know what the problem can be!!
HELP PLEASE!!!!
Thanks in advance!

ZacBecker wrote:
It turned out great, footage looked great, was ready to test out the 1080 60i they put on it.
Hey Zach.
How did your progressive footage wind up in an interlaced video? (Who is "they"?)
Typically, one wants to edit as close as possible to what was shot. The cases where progressive needs to be converted to interlaced would typically be where one needed to match delivery requirements in broadcast. The conversion to interlaced is almost certainly going to introduce "issues".
Russ

3ds Max importing to Final Cut Pro?

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