Adjusting audio gain on capture?

I'm capturing some material from a DVD through my AJA Io (no, I'm not pirating it) and the audio levels coming from the DVD player are too low for my inputs. I used to use the Mac's built in audio in these circumstances, or when using the voiceover tool, so that I could boost the gain in the clip settings tab in L&C. However, my audio gain slider is now grayed out no matter how I configure my inputs or A/V settings.
If I go to the Sound preference pane, I can boost the gain, but as soon as I open log & capture, the level in the preference pane goes back to zero.
Anyone know of any combination of settings that will allow me to adjust the gain for my clip settings?

Some DVD players have a volume control.
Probably your player has this feature, if so, it can give a help with the levels.
MAC PRO 2,66Ghz Mac OS X (10.4.8) FCP Certified Level 1&2

Similar Messages

Premiere Pro CS5 crash when adjusting audio gain

Premiere Pro CS5 crash when adjusting audio gain
The same on another workstations.
Have any idea?

Hi Dennis,
I just had a go and can reproduce the problem straight away too.
Created a new project then a new XDCAM EX 1080p25 sequence. Imported a short Sony PMW-350 clip. Dragging it straight to the timeline and then setting audio gain is OK (Source channel mapping preferences set to mono).
However, if I Modify - Audio Channels and then set track format as stereo or mono as stereo and then drag the clip to the timeline and right click - gain, Premiere crashes about 1/2 to 1 second after the audio gain dialogue box appears. Error log below if it's useful.
Asus Rampage III extreme
Intel i7 980x @ 3.33GHz
24Gb ram
Windows 7 64 bit
Using onboard sound - Realtek HD 6.0.1.6037
Incidentally, I tried with both the default Windows 7 audio drivers and then the Realtek HD drivers installed (I'd previously forgotten to install the Realtek driver when I built the PC)
Log Name:      Application
Source:        Application Error
Date:          12/08/2010 14:28:51
Event ID:      1000
Task Category: (100)
Level:         Error
Keywords:      Classic
User:          N/A
Computer:
Description:
Faulting application name: Adobe Premiere Pro.exe, version: 5.0.1.0, time stamp: 0x4bf119d2
Faulting module name: MSVCR90.dll, version: 9.0.30729.4926, time stamp: 0x4a1750b0
Exception code: 0xc0000005
Fault offset: 0x000000000001dfcd
Faulting process id: 0x16ec
Faulting application start time: 0x01cb3a21ad8357e4
Faulting application path: C:\Program Files\Adobe\Adobe Premiere Pro CS5\Adobe Premiere Pro.exe
Faulting module path: C:\Windows\WinSxS\amd64_microsoft.vc90.crt_1fc8b3b9a1e18e3b_9.0.30729.4926_none_08e1a05ba 83fe554\MSVCR90.dll
Report Id: 8b5dda37-a615-11df-8de4-20cf3011131b
Event Xml:
<Event xmlns="http://schemas.microsoft.com/win/2004/08/events/event">
<System>
    <Provider Name="Application Error" />
    <EventID Qualifiers="0">1000</EventID>
    <Level>2</Level>
    <Task>100</Task>
    <Keywords>0x80000000000000</Keywords>
    <TimeCreated SystemTime="2010-08-12T13:28:51.000000000Z" />
    <EventRecordID>2401</EventRecordID>
    <Channel>Application</Channel>
    <Computer></Computer>
    <Security />
</System>
<EventData>
    <Data>Adobe Premiere Pro.exe</Data>
    <Data>5.0.1.0</Data>
    <Data>4bf119d2</Data>
    <Data>MSVCR90.dll</Data>
    <Data>9.0.30729.4926</Data>
    <Data>4a1750b0</Data>
    <Data>c0000005</Data>
    <Data>000000000001dfcd</Data>
    <Data>16ec</Data>
    <Data>01cb3a21ad8357e4</Data>
    <Data>C:\Program Files\Adobe\Adobe Premiere Pro CS5\Adobe Premiere Pro.exe</Data>
    <Data>C:\Windows\WinSxS\amd64_microsoft.vc90.crt_1fc8b3b9a1e18e3b_9.0.30729.4926_none_08e 1a05ba83fe554\MSVCR90.dll</Data>
    <Data>8b5dda37-a615-11df-8de4-20cf3011131b</Data>
</EventData>
</Event>

Adobe Crashes upon adjusting Audio Gain and when exporting

First a bit about the systems in question
I have four identical edit bays. Each has a Dual Core 2.5 Ghz Pentium processor, 3.0 gbs of ram, a single sata drive split into two partitions (system 30 gb and video 470 gb). I am running up to date PPro 5.0.2, freshly installed on virgin drives. I was running Avsynth and FFdshow as a way to be able to import my old MJPEG footage, but thanks to Colin Brougham, I have that particular demon slain (and I am removing those two programs).I have two of the bays with the most up to date 64 bit manufacturer video and audio drivers, and two bays with Windows 7 automatically installed video and audio drivers. The problem is the same in all four bays.
We dump in one of two ways: either a direct DV dump via firewire or downloading .MXF files from our Panasonic P2 cameras via USB (can't seem to get the firewire PC dump to work correctly). The project settings I am using are DV-NTSC - Standard 48 Khz, with a slight change of requiring upper fields first (we're using a Maxx500 playout server, and it requires upper fields first). We have been experiencing intermittent crashes for a week and a half, but in the last few days they have picked up (no new updates applied, so its not that). I have two culprits:
One is an error code that thanks to this thread I know is related to the audio gain. My problem is that I have done everything I can think of and still no luck. It's been crashing with such regularity that my reporters are saving every few minutes, and I have the auto save set to 5 minutes. Today I had to reinstall this bay because it was crashing every time audio gain was adjusted.
My other problem relates to export. I use the MainConcept MPEG Encoder to output mpegs for the playout server, and about every fourth or fifth time the program will crash on export. Its not a pain to recover from, since at that point the reporters have saved and merely have to reopen and reset up the export, but it is happening far to regularly. Event Viewer references windows/system32/ntdll.dll as the faulting module. Again, I am having this error on two different bays, one with manufacturer drivers and one with Windows 7 installed drivers.
I know that despite my efforts I've probably not given enough info, so let me know what you need.

...downloading .MXF files from our Panasonic P2 cameras via USB (can't seem to get the firewire PC dump to work correctly).
That's correct. Avoid FW offloading on a PC; in fact, while it used to be the way to interface a P2 camera with a Mac, it's all USB there now, as well. Stick with USB, and you'll be fine. (I know this wasn't the gist of your thread, but I thought I'd shine a little light on that.)
One is an error code that thanks to this thread I know is related to the audio gain. My problem is that I have done everything I can think of and still no luck. It's been crashing with such regularity that my reporters are saving every few minutes, and I have the auto save set to 5 minutes. Today I had to reinstall this bay because it was crashing every time audio gain was adjusted.
This is known/acknowledged/as-yet-unsquashed bug, assuming that you're remapping your MXF audio channels from the two mono channels that are originally produced by the camera to a single stereo channel. You may be doing this manually, in the bin, or you might have a preference set to do this automatically on import (Edit > Preferences > Audio > Source Channel Mapping; if it's set to Stereo, try setting it to Use File). This bug only seems to rear its head when the mono channels of an MXF clip are remapped to stereo; if they remain as mono, you can use the Audio Gain command successfully.
If, however, your audio channels aren't stereo, post back; there might be something else going on.
My other problem relates to export. I use the MainConcept MPEG Encoder to output mpegs for the playout server, and about every fourth or fifth time the program will crash on export. Its not a pain to recover from, since at that point the reporters have saved and merely have to reopen and reset up the export, but it is happening far to regularly. Event Viewer references windows/system32/ntdll.dll as the faulting module. Again, I am having this error on two different bays, one with manufacturer drivers and one with Windows 7 installed drivers.
When you say "MainConcept MPEG Encoder," are you referring to the MPEG2 encoder that is part of Premiere/AME, or are you referring to some sort of add-on encoder?

Unable to adjust audio gain

I got Final Cut Pro 5 today.
In FCE 2, when I want to increase audio volume, I drag up the horizontal line on the audio clip to the dB level I want, and all is well.
I tried the same thing with FCP 5. It lets me move the line up, and it shows me a change in dB level, up to +12 dB. However, there is no actual change in the audio level. I've tried it several times with no success.
Any suggestions would be appreciated. Thanks.

Thanks, Sabrina: "Double click the clip in the viewer go tools and adjust from audio mixer."
Obviously this is a difference between the two versions. It worked for me.
To answer TV Show Guy: "Do you see a difference in your audio meters?
How are you monitoring your audio?
I could tell by listening that there was no effect from adjusting on the timeline as in FCE 2. The meters were equal and unchanged until I used Sabrina's method.
Thanks to all!

A way to adjust audio when capturing video?

I transfered some video/audio and am having distortion in some audio.
The original audio does not peak and when I captured it in Premiere CS6, it is not peaking out, but when I play back, I can hear occasional distortion. The video is up at:
http://www.youtube.com/watch?v=aNNgJiZMrRA
Does this sound like it is overmodulating or is something else happening?
Is there a way to adjust audio when capturing audio or is it a straight feed? Wondering if I can lower the audio input to try to fix.
thanks in advance for your help,
Charlie

How are you capturing the content? Because in my experince premiere doesn't have a way to adjust the audio levels of what your capturing. However if you post how you are capturing the footage in more detail I might be able to help. Please tell me exactly how you have everything hooked up.
For example if you have the camera hooked straight to the computer or if you're using a capture card if so what kind. Some capture cards have audio gain settings which might be causing the issue. Also some decks and cameras have audio playback volume settings which can also cause audio to be sent to premiere louder than what it started as. So if you give more detail I may be able to offer some sort of help.
One thing you might try though to remove that distortion is too add a lowpass filter to the audio, and start off by setting the low pass filter to like 3000 and just adjust by 500 up or down from there until the distortion goes away. I've had to do this in the past with audio that's distorted before. (Although I haven't experinced the specific issue you're experincing before.) Although it will make the persons voice sound muffled it will take most of the distortion out. Which getting rid of distortion at the cost of making it sound somewhat muffled is a decent trade off if worse comes to worse and you can't get the issue figured out.

Audio Gain Adjustment for LOUD sounds sources?

Any developers know if a hardware adjustment like an audio level gain control is possible within a third party application. My canon digital camera allows me to manually attenuate loud sound sources with the assistance of a peak meter to prevent distortion from loud sound sources such as those in a live concert setting.
It's sad to see all these youtube video clips from live concerts with totally blown out audio which could have been prevented by a simple mic gain adjustment.

OK, I might have found a workaround. If you are indeed talking about mono audio mapped to stereo, there's a fairly simple solution: instead of using Audio Gain on a clip in a sequence, simply use it a on clip in the bin/Project Panel instead. To do this, just select the clips you want to use Audio Gain on, and then go to Clip > Audio Options > Audio Gain (CS5.5 has added this to the right-click menu). Even when mapped to stereo, there is no crash--at least, not in my testing. It seems to be OK even when the clips are already used in a sequence; note that it won't affect clips already in the sequence, though.
Does that work for you? Just did a quick test here...

PROBLEMS SETTING MASTER GAIN IN CAPTURE WINDOW

I am having problems capturing audio at optimum levels.
In other words my audio levels in my log and capture window
do not match the output of my tape (bars and tone).
To be more specific:
I am capturing from a Sony Beta deck (BetaCam SP).
The tape has Bars and Tone. I am running the audio signal through
my Mackie CR1604 audio mixer in order to control levels going into FCP.
The signal goes out from the 1604 into my AjA IO then out of AjA IO into
my MacG5 via the Fire Wire connection.
I have the Mackie levels set at 0 (zero unity gain) just below the
point of clipping using the tone from the Beta Tape.
My first thought was to boost the input in FCP using the Master Gain
setting in the log and capture / clip settings tab.
My problem was that the meters in my capture window (clip settings tab)
were greyed out. Well I found a way to access them by changing
my settingsby way of the following path:
Audio Video Settings / Capture Presets / Preset Editor. In the Preset Editor
I changed the QuickTime Audio settings device from Pro IO (AjA Io) to
Built-In audio. This allows access to the Master Gain slider in the log and
capture window.
No good...I can not get the audio levels in the capture window to match
the levels on my Mackie 1604. They should match.
(they are way too low and the Master Gain slider is maxed out)
Please help!!!!!
Michael Kraus / mak design co.

I need the Mackie 1604 mixer to boost or lower audio levels.
Lets say I have a Beta tape (or any tape/media) with bars and tone set to Zero db.
Thats great BUT what if the videographer had some areas in the tape
where levels were too high / hot or too low. The Mackie allows me to
boost or lower levels.
As for the headache of re-digitize/ re-capture....I see your point but it is usually
not a big problem. Especially since most of my tapes have tone at the head
of the tape set at zero db for me to "calibrate" to. The audio on the remainder
of the tape does not surpass zero db most of the the time (in a perfect world).
There are some times where the world is not so perfect and I need to
adjust levels.
My problem is that the levels out of the Mackie output and the levels
of the FCP / AjA IO input are different enough for there to be some concern.
I am in a sense doing what you are doing on the deck using the Mackie.
This is the way I always went about things when I ran my Avid video editor
and never had a problem. I am certain there are many people using the same
approach.
The bottom line is there is some kind of drop off in levels going into FCP via
the AjA IO.
I appreciate your input...Thank you!
Let me know if you have any other ideas.

Can't adjust Clip Settings during capture

Hi,
I am capturing Betacam SP footage into FCP 5, using Decklink SP. I have both Video and Audio and checked in the Clip Settings, within Log and Capture. However, it won't let me adjust the values for the waveform (the Hue, etc sliders) and moving the audio gain slider has no effect.
Coming in from an analog source, I need to adjust my video scopes and raise the audio, however I'm locked out from adjusting anything.
Any idea why this is?

No, the device control is set to Decklink's own system.
I can capture and shuttle the deck, but I have no control over adjusting levels. Which is sort of a hassle.

Audio gain, treble and bass

Hi there,
Again, equating this software with Premiere Pro...in the past I treated my audio with a few basic tweaks, namely right click on the audio and choose "audio gain - normalize". I'd then add some bass and treble depending on the person and then ensure the levels weren't peaking..and that was pretty much it (I know..shameful I'm sure).
On looking at the audio facilities in FCP I don't see any of my comfort zone stuff..i.e. normalisation, bass and treble..eeek. Do they expect me to dabble into the realms of the unknown and use "sound track pro". I don't think the learning curve could take it right now.
Hope you can help with some FCP audio settings.
Regards
Carol Ann

Hi carol,
What version of FCP are you using?
In FCP 5, the closest thing you'll get to a normalisation feature is the AUDynamicProcessor (Effects>Audio Filters>Apple> AU DynamicsProcessor)
Don't be alarmed by the different parameters of this filter, because really you only need to adjust the 'attack time' to around 0.02, and the 'compression threashold' to around -40, then alter the volume of the clip to bring it up to desired level... if you get what i mean...
This filter is also highly invaluable for it's 'master gain' feature, which enables you to increase the volume of a clip above and beyond the maximum (+12)... really handy for poorly recorded interviews.
I use this filter for a lot my audio woes, and it really does the job.

Adjusting audio output based on an audio input!

Kay so I live in an older apartment where my AC bombards my eardrums every ten minutes. My stereo master slider on my mixer is my best friend for overcoming this inaudible catastrophe! Men, I need you to help me link my microphone to my audio output gain so one of my arms doesn't get very strong compared to the other. I've been working out my other arm on a daily basis, but it's coming to the degree where I can't walk in a straight line. To prevent the repetitive volume increases and decreases and keep me from walking in circles, is there some software I can use to auto-adjust the gain from my machine?

Ok,
Looked simple, but fun, so I did it. Where you go
#!/bin/bash
MAX=20.0
MULT=1.0
TIME=5
function volume(){
arecord -f S16_LE -r44100 -d $TIME 2>/dev/null|sox -t wav - -t raw /dev/null \
stats 2>&1 |awk '/RMS lev dB/ {print $NF}'
level=$(volume)
while true; do
new_level=$(volume)
diff=$(echo $new_level - $level|bc -l)
level=$new_level
adjust=$(echo "
v=$diff*$MULT;
if (v < $MAX && v > $MAX*-1){
if (v > 0) {
print v,\"%+\"
} else {
print -v,\"%-\"
} else {
print \"0%+\"
}"|bc -l)
echo $diff,$adjust
amixer set Master -i $adjust >/dev/null
done
Its use arecord and sox to calculate the noise and bc to do some math (because bash is dumb =[). Some parameters MAX is the maximum absolute adjustment that can be made, MULT is a multiplicative factor applicated to the difference of dB measured, and TIME is how much seconds to record in each pass.
TIME can be used to adjuste the reaction time, a small value (like 1) react nearly instantaneous but a bigger value like 6 give some margin for rapid pops in the noise and only adjust if the noise difference existed in much part of TIME window.
When I use pulseaudio MULT=1 works ok, but with alsa I need MULT=5.
About pulseaudio, I started using it this week, and I really think that using pulse audio you have a lot more clear/cool/functional solution, but I need to explore it...
I dont know much about sound theory, so I dont know if I choose the best 'volume' description, but you can look at sox man pages and look for something more adequate (look for stats and stat).
PS. I hate bash... zsh is so much better (but, python is better than all) I only used bash because, uhhh I dont know the reason... masochism?
Last edited by kazuo (2010-05-31 10:31:07)

Adjusting Audio Volume Levels

Often, one has Audio that is too loud, or too soft. Sometimes, they have added a music Track, that needs to drop down to clearly hear the dialog from another Clip. While there are Audio-editing programs, like Audition, SoundBooth, and even the free Audacity, PrE, or PrPro can handle such adjustment just fine. These adjustments can be made for the entire Clip, or can be Keyframed over time.
First method, and not one that I recommend, is to adjust the Audio Gain of the Audio Clip. This is done by either Rt-clicking on a separate Audio Clip, or by first Alt-clicking, and then Rt-clicking on a Muxed Audio Clip (Multiplexed with both Video and Audio in one file). Then, one would choose Audio Gain, and adjust that. This method will also allow one to then adjust the Volume by a greater amount, and has the bonus of increasing the Waveform Dislay vertically.
The next method is to look at the Audio Clip (or the Audio portion of a Muxed Clip), and click-drag on the yellow-orange “rubberband” for Volume, and move it up, or down. This can be Keyframed, but the next method is much better and more precise, in my estimation.
My first choice is to adjust the fixed Effect>Volume. This is done from the Effects Control Panel, and it is very easy to Keyframe these adjustments over time. This is much more accurate, and actually easier, than click-dragging the rubberbands in the Clip itself. Accessing the Effects Control Panel is slightly different, from PrE to PrPro. In PrE, one would Select the Audio Clip, then go to the Effects Tab, and choose Edit Effects, locating the Volume Effects and twirling it open to view the slider. In PrPro, if one does not already have the Effects Control Panel in a Pane in the GUI, it would be accessed from Window>Effects Control Panel. With the Audio Clip Selected, one would locate the fixed Volume Effect, twirl that open, and make the same adjustments, including Keyframes, if necessary. These will be Clip Keyframes, and will follow that Clip, where ever you move it. This is a difference from the next method.
My other choice would be to use the Audio Mixer (Window>Audio Mixer, if not open), and to automate the Volume settings. This is accomplished by playing the Timeline and adjusting the sliders for Volume for each Track. In PrPro, one would first set the Send to Write, or Touch, to make those adjustments, then switch back to Read, when done. There are no adjustable Sends in PrE, so one is always in Read, until adjustments are made, and then it’s set to Write, but you will not see this change. After you are done, you can playback the Timeline, and watch the slider(s) automatically move. These will be Track Keyframes, and will remain on the Track, regardless of what Clips you add/remove from that area of the Track. Unlike the Clip Keyframes, these will NOT follow the Clip.
One can toggle the Keyframe of an Audio Track between Clip, or Track. Also, the default frequency of Audio Track Keyframes in PrE & PrPro is a bit high, in my opinion. I drop these down a bit in Edit>Preferences.
For the Keyframing, one can alter the Velocity of the Keyframes to Bezier from Linear, and the adjustments will be a bit smoother. Besides the Bezier, one can use Ease-Out and Ease-In, which are Bezier, but basically in a Preset. In PrPro, one has several different Bezier options. In PrE, one is a bit more limited.
For setting the Volume, I recommend that one only glance at the Levels Meters (unless they are peaking in the red), and instead use a pair of high-quality headphones (noise canceling models are worth the money), or fully calibrated studio monitors. Let your ears make the decisions for you, as the dB settings should only be a starting point.
In PrPro, one can also Rt-click on the Audio Clip, and choose Edit in Audition (if you have it installed), or Edit n Soundbooth (if you have one of the suites).
Here is a look at Audio Keyframes in PrPro 2.0. Things are similar in PrPro later versions, and also in PrE, with the above noted differences:

Here are some AdobeTV tutorial links for Premiere Elements Audio:
http://tv.adobe.com/watch/learn-premiere-elements-11/adding-and-customizing-an-audio-effec t/
http://tv.adobe.com/watch/adobe-digital-school-collection/audio-mixing/
http://tv.adobe.com/watch/learn-premiere-elements-10/get-professionalquality-sound-through out-your-movie-/
http://tv.adobe.com/watch/premiere-elements-9-how-tos/enjoy-a-perfect-balance-of-audio/
Hunt

Premiere CS3 Audio Gain issue

My machine at work was just upgraded to Premiere CS3 and I've noticed a couple of issues (bugs?) with it. I'll list them separately to keep things nice and neat. I did a search of both the forums and knowledgebase, but was unable to find what I was looking for.
When adjusting the volume for an audio clip using Audio Gain, the waveform for that clip is being adjusted as well. If you raise the volume, the waveform gets bigger. If you lower the volume, the waveform gets smaller. This wasn't the case in 1.5 and 2.0. Is there a way to disable this in CS3? Adjusting volume levels of, in my case, music tracks (mp3's, wav's) then trying to edit to the beat is much harder now since the waveform for that clip has been made smaller.
Thanks in advance for any help you guys might have. :)

That is awesome...I had not even noticed that happening on the waveforms. For all of the previous issues with waveforms redrawing and such, it's nice to see an improvement in that area.
And yeah, definitely not a bug. Howard's right...your statement alone makes the problem clear when you say you are adjusting volume using audio gain. Audio gain is for input, volume adjusts for output and you are correctly trying to adjust output level but you really ought to use the volume control in the effects tab for that, especially if you intend to increase/decrease volume during the presentation.
Fun.

Adjust audio on multiple clips at same time (not in same timeline)

I have 341 individual audio clips in a bin (individual sequences) and I need to raise the dB on all of them (probably +3 or +5). I have 3 languages to do this in for a total of almost 1000 individual sequences. I'd prefer not to have to set each one manually. It's easy enough to open all timelines by selecting all, but then I have to manually adjust each sequence by selecting it then using keystrokes to up +3 or +1, then close the sequence.
I can't use Sound Convert because I need to retain the .ima4 encoding on the audio files. Sound Convert can do a batch audio gain change - but I can't find a way to do it in Final Cut Pro. Any suggestions? Have tried Automater too - but that's tedious.
Thank you all!
Denise

David Bogie Chq-1 wrote:
From the OP:
I have 341 individual audio clips in a bin (individual sequences) and I need to raise the dB on all of
them (probably +3 or +5). I have 3 languages to do this in for a total of almost 1000 individual
sequences. I'd prefer not to have to set each one manually.
How were these clips of yours created that they were too low to be audible? How were your sequences created without using the VU meter or with no regard for the presentation requirements? The question you need to answer is quite simple:
Do you recapture them all properly and replace the media or do you slog through the effort required to correct the mistakes you and your team made?
The effort required to build a hack often surpasses the effort to start from scratch. But I hope you get a decent suggestion for a script.
bogiesan
Wow. Thanks for this helpful post. Must be great to never work on a project where requirements change or Apple changes specs in the 3.0 SDK that weren't there in the 2.2.1 SDK. Lucky you work on all those straight-forward and easy projects. Gosh...must be nice.

Why no audio during screen capture in quicktime pro

why no audio during screen capture in quicktime pro?

Verify that your Mac has the right Input selected by default > OS X Mavericks: Adjust your computer’s sound input
Then, give this a try -from Mac Basics: QuickTime Player creates, plays, edits, and shares video and audio files - Apple Support
ÇÇÇ

How do I shift clips and audio and adjust audio levels in CS5.5

OK, a couple of things.
I'm trying to shift everything over (this includes videos, some name supers, and unlinked audio) so I can insert some music here and there. I can drag the music on to Audio 2 or something, but I still want to scoot everything else over a couple of seconds. Is there an easier way to do this?
Secondly, I want to adjust the audio levels on the music. SO I want it to start off soft, grow louder, then back down until you don't even notice it. How would I do this? Thanks.

For the Nudging of multiple Assets, have you tried Selecting them all, and then using the Cursor Keys (arrows) to Nudge, one Frame at a time?
For the ramping up/down of the Audio Volumes, there are several ways to do that. Keyframing the Fixed Effect>Volume (in the Effects Control Panel) will allow one to adjust the Volume up/down over time. If you have never done Keyframing, then I would start with the Help File, as there are a lot of things to learn. Once, however, you have concepts and mechanics down, Keyframes are easy, and so very powerful. This article discusses several ways to adjust Volume/Gain, and might be useful: http://forums.adobe.com/message/3472343#3472343
Good luck,
Hunt

Adjusting audio gain on capture?

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