A nice reverb plugin for final cut ?

Hi,
I'm looking for an audio reverb plugin to works with FCP. I know I can use Soundtrack, but I only need a nice reverb from time to time.
Any suggestion ?
Thanks

Have you tried to duplicated the audio track and applied the filter to one and then mixed it to the other? Works better than just flat sticking it on one audio clip.
CaptM

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Plugins for final cut pro?

which are the best plugins for final cut pro?

To do what?
http://www.cgm-online.com/eiperle/index_e.html
http://www.nattress.com/
http://www.joesfilters.com/

Where I can find a free plugins for final cut pro or Motion

I will like to know if is a web site that we can donwload free plugins for final cut pro. I found some web sites but they jave some samples but when you loud these to final cut pro it will have the name of the company that sell it or is will say Exanple or Trila versiona a cross the screen.

go to proapptips.com (Dave Slater's FINE site) scroll down the page and look on the left site for links and follow through to plug in vendors. There are a bunch of freebies on various sites, all compiled by Dave, just for you.
Some of these freebies ask for a small donation. Worth it if you use them!

Flash Video Exporter plugin for FInal Cut Pro

Does anybody know how to install the Flash Video Exporter
plugin for Final Cut Pro so it shows up as an option in FCP?
I want to create FLVs directly from FCP.
Thanks

http://www.adobe.com/devnet/flash/articles/flv_exporter_03.htm
Scroll Down - its about mid page
This is on the intro page:
Note: You must have Flash MX Professional 2004 installed on
your machine to use the Flash Video Exporter with your video
editing application. The only exception is using the exporter in
Demo Mode.

I need to remove a rig/wires from my final cut pro 7 project. Can Apple Motion 4 remove wires/rig? Are there any rig removal plugins for final cut pro? Thanks!

I need to remove a rig/wires from my final cut pro 7 project. Can Apple Motion 4 remove them? If not can anyone recomment any plugins for Final Cut Pro or Motion that can remove them. Thanks!!

In Motion 5 there is a plugin from CoreMelt called "SliceX" that does this. But I don't know anything in Motion 4 that will do it. You may get more help posting in the appropriate "Final Cut Studio" section of this forum.

Plugins for Final Cut Pro X

It looks like Final Cut Pro X does not support import or export of FCXML. My company wrote a plugin that appears under the import,export menu using a Final Cut Pro provate API we had to sign an NDA for.
We now need to rewrite for Final Cut Pro X. Who can we contact to answer our questions?
ps: I'm part of both the Mac and iOS developer programs yet I don't see any forums or developer information for this...
best,
Tuviah

no it was another plugin API that I got from Apple to develop plugins such as the one by YouSendIt, or EVS, or Automated Duck which allows adding a menu item to the FCP import and export menus.
Unfortunately the Apple contacts we had 3 years ago, such as Adam Green, who gave us these APIs no longer work there or are not responding.
I've actually tried using my technical incidents to get answers but keep getting told that I need to ask the final cut pro team without so much as an email or other link.
so I'm REALLY REALLY hoping someone at Apple is monitoring this list and can help out. Or perhaps another plugin developer.
I would think Apple would want to make it easy for 3rd parties to integrate..

Problems installing twixtor plugin for final cut express 4

hello
im having troubles in installing the Twixtor plugin for FCX4, so far im trying to install the demo, easy enough i've gone through the steps stated from the installing window from Re:visions, however once said it has successfully said its been installed, i opened up FCX4, looked through the video filters and there is no sign of any plugins.
After the installation do i need to move the downloaded content to a certain location?
Please help! such a simple thing, but i really want to try twixtor out!

Converting is in fact far easier and less troublesome than capturing from tape, especially when using a tool like ClipWrap or the log and transfer window in FCE4. You can see the clips, play them, mark them up, and this is fully random access, without the issues of finding material on a tape, or timecode problems, or timecode breaks. It's actually faster than ingesting from tape.
"On its way out" is too mild a term; it's more like a dead and rotting corpse. There is serious discussion among people with too much time on their hands and a love of discussing technology that the next version of Final Cut should remove tape capture and tape output entirely.
BTW, I went to high school in Harrisville, NH.

Writing an Audio plugin for Final Cut Pro

Hi all
There doesnt seem to be much info out there about writing plugins for FCP... I've looked at FXBuilder and FXScript, but they only seem to deal with video. I want to write a plugin that will normalize all of the clips on my timeline (I know normalizing is a sin to some audiophiles, but there are situations where I dont have time to take everything into Pro Tools or Soundtrack Pro and just need reasonable levels across an entire project). So my question is, would I need to write a plugin for FCP specifically and if so, is there an SDK or sample code somewhere, or should I write this as an Audio Unit plugin and if so, where do I start? Any help or advice would be appreciated
cheers

I'd think that the ADC is where you should start... (Apple Develeopers connection) http://developer.apple.com/ Might find the SDK you need there.
Also Joe at Joe's filters or Graeme Nattress might be of help. Great guys both...
http://www.joesfilters.com
http://www.nattress.com
Jerry

How to install plugins into final cut pro 7

A friend of mine sent me some free plugins for Final Cut Pro 7. How do I get the plugins into Final Cut Pro 7? Clicking and dragging obviously doesn't work.

You do NOT need Motion in order to use those transitions, effects, etc.!
You only need it if you want to edit or create new such things.

Canon EOS MOVIE Plugin-E1 for Final Cut Pro Now Available...

There's been so much talk about the 5D, 7D, 550D on this board that I'm going to point to the EOS MOVIE Plugin-E1 for Final Cut Pro. This is supposed to speed to transcode of Canon Camera H.264 to FCP-friendly formats and let you add more metadata along the way.
Enjoy!
Canon webpage. Under Drivers & Downloads. Once you select your OS, "Mac OS X", the download should appear near the top of the "Software" list.
Note: (from Quickstart Guide)
This plug-in software allows you to convert MOV movies shot with an EOS Digital camera into ProRes files at high speed in the (Log & Transfer) window of Apple's Final Cut Pro.
FWIW: The quick start guide says cameras involved are 7D, 5D, 1D, no mention of 550D. Sort of odd.

For users in North America to make the Canon EOS REBEL T2i work (550D for Europe):
1. Install the new Canon EOS MOVIE Plugin-E1 for Final Cut Pro (http://www.usa.canon.com/consumer/co...nloadDetailAct)
2. Go to Library/Application Support/ProApps/MIO/RAD/Plugins/CanonE1.RADPLug/Contents/Resources/
2. Open up cameras.plist
3. After the 7D info add the following lines of code (keeping to the coding structure):
<key>T2i</key>
<array>
<string>Canon EOS REBEL T2i</string>
</array>
4. Save the text file. Close it. Everything should work now.
Cheerz.

Problems with Canon EOS MOVIE Plugin-E1 for Final Cut Pro

After about two weeks of using the Canon EOS MOVIE Plugin-E1 for Final Cut Pro, I've found some clips are cut short when they are transcoded to Prores and appear in the browser. Has anyone else had this happen?

Yes, just started using this and noticed pretty soon afterwards. Seems to happen when I start clicking around or doing anything that uses the processor more than just surfing the web, but that's just anecdotal. I immediately stopped and started using MPEG Streamclip, but I really want the timecode.
Most recently, I had Log and Transfer open, transcoding some 7D footage, and a few of the clips didn't come in—they were left with the red stop-sign symbol/exclamation point. When I clicked to "retry," it stopped importing the current clip and started on the clip I retried. I clicked "retry" on another unimported clip, and again, the clip import stopped and the new clip began processing. I let it go through and, after the checking the footage, I discovered it had been incorrectly named the first clip's filename! Needless to say, I hand-checked every file to make sure it was the right duration (a few weren't), deleted the files from the Capture Scratch folder, and reimported—making sure I didn't touch the computer.
I hope they fix this bug, whatever it is.
BTW, I've experienced it on two separate Mac Pros.

Plug-ins for Final Cut Studio

Please post your recommendations for plug-ins for FInal Cut Studio (Final Cut Pro and Motion).

film leaders clips can be downloaded online if you dig around a bit ... Peter Wiggins has a nice Motion Template clock he offers for free (which is a bargain by anyones reckoning)
easy enough to create your own film leader style countdown with a few back to back text generators separated by clock wipe transitions
color bars can already found in your fcp video generators bin
color bars and a film leader style countdown can also be auto generated during output (print to video and edit to tape)
distort faces and license plate like they do on tv? ... ok i give up, what do you mean? if you mean you want to disguise them (Mosaic, Blur etc) then you can have a bash with my Region Blur plugin
Message was edited by: Andy Mees

Which firewire interface for Final Cut Pro on MacPro?

I currently own a Presonus Firepod, and it seems to work pretty well, but may sell this when I upgrade from a MacMini to a MacPro. I use my Mac for Logic Pro currently.
I anticipate running Final Cut Pro in the near future, so I'm wondering about the ability to read/generate SMPTE time code that the MOTU traveller supplies?
There will be no external mixer, so this interface will connect directly to speakers & headphones. (would be nice to be able to mute speakers and control headphone mix using just the firewire interface).
I don't anticipate needing more than 2 Mic inputs - and my current mike is a Rode NT1. (As the NT1 is not a top-of-the-line mic, unsure if I should place a lot of emphasis on worrying about the pre-ams?)
I would like decent mic preamps, and ability to graphically monitor input and output levels (is this graphic monitoring necessary, or is just the single overload indicator sufficient?).
Which interfaces in $600-$1500 range would work best with Final Cut Pro - and Logic Pro?

I saw the Traveller ads in Videography mentioning
time code, so I presumed it had an advantage over
other interfaces.
I found this in some ad copy:
"""The Travler provides on-board SMPTE time code synchronization features that allow you to slave your Traveler system to SMPTE time code without a synchronizer. The Traveler provides a DSP-driven phase-lock engine with sophisticated filtering that provides fast lockup times and sub-frame accuracy. The included MOTU SMPTE Console software provides a complete set of tools to generate SMPTE for striping, regenerating or slaving other devices to the computer."""
So it likely uses an audio port for timecode I/O. However, unless you have external equipment that you want to slave to Logic Pro, (or have Logic slave to) e.g. a timecode DAT, then this really is not necessary. FCP would not see the Travaller as a "controllable" device.
For Final Cut Pro use, I'd probably shoot in HDV.
When shooting a green screen near my computer (or
maybe even on-site), I wondered if there would be an
advantage to recording the audio thru an interface
like the traveller.
The advantage is that you could capture additional mics and audio tracks with your mac while the cameras shoot. Just slate your takes and sync up later.
Do I actually need an interface that provides time
code, or is that only needed for movie work?
I have SMPTE I/O on my Unitor8, directly accessable in Logic Pro. In 8 years I've probably used it twice to capture audio from some modular digital multitracks. So, unless you have some specific need.....
Maybe it is simpler just to connect to the mic
directly to the camera's input?
Indeed. You should always have camera audio available. Anything else is supplemental. Alternatively, you could use the Travaller or RME, etc. as a "live to camera" mixer in a studio situation. Plug your mics into the interface, create a submix and send it to the camera while simultaneously capturing each mic to an individual track in Logic Pro. There are many possibilities.
G5 QuadPPC2.5, Ram:12.5g, Magma PCIe-PCI expansion Mac OS X (10.4.8) 2X Hammerfall DSP Digiface+Multiface, Digi 002r, 4X UAD-1

New Canon EOS Movie Plug-in-E1 for Final Cut Pro

Just thought your would like to know. From canonrumors.com
http://www.canonrumors.com/2011/04/canon-updates-e1-plugin-for-fcp/
Canon today announces the latest update for EOS Movie Plug-in-E1 for Final Cut Pro – the company’s custom-developed software application that provides quicker and easier editing of EOS Movie footage in Apple’s Final Cut Pro software suite.
Launching to coincide with the start of the 2011 National Association of Broadcasters (NAB) Show in Las Vegas, EOS Movie Plug-in-E1 for Final Cut Pro version 1.2 will make the importing of EOS Movie files even easier, allowing users to transfer files from any folder, without needing to mirror the folder structure on the camera itself.
The update also enables smoother importing from Canon’s EOS 7D, EOS 5D Mark II and EOS-1D Mark IV models, allowing users to import footage without requiring the THM file generated by the camera.
Originally launched in February 2010, EOS Movie Plug-in-E1 for Final Cut Pro is designed to quickly and seamlessly convert EOS Movie footage from Canon’s leading range of EOS DSLR cameras to Apple’s high-quality ProRes 422 codec. The plug-in allows users to convert footage at approximately twice the speed of Apple’s standard conversion, creating a smoother workflow for the rapidly growing number of videographers shooting HD video content on DSLR cameras.
EOS Movie Plug-in-E1 for Final Cut Pro version 1.2 will be available to download for free from 25th April 2011.

And I just spent over an hour yesterday explaining to a client how utterly essential it was to maintain the exact folder structure for proper log & transfer:/
If I say that once a day to students, I say it a thousand times.
On top of that I just started Carbon Copy Clone today with all my updates in my editing lab. Not the end of the world but it's a little time consuming on 80 stations. Oh well.

An Excellent Tutorial for Final Cut Pro X

I am fairly new to Mac and I am learning Aperture and Final Cut Pro X.
Just wanted to share an excellent video tutorial for Final Cut. Its free but there is an "extended edition" of sorts for a reasonable price.
http://www.izzyvideo.com
Cheers!

I thought there would be some plugins for Quicktime, like Final Cut studio, which made from Quicktime---> Quicktime Pro. And under Final Cut Studio there was also some Protoolkit installed. No longer necessary?
I just want to be 100% sure, that FCP X and Motion 5 is a completely self-contained app, that need no installation. But up to now, nobody can tell me 100% if it really is so.
I thank you for your answers and hope that you understand my thoughts, about having a Dvd where I can install it from or where I can save the self-contained app, if it is so.

A nice reverb plugin for final cut ?

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