5dmk3 50fps footage in premiere cc

I Have some 5dmk3 footage shot at 50fps. I can interpret footage to 25fps via the modify tab in the premiere cc project and create slow motion , that's fine.
My question is: if I want to use the footage at normal speed (25fps not slow motion) am I best to use the footage as shot or to interpret to 25fps and then do a speed ramp back to normal time ?
Are there any inherent problems by doing this ?
Thanks
Mark

Just drop the 50fps footage into a 25 fps sequence. Premiere Pro will simply drop every other frame. Which is not all that different than interpreting it to 25 and speeding it up, thereby dropping every other frame. But there is no point in taking the extra step. Not unless it is almost all supposed to be seen in slow motion but occasionally you will pull out part of a clip and speed it up.

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Working with 48fps footage in Premiere CC

Hi there,
I am currently working on a 24fps project with R3D footage in Premiere.
Some of the footage for a new sequence I am working on was shot at 48fps (and will need to be exported to 24fps while retaining 48fps' slow motion effect) and I am unsure how to go about this.
Can Premiere play back in the program monitor at 48fps? Can it interpret/render 48fps footage to export to 24fps while retaining the original attributes of the 48fps footage? Or would I need to use additional software to accomplish this?
Ideally I would like to be able to edit/playback the footage at the correct frame rate within Premiere as I need to synchronise it with music to see which segments of the clips I have will work best.
Any advice is greatly appreciated.
Thanks!

If I'm understanding you right. Your R3D footage is a baseline of 24fps (or 23.976fps) but was overcranked on the camera to 48fps, meaning it should playback half the speed of realtime. I don't know much about camera settings but normally the camera processes this internally and then spits it out at 24fps but was actually overcranked for slow-motion. Arri Alexa does this internally. I have worked on R3D slow-mo before and I know it processes it internally also.
Unless the red camera has a setting to turn that off I do not know. The important part is; is the footage at 24fps or 48fps BASELINE and how much excess fps was set to overcrank in the camera settings? (i.e was it set to 'squeeze' 48fps into 24fps)? Normally premiere pro cc is good at reading the footage's baseline fps value in the browser.
But to interpret footage inside of premiere pro cc, its easy - all you do is bring in your footage into the browser, then right click on it, go to modify then interpret footage; in the menu at the top, change the fps value interpretation from 48fps to 24fps (or whatever baseline you want) and then click ok. Drop the clip onto a timeline matching the rest of your baseline fps and it should be slow-mo. You should see the value of the clip's timecode length increase double in the browser metadata.
Hope that helps, let me know how it goes. Be useful if you can take screen grabs of the metadata so we can see what your looking at.
Regards

Editing Red Dragon Raw 6k Footage with Premiere CC and/or CC 2014 - Which is better and what issues should I expect?

Hi All
As the title asks;
1. Are there any known issues when Editing Red Dragon raw 6k footage in Premiere Pro CC/CC14 ?
2. Which version of the software would be the best choice ? CC/CC 2014 (I have both)
This is my first Red Dragon 6k Project in premiere CC software and although I have used CC extensively since its release I am working with a tight turnaround so making sure I have as much info as possible to troubleshoot. (if needed)
This question is directly related to the software and any known issues. It is not hardware related as we are setup for that side of things with very fast SSD -> Thunderbolt storage and powerful machines.
Any info or experiences would be greatly appreciated
Thanks
Piers

Hi Piers - did you ever get an answer or figure out a good workflow for editing 6K in premiere?
If so, i'd appreciate you sharing what you've learned.
Thanks!

ANN: Using Camtasia Studio Footage in Premiere Tutorial Available

Here's the link:
Tutorials - Adobe Premiere Pro - Using Camtasia Studio Footage in Premiere
-Jeff

Well-done Jeff. Thanks for the production and the link.
I added that to the Tips & Tricks article on Camtasia footage.
Hunt

Canon 300 footage crashing Premiere PRO 6 on Mac PRO

As stated above... C300 footage crashes Premiere Pro when using on my Mac Pro. It happens when you scrub through the footage. I have done plenty of searches and everyone with a Mac Pro seems to be having the same problem. The footage also has glitches in the frames when it plays and renders. The only solution I have found is to transcode the footage to something else, which kind of defeats the purpose of using Premiere Pro 6 in the first place. I know this is a problem specific to the Mac Pro because my Macbook Pro does not have this issue when dealing with C300 footage. Does anyone know of any actual solution to this other than transcoding all the footage?
Premiere Pro 6.02
Mac Pro OSX 10.8.2
2 x 2.66 6 core Intel Xeon
32GB Ram
ATI Radeon HD 5870 1024

Hello,
Because you've said you already "re-downloading":
1. Maybe you have to activate/deactivate, so please have a look there:
http://helpx.adobe.com/x-productkb/policy-pricing/activation-deactivation-products.html
2, Sometimes, we know in the meantime, the "opm.db file" is the culprit. In this case you should delete it.
3. Did you already try "uninstalling and re-installing"?
Be careful with (de)installing aso. by (de)installing by your own resources. As much as I regret it and as strange as it may seem I fear it's a challenge for Adobe's Creative Cloud Cleaner Tool.
Sometimes - for whatever reasons - CC doesn't "want" to work. In this case you should CC completely delete and reinstall by help of Adobe Creative Cloud Cleaner Tool. (A try to uninstall by own resources is not enough!)
I quote: Adobe Creative Suite Cleaner Tool helps resolve installation problems for Adobe Creative Cloud and Adobe Creative Suite (CS3-CS6) applications. The tool removes installation records for prerelease installations of Creative Cloud or Creative Suite applications. It does not affect existing installations of previous versions of Creative Cloud or Creative Suite applications.
Please use: http://helpx.adobe.com/creative-suite/kb/cs5-cleaner-tool-installation-problems.html and follow the prescribed sequence of operations
4.If necessary and for further questions click through http://helpx.adobe.com/contact.html and if "open" please use chat, I had the best experiences.
Good luck!
Hans-Günter

Importing HD (AVCHD) Footage into Premiere Pro CS3 (windows)

Hi guy's the question is pretty much in the title.
Is it possible to import HD (AVCHD) footage into Premiere (with or without aditional software)?
Thanks.

What I can't figure out is why such a major format does not have native support in in Premiere CS3.
http://en.wikipedia.org/wiki/AVCHD
This is a format that has been adopted by Sony and Panasonic and is compatible with most blue-ray players and even the Play Station 3. So why would so many of the small software companies, in competition with Adobe, have recognized the importance of the format and come up with solutions to read and edit the format when Adobe has not?
http://kb.adobe.com/selfservice/viewContent.do?externalId=kb403297&sliceId=2
I've been coming back to Adobe's web site for months hoping to find they are working on a solution and I have found nothing. I have been a huge fan of Adobe software for years and have pumped many a pay check in keeping my Adobe software current, the most recent being the purchase of the CS3 Master Suite. I'm not trying to bash the company but Adobe if your listening I really want to know want to know what the real story is. This goes beyond the "we are just busy and will get to it when can" statements I have been seeing on the adobe sites. It looks to me as though some other deal has been made and Adobe does not want to talk about why they are not incorporating the AVCHD format into Premiere CS3.

Editing Red Footage in premiere help

Hi,
Finally, I decided to edit red footage in Premiere cs6 this is my first edit can any one plz help how to Edit red footage,i mean red is a raw footage,am i first grade(basic color correction) the footages or edit the footage (my confusion) and then finally grade it,i am choosing speedgrade to grade- plz tell me the whole pipeline thanks.

Information FAQ http://forums.adobe.com/message/4200840 questions to answer
Red Camera http://forums.adobe.com/thread/876142
-and http://forums.adobe.com/thread/901142
-laptop http://forums.adobe.com/thread/900733
-Rocket Card http://forums.adobe.com/thread/906227

Importing DVC PRO 50 footage into Premiere Pro

I recently imported some DVC PRO 50 footage into Premiere Pro. I used a rented DVC PRO 50 deck via firewire 400. The footage came in at 480 x 720. Is this the actual resolution of that format or is it the default setting in the Premiere Pro import module? A few months ago, I imported some HD footage from a tape format using the videographer's camera via Firewire. It also came in at 720 even though it was supposed to be 1080 footage. Is there a way to set a target resolution in the PP import module before importing? Or does it bring in whatever resolution the source has?

DVCPRO50 is standard definition footage at 50Mbps. So 720x480 is correct.

How do I import hd 24p footage into premiere pro? Help please

How do I import hd 24p footage into premiere pro? Help please

instructions for importing/capturing footage:
"Capturing DV and HDV video"
"Importing with the Import commands"
"Importing with the Media Browser"
Since you're new to Premiere Pro, I recommend starting here:
FAQ: How do I learn Premiere Pro?

How Do you import C100 footage into Premiere Pro CC

I just tried importing Canon C100 footage into Premiere Pro CC, but get no sound. I'm not sure what I'm doing wrong and I pray I don't have to convert this footage before bringing it in. Is there a workflow anyone can recommend? Do I have to convert the footage first? Thanks, Lucian

Lucian,
PrPro should work natively with the Canon C100 footage ... it works with almost everything out there. And with the C100 shooting MP-4, AVCHD, & H.264, those are all handled easily by PrPro.
My question ... I would surmise (from what little info you include) you are shooting AVCHD? The reason I say this is that format splits audio & video into different files ... so it's a bit trickier to "import" than others that have the a & v in one file. Make sure you copied the whole top-leveL FOLDER and all sub-folders (not just the footage or contents of a folder) from the cam/card into the computer for AVCHD ... and then when you import into a project via the media browser your audio & video should be all connected by PrPro.
There have been numerous threads here where AVCHD users have "lost" their audio, only to find they'd simply left it behind by NOT copying all the folders & subfolders their camera had created.

Speedgrade - Rectangle appears over footage in Premiere after direct link

I am using Speedgrade via direct link from Premiere, with a timeline that consists of a video track with all of my clips, another track containing adjustment layers, and a top track containing a .PNG file of a black letterbox.
Problem: After applying primary and secondary color adjustments in Speedgrade (no masks) I return to Premiere. If I hide the top track which contains my .PNG letterbox, a mysterious RECTANGLE appears over my footage. This rectangle is even present in clips that haven't been graded yet.
I have included a picture to illustrate my point.
System Specs:
- Intel Mac OS 10.9.2
- NVIDIA Quadro4000 GPU
- Premiere 7.2.1
- Speedgrade 7.2
- Editing with .R3D files from Red Epic Camera

**UPDATE
This problem may not be a result of speedgrade. Instead, I'm wondering if it's more of an issue within Premiere. I noticed that the rectangle is caused by my adjustment layer that is sitting directly above my main video track. As a test, I found several clips that were sitting below one adjustment layer. I applied a three-way color correction effect to the adjustment layer, and gave it a severe blue tint. One would expect the adjustment layer to effect the entire image on every underlying clip, but instead it only applied to a small rectangle within those clips. As I scrub through the timeline, the rectangle moves around and changes size. Then I realized that each clip had different amounts of scaling and positioning. So this mysterious rectangle seems to be caused by the scaling and positioning of the underlying clips. My adjustment layer is sized to the resolution of my 2K timeline. However, each clip is 5K, scaled to fit. So perhaps I need to make my adjustment layer the same exact size of my underlying clips?
As a test, I scaled my adjustment layer and noticed that if I increase the size by .01, the mysterious rectangle immediately jumps to fill the entire image. Weird.
Another weird thing to point out, referencing my original post: The image of the girl has NO color correction applied to it, and the same goes for the adjustment layer above it. However, there is still a rectangle present. This clip has a small amount of rotation applied, and the rectangle is also rotated, leading me to believe the problem is because of a scaling difference between the adjustment layer and clip. But still, WHY would there be a rectangle there when there is no color correction applied???

Flicker footage in Premiere Pro CC 2014.2. Tested on different computers. When waiting for fixes this bug?

Flicker appears solely the fault of Premiere Pro CC 2014.2. Tested on different computers. Used as nVidia Quadro and GeForce GTX770. Drivers were different. Everywhere equally evident flicker. Incidentally, it defies logic and may occur at different film pieces. If re-render that flicker may occur on another spot in the video.
It can occur even in the parts without filters !!! But no all time.
ver 2014.2 - win 7 - intel i7-4770 - gtx 770 - flicker!
ver 2014.2 - win 7 - intel i7-4770 - Intel HD Graphics 4600 - flicker!
ver 2014.2 - win 7 - intel i7-2700K - quadro 2000 - flicker!
MERCURY PLAYBACK ENGINE work fine! But still flickering in preview and render.
When waiting for fixes this bug?

Hi Aleksey,
Flicker appears solely the fault of Premiere Pro CC 2014.2. Tested on different computers. Used as nVidia Quadro and GeForce GTX770. Drivers were different.
Have you tried with the Mercury Playback Engine set to "Software Only?" More info please: FAQ: What information should I provide when asking a question on this forum?
Everywhere equally evident flicker. Incidentally, it defies logic and may occur at different film pieces. If re-render that flicker may occur on another spot in the video.
Is this a brand new project or one you updated from an earlier version? What kind of footage are you exporting? Which preset are you using?
When waiting for fixes this bug?
If I can repeat the case here with the same hardware, GPU, and drivers, that would be easier to fix the bug. Currently, I cannot recreate the bug. If you or anyone else can provide me with steps to recreate the bug, that would help immensely. It sounds like this will be the difficult thing.
Thanks,
Kevin

Erratic performance / missing footage with Premiere Pro CC and After Effects CC 2014 dynamic links

Hi all,
I briefly touched on this amongst a host of other issues I has having while cutting my last project.
Unfortunately I never heard anything from anyone regarding my issues with the Dynamic Link system.
I had to bite the bullet and export (2-4K RAW) chunks of my last project, out of premiere using a Quicktime animation codec. This added an extra week to the post production process (which I did NOT get paid for).
I'm also a bit frustrated because it pushed the project past the deadline. Though the client was understanding, they were far from thrilled and it reflects poorly on me.
Anyhow. Project complete, on to the next-
This time, I'm using mostly footage shot from an FS700 in AVCHD. I figured maybe the RED footage was somehow too much for the program to handle with my specs, however I am having the same issue as last time.
I'll select a clip, or group of clips, go to replace with after effects composition, and sometimes they all make it, and often times they don't. The clips were shot within a couple minutes of one another and no settings were changed on the camera.
I've noticed sometime's the media will show up in the timeline, but not appear on the monitor (as pictured below). Other times the name of the clip will appear in the comp, but there will be nothing on the timeline OR in the monitor.
Never had this problem in CS6.
Adobe or anybody, please help! This is absolutely killing my workflow, and costing me time and money.
Here are my specs:
I'm running Adobe Premiere CC 2014 v8.1
Freshly installed Windows 7 Professional SP1 PC Desktop
Freshly installed Samsung 1TB SSD running my OS and Adobe CC
Intel Core i7-2600k CPU at 3.4GHz (8CPUs) - Watercooled
16GB Ram (3gb allocated for other programs)
Nvidia GeForce GTX 570 4GB GDDR5 - 3.40.62 Drivers installed
Pulling media from 2x 3TB Seagate Barracuda 7200RPM drives, striped at RAID 0
In this case pictured the second two clips in the sequence linked into AE, but the first wont show up in my monitor.

Thank You, Jim -
Unfortunately that specifically did not work.
Based on another comment sent to me, here is what did.
In PProCC
File > Adobe Dynamic Link > New After Effects Composition
In AECC
From that composition created from PPro, I imported the project (aep) initially created in AECC from another team member. Saved the file.
Back in PProCC
File > Adobe Dynamic Link > Import After Effects Composition
Magic.

I cannot figure out how to edit my h.264 footage in Premiere Pro. Please help.

I have been trying to import AVI video into Premiere pro CS5. I have a new Dell Laptop with Windows 7. Every time I try to import the video into Premiere it only shows up as audio files. However, Windows Media Player plays the files just fine. I've tryed converting the files with Media Encoder but that sees the files as only audio files as well. I've used the G Spot program and it tells me that the Codec is the H264 codec and that the name is H.264/MPEG-4 AVC. It also tells me that the codec is already installed on my computer.
I've had problems trying to edit h.264 stuff for longer than I'd care to admit and I just want to figure it out once and for all. Any help would be greatly appreciated.
Thanks.

Read the 2nd post for NEW ITEM pointer http://forums.adobe.com/thread/770072?tstart=0 and follow the instructions, to let PPro analyze the file for you
This is not going to help in the OP's circumstance; if the video doesn't play in Premiere, it's not going to magically start playing once dropped on the New Item button. That sets up a sequence with parameters that match the footage (is that what you mean by letting "PPro analyze the file?"), but Premiere is pretty black-or-white when it comes to format/codec support--it plays everywhere or it doesn't play at all.
If that were not true, DV footage would have to be edited only in a DV sequence, and AVCHD only in an AVCHD sequence. Of couse, that's not the case--sequences are format-agnostic.

Footage from Premiere moved 2 frames

Hi,
Having a strange problem. I've cut a short film in Premiere - and have imported into After Effects to grade the footage.
Now - I've discovered that all my footage in After Effects has shuffled exactly 2 frames forward in my timeline. (eg: frame 1:00:01 in my offline = frame 1:00:03 in After Effects).
Sounds like I've made a mistake and stuck in 2 frames at the start somewhere by accident.
HOWEVER - all my cuts, right through to the last (I have about 100 cuts) ALL line up with the offline. Eg: if frame 1:00:01 is a clip's out point in Premiere, it's also an out point for the same clip in AE.
I'm quite the novice in After Effects, but know my way around video programs generally - can some spot what I may have done wrong?
(initially thought this was a field problem - for the record I'm cutting in HDV 1080i PAL, and importing into AE upper field first)
Look forward to some feedback! Thanks in advance...
Asher.

Check your time code display. Premiere may be set for non drop frame timecode, AE may be set to DF timecode. If it's a Timecode display problem then there are no dropped frames. You can easily verify this by changing the time display in AE and Premiere to frames or both to NDF time code.

5dmk3 50fps footage in premiere cc

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