ACR Blacks slider problem?

Hi
When i use the "Blacks" slider in ACR the darkest parts of the image "block up" and look very noisy. Unlike setting the black point or creating shadow clipping with the levels tool in PS, which gives a smooth effect, the black slider in camera raw seems to make the shadows crunchy and often with red pixels around the black ones.
I use both PS5 and PS6 and on both programs i have the same "problem". I also have used ACR 6.2, 6.7, 7.0 and 7.2. All with the same effect.
Up to ACR 7.0 the blacks slider had a range of 0-100 with the default being 5, and from 7.0 onward the slider can be set to either a plus or minus figure. In either version the default value often makes my shadows look pretty awful on screen. My question is - is this normal? In every book i read it says the blacks slider can be used ruthlessly to sett he black point but if i do that it creates a pretty blocked up result compared to the Levels black slider in PS.
I shoot with a Canon EOS 5d mk2 and the RAW files appear to have quite noisy shadows when compared to the out of camera Jpegs which have silky smooth ones. Not sure if that is part of the problem?

You have several issues swirling around...first off, the old Blacks slider in Process Version 2003/2010 is completely different than Process Version 2012. Yes, any Blacks moves in the earlier process versions tended to really clamp the Blacks...that is now considerably different in the new PV 2012.
So, which do you want to learn how to use?
The Blacks slider of PV 2012 is prolly the last slider you want to use in the tone controls in the Basic panel. If you use it too early, you are not taking an optimal approach to tone mapping. There are plenty of tutorial (Adobe TV) to learn how to use the PV 2012 adjustments...if you learn how to use PV 2012, I suspect your clamped Blacks issue will go away.
As far as the noise in the shadows, the camera JPGs get a dose of noise reduction in-camera. In ACR/LR, luminance noise reduction is set to zero (no luminance noise reduction at all). This would explain why your JPGs seem smoother than the default rendering in ACR/LR. I suggest learning how to adjust the luminance noise reduction in ACR/LR to optimize the noise in your raw captures. Some decent tutorials out there for that too...

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  • Blacks Slider Problem!

    Hey,
    I shoot with a Nikon D300s and use lightroom to process my images. I was  recently trying some grided portraits where I was exposing the model's  face and letting everything in the background go pure black. I chimped a  lot and also confirmed that the background was truly black, by zooming  in so I can see just the background, then using the RGBL histograms to  make sure they all read 0. However, when I opened the RAW images in  Lightroom and pulled the blacks slider that defaults to 5, back to 0,  the histogram miraculously showed no clipping in the shadows and my  background was now a murky gray. Does this mean that lightroom is  actually pulling detail out of the RAW, or is it just shifting the  blacks to ~90% gray.
    My light meter told me, that in several of my shots, the background was  almost 6 stops or more underexposed, which to my knowledge translates to  pure black, where the sensor is picking up no light and hence no  detail. I hope someone here can clarify my doubt and tell me if I am  missing something or doing something.In fact I took and image at f8.0 1/250th with the lens cap on and Lightroom still pulled back "something from nothing". 'Black' @ 5 gave me R:0 G:0 B:0, where 'Blacks' @ 0 gave me R:5 G:2 B:3. Could someone please explain what the issue is here?

    Nikon D300 has more than 6 F stop dynamic range:
    http://www.dpreview.com/reviews/nikond300/page20.asp
    Sensitivity
    Shadow range
    Highlight range
    Usable range
    ISO 100*
    -5.2 EV
    3.3 EV
    8.5 EV
    ISO 200
    -4.7 EV
    4.1 EV
    8.8 EV
    ISO 400
    -5.1 EV
    4.1 EV
    9.2 EV
    ISO 800
    -5.1 EV
    4.1 EV
    9.2 EV
    ISO 1600
    -4.3 EV
    4.1 EV
    8.4 EV
    ISO 3200
    -4.0 EV
    4.0 EV
    8.0 EV
    ISO 6400*
    -3.7 EV
    3.9 EV
    7.6 EV
    As already mentioned camera histogram displays are created using a JPEG processed RAW image, so not a good indicator of the RAW data!
    Download a copy of RAWnalyze 2.10.4.0 to view your RAW images "in the raw" and determine your camera's black levels.
    http://dave-anderson-photo.com/blog/2010/08/23/gabor-rawnalyze-author-rip/#more-163
    Suggest also reading the documentation:
    http://www.oitregor.com/numeric/Rawnalyze/Rawnalyse_doc/datas/RawnalyzeGuide.htm
    You may also be interested in using UniWB:
    http://www.malch.com/nikon/UniWB.html
    By trying to expose for deeper blacks you are actually doing the opposite of UniWB! The objective of UniWB is to use the maxium signal highlight range of your camera when determing exposure settings. This lowers noise in the shadow areas, especially at higher ISO settings. How you set the Black slider and tone adjustments to "crush" blacks is up to you!
    Message was edited by: trshaner
    Added comment about UniWB.

  • ACR - exposure slider

    I notice when I use the exposure slider in ACR and back off when I see just the initial red clipping my image is way way over exposed... Anyone else experience this problem?

    The clipping highlights are only an indication. Your best exposure will probably have some elements of red and blue; so trust your own eyes.
    Use the recovery slider and black slider if necessary.
    The vibrance slider is also useful - it will enhance subtle colors (e.g. sky and leaves in a landscape) without blowing out more saturated colors e.g. (red and orange flowers)
    Have a play around with all the sliders and experiment - no permanent changes are made to raw files or jpegs in ACR.
     

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    I created a slide show in iPhoto and saved it as a movie, .mov
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    Just spent a couple of hours investigating the new develop module in a bit more detail. I've been trying to simulate my LR3 presets (both colour and black and white) using the LR4b 2012 process. Here are some thoughts:
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    2. It's a much bigger change, both in terms of how you apply adjustments and the underlying code than the 2003 to 2010 change. I could update most 2003 edits to 2010 with only barely visible perceptual differences. Not so with 2010-2012.
    3. There seems to be much more localised adjustment going on in LR4b. It's hard to quantify, and I certainly see the power of it, but it's possible to end up with an image that looks 'over-processed' much more easily then in LR3. Specifically:
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    - While the highlight tool in LR3 used to pull back the highlights, used in larger amounts it could be used to flatten the lighting image overall. I have yet to find an analogue for this in LR4b. Reducing the contrast slider has a different effect as does clarity. The closest thing is reducing the whites but the effect is somewhat different.
    4. In b&w editing the blacks slider has an excessively limited range. I am bottoming out while trying to add sufficient black levels to well exposed images. This is a big problem for me as I like to produce deep rich b/w images. I never got NEAR the top of the blacks slider in LR3 but am bottoming the LR4b blacks out at -100 and wanting more from time to time.
    Thoughts welcome!

    You don't have to update your existing photos - in fact, I'd suggest not doing so unless you want to reprocess.  Leave them on PV2010 and when you come to a photo that you want to use the new sliders on, then you reprocess.  It's a completely different process so there isn't a simple one-button-upgrade as there was for 2003-2010.
    Yes, the new sliders are image-adaptive rather than linear.  Just be gentle with them.
    For your B&W's, try the Tone Curve and see how that does for you.

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