About the timecode of a sequence.

Is it possible print exactly the sequence´s timecode in a tape with firewire in FCP?
Thank´s a lot.

Export the clip as a QuickTime Movie, then try using Simple Video Out for a Print to Tape w/ source timecode
http://developer.apple.com/samplecode/SimpleVideoOut/index.html
http://french.about.com/od/vocabulary/g/magnetoscope.htm

Similar Messages

About the import layers as sequence feature

Isn't there a way to import a photoshop layered file into
flash as a SEQUENCE?
Does it move every layer down the timeline for us? Or do we
then have to do that part?
I'm looking for a way to quickly review a sequence of stills
as a movie at different speeds. Quickly.

I don't know that much about Photoshop, but in Illustrator
you can export all Layers (bottom to top) as a sequence into a SWF
file. So you could export import that PSD into AI (with layers) and
re-export it into a swf
Also, if you have After Effects you could import the PSD and
use the "sequence layers" function to automatically edit the layers
into a sequence.

What is the SAFEST SEQUENCE to convert from a Outlook/iPad/iPhone synced with MobileMe to syncing with iCloud (I have 10 years of calendar diary events and 3000 contacts) - I am worried about the data issues that have been posted about iCloud.

What is the SAFEST SEQUENCE to convert from a Outlook/iPad/iPhone synced with MobileMe to syncing with iCloud (I have 10 years of calendar diary events and 3000 contacts) - I am worried about the data issues that have been posted about iCloud.
This has worked fine with MobileMe with only a couple of minor glitches in the past.
Any experience doing this the "right" way?

The warranty entitles you to complimentary phone support for the first 90 days of ownership.

How do I know about the whole tables, sequences, triggers of the specific D

Hello,
I can check the whole tables of the db users with select * from tab; BUT can I know the whole META DATA of tables, sequences, triggers, procedures of a specific user?
Best regards

Raakh wrote:
Hello,
I can check the whole tables of the db users with select * from tab; BUT can I know the whole META DATA of tables, sequences, triggers, procedures of a specific user?
Oracle doesn't expose the metadata just like that but shows it in the various columns of various views based on the object type, for example like for tables, it would be in the user_tables and so on. If you are interested in knowing about the metadata of a specific object, you should use dbms_metadata package.
http://download.oracle.com/docs/cd/E11882_01/appdev.112/e16760/d_metada.htm#ARPLS641
HTH
Aman....

PS-IM - Help about the sequencie the end of the year.

Hello Guys about the finalization the module Investment managment (IM) what the sequencie of closed of the year.
To Projects and orders.
The best regards

I have both budget in projects and orders.
My question is ....
Wich the steps I need year - and coling of the release 4.7 to modules Investment managment, projects and orders?

About the shift sequence setup in capacity categary

Hi
Harish here
Can any body give me the technicality behind the planning, how shift sequence will consider.
For ex: i have created the wc and for that i have created the capacity as machine. in the capacity header i have entered the factory calendar and start time as 9.00 am and end time 5.30 pm and break as 1h. also i have created the group of shift sequence in that i have taken as general shift. that is only one sequence ( 9AM-5.30PM no break consider) that has been assigned to above category
How the system is selecting the sequence for the group (enter in capacity catagory) as well as calendar and arrives the dates of schedule.

...

A few clips wrong timecode in Color sequence from FCP 7

Dear gods and goddesses of the Color Forums,
So I've been going over the questions regarding exporting FCP 7 sequences to Color, and believe I followed all the directions correctly to prep my sequence for Color. Took off all the graphics and text, put everything on track 1, and made any basic motion images independent quicktime movies to "bake in" the motion and avoid previously known issues with this.
Everything seems to be working just fine except for three clips which have the wrong timecode. A different part of the clip is showing up than what is in the in/out points on the FCP sequence.
Does anyone have any pointers about how to re-align these in/out points in color with the correct part of the clip? Or is there any way I can drop in the correct portion of the clip into the sequence in Color? I would hate to lose all the work I've already done on this sequence just due to 3 clips that are not correct on the timeline...
specs: shot on Canon 5D, frame rate 23.98 fps, codec Apple Pro Res 422 (HQ), Final Cut Pro 7, Color 1.5 (Academic versions).
Thanks for any help!
Erin Galey
Director/Cinematographer

If you want to keep the original source media, then you will have to figure out why COLOR is picking the wrong "in" point. Could be a framerate issue, GOP mismatch, I would hope it isn't part of a nested sequence or Multicam nest... possible confusion with unsupported media in proximity. All of these have been issues at one time or another.
Cheap 'out' would be to simply export the offending clips as independent pickups... replace them on the originally exported FCP sequence and Reconform in COLOR. For three clips, this would appear to be the most expedient option.
jPo

About the pricing procedure of purchasing order

Hello friends,
can anyone tell me about the pricing procedure,conditions & texation of Purchase order?
and hoew to maintain all those term in Customisation?

The Basic thing is Condition Technique. In which there are
1. Access Sequence 2. Condition Record 3. Condition Type 4. Condition Table.
A Access Sequence access a Condition Record of a Condition Type in a Condition Table is a Condition Technique.This is a simple logic
Here the Condition Type is very important like PB00, PBXX,RA01 etc.
In the background every Condition Type has its own defition means the purpose of the Condition Type like, is it for Pricing or Percentage, Quntity base, Accrual Feilds etc is to be defined to work this functions. Normally we use the existing ones without any risk. But some cases, we have to Create a New Condition Types as per the organisation requirement.
The Pricing Schema is useful to minimise condition types while mention prices for Vendor on the basis of Pricing Schema which we defined according to organisation requirement.
The Pricing Schema means the calculations procedure of Condition Type.
Ex. RA01 - Discoount % is caclulated on PB00 - Gross Price means
RA01 is based on PB00 like that we have to define in the Pricing Schema
which makes easy to use in real time.
Here PB00 has the Access Sequence - 0002.
But RA01 does not have the Access Sequence.Why because it is a dependent on PB00. But both are Condition Types.
In the system, by default some standard Scheme will be there at Vendor Schema Group in the Vendor Master Screen means the standard one is assigned which is very lengthy which may fullfil our requirement. But some cases which may not fullfil our requirement, in such we have to define.
For the configuration, I may not able to explain properly through here but will give some idea.
Configuration: SPRO - IMG - Material Management - Purchasing - Conditions - Define Price Deternmination Process:
1. Define Access Sequence
2. Define Condition Type
3. Defince Calculation Schema:- Here you have to define the Schema - Define Schema group
1. Define Schema Group vendor
2. Define Pricing Schema group
3. Schema group for Purchase Organisation
4. Assign Schema group to Purchase Organisation - Define Schema determination
1.define calculation schema for Standard purchase organisation
After completion of the Schema Group, we have to assign it to Vendors.
Then whenever we use any transaction with this Vendor, the concerned Schema will work as configured by us.
The Pricing in MM is vast because each Condition have its own importance and each Access Sequence have its own importance. So you need not bother about this. First you learn how to define the Calculation Schema through the above.

What The Heck Is A Sequence?

I've recently graduated from Premiere Elements to Premiere Pro. Congratulations to me!!
To get up to speed, I've been watching quite a few videos and reading books, and one thing that keeps popping up is the concept of "sequences". But everybody just seems to assume you know what a sequence is.
I don't. From what I can gather, a sequence just seems to be a bunch of clips grouped together? But I'm not even sure about that concept.
What I'm really not sure of is what they are useful for. For example, when would I use a sequence versus just a regular old clip? If I put a sequence on the timeline, and then change the sequence, is that change automatically reflected on the timeline? Does everybody just usually use clips, or do sequences offer some advantages?
Also, I'm not sure if this is a related question or not, but Pro also appears to have multiple timelines. Elements only has one, so I'm not sure how multiple timelines would be used and if that has something to do with sequences.
Sorry if this are newbie questions!

A sequence is something that exists within a project, it's a "timeline with layers" - the same as you'd have in Flash.
Think of it this way, let's suppose you're creating a series of TV ads for a client. They want five ads, each with variations on the content.
The whole thing would go in one project, purely so you can keep track of things.
All your footage, titles, graphical overlays etc are items in the project bin.
You'd create five sequences in the project, one per ad. The settings for a sequence decide the final output, so it's the sequence that decides things like the frame dimensions and frame rate. Whatever you put on the sequence is transcoded to fit those settings, so if your sequence is set to 24fps and you drop on some 60fps video, it'll be resampled to 24. The only thing that isn't dome automatically is resizing.
On each sequence you'd assemble sections of your raw footage - these sections are 'clips' as in the old days of film you were clipping out a section of film from a larger reel. In Premiere you select the clip from the footage item by opening it in the source monitor and setting in/out points, or by dropping the entire thing onto the timeline and trimming it.
Sequences by default have one video track, but you can add more - that's how you layer things on top of each other, such as putting a lower third graphic over your video. If there's a gap in a layer, whatever's below it shows through (if there's nothing on any layer you'll render black).
If you had a series of clips which were common to every ad (such as the final message) you can create that as a separate sequence and place the sequence inside the others. Premiere is happy to treat a sequence the same as a regular chunk of video, so you can cut out sections and reuse them. This is called 'nesting' and when the master sequence is edited, all the reused copies reflect that change.
You would then export each sequence to make the final collection of videos.
You can import a copy of a sequence from one project into another by running the import command on your new project and selecting the old the project file (.prproj) - Premiere will list everything in the file and you can pick what to import. The source clips will import automatically when you import a sequence. Remember that nothing is embedded in the project file, all the source footage is read from the original media - so copying a sequence doesn't copy the video itself.

A few questions about the FCE interface

I'm new at FCE, but I've done video editing for a few years in Windows (Vegas Movie Studio mostly, it was pretty good but limited in the number of video and audio tracks). I've finally made the jump to Mac and I'm excited getting started. The ability to do keyframes and motion is outstanding and I can't wait to play with LiveType and Soundtrack.
There's a few things I'm not sure I understand about the FCE interface. I'm working on my first project and it's going to me mostly made up of short (4-10 second) video clips and still photos (with pan and zoom and some motion) and background music. I've done several of these in the past in other software, this project is my learning one for FCE.
However, I can't understand why some things happen they way they do. If I drag a clip or still from the bin to somewhere in the middle of my existing sequence where there are no items on the video track, it 'parts the seas', moving all video on all tracks to the right and cuts my audio track wide open leaving a huge gap to make room for the clip or still even if it has no audio. The same thing happens in reverse if I'm deleting a still or clip, it chops it out and scoots everything over. I think I want to manage my own gaps rather than FCE trying to manage it for me. Does this have something to do with ripple editing - something that I must not have learned in my Windows video editing experience?
I've ordered a few tutorial books based on recommendations in this forum, they're on their way. I didn't expect to be immediately proficient, but it seems I'm not understanding something fundamental about the interface.
There's other questions too, like when I move a video clip from one track to another (up or down, not left or right), why does it move the audio portion of that clip to another audio track? Sometimes it stomps on something I already had on that track. Can't I unlink those somehow?
When I bring two clips or stills together and attempt to overlap them (which I think should mean I'm doing some type of transition), it seems to just truncate one or the other. I suppose I just need to get used to that?
Thanks for any suggestions you may have.
iMac 20" intel Mac OS X (10.4.10)

You need to get comfortable with targeting your tracks and, as mentioned, locking off tracks you don't want to affect.
You say you want to add a clip/still to the "middle" of a sequence ... I take it there are clips to either side of this spot that you don't want to affect. Then I would set In and Out (I and O) points in the timeline to define the space you want the clip to occupy. If you don't want audio to carry over, then lock off whatever audio tracks you have edited. Then do an Overwrite by either dragging the clip to the far right of the screen to get the Overwrite pop up or by using the F10 key.
The Delete key to the right of your keyboard (sometimes under the help key) does a ripple delete. The Delete key under the number keys (sometimes a backspace key) removes a highlighted portion of video without rippling the timeline.
If you lay in a new clip with audio and don't want to affect an existing track, target a separate set .. so if you have a clip on V1 with its audio on A1/A2 and you want to overwrite the video but add new audio, target V1 and A3/A4.
As to overlapping clips .. if you want to use transitions, overwrite your first clip. Overwrite the second right up against it .. don't try to overlap. Now select your transition and drop it down between the two clips. NOTE: FCE needs handles ... like about a spare 15 frames of info on both clips
I strongly reccomend Tom Wolsky's book on FCE. It has tutorials and is a great way to start. I've never used Vegas but FCE is a very deep program ... it takes time, practise and patience (and you online manual is a great resource too)

Media Encoder changes the timecode when converting to Quicktime ProRes 422 (LT)

After spending the majority of my day searching for a solution to this problem, I am hoping someone here will know how to resolve this issue.
After encoding several hundred clips of various file types to ProRes 422 LT at 23.976fps in Media Encoder, we discovered that the timecode of the source clips and the LT clips varies significantly when we bring the quicktime clips into FCP 7 or Quicktime 7. This is also creating issues for the EDL.
The source clips are XDCamHD, H.264, and .R3D files. We set up a batch in AME with a preset for ProRes (LT) at 23.976. After the batch processes, we import the clips into FCP 7 then export an EDL from the sequence. The EDL shows timecodes that do not match the source clips.
The timecode is off by several hours, not just a few frames. If we look at the LT clips in Premiere, the timecode seems to match the source clip. In Final Cut, not even close.
Any ideas on where to start on this one?
If we use RedCineX to convert the R3D files, things seem to work. Also, compressor seems to have correct results. We were hoping that media encoder would be the solution as it processes these clips much faster.
We are looking for a solution that doesn't involve re-transcoding all of the footage.

Two.
First, this.
http://help.adobe.com/en_US/premierepro/cs/using/WSd9957a95a81082eb28f05af5126718c47be-800 0.html
Second, this.
Customize or load keyboard shortcuts
From the Set menu in the Keyboard Customization dialog box, choose the set of keyboard shortcuts you want to use in Premiere Pro:
Adobe Premiere Pro Factory Defaults (Adobe Premiere Pro CS5)
Adobe Premiere Pro CS5.5 (Adobe Premiere Pro CS5.5)
Shortcuts For Avid Xpress DV 3.5 (Adobe Premiere Pro CS5)
Shortcuts For Avid Media Composer 5 (Adobe Premiere Pro CS5.5)
Shortcuts For Final Cut Pro 7.0

Could you pls give the details about the Unicode conversion during Upgrade

Hi,
Can anyone give details about the Unicode conversion during SAP Upgradation fro 4.6C to ECC6.
Waiting for quick response
Best Regards,
Padhy

Hi,
These are the few points i gathered during my upgradation project.
Before starting any upgradation project, it is necessary to take up the back-up of the existing systems. As we are going to upgrade the entire system, we will be changing so many things and if something happens, without back-up, we will be in a trouble.
So it is advised to keep a back-up of the existing system.
Say for example we have the existing system E4B which is of Version 4.6C. Now we want to upgrade it to Version 4.7. Let us see how we can do it.
Version upgrades not only means that we need to run the new Version CD over the existing Version System but only involves some other thing.
Version Upgrade involves the following Steps.
Say we want to upgrade for Version 4.7 from Version 4.6, which is in the System E4B. Now we created one more system called as E1B in which the upgradation for Version 4.7 can be done.
First copy the entire E4B system into the E1B System which is created for Version 4.7.
Apply the Version 4.7 CD provided by SAP over the E1B System.
Now check whether all the functionalities that was in E4B system works fine with E1B system also.
Thus the Version Upgrade involves two steps.
1. SAP Upgradation with the help of the CD
2. Manual Upgradation.
1. SAP Upgradation with the help of the CD
This is nothing but after taking the copy of the existing system into a new system, the upgradation CD from SAP is applied over the new system.
2. Manual Upgradation.
This Manual Upgradation involves
2.1 Upgradation of Standard Objects
2.1.1 SPAU Objects
2.1.2 SPDD Objects
2.2 Upgradation of Custom Objects.
Upgradation of Custom Objects can be placed under the following three categories.
Unicode Compliance
Retrofit
Upgrade
Please Find below some of the common Unicode Errors and their solutions
1. Error:
In case of Translate Error; Dangerous use of Translate in Multilingual system.
Correction:
To correct the Error occurring on TRANSLATE statement use this additional statement before the Translate statement.
SET LOCALE LANGUAGE sy-langu.
This statement defines the Text Environment of all the programs & internal sessions in the language specified in the LANGUAGE KEY, which in this case is sy-langu, i.e. the log on language of the user.
2. Error:
In case of Open Dataset Error; Encoding Addition must be included.
Correction:
This Error occurs only when the MODE is TEXT.
To correct the Error occurring on OPEN DATASET statement use this statement instead.
OPEN DATASET dataset_name FOR access IN TEXT MODE ENCODING DEFAULT.
Where: dataset_name NAME OF THE DATASET.
Access INPUT or OUTPUT or APPENDING or UPDATE.
DEFAULT - Corresponds to UTF-8 in UNICODE systems &
NON_UNICODE in NON-UNICODE systems.
3. Error:
In case of the usage of the Obsolete FM UPLOAD/DOWNLOAD or WS_UPLOAD/DOWNLOAD; Function module UPLOAD is flagged as obsolete.
Correction:
The FM GUI_DOWNLOAD/UPLOAD is used.
The variations to be made in the parameters of the FM:
1. Filename It must be of STRING type.
2. Filetype DAT is not used any longer, instead ASC is used.
3. Field Separator The default value SPACE is used, incase for a TAB separated file X can be used.
4. Error:
In case of CURRENCY/UNIT Addition Error; Use addition CURRENCY/UNIT when outputting.
Correction:
The CURRENCY addition specifies the currency-dependant decimal places for the output of the data objects of type i or p. To obtain the currency-key, the field CURRKEY of the table TCURX is used. The system determines the number of the decimal places from the field CURRDEC of the selected CURRKEY.
To correct this error follow the following method:
WRITE: /3 'TOTAL',' ', TOTAL.
WRITE: /3 TOTAL, , TOTAL CURRENCY 2. --- Where 2is the Currency Key for Getting 2 decimal places.
5. Error:
In case of TYPE X Error; Variable must be of C, N, D, T or STRING type.
Correction:
We need to change all the Type X (Hexadecimal) variables to Type C with their values unchanged.
So the method to be followed is:-
1. Load the definition of the class CL_ABAP_CONV_IN_CE or CL_ABAP_CHAR_UTILITIES.
2. Declare the variable as Type C, and use the method UCCP(XXXX) of the class CL_ABAP_CONV_IN_CE where XXXX represents the 8-bit Hexadecimal value and incase the variable holds a Hex value for a Horizontal Tab , then the Attribute HORIZONTAL_TAB of the class CL_ABAP_CHAR_UTILITIES can be used directly instead of using the method UCCP.
E.g.:
i) *DATA: TAB TYPE X VALUE 09, Tab character
CLASS: CL_ABAP_CHAR_UTILITIES DEFINITION LOAD.
DATA TAB TYPE C VALUE CL_ABAP_CHAR_UTILITIES=>HORIZONTAL_TAB.
ii) * DATA: CHAR TYPE X VALUE 160.
CLASS: CL_ABAP_CONV_IN_CE DEFINITION LOAD.
DATA CHAR TYPE C.
CHAR = CL_ABAP_CONV_IN_CE=>UCCP(00AO).
(Here 00A0 is the Hexadecimal equivalent of the decimal 160).
3. Incase the TYPE X Variable has a length more than 1, then an internal table must be created for the variable.
E.g.:
CLASS: CL_ABAP_CONV_IN_CE DEFINITION LOAD.
DATA : LF(2) TYPE X VALUE 'F5CD'.
DATA : BEGIN OF LF,
A1 TYPE C,
A2 TYPE C,
END OF LF.
LF-A1 = CL_ABAP_CONV_IN_CE=>UCCP('00F5').
LF-A2 = CL_ABAP_CONV_IN_CE=>UCCP('00CD').
6. Error:
In case of the Character -Error; The Character -cant appear in names in Unicode Programs.
Correction:
The Character -(Hyphen) appearing in Variable names is replaced by the character _ (Under Score) for Unicode/Upgrade Compliance.
E.g.:
*wk-belnr LIKE bkpf-belnr,
*wk-xblnr LIKE bkpf-xblnr,
*wk-date LIKE sy-datum,
*wk-wrbtr LIKE bseg-wrbtr,
*wk-name1 LIKE lfa1-name1,
*wk-voucher(8) TYPE c.
wk_belnr LIKE bkpf-belnr,
wk_xblnr LIKE bkpf-xblnr,
wk_date LIKE sy-datum,
wk_wrbtr LIKE bseg-wrbtr,
wk_name1 LIKE lfa1-name1,
wk_voucher(8) TYPE c.
7. Error:
In case of The SUBMIT-TO-SAP-SPOOL Error; you should not use the statement SUBMIT-TO-SAP-SPOOL without the WITHOUT SPOOL DYNPRO addition.
Correction:
1. Declare variables of type PRI_PARAMS, ARC_PARAMS, and a variable of TYPE C which would be used as a VALID FLAG.
2. Call the FM GET_PRINT_PARAMETERS:
CALL FUNCTION 'GET_PRINT_PARAMETERS'
EXPORTING
ARCHIVE_MODE = '3'
DESTINATION = P_DEST
IMMEDIATELY = 'X'
IMPORTING
OUT_ARCHIVE_PARAMETERS = archive_parameters
OUT_PARAMETERS = print_parameters
VALID = valid_flag
EXCEPTIONS
INVALID_PRINT_PARAMS = 2
OTHERS = 4
3. Use the SUBMIT-TO-SAP-SPOOL statement.
E.g.:
     submit zrppt500
     using selection-set 'AUTO3'
     with res_no eq lo_rsnum
     with sreserv in preserv
     to sap-spool destination p_dest
     immediately 'X'. "print immediate
DATA: print_parameters type pri_params,
archive_parameters type arc_params,
valid_flag(1) type c.
CALL FUNCTION 'GET_PRINT_PARAMETERS'
EXPORTING
ARCHIVE_MODE = '3'
DESTINATION = P_DEST
IMMEDIATELY = 'X'
IMPORTING
OUT_ARCHIVE_PARAMETERS = archive_parameters
OUT_PARAMETERS = print_parameters
VALID = valid_flag
EXCEPTIONS
INVALID_PRINT_PARAMS = 2
OTHERS = 4
Submit zrppt500
Using selection-set 'AUTO3'
With res_no eq lo_rsnum
with sreserv in preserv
to sap-spool
SPOOL PARAMETERS PRINT_PARAMETERS
ARCHIVE PARAMETERS ARCHIVE_PARAMETERS
WITHOUT SPOOL DYNPRO.
8. Error:
In case of Message Error; Number of WITH fields and number of Place Holders are not same .
Correction:
Split the statement after WITH into the same number as the place holder for that Message ID.
E.g.:
1. * MESSAGE E045.
MESSAGE E045 WITH '' ''.
2. in program ZIPI0801
     Start of change for ECC6
     message e398(00) with 'Could not find access sequence'
     'for condition type:'
     p_ptype.
message e398(00) with 'Could not find '
'access sequence'
'for condition type:'
p_ptype.
     End of change made for ECC6
9. Error:
In case of Move between 2 different Structures; The structures are not mutually convertible in a Unicode program.
Correction:
Make both the Data Types compatible and then assign the contents.
E.g.:
The statement move retainage_text to temp_text. Gives an error, where RETAINAGE_TEXT is an internal table and TEMP_TEXT is a string of length 200.
A Feasible solution for this is to specify from which position to which position of the string, the fields of RETAINAGE_TEXT should be assigned.
TEMP_TEXT+0(1) = RETAINAGE_TEXT-DQ1.
TEMP_TEXT+1(1) = RETAINAGE_TEXT-HEX.
TEMP_TEXT+2(20) = RETAINAGE_TEXT-FILLER1.
TEMP_TEXT+22(15) = RETAINAGE_TEXT-AMT_DUE.
TEMP_TEXT+37(8) = RETAINAGE_TEXT-TEXT.
TEMP_TEXT+45(10) = RETAINAGE_TEXT-DUE_DATE.
TEMP_TEXT+55(1) = RETAINAGE_TEXT-DQ2.
10. Error:
In case of no description found; add a GUI title.
Correction:
In this type of error gui title is generally missing so add a GUI title to the module pool.
11. Error:
In case of writing internal or transparent table
Correction:
Write individual fields.
E.g.:
WRITE: / EXT. --> EXT should be a character type field
WRITE: / EXT-ZZSTATE, EXT-LINE_NO, EXT-LINE_TXT, EXT-AMT, EXT-ZZSKUQTY.
12. Error:
In case of combination reference table/field S541-UMMENGE does not exist
Correction:
Was due to error in reference table S541. TABLE S541 has errors
1)Foreign key S541- ZZMARKET (ZZMARKET AND KATR2 point to different domains)
2)Foreign key S541-ZZACQUIGRP (ZZACQUIGRP AND KATR8 point to different domains)
Changed the domain of ZZMARKET (from ZMKCODE to ATTR2)
And that of ZMKCODE (from ZACCODE to ATTR8)
13. Error:
In case of KEY does not exist
Correction:
The reference table for field KBETR was KNOV earlier changed it to RV61A as KNOV was in turn referring to RV61A.
14. Error:
Incase of WRITE statement, Literals that take more than one line is not permitted in Unicode systems.
Correction: To correct this error, we need to align the spaces accordingly so that the statement doesnt go beyond the line.
15. Error:
Incase of Data statement, The data type ZWFHTML can be enhanced in any way. After a structure enhancement, this assignment or parameter might be syntactically incorrect..
Correction: To correct this error, instead of like in the Data statement, use type.
16. Error:
Incase of DESCRIBE statement, DESCRIBE can be used only with IN BYTE... Or IN CHARACTER mode in Unicode systems.
Correction: To correct this error, use additional text, IN BYTE MODE / IN CHARACTER MODE along with this statement.
CHARACTER MODE is added when the data object is of flat/ character type.
BYTE MODE is added when the data object is a deep structure.
Syntax: DESCRIBE FIELD data_obj : LENGTH blen IN BYTE MODE,
LENGTH clen IN CHARACTER MODE.
Where blen and clen must be of type I.
17. Error:
Incase of DO-LOOP Error, In Do loop range addition needed
Correction:
An internal tables is declared and the two fields (VARYING field and NEXT field) were
Included inside the internal table
E.g.: In program SAPMZP02
DO 11 TIMES
     VARYING STATION_STATE FROM STATION1 NEXT STATION2. ECC6
CASE SYST-INDEX.
WHEN 1
STATION_STATE = STATION1.
WHEN 2
STATION_STATE = STATION2.
WHEN 3
STATION_STATE = STATION3.
WHEN 4
STATION_STATE = STATION4.
WHEN 5
STATION_STATE = STATION5.
WHEN 6
STATION_STATE = STATION6.
WHEN 7
STATION_STATE = STATION7.
WHEN 8
STATION_STATE = STATION8.
WHEN 9
STATION_STATE = STATION9.
WHEN 10
STATION_STATE = STATION10.
WHEN 11
STATION_STATE = STATION11.
18. Error:
Incase of the parameter QUEUE-ID Error, QUEUE-ID is neither a parameter nor a select option in program rsbdcbtc.
Correction:
The parameter in program rsbdcbtc is QUEUE_ID and so is changed in this program
E.g.: In program Z_CARRIER_EDI_INTERFACE
     submit rsbdcbtc with queue-id = apqi-qid and return. "ECC6
     The parameter name changed by replacing '-' with '_' as in program rsbdcbtc "ECC6
Submit rsbdcbtc with queue_id = apqi-qid and return. "ECC6
19. Error:
Incase of EPC Error, Field symbol <TOT_FLD> is not assigned to a field .
Correction:
This error couldn't be rectified as the error occurs in a Standard SAP include- LSVIMF29.
The OS Note - 1036943 needs to be applied.
Error:
OPEN DATASET P_FILE FOR OUTPUT IN TEXT MODE.
Correct:
OPEN DATASET P_FILE FOR OUTPUT IN TEXT MODE ENCODING DEFAULT.
Error:
Constants : c_tab type x value '09' .
Correct:
Constants : c_tab type abap_char1 value cl_abap_char_utilities=>horizontal_tab .
Error:
Data : begin of output_options occurs 0 . Include structure ssfcompop.
Data : end of output_options .
Correct:
Data : output_options type standard table of ssfcompop with header line .
Error:
PARAMETERS : NAST TYPE NAST .
Correct:
PARAMETERS : NAST TYPE NAST NO-DISPLAY .
Replace WS_DOWNLOAD and WS_UPLOAD by
GUI_UPLOAD and GUI_DOWNLOAD and check the import and export parameter types , do the changes accordingly. Because FILENAME paramater type is different because of this it will give dump.
For issue during Issue using SO_NEW_DOCUMENT_ATT_SEND_API1 Function module, the solution is After this FM we should put COMMIT WORK.
Issue:
Moving data from one structure to another structure if those two structures are not compatible
Solution:
we should use move-corresponding or field by filed we need to move it.
If database structures are different in 4.6c and ECC6.0,
Then we should go with append structure concept.
While testing the report if it gives dump at Select query level or any database or view level,then just goto that table or view and goto the data base utility(se14) adjust the database. But make sure that selected radio button in se14 transaction should be activate and adjust database
Also Check this link.
http://help.sap.com/saphelp_nw04/helpdata/en/62/3f2cadb35311d5993800508b6b8b11/frameset.htm
Reward points if helpful.
Regards,
Ramya

Problem with starting Timecode in the Timecode effect

hi everyone,
I have a problem with the timecode effect in my sequence. The strating time of the sequence ist 09:59:50:00, I copy/pasted it into "Starting Timecode" in the Timecode effect controls panel and chose "Generate" from the Timecode Source options, but the numbers shown on the display were different as the starting timecode I set. So I had to change the starting timecode in the effect controls panel to 09:59:14:01 and now it shows the right timecode on the display. how is it possible? any ideas where this difference could come from? the frame rate is set correctly. is this a bug in the PPro CC 7.1? I had to downgrade from 7.2.1, because of many problems it was causing.
cheers,
Michal
Adobe Premiere Pro CC 7.1
Windows 8
Intel(R) Core(TM) i7-4770K CPU @ 3.50GHz
32 GB RAM
NVIDIA GeForce GTX 780

Hi Jim,
unfortunately I have still the same problem with timecode after upgrading to 7.2.2. Do you have any idea what could be the cause of this?

Documentation about the complete sap-proces-chain

Hi,
I'm a SAP-Beginner and I search a good Docu about the sap-business-process-chain. This means from the creation of a customer-order to the according
creation of a produciton-order up to the creation of an invoice!
Because I will be an abap-programmer, it will be the best, if the docu
show the table/files witch are effected by the processes!
Thanks a lot for your help!

SD Configuration:
Enterprise Structure:
1. Maintaining Sales Organization
Sales Organization is an organizational unit responsible for the sale of certain products or services.
IMG -> Enterprise Structure -> Definition -> Sales and Distribution -> Define, copy, delete, check Sales organization
2. Assigning Sales Organization to Company Code
This assignment ensures all the sales made through this Sales Organization are accounted for in the assigned Company Code (Company Code is created by FI Consultant).
IMG -> Enterprise Structure -> Assignment -> Sales and Distribution -> Assign Sales Organziation to Company Code
3. Maintaining Distribution Channel
Distribution Channel is the way, in which Products or Services reach Customers.
IMG -> Enterprise Structure -> Definition -> Sales and Distribution -> Define, copy, delete, check distribution channel
4. Assigning Distribution Channel to Sales Organization
This assignment ensures, a Sales Organization can supply Materials to Customers through this Distribution Channel.
IMG -> Enterprise Structure -> Assignment -> Sales and Distribution > Assign distribution channel to sales organization
5. Maintaining Division
Division is a way of grouping materials, products, or services.
IMG -> Enterprise Structure -> Definition -> Logistics - General -> Define, copy, delete, check division
6. Assigning Division to Sales Organization
IMG -> Enterprise Structure -> Assignment -> Sales and Distribution -> Assign division to sales organization
7. Setting up Sales Area
All the sales are made from a particular sales Area. For creating a Sales Order Sales Area is compulsory.
IMG ->Enterprise Structure -> Assignment -> Sales and Distribution -> Set up sales area
8. Assigning Sales Organization- Distribution Channel- Plant
Plant is created ny MM Consultant.
IMG -> Enterprise Structure -> Assignment -> Sales and Distribution -> Assign sales organization - distribution channel - plant
9. Define Shipping Points
Shipping Point is the Organizational element, which is responsible for shipping the Materials to the Customers.
IMG -> Enterprise Structure -> Definition -> Logistics Execution -> Define, copy, delete, check shipping point
10 Assigning Shipping Point to Plant
This assignment ensures that goods from different Plant can be dispatched from different Shipping Points.
IMG -> Enterprise Structure -> Assignment -> Logistics Execution -> Assign shipping point to plant
Note: Ensure to do the undermentioned configuration also though it is not in Customizing node of Enterprise Structure.
11. Defining Common Distribution Channels for Master Data
Use
The purpose of this activity is to define distribution channels which have common master data..
Procedure
Access the activity using one of the following navigation options:
IMG Menu -> Sales and Distribution -> Master Data -> Define Common Distribution Channels
Transaction Code: VOR1
12. Defining Common Divisions for Master DataUse
The purpose of this activity is to define distribution channels which have common master data..
Procedure
Access the activity using one of the following navigation options:
IMG Menu -> Sales and Distribution -> Master Data -> Define Common Division
Transaction Code: VOR2
Pricing Procedure
In SD, Pricing Procedure is determined based on Sales Area (Sales Organization + Distribution Centre + Division) + Customer Pricing Procedure + Document Pricing Procedure. Sales Area is determined in Sales Order Header Level. Customer Pricing Procedure is determined from Customer Master. Document Pricing Procedure is determined from Sales Document Type / Billing Type (if configured). Once the pricing procedure is determined, Condition records are fetched. If appropriate condition records are found, the price is determined. If Mandatory pricing condition is missing, system will through an error message.
In SD, the steps to configure Pricing procedure are as under:
Step 1:
Condition table: If existing condition table meets the requirement, we need not create a new condition table. Considering the requirement for new condition table, the configuration will be done in spro as follows: IMG --> Sales & Distribution --> Basic Function --> Pricing Control --> Condition Table (select the required fields combination, which will store condition record).
Step 2:
Access Sequence: If existing access sequence meets the requirement, we need not create a new access sequence. Considering the requirement for new sequence, the configuration will be done in spro as follows: IMG --> Sales & Distribution --> Basic Function --> Pricing Control --> Access Sequence (Access sequence is made up of Accesses (Tables) & the order of priority in which it is to be accessed. Here we assign the condition table to access sequence.
Step 3:
Condition Type: If existing condition type meets the requirement, we need not create a new condition type. Considering the requirement for new condition type, the configuration will be done in spro as follows: IMG --> Sales & Distribution --> Basic Function --> Pricing Control --> Condition Type. It is always recommended to copy an existing similar condition type & make the neccessary changes. Here we assign Access sequence to Condition type.
Step 4:
a. Pricing Procedure: It is recommended to copy a similar pricing procedure & make the neccesary changes in new pricing procedure. Pricing Procedure is a set of condition type & arranged in the sequence in which it has to perform the calculation. Considering the requirement for new Pricing Procedure, the configuration will be done in spro as follows: IMG --> Sales & Distribution --> Basic Function --> Pricing Control --> Pricing Procedure --> Maintain Pricing Procedure.
b. Pricing Procedure: After maintaining the pricing procedure the next step will be determination of pricing procedure. Configuration for determining pricing procedure in SPRO is as follows: IMG --> Sales & Distribution --> Basic Function --> Pricing Control --> Pricing Procedure --> Determine Pricing Procedure.
5. Condition record: Condition record is a master data, which is required to be maintained by Core team / person responsible from the client. During new implementation, the condition records can be uploaded using tools like SCAT, LSMW, etc.
Normal Sales Order Cycle:-
Step 1: Sales Document Type
IMG > Sales and Distribution > Sales > Sales Documents >
Sales Document Header:
1. Sales Document Type:The sales document types represent the different business transactions, such as Inquiry, Quotation, Sales Order, etc. To create new sales order type, always copy as with reference to similar sales order. If possible use standard sales order.
2. Define Number Ranges For Sales Documents: Maintain number range with discussion with core team.
3. Assign Sales Area To Sales Document Types:
A. Combine sales organizations / Combine distribution channels / Combine divisions: Ensure to maintain these, else Sales Order creation will give error.
B. Assign sales order types permitted for sales areas: Assign only required Sales Order Types to required Sales Area. This will minimize selection of Sales Order Type as per sales area.
Sales Document Item:
1. Define Item Categories: If possible use Standard Item Category. Incase if required to create new, copy as from standard & maintain New.
2. Assign Item Categories: If possible, use standard. Formula for deriving item category: Sales Document Type + Item Category Group + Usage + Higher Level Item Category = Item Category
Schedule Line:
1. Define Schedule Line Categories: If possible use Standard Schedule Lines. Incase if required to create new, copy as from standard & maintain New.
2. Assign Schedule Line Categories: If possible, use standard. Formula for deriving Schedule Line: Item Category + MRP Type / No MRP Type.
Step 2:
IMG > Logistic Execution > Shipping > Deliveries >
1. Define Delivery Types: If possible use Standard Delivery Type. Incase if required to create new, copy as from standard & maintain New.
2. Define Item Categories for Deliveries: If possible use Standard Item Categories for Delivery Type. Incase if required to create new, copy as from standard & maintain New.
3. Define Number Ranges for Deliveries: Ensure to maintain number range.
Step 3:
IMG > Sales and Distribution > Billing >
1. Define Billing Types: If possible use Standard Billing Type. Incase if required to create new, copy as from standard & maintain New.
2. Define Number Range For Billing Documents: Ensure to maintain number range.
3. Maintain Copying Control For Billing Documents: Maintain relevant copy controls such as Sales Order to Billing, Deliver to Billing, etc.
The configuration differs from scenario to scenario & requirement of the client.
Regards,
Rajesh Banka
Reward point if useful.

Compressor 3.5 in Snow Leopard exports about 30s of a 20m sequence- WHY?

I purchased a new MacBook Pro, which comes with Snow Leopard, and installed the latest Final Cut Studio applications. I need to export a sequence from Final Cut 7 to Compressor 3.5 via the 'send to' option in Final Cut Pro. This is something that I have done for a few years now, with almost no problems at all, but now I have a HUGE problem, and Compressor isn't helping me with my sanity.
I send the project to Compressor, drop my settings into the queue, click the 'submit' button, and the sequence only transcodes to about the 25 second mark. I have turned off Qmaster sharing, I have attempted transcoding a referenced QuickTime file, and i have marked in and out in my sequence to attempt to force Compressor to see where I need it to transcode, but nothing changes the results; I always end up with a file that simply stops at about 25 seconds into what should be 20 minutes!
I am using Flip4Mac ProHD for my WMV content, but this shouldn't matter because I achieve the same results with QuickTime and WMV content. Thus far, the only major difference I can think of is Snow Leopard. Also, what is with QuickTime 10?! Yuk.
I appreciate any advice which will assist me in finding the road to sanity once again. Thank you in advance!!

Hello David,
Thank you for your suggestion, as it is a good one! Unfortunately, that is the very first thing I checked because I too recognized it as a typical Flip4Mac registration problem. However, one tell-tale sign that the problem isn't related to Flip4Mac is that the issue is consistent for ALL codecs, not just WMV via QuickTime Export Components.
Thank you once more for your assistance. I will keep searching!

About the timecode of a sequence.

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