A media for an HD wedding file H264 .mp4

Hi guys,
Maybe I'm a little dummy but....
I have a 4,90Gb Mp4 (h264) HD file.
Is the result of a 27min wedding video project.
And now?
How to let bride and groom see their wedding on their own HDTV?
I bought a 8 Gb pen drive to put it on but of course....a single 4,90Gb file....file is bigger than pen drive system file...(Fat32)
Do I have to format the pen drive with NTFS bein sure it will be ok with an HDTV?
Do I have to cut in pieces the file and put pippo01.mp4 - pippo02.mp4 - pippo03.mp4 etc on the fat32 pen drive?
What's the way to give friend or customer a file to be seen on their HDTV?
Thanks for any advice

NTFS will be fine. Yes certain TVs will have no problem with NTFS (the Samsung ones I have used), others will have issues (PS3). You will find most production companies will upload their edits and even sometimes rushes to Vimeo for clients to look at. That is certainly not unheard of and is very common practice. You could provide a USB pen and burn it to a DVD for compatibility sake. Obviously it would then be DVD MPEG 2 PAL DV, not HD H.264, but it's better than nothing.

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Hi All,
This problem has been the baine of my problems. I thought it might help if I did a complete reinstall of Lion ( have an iMac) and start again - I use Creative Cloud membership. But this did not solve any thing.
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I can't use QT7 pro because the files are double the size of those coming out of AME.
This happens on 2 desktops running Lion and Mountain Lion and a macbook running Mountain Lion.
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Premier Pro CC and Media Encoder crashing on long file export.

Please forgive the length of this inquiry. But it is complicated and has a lot of variables.
I have an hour long mixed format timeline both Red 3K footage and Black Magic ProRes 1080P footage that I want to make a DVD from and it takes forever and crashes half way through. I have tried doing it every way possible and the only way I was able to get even a partial export was using the "MPEG 2 DVD" export option in Premier CC. It goes fast at first telling me it will take about 2 hours but even though it starts quickly doing about 15 fps it slows down to less than 1 fps and finally just stops and crashes my Cuda Core enabled Macbook Pro Laptop.
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From a Red raw 3K timeline 2880x1620 with 1080P Prores footage upscaled 150%)
to .m2v Mpeg 2 720x480 format    1:48 Minutes ***
to .mov Prores 422HQ 1080P                         22 Minutes
to .mov H.264 1080P                    22 Minutes
to .m2v Mpeg 2 1080P                                                22 Minutes
From a 1080P timeline Prores footage at 100% (Red footage downscaled to 67%)
to .m2v Mpeg 2 720x480 format                         13 Minutes
to .mov Prores 422HQ 1080P                             13 Minutes
to .mov H.264 1080P                                                             14 Minutes
to .m2v Mpeg 2 1080P                                                            14 Minutes
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Can anyone give me any suggestions as to why the computer is crashing or bogging down in long exports and what timeline settings I should be using?
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Why .720x480 mpeg DVD setting is so much faster than all the other export codecs?
And if there are any other settings I can use to get higher speed exports in HD? 14x1 seems a little slow especially since every time it crashes I have to start over.

Hi,
Since a long time I did not encounter the crash of Media encoder with
long file export.
But I take care of a lot of details before the export :
- clean up Media cache and Media Cache Files within PP CS6 and/or CC,
- delete all render files with Preview Files,
- rendering of sequences until the rendering is completed,
- PP CS6 and/or Pp CC opened during export to AME and/or Encore CS6,
I guessed to leave Adobe but this company remains the last with a
serious authoring software (Encore CS 6).
I tested :
- Avid Media Composer, Final Cut Pro X, both are very good software but
no really authoring software for these video editing softs.
Th only way is to "flood" Adobe with "bug reports" and "wish forms"
which are not very easy to use.
And also to call the Adobe support day by day until they send they
escalate the bug.
Le 16/05/2014 16:51, alainmaiki a écrit :
>
      Premier Pro CC and Media Encoder crashing on long file export.
created by alainmaiki <https://forums.adobe.com/people/alainmaiki> in
/Premiere Pro/ - View the full discussion
<https://forums.adobe.com/message/6384665#6384665>

Best practice for exporting a .mov file for YouTube

I am using FCPX 10.0.9 with a MacBook Pro. We are needing to upload relatively small-size high school football videos as .mov files to YouTube for my newspaper. I have been choosing the Export File option with the setting set to h.264, exporting the file to the desktop and then uploading that .mov file to YouTube. (I do not have Compressor installed on this Mac.) The other night the first of three files done like this uploaded fine, but the next two just kept processing and processing at YouTube and never finished. The following morning the files processed fine. Any thoughts about why ths might be happening?
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douglas i wrote:
Am I correctly uploading a .mov file to YouTube by using the Export File command with the export setting set to .h264 then if I wish a reasonable size file for upload?
Sure. There are many ways to get videos to YT and yours is a reasonable approach.
"Reasonable size" should be thought of in terms of upload time. Again, YT will re-compress whatever you give it. So depending on how quickly you need to get it up on the Web, it's better to upload files that have more information than less information. (To that end, some folks upload very large Pro Res files; they also have a lot of patience.)
Just to let you know, the majority of FCPX users follow one of two workflows:
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FWIW, I prefer the second workflow.
Russ

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Looking for a way to play 3GP or 3G2 files on your computer? If so,
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Firstly, if you want to play 3GP files in Windows Media Player, you have to install one of the two following programs:
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I'm a little confused about black and white levels in video.
I have two questions. If you bare with me for a second I can demonstrate what I mean.
I created gradient with values from 0,0,0 to 255,255,255 in Photoshop and saved it as sRGB jpg file.
I imported the file to Premiere and added Fast Color Corrector to the file and changed black input level from 0,0 to 16,0
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I imported the edited videofile back to Premiere, added Fast Color Corrector to videofile and changed black output level from 0,0 to 16,0
The information that I thought was lost is there!
I tried to to the same thing for the same video file with Photoshop and I'm not able to get the lost information back.
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Does this have something to do with YCbCr black and white levels that are 16-235?
This whole question came up when I calibrated my Samsung lcd-tv. I used AVS HD 709 mp4-calibration videos.
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If you lift your tv's brightness below certain levels you are able to see the black values that are below 0.
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So the second question is why the macbook pro does not send any "below black" information to tv?
PS. I'm using latest premiere CC.
Thank you in advance!
In this image you can see from Premiere Scopes what is happening.

Does this have something to do with YCbCr black and white levels that are 16-235?
No and yes.
When you manipulate levels values within 0-255 (0.0-1.0) range, you don't clip existing data, you simply compress/decompress contrast, while information is still there (to some extent). By the way, data outside 16-235 range, but inside 0-255 are not super-blacks or super-whites (underdarks or ovebrights), they are just broadcast safe values. Super-blacks or underdarks are values below 0.0, while super-whites or overbrights are values above 1.0. The nature of YCbCr does allow to store some real super-blacks and super-whites even while encoding to 8-bit codec.
Why only some codecs are able to preserve this "illegal" values?
MOV container is... um-m-m... quirky. For example, exactly the same data encoded to e.g. mp4 and MOV with exactly the same codec (e.g. H.264), may be decoded/interpretted differently. So as to have some fun, create a copy of an mp4 clip, which contains some super-whites, rename file extension of one copy to MOV, import both mp4 and fake MOV footages into After Effects, set your project to 32-bit, sRGB or Rec.709 and linearise working space in order to get precise result while blending layers. Then drop both clips into the same composition and set blending mode to Difference. Enjoy!
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Try setting Photoshop to 32-bit first. If that doesn't help, then yes, Photoshop clips values outside 0-255 (0.0-1.0) range on importing. Similarly you won't be able to get super-whites or super-blacks back in PrPro with 8-bit effects.
When i export with codecs that can preserve superblacks should I still get rid of them with videolimiter. Do they cause any problems in youtube or broadcast environments?
No. Moreover, you should take care of broadcast legal range in case of delivering to a broadcaster only, YouTube 'broadcasts' on the web and targets regular computer monitors, which operate on sRGB 0-255 range.
why the macbook pro does not send any "below black" information to tv?
That has probably something to do with Apple colour management workflow. Since I'm not on a Mac, I can't comment this on

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Hi,
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[pre]
Thanks
Prakash
Edited by: user612485 on Aug 28, 2008 10:53 AM

Dear satish kandi,
recently we have created index for one table with nologgign option, i think for that reason i am getting that error.
if i run dbv utility on the files which are shown in alert log file i am getting the following results.
bash-2.05$ dbv file=/oracle15/oradata/pindb/pinx055.dbf blocksize=4096
DBVERIFY: Release 8.1.7.0.0 - Production on Fri Aug 29 12:18:27 2008
(c) Copyright 2000 Oracle Corporation. All rights reserved.
DBVERIFY - Verification starting : FILE = /oracle15/oradata/pindb/pinx053.dbf
Block Checking: DBA = 751593895, Block Type =
Found block already marked corrupted
Block Checking: DBA = 751593896, Block Type =
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Total Pages Examined : 1048576
Total Pages Processed (Data) : 0
Total Pages Failing (Data) : 0
Total Pages Processed (Index): 1036952
Total Pages Failing (Index): 0
Total Pages Processed (Other): 7342
Total Pages Empty : 4282
Total Pages Marked Corrupt : 0
Total Pages Influx : 0
bash-2.05$ dbv file=/oracle15/oradata/pindb/pinx053.dbf blocksize=4096
DBVERIFY: Release 8.1.7.0.0 - Production on Fri Aug 29 12:23:12 2008
(c) Copyright 2000 Oracle Corporation. All rights reserved.
DBVERIFY - Verification starting : FILE = /oracle15/oradata/pindb/pinx054.dbf
Block Checking: DBA = 759492966, Block Type =
Found block already marked corrupted
Block Checking: DBA = 759492967, Block Type =
Found block already marked corrupted
Block Checking: DBA = 759492968, Block Type =
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Total Pages Examined : 1048576
Total Pages Processed (Data) : 0
Total Pages Failing (Data) : 0
Total Pages Processed (Index): 585068
Total Pages Failing (Index): 0
Total Pages Processed (Other): 8709
Total Pages Empty : 454799
Total Pages Marked Corrupt : 0
Total Pages Influx : 0
bash-2.05$ dbv file=/oracle15/oradata/pindb/pinx054.dbf blocksize=4096
DBVERIFY: Release 8.1.7.0.0 - Production on Fri Aug 29 12:32:28 2008
(c) Copyright 2000 Oracle Corporation. All rights reserved.
DBVERIFY - Verification starting : FILE = /oracle15/oradata/pindb/pinx055.dbf
Block Checking: DBA = 771822208, Block Type =
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Block Checking: DBA = 771822209, Block Type =
Found block already marked corrupted
Block Checking: DBA = 771822210, Block Type =
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Total Pages Examined : 1048576
Total Pages Processed (Data) : 0
Total Pages Failing (Data) : 0
Total Pages Processed (Index): 157125
Total Pages Failing (Index): 0
Total Pages Processed (Other): 4203
Total Pages Empty : 887248
Total Pages Marked Corrupt : 0
Total Pages Influx : 0
My doubts are :
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2.in future if i activate the standby database will database is going to open without any error.
Thanks
Prakash
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When I Render it it shows up, but only for a few seconds then it goes black for a few more seconds. This happens when I have my in and out points set in LT and check, render only between in and out points, it also happens when this box is not checked. So I don't get the full time of my title effect.
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I don't have to render on my iMac, it just works there. No rendering or exporting required. ?
Dan

I am looking to order replacement media for a CS6 master collection Install in India; Where can I bu

I have a User Group Manager looking to order replacement media for a CS6 master collection Install in India; Where can I buy the DVDs to do a local install, in India?
I cannot find it on the Adobe.com site?
This page is not update nor is it helpful.
http://helpx.adobe.com/x-productkb/policy-pricing/obtain-replacement-cds-dvds-manuals.html #main_Replacement_CDs_or_DVDs
Cordially,
Aaron Houston
Adobe Community Mgr
San Jose Ca

Tasc_redleader which update exactly are you trying to apply? Your screen shot indicates an update to Photoshop CS6 but your installation log appears to be for Extension Manager CS6.
Please see Troubleshoot with install logs | CS5, CS5.5, CS6 - http://helpx.adobe.com/creative-suite/kb/troubleshoot-install-logs-cs5-cs5.html for information on how to review and interpret your installation log files.

A media for an HD wedding file H264 .mp4

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