6300 Caller Group & Profile problems

Hi
Just bought this phone for my girlfriend. She is trying to set a certain mp.3 ringtone to a specific caller group.
She has only one caller group (my details) which has several numbers, a profile image and a caller group tone.
However, when i call her mobile, her default ring tone plays, and the number displayed is just that, the number. No name, or profile image appear.
I have looked high and low, via the instruction manual and the internet, and i can not find where the problem could be.
She is using SIM & Phone for the memory. I have switched off the phone and back on, and still no joy.
It seems as if the standard ring tone & settings is over-riding the caller group profile.
Does anyone have any suggestions?
Many Thanks
Andy

Here is what I do...
1) Menu -> Contacts -> Groups
2) Scroll to the group and press Options, DO NOT OPEN THE GROUP (i.e. View)
3) Select 'Group details'
4) Scroll down to 'Group tone' and press Options, DO NOT PLAY IT
5) Select 'Change tone'
6) Select 'Open Gallery'
7) Navigate to, and select, your tone.
Hope this helps.

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Hi Jacob,
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I will try to guess the solution to your problem,
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Message was edited by: videophreak90

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These two exports of the same file were taken on my spouse's D300s, and are good examples of a profile problem I cannot seem to solve. This is the identical problem I also experience on the Nikon D700 and D3. The following was exported with the "Camera Standard" profile, and notice the yellow sun reflection on the door panels:
The following was exported with a xrite generated lightroom profile. Notice the better overall contrast, but also the horrendous unnatural yellow on the same door:
This difference causes all sorts of distortion in natural animal hair that contains any red-orange. I use these doors because they are such a stark example. Any attempts to correct with the WB will usually result in too much blue elsewhere. Also I have created many test profiles under many light conditions (both manually and from LR), and they all cause this problem in all three cameras. This is not a matter of one bad cameral, or one erroneously created profile.
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George, thank you for this information. I have a couple of things for you to try and another question. The ColorChecker Passport color patches are small, so I would suggest trying to reshoot a calibration image with the ColorChecker Passport in the center and filling at least 1/3 of the picture width. In the image you provided the ColorChecker Passport is about 1/8 the image width and far left of center. I know, I know, it should not matter, but give it a try. This is what I'm doing to create camera profiles for all three of my camera bodies (Canon 300D, 600D, 5D MKII), and I have not had a single problem with "color matching" using this procedure AND what I will describe next.
Concerning white balance procedure you say:
Using the grey card of the same product placed just outside the subject crop.
I assume you are referring to the large 60% reflectance white balance card on one side of the ColorChecker Passport, but you do not mention how you set white balance. I suggest using the LR white balance eyedropper tool with the smaller 80% reflectance gray scale patch on the ColorChecker Classic target side. This is the 2nd patch from the left bottom in your picture right next to the brightest 90% white patch. Two reasons for doing this! A higher reflectance patch reduces the influence of camera noise in the image with the LR 5 x 5 pixels eyedropper tool. Here's a LR forum post with a heated discussion on these issues (or lack thereof): http://forums.adobe.com/thread/854734?tstart=60 The second purely empirical reason is the "Classic" target side provides me with more accurate white balance than using the larger 60% card. Perhaps this is a defect with my ColorChecker Passport target, but I don't know.
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I would also suggest you check the readings of all six (6) grayscale patches for neutrality (R=G=B) using your new camera profile and white balance settings. I have found in some cases using the 65% reflectance patch (3rd patch in) provides the most neutral “overall” white balance setting for the six (6) patches. This is despite the fact it contains more camera noise than the 80% patch next to it. Again, this observation is purely empirical – I am not writing a scientific thesis! It works for me and hopefully it will get you closer to what you want.
One thing I am going to do tomorrow is borrow a friends color checker to rule out the possibility mine is defective. It doesn't look defective, but the problem is so consistent.
This is a very good idea! Having worked in a manufacturing environment for over 45 years, trust me when I tell you defective product from even the largest company ends up in the consumer’s hands. Please let us know what you find.

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OK.
First, let me post these side-by-side comparisons:
As you can see in Image 1 (the "before," left-side photo in each comparison), the colors and overall appearance are distorted. I've read things about gamma but it's all confusing to me. This is surely a color profile problem, right? The transition among pixels that involve colors of yellow and gray is rocky, grainy, and the flat out color is just wrong. Now this color problem affects pictures when opened in both Photoshop 7.0 and the standard Windows Photo Viewer. Meaning, whenever I open pictures in both PS 7.0 and Windows Photo Viewer (my default viewer), this color problem totally messes up certain photos and really damages my ability to edit. I'm an avid photo editor and it's imperative I have proper color display so that I can accurately edit. Keep in mind that certain pictures do not take on this error. When a photo is generally brighter, the distortion is basically invisible. It's photos that are dark or have dark portions in them that display the distortion.
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HOWEVER, when I open photos in another standard Windows application, "Microsoft Office Picture Manager," the color problem is magically erradicated altogether. It shows photos as I've been seeing them all along, until I installed CS4 about two weeks ago. Before installing CS4, everything was fine and I had been using Photoshop 7 for years and have never had a problem. I'm guessing CS4 messed something up. It had to have. Just FYI, I uninstalled CS4, hoping it would reverse the problem. But still, the color issue persists in PS 7 and in my regular Windows Photo Viewer.
Since images display their true form in Windows Office Picture Manager, I don't think I need to calibrate my screen. Or do I? I've read things about it, and to some people, it's not necessary. Right? Okay. I really hope someone can give some advice! Thank you!
P.S. Here's the original photo. On my screen, it looks distorted when opened in photoshop or opened w/the viewer. However, here on Firefox, it's fine.

You should try to familiarize yourself with the concepts of color management.
It's kind of too in-depth a subject to walk you through from a cold start here... There are a lot of good resources out there to help you get started. For example, in just a few seconds Google turned up this:
http://www.adobepress.com/articles/article.asp?p=1315593
The one thing to remember is this: There is NO quick solution, easy set of defaults, or direct answer to making your setup do what you want without your having to understand color management.
People may tell you to calibrate your monitors, or use a particular color profile as a default, or whatever, and they may have good, solid reasons for telling you those things, but if you don't attempt to get your mind around color management it will always seem as though something isn't working right, or is simply magic, which will be frustrating to you.
Here are some basic questions to ponder:
What image color profile is your image carrying?
Is your monitor a wide-gamut display and do you have a color profile set up for it? What kind of monitor is it?
What version of Windows are you running?
Do you know the difference between a color-managed app and one that is not color-managed?
Which of the apps you're using/showing above are color-managed?
What are your settings in Edit - Color Settings?
Take some time and do some research, get your head around the concepts, and it will all make more sense I promise you.
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Hi Everyone,
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I just posted this as feedback to Apple and was curious to see if anyone was having the same problem:
I have a dual monitor setup: One Eizo CG222W and one Eizo CG210. The 222W is my primary display (menu bar on this one). Both monitors are calibrated and profiled with a Spyder3 and ColorEyes Display Pro. I have the profiles loaded on both displays. It is worth noting that both (particularly the 222W) are wide gamut, so you may well not see this happening if you are looking at an Apple Cinema display (no offence, but you're just not going to see this so pronounced on an Apple display). To put it into perspective, I have just bought the CG222W and was not noticing any issues with the CG210 because its gamut is narrower (but still wider than a cinema display).
So, if I view an image within Aperture (not full screen), then it looks normal, but when I hit full screen and look at the same image (on the same display), it is noticeably over-saturated. As a check I also opened the same image in Photoshop (on the same display) and it looks exactly the same as when viewed in the normal (non full screen) view of Aperture.
It is clear that there is a colour profile problem with Aperture. It appears that when full screen mode is selected, a different profile is loaded for the display, or a different working space (if Aperture provides such functionality). I won't be doing any image adjustments in full screen mode until this has been corrected.

There is well documented issue with this problem. The fix is to set your default monitor to whichever monitor you are using to view Aperture in full screen, using color sync utility.
The reason you don't have this problem in PS is because it has its own color management within the software.
Hope this helps,
Cheers

6300 Caller Group & Profile problems

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